Deep in the backcountry sits this deep gully system. It is a magical place with artesian springs, little evidence of humans dinosaur fossils literally visible on a few rock outcrops about. Well there are a few pits around. Removed most of those fossils I’m aware of. These small pits will be poor evidence I was here but in a mere 20 years. Those will fill small holes will, collapse/fill, naturalize as it were.
80 years ago in the early 1930’s, there was a log cabin on a small homestead not 500 yards from this location. The ranch was visited several times by one of the now adult (elderly woman). That 80+ years ago grew up here. Situated there, a wonderful dinosaur fossil site. Just below their old homestead it was. Less than 200 feet away,
I can’t believe the kids didn’t notice teeth, claws and bones. They are coming out in various spots (Microsites) sand down in the “wash”/gully. Being adjacent to the house make me think that they just didn’t randomly notice. Hard to believe that 3 kids didn’t play down in that gully in the sand. Now If I had seen a tooth laying in the sand as a kid….Who knows what I’d been doing now. I found a fossil sea shell on a gravel pile in Illinois at age 5. I became a geologist as a result of that experience. “Oh look mommy what I found”…. I have found WONDERFUL big teeth down there on the surface. 👀. Looking is fine, it is better to see.
Rife with stories now lost to history is this backcountry. The woman mentioned above brought her extended family up 2 times over 10 years. . I led her to the old remnants of the cabin safely as it’s about 3 miles of two track roads to get there. The metal/glass “dump” over the gully bank edge remains in testament to their existence. The great grand kids got to rummage around and pick up parts of their family history. Old glass bottles, car parts from the 20’s along with general debris that were just too broken to fix remain. Old broken stove parts and even a partially standing sod roofed root cellar/storm shelter. Each part tells a story of acquisition, use and finally deposition of the item. Lives past put into perspective.
Down in the gullies where everything eventually travels to the sea.
I actually saw this scene live real time resolving it easily with my eyes. To my knowledge, there is no way to photograph it using only one photograph. The difference of illumination between the reflection in the water and the brightness of the moon was too large for my gear to resolve. So I took an exposure of the moon properly followed by an image of the water properly exposed.. Merge the best parts of both photos and here you have a composite art work reconstructing the scene as I experienced it. The technology commonly in use today is inadequate to capture such a scene with this extreme dynamic range in a single frame.
In other words, I can take a good photo of the moon and see nothing in the water. I can take a photo of the ripples in the water but the moon is bright white. The only way to see the scene the way my eyes did, is to merge those digital images. Human eyes see a wider dynamic range than do cameras thus far in their development. I could see this very well except it was pretty far away. Technology is chasing the 21 F-stops the human eye can discern where as the best cameras I can afford will give you 15 F-stops dynamic range.
I figure in 5 or 6 years and as many generations of chips I will be able to do this in camera. It was very cool to have this all line up though. Getting topography and Celestial objects to cooperate is a once a year thing at best when weather cooperates. I was back about 400 yards for this from the wind driven choppy water. Because it’s a composite, technically this is ART imitating an actual scene. 600mm F-4 lens. At f-11.
Pine trees, once they loose their bark to weathering and decay, show their grain. This snag might be 50 years dead stil standing by habit after it stood here for several hundred years living. This hillside that it is on protects it from as much cattle pressure (rubbing/scratching) as it would get on a valley floor. The spiral grain is the tree being twisted by the winds pushing unequally on the sunny side versus the less dense shady side of the tree. The winds will gradually turn the tree into a corkscrew. Inexorable force over a long time is the reason for the spiral growth. I point out that the ground UNDER the tree has worn away on this slope which is testimony to the rate of erosion of Cretaceous age sand off this 45 degree slope. .
Nature does many things we don’t think about unless we look below the trees skin (bark) to it’s structure. I know of quite a few of these trees. Usually they are broken up pretty badly. This one is “well preserved”. I’ve tried this angle a few time. It’s pretty difficult to get the close far perspective to work on this hill slope.. I still needed a sense of the 40 foot long snag. I did have to wait until the sun went behind that little cloud to take the edge off the lighting. This was still pretty early a few minutes after sunrise. Blocked mostly from the sun I usually work with doing perspectives. This cloud comes along and makes it all possible 😜📷
Protective of the Sun by Frank Bliss (This is an ART/PHOTO Hybrid)
Do you see things in Clouds? 👀📸 What do you imagine here?
Now that I mentioned this is art, I would point out that only 1/4 of it actually is art, the rest of it is a 100 percent real image. All work and no play make photorealistic Frank a Dull Boy. I like to follow up on the potential for this kind of work on a particular image if I get the time/chance. I usually have to make the time in the middle of an otherwise photorealism filled day. In the world of the digital darkroom, I get to play a bit. This is a slightly modified Wyotana borderland sunset from last week. One week is my turn around time now from taking an image to possibly posting it.
To create this, I took the original image which just didn’t have the left side eye. The nose is a real lens flare which I carefully lined up in the camera to the 12 o’clock position. The flare was in the original capture. So I mirrored the right eye and the clouds onto his left cheep from the original side. Then up high I mirrored the outline of the head right to left. So the left eye/cheek, part of the clouds up high. Nothing else was messed with other than color a bit. But this is art and all rules go out the window. As I was taking this, the possibilities were obvious to me in the composition stage of this capture. Long before the click.