I’m always trying to imagine things as a mouse would in my travels. My cameras don’t care if I’m taking a mouses viewpoint or mine at 6 foot. I put the camera on a plate to protect it. It was warm from being inside.
I actually don’t do a lot of architectural images, maybe 10 a year 🤔📸 Rare of the rare, I even have electric lines in this images which is certainly less probable. I never have them if I can avoid it. But I like to think I have an eye for patterns and a tendency for walking around with cameras. I’ll give in occasionally to my habits…. The two characteristics are synergistic if you have OCD as badly as I do 😜 I try to take advantage of this partnership when ever the two meet in the middle.
This phenomena was the result of a very gentle, very dry powder snow. It was like sand sifting through your fingers on that deck surface. One poof of wind and it all would have taken to drifts. AND this was about 4 inches deep for an idea of scale. The entire deck surface had this appearance. I thought I had seen most odd ball phenomena in the snows during my 3 decades living in Wyoming. I’ve never seen this phenomena before though I’d seen other photos of it. I didn’t have a deck in Jackson Hole as we had concrete there. I missed all that dry powder then where this is probably common. We are 2000 feet lower and warmer here. Snow sticks all the time to itself and covers this surface solidly.
As I travel the backcountry, I see opportunity in common objects. If I had uncommon things (huge mountains, monuments etc), I’d certainly photograph them. Regular Ranch objects are what I’ve got so I will work the common things looking for little areas of zen hidden among the other visual noise. My job is to catch isolated moments in time and space. There were an infinite number of places to observe this sunset, I chose to get down on my knees and look through this window. You’ve got to get to where the photos are after all lolol.
Tilt/Shift Lenses Musings:
Images as this, formally framed edge to edge, are precisely aligned. This was done in the camera. Holding the camera such and using a “tilt shift” lens to align the posts BACK to parallel.
This type of lens literally moves sideways/up and down on your camera incrementally. You can “Shift” the lens one way or the other moving the image across your cameras sensor. This allows the compensation of the normal curvature induced by a wide angle lens. Typically with just a regular wide angle the posts would be distorted pointing toward the middle, not parallel. Using the tilt/shift lens you can compensate for that distortion giving you perfectly straight lines. So the camera term for the day is “Tilt/Shift lens. They are expensive, rarely usable up here but I’m working more and more images into my work flow. Some adaptors that do the tilt/shit function are available for various applications. This type of lens is something you get into when your tired of wide angle shots when the trees all bend in toward the top center. Stay tuned for more applications of this optical technology.
Perspectives such as this, require a very close/far focus. That is not an easy task in fairly dark environments such as this. This very small sun slit along with a virtually veiled sunrise took place. Just before the horizon dropped exposing the sun. It’s civil Twilight still, the sun has not risen yet.. (Astronomic, Nautical and Civil are the three twilights) I consider this a tough photographic environment certainly.
I do like working perspectives in low light. It’s working several problems at once in the cameras Manual mode. Such activities are an exercise in balance of the three major camera settings you have ANY control of. (white balance excluded).
Twilight is by far the best time of the day. Not many are up seeing what is going on most mornings. I’ve seen some aurora, I’ve seen so many sky shows . Just about every possible situation short of some ultra rare phenomena. I will testify that twilight is the most varied color, capable of the full rainbow of possibilities. Only the bright greens of aurora have I not seen from twilight. Oxygen excited by the sun at 60 -120 miles high is that green. None in basic twilight that I have ever seen. The variety of scenes, the play of low angle light, leads one to take the work if you can get it lolol.
This was not a cooperative sky as that sun slit closed up thusly closing down the sky show that morning. Sometimes I drive for backcountry miles only to get a few minutes of good light. Such are the dues you pay if you play the game of photon collecting.
WIth these Frosty ComTower Guy Wires being covered by 1/8th inch of ice, they had a sag in them but not too muchmuch. I have seen them much more heavily loaded. This tower has been on this ridgetop for over a decade now. There was a LOT of thought that went into this connections.
Engineering is not my forte but I’ve had to dabble at times. I’m a ham Radio Operator plus our business band so we need a com tower lol. This is 1 of the three cable connection points that holds up the 60 foot tall structure on a tall ridge. It sees other towers in the area which enable us and others to get broadband up here. Our internet is pretty fast at times. (at times being the key phrase lol) .
There is an 8 foot long dead man 4inch diameter pipe. Thus is attached well the Rod that comes out of the ground attaching to the turnbuckles. The cables are all triple clamped of course. Look carefully at the rod as it comes out of the ground. There are spikes welded to it.
Those Points at the base dissipate static. This takes some potential away from the tower itself. Everything is thermite welded copper connections, lightning there instead of the taller tower that has smooth edges. Sharp point metal attract lightning. These are the points of ionization /static build up dicharge. They are a good start to a plasma ionized air channel to a lightning bolt. There is a ring and a “star” of recycled copper water pipe buried several feet deep as a ground plain and a grounding network.
This system has been in a lightning rich area high on an exposed ridge with a 60 foot tower of steel pointing straight up to the sky. For over a decade, I’ve never lost any Equipment to lightning up there so far. The building there is a faraday cage literally. Lightning has stayed out of there to date.
Game Trail Camera Capture, Meadowlark Fence Line Morning Meeting
I didn’t do anything to this image to “Clean up” the .jpg that a 20 megapixel game trail camera gave me. This will teach you what the problems with the equipment is. “Meadowlark Fence line Morning Meeting”
So from my perspective as a professional photographic artist…. First step is to properly position cameras to catch things. This ended up a WONDERFUL capture with all sorts of quality issues due to equipment. It’s rare to catch 2 Meadowlarks in the same frame this close….😲It is a unique captures for sure. I set up this camera all summer on this fence line brace near a gate with a salt lick nearby. Where you have cows hang out, you get birds . Meadowlarks are my main target but I’ll take an eagle landing if such was meant to be lolol… Anyway, I got this “useable” image. A good catch so to speak…
The problem in Game Trail Camera images (depending on the model of course) is that they tend to not handle delineations between areas of differing contrast very well. Look at the piece of barbed wire off to the right of the post as it goes up to the grey sky. It has a 2-3 pixel white line surrounding the whole thing. The landscape has the same issue between the ridge top and the sky above. A several pixel White line which is tedious and tricky to remove from grass..
Then there is the “Grain” from the automatic camera upping the ISO (camera sensitivity) I could “Smooth” the grain in the uniform sky easily but not on the bird up close which is grainy as heck partially out of focus so close to the camera.
To an image, these game trail camera captures are candid. Natural behavior without a human behind the lens preventing this Meadowlark Fence line morning meeting from even occurring.