The Pre-sunrise windy morning was chilly with the breeze cutting through the kinks in my cold armor. My first instinct was to work the ridges but I went to the top first instead of working up. I usually don’t take the high photo early in the photoshoot. This whole timeline has marvelous pastels. A plus was the moon was almost pink too shining though the pink alpenglow. Blue clouds thicker but parting to let the moon peek through.
A Supermoon is one when the moon is at perigee (closest to the earth on it’s elliptical orbit). The moon looks particularly large because it is lol. An Egg Moon, Fish Moon, Grass, Sprouting Grass Moon and otherwise known as the Pink moon historically. According to the Old Farmer’s Almanac, April’s full moon often corresponded with the early springtime blooms of Phlox subulata, a pink wildflower native to eastern North America. The wildflower is commonly called creeping phlox or moss phlox – and also goes by the name “moss pink.”
Syzyge (SiZ-i jee) … what a wonderful scrabble word. It’s a nifty occurrence though. Conjunctions of 3 celestial objects (sun, earth moon) is an alignment in a straight line). A solar or lunar eclipse when all three are aligned is Syzyge Perigee syzgy… the moon is at perigee AND there is syzygy happening, aligning with the Earth and Sun, It’s termed perigee syzygy, AKA Supermoon.
Now you know as much as I do about the Pink Moon this year. All my images are posted about a week after they are taken so this posts the 14th, taken the morning of the 7th. It’s as fast as I can get to new images posted these days as I write these narratives right at a week ahead of their posting. (currently).
Actually this is indeed a 98.5 Percent Full April “Pink” Moon but the images title is a classic reference to a Movie Line. If you know from where, you could be my friend lol.
This is a very long 1200 mm telephoto shot with the sun being mostly up behind me with a brief over lap. Having the two celestial bodies at the horizon with daylight and a full moon is a one or two times a month opportunity IF the weather cooperates. Of course I have the moon lowering in the sky from about an hour before this. This particular one the last shot of the timeline consisting of several hundred images.
I am standing on my ground which is the same elevation as the saddle between the two far peak. That range of mountains is called the “Red Hills” and is 40 (forty) miles distant from my camera. The Intervening Little Powder River Valley 500 feet lower than the far ridge removed all that ground between here and there. A sand grain at a time the 20 foot wide “Little Powder” River carried all that sediment down to the Gulf of Mexico, through several tributaries. Some of it is still in the river banks along the way. All things eventually work to the sea.
This, looking westward barely diagonally across the Wyoming to Montana border. The moon setting at 279 degrees. I prepositioned myself just so it would set between the peaks. Fore knowledge of how things work makes your photo session “predictable”. It helps you choose to use the map in your head. Google: ‘Moon Compass’, and work the choices.
Sunset 40 Mile Ridge . The Sun becomes stuck in a rut occasionally as well. 😜
The solar disk was occluded by thick clouds before this. I thought I wasted my trip out. This last minute break/slit occurred . Then it slipped under the cloud deck which allowed this very small portion of the far horizon.
Looking into the setting sun from 40 miles distant. That Ridge is in the “Red Hills”. (Their name.) The horizon rising to cover the globe of fire so delicately veiled by the shroud of clouds close to the ground this evening. The nuclear processes emitting photos traveling 93 million miles over about 8 minutes of travel time. Light travels at 186,000 miles per second so I am actually looking back in time and Space by 8 minutes.
Awkwardly, I remind you that the sun is not line of sight here but actually below the horizon. The image of the sun is bent around the earth. RIght around the curvature a bit. Distorted from below the line of sight into my view. Its a phenomena that is always happening as the atmosphere acts like a lens and bends the image. When ever light travels through medium(s) of different refractive index(s), it get’s bent. The various different temperature layers of the atmosphere work in a similar way to a glass lens of the same curvature. does with the light. It’s not until a few minutes later that line of sight catches up with reality as the sun rises above the atmosphere.
The Deep Yellows and Reds of this Image are the only colors to reach my photon capture devices (cameras). The atmospheric moisture and dust is the gauntlet to all shorter wavelengths. I carry a variety of these photon traps with me most times I venture out into the backcountry. This one was a Sony Alpha 7RIV, 600mm G Series Sony/Zeiss Telephoto with a 2X focal extender by Sony. 📷
That Ridge is indeed 40 miles distant from my camera. Those fully grown 50 foot tall pine trees . They exist on that high ridge called the “Red Hills” that the sun is “setting” behind. The “Red Hills are the highest point between my ranch and the Big Horn Mountains.
Don’t forget now… This is not a sunset but a ridge rise .. Actually the ridge is rising in front of the suns face. We are the ones that are moving not the sun in this relative geometry any how. 🤔 You know, the earth is spinning like a top….
The swirl of clouds and mists were heavily blocking the sun until it broke through at the last second saving it’s best for the last light of the day. Once your on stage, you want it again. The sun must like it because it seems to keep coming back over and over for more …. 👀 I’ve been up on that ridge a time or two and it’s about 500 feet over the surrounding ground to the west and has BIG views of the BigHorn Mountains just over its shoulder. Big Views!
Pointing Really long telephotos at really bright sunsets is an exercise in very high f-stop in the 70 (ish) range depending on your rig. You want a pin hole aperture as a wide open lens would cook your camera’s sensor chip. Shutting the camera down to light has the benefit of silhouetting everything but the bright stuff (highlights). By the time you see a yellow sun versus a white sun in my images, I’ve turned the shutter speed fast enough to only let that light register with the sensor.
Here I’m using a windmill filter to moderate the bright light coming from that big Supermoon at perigee (closest approach to the earth). I lost about 30 percent of the light which is enough for my camera to pull the tower in the haze out of the dark. It would have been harder to do with the extra light had the windmill not been in the way. Those durn Photobombing Windmills always seem to work into my landscapes but this time, “Sneaky Pete” helped me some. I have no control over his actions…. 😜😜
Big Long Telephoto lenses have a tendency to CRUSH perspective like a compressed accordion . Getting topography, Windmill and Moon all to line up at the same time can be challenging. All the while, at the same elevation as the sail…..not that regular an occurrence lol. I know the topography I work pretty well after ‘working it’ for decades. Knowing the direction the sun is going to rise is a matter of looking it up on google. Get a map, (in my head by now) and figure out “what two or three things” can line up.
I never know WHAT the show is going to be when I go out with cameras. I do usually know WHERE an alignment will occur. 😄 This moon didn’t sneak up on me by any means. It was however a question as to whether or not it would dive into a cloud bank that morning lol.
Icy Wolf Moon Set (Super Blood Wolf Moon for 2020)
Native Americans called the January Moon, the “Wolf Moon” primarily because this full moon occurs in the dead of winter. It’s cold, the ground is frozen, and the prey pickings are slim. Wolves were hungry during this time thus plaintively howled at the moon, their calls frighteningly echoing in villages.
A few definitions that apply to this moon….
A Supermoon is one when the moon is at perigee (closest to the earth on it’s elliptical orbit). The moon looks particularly large because it is lol.
Blood Moon, Blood moons historically have actually had blood shed under them unfortunately. This has indeed influenced the course of history. The Blood red this month described from the Lunar Eclipse coincident this Super moon. I did not have a photographic window to the eclipse.😔
Syzyge (SiZ-i jee) … what a wonderful scrabble word. It’s a nifty occurrence though. Conjunctions of 3 celestial objects (sun, earth moon) is an alignment in a straight line). A solar or lunar eclipse when all three are aligned is Syzyge
Perigee syzgy… the moon is at perigee AND there is syzygy happening, aligning with the Earth and Sun, It’s termed perigee syzygy, AKA Supermoon.
Now you know as much as I do about the Wolf Moon this year. All my images are posted about a week after they are taken so this posts the 18th, taken the morning of the 10th. It’s as fast as I can get to new images posted these days as I write these narratives right at a week ahead of their posting. (currently). Keeping up producing 6 finished fine art images a day is a bit of a chore but I am keeping up lolol. 📷📷🤘
This is tough capture that your not going to get on your cell phone lol. Let me set the stage for this stage play beyond most of your picture taking experiences.
To have this melodrama unfold in your mind, please understand that that silhouetted ridge is 40 miles from my camera. The sun a bit further. With the prodigious size of the optics, a significant wind cross section can be a factor moving your camera about. Not so much for this bright light capture. Shutter speed will dampen that motion. You need to use a fast shutter 1/2000th sec or higher so as not to gather too much light. Also LOW ISO numbers (camera sensitivity).
The most important thing is setting your camera to a HIGH a f-stop number as you lens will go. If you don’t, this WILL cook your camera’s sensor if your not working through a pin hole sized aperture. Talk about a bright scene….. The human eye has no right to be looking into such a harsh environment. (Disclaimer below)
Working from a high ridge helps get above the hazier air (at times) closer to the ground out of the picture. It improves the angle. Position is everything. Now I’d love to have a cell tower or a building for scale. Alas, there are not many up in this country with no cell service lol. Those are full sized trees and they are really REALLY far away👀 3200mm lens involved in this. Tripod for sure lol.
I remind you that it’s not the sun that is setting/falling here. We live on a spinning ball with the horizon actually doing the rising thusly slowly covering the face of the sun. The “Sun Slit” under the thick cloud deck above was just a sliver. Only allowing this fleeting scene to penetrate the space between the cloud with the opaque earth.
Disclaimer: Do not point your camera at the sun without knowing that DSLR’s have a direct light path that can and will blind you if you watch the sun through it. I use mirrorless full frame technology and watch scenes on video. No direct light path AND