This 99 Percent illuminated lunar disc has learned it is a lot of work to move all that cheese to the zenith of it’s orbit around the earth. . Resting too long will upset all the tidal charts that mariners use for sailing. Can’t have that…. Here I caught it resting in a soft grassy spot none the less. It saw me and rose to the occasion….
I find that the moon is a lazy celestial object. Always sitting down on the job. Here I caught the sneaky planetoid JUST lifting off the “Grass Recliner” it was sitting on. Who knows how long it was sitting there. I mean I only saw it move after I pointed a camera at it… I catch the old guy resting on unusual things all the time. This while walking parallel Ridges on the moon shadow line.
Missed are a million moments in time depending on the angle you find yourself observing a particular scene at. Every different angle will give you an entirely different viewpoint. I’m always looking at angles and what I have to do to achieve the perspective I’m looking for. The ability to anticipate the way things WILL happen and being there with a camera in your hand is about 90 percent of the photography game. The rest of getting the photo is reliant of your positioning before that time/space moment. My biggest limiting factor besides gravity is topography. Can’t stand with no ground under you or climb where there are no steps yet.
The red light passing to the pink/red “Belt of Venus” alpenglow behind the snag pine tree. That phenomena projected filtered to red light on the ice in the sky opposite of the sun. Same effect here but on the moon.
This just the atmospheric gauntlet of dust, moisture of all phase states, pollution etc block out all but the red light. So the “Worm Moon A.K.A. Lenten Moon, Crow Moon, Sugar Moon, Sap Moon, Chaste Moon or just the March Full Moon lol.
Getting topography/ hills and a celestial object to cooperate the same time can be challenging. …I know the topography I work pretty well on the Bliss Dinosaur Ranch after ‘working it’ for decades. Knowing the direction the moon is going to set is a matter of looking it up on google. Get a map, (in my head by now) and figure out “what two or three things” can line up.
I decide where to go early on but am flexible enough to change mid stream because I’m very mobile. Getting around these days in snowy or muddy hills is a requirement for this job lolol. I never know WHAT the show is going to be when I go out with cameras. I do usually know WHERE a celestial alignment will occur with what hillside. 😄 This moon didn’t sneak up on me by any means. Getting up on the high ridges is of course the place to be for such a shot. The backcountry high in the hills provide all the topography and perspective that any photographer could need. Having effectively unlimited access to many square miles of backcountry Wyotana is always a good thing with a camera.
The chill of the upcoming winter was in the air. I captured an old soldier of a wildlife tree. Heavily used by Wood Peckers and Flickers to hunt in for grubs. It oversees/overllows all on it’s high backcountry ridge redoubt. A safe nest for a dozen creatures. Within is a rest from the relentless high ground wind. A rest here for this Great Horned Owl while the rising moon lights up the scene. While dark to our eyes, the extraordinary night vision of the hunting raptor (and my Sony Alpha 7RIV) pierce the darkness. 😜 📸
Did I mention the above is art. The moon just by itself is a 16 image composite. I own the owl silhouette and the snag/twilight photo. Took me a bit to do this well. 🤔👀 (Landscape up to 3×2 feet)
Now the Science:
The owls perception of the night world and need to detect the smallest movement a trait of the species. This would be a real world nocturnal and uncommon encounter. I’m ignoring the limitations of physics and gear to get an image like this require it’s construction in the digital dark room. This scene has happened millions of times however. They would be REALLY hard to catch in the real world. It’d take a heck of a lens to do this at maybe 500 yards out. Having said that, if this ever unveiled in front me in the real world, I could certainly capture the image. That is, if I were given about 5 minutes to get into position/set up lolol.
While active during the day at times, they habituate the darkness and are totally apex predators in this environment. Just to stress the point, none of this would be happening without the moon. (Morning citizen scientist assignment, please google “moon formation”).
The moon is our planets protector. It’s mass around the earth keeps the earths rotation stable. Research reveals that less than 10 percent of terrestrial planets may have a satellite large enough to provide the stability life needs to develop. (This is a big deal and where some genuine magic occurs)
The Mass and resultant gravity is necessary for stabilizing the Tilt of our planet like a huge slow motion gyroscope. Scientists say Earth’s “obliquity”, as this tilt is known, is important to remain stable. Changes in Obliquity have huge repercussions from the resultant environmental reactions. Should Earth’s obliquity wander over hundreds of thousands of years, it would cause environmental chaos by creating a climate too variable for complex life to develop in relative peace. Imagine obliquity such that the South Pole is all daylight 100 percent of the time and the North Pole in 100 percent night sky. Our lunar neighbor has literally made it possible for you to read this as a sequence of events set up in the flow of Space and Time. 🤔📸
This image has so much going on. The colors that day were popping with everything being a little wet from a rain an hour before. The flat light making what color is present, pop. Click!
This Buck Mule Deer was hanging out with a couple of gals mid-summer 2019 totally enthused about the Yucca fruit. Here mouth open picking on best way he can. Tongue lolling.
I’m thinking he was unaware he was standing on a weathering boulder of Hell Creek/Lance Formation Sandstone cropping out of the hillside. If I could only train the deer to look for dinosaur fossils. I’d feed them in exchange for information where to look. I mean they always have their eyes on the ground anyway…. Maybe “Sneaky Pete” can arrange a deal ? 😜😜👀📸
The density of Yucca here in the highlands seems to be sufficient to get these guys fat and sassy by the end of the summer. They eat the heck out of the fruit and the flowering parts of the Yucca plant. Yucca is a well defended plant and the primary reason I forbid guests from going into the backcountry without full full leggings on as a Yucca will plumb stick you through jeans let alone shorts lol. It also traps wind blown snow into huge deep drifts around patches of it. If you see a Yucca patch driving in the backcountry, your best served steering around it. The drifts totally supply those desert adapted plants an advantage of water in a semi-arid almost desert we live on. (We get 14 inches of precipitation average per year, a desert has 10 inches or less precipitation a year.
Simple perspectives are my stock and trade. I have tried to make an art out of using the things that nature provides for me to photograph. There are so many little area of zen popping up everywhere I glance. The problem of course is there are so many and so little time so I just concentrate on the obvious stuff. Trying not to stand on my head or bend in a direction my design specifications don’t conform to. Fortunately this process involves a lot of walking on uneven ground carrying some camera weight up top. It keeps me in shape but more important it keeps me connected to the earth. Walking about is how I hunt dinosaurs in this country. Watching the earth is what I do.
Being very earth centric, I’ve spent my whole life considering geologic processes. Most are unaware of them and “blissfully” so. As a student of paleoenvironmental analysis, I see below this landscape and imagine the world that laid the sediment that eventually became those boulders. Clues in the rocks tell me books of information by their presence/characteristics. Geologists see past the beautiful sunset (enjoy those too). We imagine what processes leading to that rocks formation. I have a 3 D map in my head of the orientation of the rock layers under my feet. A useful thing to keep handy at times ….
It is somewhat complex to figure out what processes worked the sands these rocks are made of. That Hell Creek/Lance formation sand was deposited 66 +million years ago according to MANY scientists…. That’s 48.3 billion sunsets/sunrises. Actually numbers like that easily flow into my understanding of things when I imagine the inside structure of the earth, processes that occur now occurred then as well. You might say the perspective I have goes a bit under the surface of what I “look at”. Time is a 4th dimension to me. I don’t just look for fossils here, I look at the rocks to see if they are likely to have fossil in them first…..
Speaking of time, enjoy the snowy sunset and the Close/ Far Perspective.
Looking west During Sunrise instead of at the “main show”. I look over my left shoulder, the “Pink Belt of Venu”s variety of Alpenglow DOMINATES the back show.
I wonder why they call those mountains the “Red Hills” ? 🤔🤔 Humm…
The Science of this.
The Light Version:
The Pink Alpenglow known as “The Belt of Venus” is literally the back screen of live real IMAX theatre screen I live surround by. Only the longer more penetrative red/pink rays of light make it through all the atmosphere to the relatively light grey / opaque atmospheric ice present. Here the BOV is working it’s way down’ on the Red Hills. The ice refracts and reflects even more red back to my fancy photon capture boxes. The red rocks on the hills are also adding to the effect of just the debris apron up of the Mountain. It is exposed to the sun over the shadow of the horizon behind me as the red light moves down the peaks. Technically the sun has risen for some places and not for others. I am standing in deep shadow as is the 40 mile wide valley in front of me.
Between me and that ridge is the Little Powder River Valley with the Montana/Wyoming border somewhere in there. That little 6 foot wide river removed all the sediment between where I stand and those mountains all by itself. No kidding. I wonder how long that took a spring flood and yearly freeze thaw cycles to break up the bedrock so the river can haul sand/silt/clay most of the time? Geologic time is a difficult concept to grasp.
Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands. Both Wyoming and Montana are in this image. Looking West.
I am up on one of the highest points around for this capture. It was quite windy at that moment. That shakes your camera… hardly helpful lolol. Ridgetops are terrible spots for exposure to the relentless wind.
Overlooking the Little Powder River Valley 40 miles to the Red Hills all the way to my lens. The hill is known on ranch as “RattleSnake Ridge” or just “Rattlesnake”. . Someone blew up a rattlesnake den up here in the 1970’s is the story for the name of where I’m standing. The ridge between the camera view to the far Range is part of the “Prairie Dog Hills”. This is a view almost directly west along the MT/WY border. Both State in the frame.
The Distant Red Hills earn their name. Because of the far ridges tendency to literally be red in the morning. The pink Belt of Venus often drops down from the sky to the hills themselves. That color band drops opposite the rising sun covering the peaks. The red color reflects off of the already red rocks making up the ridge line. (“Clinker Geology” is a good google phrase).
Here the sun had just set behind the distant ridge 5 minutes prior to me turning my lens to this scene. The other side of the ridge is quite red and still illuminated. I am sure of it lol. What I see on that ridge in the morning, is what someone on the other side sees in the evening. Highlights. Here I’m in it’s shadow. Position and topography are my masters.
Wilma and Fred have nothing up on these accommodations. This is a small dry cave up on our ranch. There are quite a few overhang shelters in the extended “area” I’m familiar with. This is BIG country to say the least. I’ve been up here actively exploring for 20 years. I just found this shelter last year. It’s cozy in there but it’s dry. How many of you would crawl backwards into a dark small cave. I figured I’d see what lived in there lolol.
Hell Creek/Lance formation covers our Ranch. It’s the famous dinosaur fossil bearing sandstone. There are no fossils obvious in this spot. The ridge upon which this shelter is located is typical. Aa hard well “indurated” (google word of the day) sandstone caps it like an umbrella. . The material that washed away to expose this cave was softer/less resistant to erosion. The cap rock usually protects everything under from exposure thus begins the removal of softer rocks surrounding. Eventually you have a hill or a flat topped butte. In this cave, you have a rare case where the cap rock couldn’t keep agents of erosion from removing the loosely consolidated sandstone that obviously used to fill this hole.
Of course here as everywhere agent of erosion like Wind/Water/Ice/Hot/Cold/Rain/Freezing/Thawing are the driving factors to remove boulders by making sand out of them. The sand blows or washes away. This ground used to be covered by thousands of feet of younger sediment. This sediment has been removed by the agents of erosion over the eons leaving this cave. view
Let me start of by saying I LOVE trees growing out of rocks/boulders. This area on our ranch has a few trees demonstrating this phenomena. Where they grow the roots break up the much larger rocks under them into smaller rocks. I’m slowly starting to make a map of these in my head to refer to when the lighting is right. Heavily veiled skies as above are really good for doing perspectives and frames with foreground objects as this. Trees have their own attractions of course being the natural frames that they create are often better than the sunset/rise behind them lolol.
This is a view of the “Red Hills” (Their real Name). 40 miles distant on the horizon looking almost straight west.. Being a very wide angle lens capture, those hills on the horizon appear smaller here than they would look live. Your eye is naturally equivalent to a 55 mm lens. This image is at least 90 degrees wide at 24mm .
The scene in the sky was actually quite bright which made it hard for even the best camera technology to get the detail in the shadows. I run into technological brick walls all the time working outside or on the edge of the envelope of the light I see up here. Mostly my solution for it is to expose the highlights correctly and worry about the shadows in the digital dark room.
(Bowing my head and holding my hat over my heart) Here lies the last mortal remains of a predated backcountry deer. Just some simple tufts of hair spread about. I actually looked around quite a bit and for some distance in that area. Found one partial lower leg (calf) with hoof. It was hundreds of yards away from these scatterings of deer hide. I said a few words about the circle of nature and moved on knowing that nature is cruel. It is the renewal, the rebirth that is beautiful.
Close far perspectives are becoming a regular part of what I consider “working” with just about ever scene I look at these days. A really wide angle lens (10-12mm) along with high f-stop numbers in manual mode are necessary to do this kind of work. Knowing exactly what is in focus is best so knowing the characteristics of your lens is a good thing. I buy wide angle lenses based on their ability to focus really close to the lens but having a higher f-stop than f2-2 is highly desirable.
Reminder: Photographic Musings (memorize this)
(F-stop) is your aperture size. The size of the “pupil” inside your lens. Big pupils (low fstop numbers) lets in a lot of light but your depth of focus is thin and shallow. (the eye is in focus but your ears are not). With a high F-stop number, you get a very deep field of focus/depth of field. The whole face and the trees behind the face are all in focus. This is because a high f-stop number makes a very small pin hole for a “pupil” in your lens. F-stop is one of three settings you adjust in Manual mode. It is a double edged sword, deeper focus field comes from having a small aperture “pupil” which means less light. Light is what your balancing here. The other two settings compensate for what your doing with f -stop in this case.
I am a real fan of pursuing close/far perspective images in the backcountry. I am standingup in Montana looking over the border down into Wyoming as the sun rises to the south east. The trees in the distance are in Wyoming. I’m one of the few photographers that can post most of the images I work on the borderlands in either states forums. I actually try to police myself if something is just Wyoming I’ll try to keep it only on Wyoming or national forums. Visa versa for Montana.
So perspectives and cold weather go together like peas and carrots. (classic reference intended). I’m not sure why this is but I’m drawn to the close details with mostly veiled sunsets behing. All caused by the icy atmosphere in the winter. between the sun and the camera. Hundreds of miles of ice and air only let through that gold light at this point. Earlier a lower angle only let through red wavelengths in twilight.
I take images with cameras that can look places your eyes can’t. You MIGHT be able to glance at this for a fraction of a second before you instinctively turned away. I watch this on a video screen and I know exactly what I just took a photo of without having to look at it. What I see on my screen is what I get here. (Actually I take very dark images only exposing highlight correctly. (If you must know). 📷
The very small piece of one Bliss Ranch Rock Garden shown here, thins found by a life long hunter of “treasures”. . Things collected off the ranch for my yard living on the Montana/Wyoming border. Two decades I’ve been riding around on this ranch very systematically searching the land for Dinosaur Fossils. I am an opportunist that will pick up about anything not a piece of wood and I have a few of those lolol. I generally built pretty big rock gardens full of ranch finds as needed. Lots of outdoor dinosaur fossils about even. Petrified wood, minerals from Wyoming are all around the place.
Found deep in the backcountry this hammer was.. It appears blacksmith made from a piece of good rock pick steel. This was very well mated to a standard piece of galvanized pipe. Probably 1950’s or so. . Cattle skulls are ubiquitous in deep ranch country as we live in. As we discover them, deer skulls/antlers are located then put in a rock garden.
. It’s a common western ranch tradition to collect deer bone or skulls.
I tend to get thematic with rock gardens. Some of them are quite big, full of river cobbles imported by semi truck from the Big Horn Mountains. A quarry near Buffalo Wyoming is the source of the cobbles in the garden. I’ve found quite a bit of Epidote in this. A beautiful green semi-precious minteral. Wonderful for making cabochons from. I love finding nice material by the semi load. I collect petrified wood in Gillette in various parking lots all the time. City Cobble Collecting is ALMOST as good as the treasures found on this ranch lol.
This a view northeast from my Communication tower hill in Wyoming. The far ridges name, 10 miles distant, dubbed the Mud Hills. Those reside inside Montana. The Hill in between is rIght directly on the Montana/Wyoming border. I’m standing in Wyoming with my cameras. Currently as I type this, sustained 30mph winds are howling at 20 degrees. 20/30 days are chilly.
High Contrast Landscapes lens themselves to a wide treatment. The peaks are about 10 miles distant. This is a very wide image over the “Ranch Creek” Drainage. Montana 544 follows the valley going over the pass on the right side of the frame. TheMontana/Wyoming border area remains a beautiful unspoiled area. Way bigger than most states. Eastern Montana/Wyoming are highly under appreciated in the drive through tourist trade lol. Everybody stays on the interstate highways at 80mph. As a photographer I would way prefer to drive backcountry roads at 45 mph through an area I haven’t been to before.
The Mud Hills sediments composed of the Tullock/Fort Union Tertiary rock formations are younger than where I stand. They COULD contain fossils like crocs, mammals, trees, leaves, amphibians but NO dinosaurs. THe ground I’m standing on however is highly likely to have dinosaur fossils within a mile of where I stand. . This ground is eroded Hell Creek/Lance formatoin and it is dinosaur bearing. Older than the rocks higher on the hills. Humm.
Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands (looking across the border).
Satire: In Tolkien’s masterwork, the Living Trees are known as “Ents”. They walk and talk and generally care for the trees in the forest as their shepherds. Here the “Ents” Catch and Release Policy is demonstrated by a young cousin of “Treebeard” . (Classical Reference)
Halloween brings out Ents, many of which roam the Wyoming/Montana borderlands). While he was reaching up practicing the newly negotiated “Catch and Release” program. The Moon indeed did get away from the touchy feely young “Ent”. “Sneaky Pete” the windmill was responsible for the negotiations I understand but that is just local gossip and I wouldn’t be one to spread a rumor 🎃 .
Just think, if that “Ent” didn’t let the moon go, how many things would become haywire….. The oceans would become sloshy and off it’s time base for tides. It would be a BIG disruption of lunar charts etc….. “Sneaky Pete” the windmill apparently prevented all that. We own him much but we will see how long the Ents “hold” to this policy😂
There was just enough light left over from the setting sun to drag some detail out of the rocks grass and trees in the foreground. This actually takes some light to do. Because the moon is so bright, cameras have trouble looking into the darkenss around them. Silhouettes are easy. Getting details in this kind of light is an entirely difficult thing to do unless the sun is actually up. It wasnt here and this is using twilight light to capture the shadow details. Under the category of photographic challenges. Also I’d love to see a cellphone image of something like this. I’m thinking they shouldn’t operate in this kind of environment but I love being proven wrong. They make some amazing cameras on the little lenses these days. .
This highest point around “Red Hills Overlook across the Little Powder River valley to our west has a spectacular view.
This high point I’m standing on is known on ranch as Rattlesnake Ridge because the cowboys of the past blew up a rattlesnake den there or so the story was told to me by an old timer years ago. We don’t have a lot of rattlesnakes because of some dynamite that was a useful tool decades ago and easy to get then lol. I understand the den was blown up on this boulder strewn hilltop.
I’m actually standing in Wyoming for this capture. The Mountains on the horizons, the “Red Hills” are 40 miles distant and 15 miles into Montana as you look at the peaks. This image is 50/50 pretty much equal of both states lol. Lighting up here is wonderful at times. 😀
Geologic Musings:The Chain of Mountains in the distance is called the “Red Hills” which are what’s left after the Little Powder River at it’s base removed all the material between where I’m standing and that far ridge (40 miles out to the peaks). 😲 The “Little Powder” is a 10-20 foot wide river currently, was responsible over time for removing all that sediment between where I’m standing and that Mountain Chain…..That’s moving a lot of sediment over a long time (I’m at essentially the same elevation here as the saddle between the peaks in the distance). I am however stratigraphically (geologically) lower in the rock section though as the normally flat layers of rock formations are diving in that direction about 50 feet every mile. The rock units are diving into the huge bathtub that is the Powder River Sedimentary Basin at the foot of the Big Horn Mountains. You get 30 percent of your electricity from coal swamps formed in that basin nationally.
Regional Geomorphology: My ranch is literally located on the eastern Edge of the Powder RIver Basin and the western edge of the Wyoming Black Hills geomorphologically. I’m located pretty much on the “inflexion point” between those two regional geologic structures almost exactly… Both structures resulted from a regional compression on a huge scale about the same time because of huge tectonic forces acting regionally bending layers of rock about. 🤔 I live on the middle of the teeter-totter this way too …..
Moon on the Rocks is a capture off the top of a local butte. Capturing the Moon and terrestrial objects in the same focal plain is a hobby of mine as I’ve said before. I only get roughly 2 days a month of this opportunity so 24 days a year at best. Usually the weather doestn’ cooperate and seldom is the seeing so good as to have the details sharp so low in the atmosphere. That old atmospheric lens distorts the details so readily, nights like this are a gift to me. No haze, no distortion and a rock outcrop far enough away AND at the right angle….Click !!!
Moon shot Photographic Musings: Taking an image like this is an exercise in getting distance and topography to line up for you. Distance from the hills is a big deal….. Your working your camera on Manual now right?? 🙏 Highest f-stop on the lens is your first setting. (your priority). High fstop gives you a Chance at focusing both the terrestrial Hill top AND the moon in the same image. Deep focus is the only way to do this.. Your other two settings ISO and shutter speed are easy since you set your shutter speed next to the maximum you can hold the camera steady at say 1/30th of a second for a rested camera and your holding the body or use a tripod (be quick cause the moon moves). Tripod moon shots can be a second long (unless your tracking) with the moon if you have a very high fstop and a low ISO (camera sensitivity). The ISO is the last thing you adjust to bring your image into view and ideally into perfection. Mirrorless cameras are easier than DSLR’s to figure this out with so if your just starting with cameras and your buying, buy a mirrorless. You get to see your settings work live real time before you click unlike a modern DSLR camera that you look at the image you just took AFTER the click. No direct light path to the eye as your looking at a video screen inside the camera. You now know all I know about this 🤔
I hope your Monday is going well. I’ve been on computer since 5AM😎…. Mixed Skies but sunrise looks to be a clear sky (boring) sunrise so I’ll stay in and do digital darkroom work (12 degrees outside).
This was a Landscape from Heaven (sure cold as hell) that day last winter.
I’m reposting some of the image I really like to get them current and uploaded. I love this as a pure landscape. This is the top of “Ranch Creek” The road is the Pass road to Belle Creek and Alzeda Montana should I choose to drive that way :). I own the rocky hill in the foreground as one of the furthest north into Montana piece of my ranch. Beyond are other ranches. Bliss Dinosaur Ranch, Wyoming/Montana borderlands.
Good Wednesday Morning from the Bliss DInosaur Ranch…
The Harvest Moon Setting on the Red Hills moments after sunrise last week. I get 2 days a month to work setting and rising full moons give or take. This moon was hidden from view up until the last few minutes before official moonset that morning. It took it less than a minute to disappear after this capture.
You all have a great day but be safe in all you do.