Old growth pines are some of the tallest things around me here in the backcountry. I get a few miles back off the gravel county road, one pasture starts looking a lot like the next pasture. You really have to have a sense of your position. One wrong turn out here and your in a hole that might take a while to extricate the Raptor from. I try to stick to existing two track roads as to not further any damage to the grass lands. Tall trees are sign posts to me as they and the ridges they live on silhouetted against the sky. It’s easy to get disoriented out in grassy pastures a square mile in size. Fortunately, the stars were quite visible so navigation didn’t require a compass.
I’ve had to resort to using a compass a time or two up here. We don’t have efficient cell service and I really don’t trust GPS very much. I way prefer visual, if not, a good old compass will do just fine. Remember to set your compass for changes in magnetic declination (google this) as the magnetic pole does wander. I’ve had to reset my compass several times in the last 4 or 5 years.
Neowise takes about 20 seconds open shutter (exposure) at f-4 to bring in (say ISO 2000) the image. Your settings will vary depending on your lens and camera. The trees illumination however is the result of a moderately bright LED pocket flashlight being swept over about 10 seconds across the surface of the tree. It was TOTALLY dark for this capture. Just star light, a little “curl” light and a little flash light.
A Couple of old soldiers standing on this saddle of this mile distant ridge. The perspective long telephotos give you is crushed between the two ridges here. The far ridge is 8 miles out from my camera. Sort of a “Close/Far” perspective.
These trees are old growth that survived a major fire in the 1930’s that “burned till the snows fell”. There is a mix of grass and forested areas in this region. Our ranch is about 25 percent ‘treed’ pasture. The rest is just grass and sage with a few dinosaur fossils mixed in on the surface. That is prime dinosaur hunting ground amid those small outcrops. I never know what I’m going to find walking areas like this.
Twilight Landscapes are much easier before the sky gets too bright. Photography is a light balancing act. Having your camera try to see into the dark needs a tripod or sandbag to stabilize the camera. Extend your exposure so you can get more light. Take that gained light away by turning up your f-stop to a higher number giving you a longer field of focus in return (Double edge sword) Only of course, if you want to have it all in focus instead of just those trees lolol. To sum that up: giving up light you gain with a longer exposure then taking it away by turning up f-stop to give you deeper focus…. Then you have only ISO (Camera sensitivity to adjust to give you a proper exposure.). You can also adjust for a longer shutter too if your brave.
These frosted Pines stand along against the elements high on a remote ridge. They have long survived backcountry wildfires. . The lack of branches down low help keep them safer from grass fires. . Their isolated island also helps prevent fires from taking them. These survived a major fire in the late 1930’s that burned all summer in this area. Only the winter snows extinguished that long burning fire. There are still many snags around from that fire. A lot of seasoned firewood has come from those snags. Some still stand as a stark reminder of natures wrath. Partially burned and totally now “wildlife” trees.
I don’t take a lot of Black and White images. However, this scene seems made for the genre . Frosted Needles and boughs are the rule in this shot. Each with 1/4 inch of ice everywhere on any exposed surface. There has been a lot of slowly freezing storms come through this fall. All starting out with rain or freezing drizzle. Then they turn to snow so an ice coating under a foot of snow makes for interesting backcountry driving.
I can not travel easily now in the backcountry. Over a foot of snow from the last storm put a hitch in my giddy-up. I try to be safe and not stick myself back country. It’s a long walk back. Having said that, I do carry several radios including a ham radio to which I have a repeater on my communications tower. I’m pretty much in communication if needed. Cell Phones usually aren’t much good up here.
Using really Wide lenses attempts to fit everything into the frame. Here a Sony Alpha 7RII is wearing a 10 mm lens. It sees well over 120 degrees wide or tall (1/3rd of a complete circle). So your looking at roughly a fourth of the whole sky/vista)Reach for the Sky is what this old growth Jack Pine grove is doing. Small grass fires don’t bother these trees much. They do get hit by lightning quite a bit as many of these old soldiers have scars from shocking encounters.
Wide lenses add a little distortion to an image on the edges. I can correct for this in the digital darkroom but just a bit of perspective is a good thing . 👁👁When ever I get a veiled southwestern sunset, I head for this ridgeline. Known on ranch (and here in my narratives) as “Ridge 1” . It runs for about 6 miles across the landscape. Fortunately for me, it is parallel to 5 other north/south trending ridges that allow me to work terrain. I am able to find little areas of Zen up there.
Ridgeline Photography : Mini Course
Using a veiled sun as a focal point under a cathedral ceiling is an easy landscape subject lol. Usually I’m moving from place to place looking for a confluence of angles and alignments in the landscape. I stop, get the “shot” and move on looking for another “alignment”.. Sunset doesn’t last forever. Knowing when to leave and move on is 1/2 of this game. Objects that create “Leading Lines” that draw your eye (like the trees pointing to the cathedral) or an angled hillside and tree line setting up a “wedge” or a triangle in the image. All pointing to the sun main “hero” of the image (the sun).
A good image needs “heros” (plural) to not be just a “snapshot”. Lots of “heros” in this image. Composition, using the characteristics of your lenses (using that distortion to add appeal to the image) The sun, the sky the trees, each is it’s own interest in the image.