Finding this landscape was a long ride. Getting up these ridges can be a chore, other places you can drive right up. It’s all about the perspective of the height of the hill. The 40+ miles wide Little Powder River valley is off in the distance. The Wyoming / Montana border is between myself and the sun at the moment. Both states being in the photo. The Wyotana area has it’s own character with a mixing of the two state cultures. No difference across the line.
The land is big and unpopulated here. An average of a little over 1 person a square mile I believe is about right. I seldom see lights other than car lights across a valley this wide. Pole lights are few and far in between. I thought the reflective lakes were a nice touch of mother nature to throw into this. Those are both spring fed artesian lakes. My ranch mostly covers the ridge right of the right lake. This location is about 300 feet higher than my ranch’s average altitude. I have a hill that is 50 feet lower than this spot but the view is entirely different as you might suspect lol.
I thought I’d end the day with an end of the day image. This was just about the last image I took that timeline. That was the end of a 3 hour photo session on the backroads of Wyotana.
Layers of ridges with 10s of miles between. Long landscape ladder perspectives that climb the gradients of color step by step are wonderful when they magically appear. Alpenglow caused by atmospherically suspended ice particles is the glow. That caused by said ice along with dust and particulates effect on the incoming sunlight winter or summer. This captures late hour with just about 5 minutes left in the day, the light is markedly golden thus the “Golden Hour” moniker. I work the golden hour anytime.. Constantly impressive, Golden Hour Photoshoots. That is done often up in this country.
I call this “working the edge of the sun”. If you do it incorrectly with what ever zoom lens your using, your going to get lens flares. Long shafts of light artifacts from stray light in your lenses. Patience and experimentation is necessary to figure out your lens. Remember not to use a DSLR type camera or a small sensor Mirrorless unless it’s rated for into the sun work. It’s tough on sensors (melts spots in them) if you point a camera incorrectly set up letting in too much light. Note that melted spots in your image chip is not a good thing unless your into abstract art through the lens. If you learn nothing else from this, don’t blind yourself with a DSLR camera pointing it at the sun. If you don’t know the difference between DSLR and mirrorless cameras, you should google and learn so you know.
It’s a challenge to do photography at the edge of the operational limits of your camera. Just don’t trash your camera back lol. I’ve done hundreds of these with the Sony Alpha 7R 2,3 and 4 platforms.. Those are full frame chips all. That fact disperses the heat from the sun over a much larger area. Those will take it. I suspect most full frame cameras will. 📷