I think there is some affection there. I think the moon was trying to Dock there….You know, take on supplies and the like…. 😜 📷
Finding the Cliff was easy. Getting far enough away from the rocks to place the cliff in the same focal plane as the moon (infinite) was the hard part. Topography has to cooperate along with celestial agreement. The Moon is mostly a moving target remember. Getting planets and Cliffs to line up has some complexity to the capture to get both in focus. Position your head/camera in the X,Y,Z and time 4th dimension (time in this case). Getting a kiss on a moving face is pretty hard. I had the idea at first of making them contact by moving my head about 1/2 inch to the left. It’s truly amazing how little one has to move to have an object 600 yards plus away (cliff) to cover a moon a couple of hundred thousand miles away. Nailed the focus on the cliff, the moon is a little soft. I will perfect this with time.
This is the Sturgeon Moon, August Moon 2020. Filed under things you can do with a 1200 mm lens…. So far I have many captures of this months moon in various situations that will work their way into my work flow shortly. Remember the full moon was 9 days ago as this posts. That is how long it takes to go from Click to Publish with me doing this essentially full time. I figure I invest on average 1.5 hours work per image/narrative page on average and I publish 4 a day every day.
The hundred year old trees and the nearly 100 year old windmill share the scene with us here. There was a time when I would take a light level reading spin some dials, maybe look up a setting on a chart using the film speed I chose for the event. It was the wild wild west and very expensive to take a photo. Then you could have to either print them yourself or on film. I got exposed to digital image processing/ printing seriously in 1989. Photoshop version 1 and Quark Express. I had opened a full prepress service bureau serving other graphic artists in Jackson Hole by 1993. It was film first then a laser drum scanner to
Complications: Translated through my lens to your computer by a host of technological innovations. Converting light photons to electrons in the camera. Those electrons recorded as a series of 1’s and 0’s. Those series are carefully manipulated inside the camera to start into something resembling a really huge number. Properly interpreted and modified by a host of algorithms under my control, that number is changes slightly to suit my sense of finish. From there, the computer file (image) is converted by a lossy compression scheme to .jpg. Then Facebook messes with it further resizing it to suit themselves.
Then and only then does the computer file that was generated by the photons from the sun hit your monitor. Your screen converts that big number from the electron stream back to photons for your eyes to receive.
So see! It’s a really simple process to go from my lens to your eyes.. 😜 😜