For Blue Monday: A mated pair and a perspective with the female being on a post that is a good 3 feet closer to my camera as the left post. (Thus the “Slight” out of focus way closer female). That camera was actually focused between them to get them both “close”. If I focused on one or the other, one would always be way out of focus. So focus between 😜📸 .. (all about F-stop, this was in deep shade and I had no where to go….).
The 6 inch long one ounce birds don’t make much noise in my experience but a little in the morning. Hard to describe. They are fairly small Thrushes with a round head outline and straight thin bills. Sky blue is how I describe the color but are a bit darker on the wings and tail but with a light patch under the tail and it’s stomach. The female just blue on the tail and wing tips.
These guys hoover while foraging for insects. I’ve seen it many times. These guys were jumping around myself in a rare meeting with a couple of neighbors. We were too close to their nesting area…As soon as we changed position, back to business seen and zipping about and then back to this place. He was flitting around, she was watching mostly . I just by happenstance had an 1200mm camera set up with me. They hoover to catch bugs so they have mastered their environment for sure. We are actually a little low at 4000 feet in elevation for them as they are found to 11000 feet up in the hills. The do like our grasslands though. Lots of bugs out there for them to eat…. Good habitat for most insect eaters.
Location: near the Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana)
Taken VERY early in Civil Twilight, this is a very deep focus close/far perspective. Those tree branches are very close for a telephoto perspective. I was watching this wonderful alpenglow/wispy feathery cloud color gradient already on a remote high ridge.
Getting around in the backcountry during early twilight: Up here in the Wyoming/Montana borderlands if you want a big view, you have to gain altitude to do so. The ridge tops are 4000 feet in elevation here. Everything else locally is lower. Having said that, we are actually very low topographically for Wyoming (but I digress). I have to leave considerably before sunrise to get up to an eagles view location as this.. I extend my horizon to 50 miles to the east if I climb the right peaks. This ridge named by me as “Sunrise Ridge” but usually because I’m taking pictures of the sunrise OVER this ridge. Not FROM this ridge as this captured moment in space time presents. IT’s a way’s out from my homestead driving 2 track roads in the dark. I have excellent lights on my F-150 Raptor though.
The Dark Orange Alpenglow is caused by ice that like a gel filter on a theatrical stage, colors all behind it. This is the cause of the color reflected of those feathery wisps of a cloud deck. Photography from the remainder of this timeline was equally as good. Eventually, most twilights gradually taper to a blue morning as the suns light was higher and less filtered by the atmosphere. Blue light invades, shadows ignite with detail and dynamic range. This was early in twilight, about 20 minutes before sunrise that May morning.
This area of the sky is the size of your thumb at an arms length on the horizon. The BigHorn Mountains Cloud Cover that morning was climbing up the back of the peaks. Those clouds well past the 130 mile distant 13,000 feet high PreCambrian Cored, uplifted Mountain Range. Parts of Montana and Wyoming in this photo.
It was to cover the highest ones within a few minutes of this photon trap. The sun was JUST rising over my shoulder. I was standing in the long shadow of the ridge I live on.
Getting to see weather move over those high ridges is a rare treat from this far away. These huge blocks of the earths crust uplifted during a major tectonic compression episode called the Laramide “Orogeny”. (Google Word of the day) Cloud peak is 13,175 feet. The same compressional forces that uplifted the peaks, also downwarped the adjacent basin to the east toward my camera. This deep basin is called the Powder River Basin.
The Powder River basin is a major source of clean burning coal in the US. The burning of this coal generates 30 percent of the electricity generated in the United States. My ranch coincidentally sits directly on the western most edge of the Wyoming Black Hills. It is actually JUST east of the edge of the Powder River Basin. If I drive 2 miles west, I start to see alluvial fan sediment. These sediment fans stretch all the way from the Big Horns.
Those long fans of sand/gravel/silt and clay, dissected into ridges by huge rivers washing off the peaks during glaciation. These alluvial deposits are far reaching, called the “Tullock/Fort Union” formation. The first two sets of ridges are all Tullock, as are the hills behind them out to the Mountain range. They are all made of sediment that traveled from the Big Horns when they were MUCH taller.
Major Mountain Chain sized Anticlines and Synclines resulted from continental wide compressional forces. Huge were those forces bending even the underlying crystalline Pre-Cambrian rocks. The rocks weathering to sand and clay washing off of those peaks filled the basin and washed all the way… well just about to my front door.
I attempt to see the world from an entirely different perspective. From under here, there is a feeling somehow of security even though there is a ton of wood over your head being held up by rotten broken branches. What could go wrong there?😜
It’s a busy photo with all sorts of of things going on. Enjoy the looking. I ought to put a “where’s waldo” in some of these images lolol. It was a cool spring morning, still some snow in the hollows. Not long past as this was taken one month ago as this posts. “Summer is coming” and is slowly arriving here to the borderlands. Spring was on a Thursday this year it has been confirmed. ❄️
The sunset here was clear sky with a single cloud providing filter to the light. This kind of show almost always pushes me toward snags to work wide lenses….Grab that 12 – 24mm for sometimes like this. I have a 10mm wide angle full frame lens. I use it when ever I get a chance. It takes very wide perspectives.
Perspectives and clear skies seems to go together… Cloudy complex skies detract from the detail up close. I feel that detail is the point of the photo myself but your opinion may differ lol. RegardingFallen logs: “Snags” each has it’s own character and personality I find out. Some are masculine and rugged like this one. Others are more curvy and feminine with a grace that is hard to describe. Orientations change from tree to tree, opportunity emerges as I drive by on the ridge tops. I see the possibilities as I go though sometimes I get on a mission for a particular tree.
This silhouette “halfie” (almost) caught my attention for the extreme stepped gradient around the sun. I call these bow waves and don’t see them live real time very often. They are in reality natural diffraction artifacts from the thin slit in the clouds that the sun light is passing through. Ripples…. When light (or electromagnetic waves) passes through a thin slit shaped window, lightwaves ripple like water. The Physics of this moment should not be discounted. The slit was very thin, precisely what one needs for this natures “experiment”. The mind of the guy that figured this stuff out (Huygen) was right up there with the best. “Huygen diffraction” would be a good google search for you for continuing education on this. Constructive/Distructive interference of waves is the discussion which is lengthly. I’d never get it past my grammer checker (Nazi SS training in that program trying to explain all that) lololol.
So the bow wave here is literally Ripples around the Island of Light that the Sun’s Disk represents in this metaphor. Capturing ripples of light that are natural is hard and fairly rare. Note: I could do this in the digital darkroom very easily but this one is the real thing. Not a digital color shadow radius artifact. The whole discussion lies about the cloud “slit” which is the initiator of the diffraction process that provides this variable gradient around the sun. If you have a gradient like this with a complete sun, it’s the result of an artifact within the digital dark room treatment the artist (at that point) is using on his previously raw photo. (unedited photo=raw photo out of the camera). This capture is entirely unedited or I would have had landscape detail down in that black negative space.
Hail shafts coming out of the back of a small Mesocyclone passing JUST to our north. We got a little water from it but not nearly enough. You can clearly see the hail standing on the ground in the distance plus it is actively falling lit up from the sun appearing over shoulders. All rainbows are on the opposite side of the sky as the sun. The Higher the sun, the Lower the rainbow will be to the ground. Sunset Rainbows are the tallest on land with rainbows from an airplanes point of view are complete circles.
I worked this for lighting but alas it didn’t happen where it was detectable to the triggers that set my camera off. IT was too faint for it to detect in the sun I suspect.
I took this off the drivers window of “Clever Girl” (2020 Ford F-150 Raptor) for 1500 miles so far. Got her Dec 31, 1919. All but 400 miles are from driving on this ranch mostly covering two track trails 5 to 10 miles at a time. This is up on a saddle of the first ridge east of my Homestead (Ridge 1). Most rigs never see off road. Mine seldom sees the road 😜🤘..
This is a very wide angle image well over 90 degrees wide. Southwest to North east right edge of frame to left. The hail is on hills 8 miles distant (Ridge 5). Working parallel Ridges is a good thing 👀📷
You can see we are greening up nicely with this being 10 days old by the time you see it posted here.
I used to do stupid things like go up in the back yard to watch a rain/thunder storm come in at midnight. This was indeed less intelligent than my IQ would indicate my choices might be. Apparently somewhat risk adverse at the time, I was actually driving my Polaris Ranger Crew UTV which while it has a metal roll cage, had a plastic roof. This bolt woke me right up and could have put me right to sleep lol.
Doing a LOT of lightning shots every summer, I ordered “Clever Girl” (my Ford F-150 Raptor) from the factory WITHOUT a sunroof for a reason. IT’s always good to have metal between you and the storm.
Isolated from ground currents probably in the vehicle on rubber…Better than being on foot…. Having said that… I would not like to be under or even closer to that bolt. It felt like an artillery shell being launched. That along with the benefit of being blinded at the same time. Flash bang less than 1 second…
The old “Steel Yard” on the ranch is actually Over that hill. It consists about 1/4 acre of various antique farm implement parts and pieces with a lot of metallic objects. It is roughly 1/4 mile past that ridge line. I suspect the bolt hit a sharp edge there as moist drainage is also over there. I suspect that is where the ground currents went as I noted the sudden lack of Jack Rabbits down there after that too.
That was a very hard core strike from the incoming storm. It was time to go inside which I did post hast having learned my lesson. I’m much more careful now days but working on your porch is about the same thing as the Polaris with the fiberglass window into the metal roof overhead. Inside a vehicle or inside a house with a proper grounding ring around it. Never touch metal in your vehicles during a storm….
This is a 25 second time exposure in pitch black around midnight. Long time exposures at night have unintended consequences. Red and blue colors make pink with both colors being enhanced. The silly long exposure at least with my Sony Alphas give me these hues. I can’t see the real scene of a long exposure on the screen of the Sony to argue with it. This is just a close estimate by the camera of the scene. I just saw a flash… What colors are put out by lightning? All colors…..there was some ambient light from our ranch pole lights too messing the colors up….
Why time exposure? You get multiple bolts with a 25 second or so exposure, ISO 125, f4 to start with… Work from there moving your f stop up a click each shot to adjust to the ambient light conditions as necessary. Review the images for results and pick your poison for the duration of the storm.
The Great Blue Heron is also know as Ardea herodias by hobbiests and professionals alike. Here it is hanging out 50 feet up above a lake in a big CottonWood Tree. You know, the tiny branches at the tippy top. It was variously gusty / windy that morning at 5 AM.
These are BIG birds weighing in at 4.5 – 5.5 pounds, stand 5 foot tall with a 5 foot wingspan….. They are truly AMAZING circus actors. As far as I can tell they are total masters of their environment!📸 This bird was sitting about 150 yards from my lenses while I was on an adjacent slope I can actually get at nest level on (50 feet above the lake). I gain distance from the birds though by gaining elevation up to them. Leaves will shortly be getting in my way of seeing into their cloistered world.. Soon the curtain will be drawn except for the coming and going of the birds from the rookery here on the ranch.
The rookery/colony is only a 6 nest group along a remote backcountry lake. The only visitors to this place are me and who ever hays the ground around the lake that year. 99 percent of the time no one bothers this area. I have a game trail camera under their nests but I won’t get there for some time as disturbing the nests is not a good plan. I won’t get out of my truck if I’m within 300 yards of these guys.
There are so many things this “look” like. I’ll just keep my Pareidolia mostly in check and limit my visualization of a rattle snake rattle rising from the plains and or a face looking left with quite a hair doo… Back to my “normal” programming…
Talk about uplifting… IT was a day full of isolated thunderstorms with this being the start of one. Just about every direction had a small storm dumping about. This Isolated thermal column seemed unusual to me and I’ve been watching clouds for a while. I usually take images of things that make my jaw drop. I had to yank a really wide lens into service to capture the whole thing. This image is over 110 degrees tall so the top is almost straight overhead to the zenith in the sky.
Working LONG focal length lens most of the time, I have to literally “step back” and look around me. If I don’t I miss many things that are often more interesting than what I’m trying to photograph. I had run up the east hill to see if there were any rainbows behind me (in this view). When rain shower move over the area and there is SOME sun, I’m watching for rainbows.
Chasing rainbows leads to photographing clouds sometimes but I’m not a stickler for being particular. If nature is showing off for me, I’m more than happy to capture her attributes. We need more of that rain
I captured this in my photon traps RIGHT at sunrise May 11th, 5:36AM. Pre-Civil Twilight each morning I evaluate as to whether to take a box of cameras out into the backcountry. I take many sources of information into consideration. Sky above was over cast solid, it was deeply dark. You understand I can’t see the eastern horizon from my house due to a 400 foot tall ridge that way. Plus it was TOTALLY overcast and lightly snowing around 5:15 am. That’s pretty much a no go signal.
Fortunately, I have a camera sitting up high on the ridge with an east view. This is a good thing sometimes. I don’t get color in it during early twilight but I can see the horizon. The sun slit of light with a cloud deck above was enticing. Up to the top… There were many good captures from this timeline. All those back at the homestead had any idea the morning was beautiful over the east ridge.
I have to be timely to get a high enough position to line up another hill top over a mile away with a ridge behind over 6 miles out. The rising sun behind. This is just a thin slit of color on the horizon. A huge long lens looking through a snow squall filter made for a nifty morning. I am able to do this alignment two times a year from this location. Strongly controlled by topography, my angles for photography are. I’m slowly building a good map in my head where to be and when…
So this was taken through a snow squall right at sunrise. The sun mostly unfettered and very bright for about 4 minutes. Sol was just starting to ascend into the cloud deck above as this was taken. Obscured by that cloud deck for the rest of the day. Snowed most the morning amounting to not much. .
This was a phenomenal scene viewing through my optics. The human eye has no chance to see such a thing. IT would be blinding to watch. Only with technology can we reach our mind into such a furnace. Hold your thumb out at arms length. The thumb would easily cover the area of the sky that this whole image encompasses.
If you look carefully/closely at the “glare” under the rising sun / falling horizon, you can see the individual snow flakes frozen in space and time. This is a case where I could see the phenomena better in my camera’s viewer than here on the final image. In the view port, areas that are in focus have white highlights on them which makes them stand out.
Here on the high ridges of the borderlands of Montana / Wyoming there are millions of acres of grasslands. This was very bright sky with a sharp sun and a dense cloud deck above the glare. The combination of the two required a foreground for the image to suit me.
To use randomly obtained feather to grace an unveiled sun is not a new effort but is always a worthy target. Anything to reduce the light into the camera (filter).
Feathers contains such an elegant form. Smooth curves abound. Working cameras, my mind wanders to the “filter materials at hand” for this kind of Close / Far perspective. When your in the middle of a square mile of pasture land, you have to act fast with a wonderful sky as behind this shoot and use what is at hand.
I am generally soured on using glass filters in front of my cameras while shooting into the sun to start with. I WAY prefer to use natural filters to reduce the glare from the furnace above. Here the edge reflections create a star shape into the camera. Even a few percent light reduction helps operating a camera outside that normal envelope.
Any attempt at a photo is a light balancing act inside the camera. You only have just three settings to play with . I suggest to you that it would be good to learn to use that camera on Manual Mode finally. (If you don’t already know how). I am happy to keep talking about HOW I take my photos for you guys to follow along. Ask if you have a question. 🤔📷
The sun had JUST set and I had traveled about 5 miles south of my homestead to catch this. If I hadn’t adjusted my position, The whole show would have been hidden by the storm. In a reversal of roles, I became a storm “evader” instead of a storm “chaser”. 😜
We have had a good series of spring storms move through over the last week and I have been working them. I spent about 3 hours out in the backcountry yesterday. Most of that time was spent waiting for a particular storm event to occur. Once I have made it up to the ridge tops, I hate to loose my position so high up and head back to the house. As long as I don’t get poured on the two track roads are usually in good enough shape to head back and forth.. I have found out after many decades of 4×4 wheeling off road, that anybody can fall DOWN a hill. Most are not as talented progressing up a hill… Going up a wet/muddy hill is usually a recipe for redesigning landscape in the backcountry. I don’t see much point in that for the long term. Tearing up trails is generally not one of my favorite activities.. 👀🌲🌲🤘
At any rate, this was obviously worth traveling for in my mind. Skies totally lit as this are always worthy of my time in my humble opinion. Hopefully it was worth your’s.
My new F150 Raptor has 1200 miles on it. I spent 300 miles of that back and forth traveling to Gillette from my homestead on the Wyoming / Montana border 2 times. Most of the rest of that mileage occurred on two track roads into this backcountry. Each time I leave my main gate to do photography, I usually cover 10 to 20 miles of driving down roads as you see leading off to the distance. Locally called “Two Track” roads. There are probably well in excess million miles of them in the general three or 4 state area. I have experienced them on several thousand square miles of backcountry in this region over the last 2 decades. There are many left for me to travel even within a few miles from my place I’m aware of two tracks I’ve never taken. This is VERY big country.
Two tracks are unpaved, often unimproved, eroded both across/ parallel to the road. They are certainly unpredictable and an adventure if you’ve never been there before. New angles are a good thing I find.
You are looking across the MT/WY border at the moment. All the trees in this image are in Wyoming where I’m standing. (about 400 yards east of my homestead). The “Mud Hills” in the distance are 10 miles out into Montana. I call this area Wyotana. 10 miles north and 10 miles south, separated by the ridge Bliss Dinosaur Ranch occupies. So I get views in all directions from this high point. A land of many uses for the landscape photographer 😜📷
This a view from my position just inside of Wyoming at the border line with Montana. The far ridges name, 10 miles distant, dubbed the Mud Hills. Those reside inside Montana. The Hill in between is rIght directly on the Montana/Wyoming border. I’m standing in Wyoming with my cameras. Currently as I type this, sustained 30mph winds are howling at 20 degrees. 20/30 days are chilly.
High Contrast Landscapes lens themselves to a wide treatment as this. The peaks are about 10 miles distant. Looking over the “Ranch Creek” Drainage. Montana 544 follows the valley going over the pass on the right side of the frame. The Montana/Wyoming border area remains a beautiful unspoiled area. Wyotana is way bigger than most states. Eastern Montana/Wyoming are highly under appreciated in the drive through tourist trade lol. Everybody stays on the interstate highways at 80mph. As a photographer I would way prefer to drive backcountry roads at 45 mph through an area I haven’t been to before.
The Mud Hills sediments composed of the Tullock/Fort Union Tertiary rock formations are younger than where I stand. They COULD contain fossils like crocs, mammals, trees, leaves, amphibians but NO dinosaurs. The ground I’m standing on however is highly likely to have dinosaur fossils within feet of where I stand. This ground is eroded Hell Creek/Lance formation and it is dinosaur bearing. Older than the rocks higher on the hills. Humm.🤔⚒📷
(Illusion of a Tsunami wave coming into the shore but it’s all clouds)
Getting just the right angle toward a sunset with the foreground is a challenge sometimes. I wander the hills sides and ridge tops of the remote borderlands of Montana/Wyoming. I the the big distances in either an UTV (Polaris Ranger Crew) or my Ford Raptor F-150. The distances in this area are such that covering a lot of ground is a necessity to find these locations. I always ride to the distant ridge but usually am walking around for the duration of what ever event I’m photographing. My timelines smoothly go from mounted to unmounted captures.
By walking or riding along parallel ridges, I’m able to see first and quickly compose these scenes. As I’ve always said, if I can see it in my environment, I generally can capture the scene in these high tech photon traps I use.
Looking into the sun is an “edge of the envelope” activity that is best left to mirrorless cameras as I use. DSLR cameras are dangerous to do this with as there is a direct light path to your eye through the camera. Mirrorless cameras have a video screen inside of the eye piece viewer. There is NO direct light path to blind you with concentrated light from the lens. Please don’t try this with a DSLR camera. You CAN capture this with a DSLR but you have to do it without looking through the camera WHILE you are taking the image. Set up your rig before you point and don’t look through your DSLR camera at the sun…
Robins that arrive too early in the spring have a tough time of it. They are usually insect and “fruit” eaters and a good friend in the yard. They do occasionally dive bomb me during nesting season a few weeks away. But in the mean time, this guy would settle for 38 degrees and a clear ground to hunt on. This little area of driveway free of snow under a large tree in the midst of a deep 4 inch crisis for this traveler. Puffed up against the cold, it will struggle for the next few days against the harsh high country spring weather. (taken a 10 days before this posts)
There are of course American Robins that Winter north of here in Canada. Generally the 36 degree isotherm contour on the map is their northern boundary. Of course any particular Robin might just be nuts and go too far north every now and then. They migrate in response to food presence / absence not temperature however. I understand they can move about 40 miles a day or night) when on the move. If earthworms or fruits are not available, the Robins will “Spread Out” in response to the diminishing food supply.
You might notice that Robins DO NOT SING out of their breeding territory. If your local neighbor hood Robins are singing, there are going to be some peepers being hatched in the not far distant future. Rarely they may produce their first songs on their wintering grounds but the majority will not until they reach their breeding grounds. . The singing is part of the way the male defends it’s territory. . Male Robins don’t particularly like other males Songs…. this breaks up the winter migratory flocks. I have another image of a half dozen Robins in a tree during this storm. All within about a 2 feet diameter circle. Still flocking and no songs…
It’s always interesting lighting when subject patiently sitting for me is in the shade. The contrast with the Robin’s Egg Blue Wyotana sky was remarkable to me. The bird itself was a “Score” in the photon capture world I play in. I seldom get this close to any wild creature but “when I do”…… I like to bring a 28 inch long lens along.
It took me over a minute to SLOOOOOWWWLY move from under a roof clearly into this observant birds view. It was perhaps 10 yards away and was watching me like his distant cousin the hawk… This encounter didn’t last more than the next 360 degree sweep of the pocket watch dial. (you guys that grew up with only digital watches / clocks won’t get that 😜) .
I consider these birds as a food bank if shortages occur lol. They hang around here mooching off my barnyard Duck and Chicken feeding “operation”, (read my wifes hobby). I of course get to haul the feed around…. save that for another narrative I’m thinking …..👀
“Sharpies” are certainly plump flying boats. Look to me like a “Cataline PBY” aircraft plowing through the air. Landing is usually a LONG glide and a last second . I’ve seen them literally glide over a mile (with me following on the county road lolol). I find it is fairly difficult though to photograph Gliding Birds while driving along side of them. Easier in the middle of a big field lolol.
As I’m driving along the slope of a ridge roughly parallel to these married trees, I see many opportunities. Frames work by me rapidly but obviously as I travel. I usually have to keep about 1/2 an eye on the terrain as there is nothing like a deep game trail that will ruin your focus. I’ve had them bounce cameras around more than a few times. As I work the opposite slope of this valley, I have chance after chance of just this kind of “Japanese” image from the hills of Wyotana. Veiled suns are always worth of pursuing photographically in my experience. Particularly if you can get a “Close / Far Perspective working. Distance from those trees is your friend 👀📷
Realize of course that I would be blind looking very much into the brightness of such a vista. At this point in the sunsets timeline, the light is waning with a decided chill to the air. The warmth rises and the cold fingers of air from above run down into the valleys. Markedly cooler temperatures as the light gives way to the dark. I am fortunate to use technology that lets me evaluate the wonder of such scenes. I see live real time images as this in my view finder. Mirrorless cameras are WONDERFUL that way. You couldn’t even look at your focus with a DSLR camera without risking your eyesight. If you don’t know the difference between the two camera types, it’s time to do some homework. Particularly if your considering a purchase. I now consider DLSR cameras as the “Beta Max” of the current production camera world.
Running a network of 29 game trail cameras is a lot of work. I have to replace batteries at least once a year plus getting around to check them. I have been known to have to look through image after image of grass setting off the camera wearing out the battery. I’ve seen too dark, too light and then there are the good ones.📸
Taken in pitch black conditions at 1am in the morning, this little one was cruising along a local game trail that I have covered. Many creatures great and small walk their way through here. There is a lake about 1/4 mile down gully and this is how most of the critters in the area get there. The trick is to find where the ‘highways’ are then plant cameras at the height that you want to cover. I like to keep the “target” zone about 10 feet out for optimum focus. Besides placement, the ONLY control you have over a few settings like movie or photo in these game cameras. I find this is THE BALL GAME. I endorse no particular brand of Game Trail Camera. You do get what you pay for I have found.
An infrared flash was triggered by Pepi LePew’s heat signature opening the shutter at the same time. Automatic cameras are wonderful in that I didn’t have to sniff this guys odiferous passing even once. Generally I’m pretty intolerant of skunk smell. Interestingly enough I’m always the one that has to deal with them when trapped. The discussion is alway, “you trapped it, you deal with it”….. I am pretty sure this is why women live longer.. 👀😜
These two could have cared less I was slowly moving in their general direction. They are just starting to build their next with the male bringing sticks to the female. She is the construction engineer of the two. He’s the classic hunter / gatherer. I believe these two killed a Red Tail Hawk I found under their nesting area a few weeks old carcass. Both flew off this AM from the harrassment. So I went to tend to a game trail camera along that tree line. Thusly I drove under the trees in my Black pickup. Screeches above… I watched from a terrible vantage an acrobatic chase routine of Herons getting bombed by 3 Red Tailed Hawks located in this treeline. I’ve seen all sorts of aggressive behavior and posturing between the two different species fighting for the good nesting spots. Raptor/Heron Wars!
I believe these guys more or less consider my truck just a noisy/smelly Black Angus Cow playing Sirus XM 56 most of the time. What’s good about my Ford Raptor is that when I’m moving it runs normally. When I stop, it shuts off to save gas. It is by far the coolest thing they could have built into the truck for photographers.. The vibration from running engines has ruined more than a few images of mine over the years. The Auto-off feature is WONDERFUL. If you take your foot off the brake, it starts before you can hit the gas. It’s all effectively way more quiet by far than my old Trail Friend a Jeep Grand Cherokee.
Narrowly avoiding disaster, I talked the Windmill from cutting into that cheese… Save the moon yet again. GOOD thing I’m standing up wind..👀
“Sneaky Pete”the Windmill here provides a perspective regardless of his intent to photo-bomb this moon capture. I have no control over his actions. He just likes the attention. He and his bigger older brother “Re Pete” live and work here on ranch. They seem to work their way into my landscapes way higher than the statistical average compared to other ranch creatures. 😜😜😀 Windmill Weekday Windmill Junkies Unite : 🤘
Manual Mode Phobia: (You know who you are) ….📸
Close / Far perspectives are a complex photographic challenge for all of you. An automatic setting on your camera is not going to do this image.
I’ve gone through the basics a few times and will entertain questions below for photographic solutions to your working on manual mode aversion. (Kind of like fear of swimming). You just have to jump in and turn that top dial to M. Then you figure out which control wheel controls each of the three settings you change in manual mode. ISO (Camera Sensitivity), f-stop (size of the aperture/pupil in the lens), finally Shutter Speed.
You only need to understand those three things to run on Manual mode. Their relationship to each other and how messing with one, requires you to mess with the others a tad to compensate the amount of light coming into the camera. Your riding a three way light teeter totter trying to balance those settings.
All natural colors from the grey of the clouds to the green of the grass that is now starting to grow. A taste of spring has slowly permeated the local climate. All climate is local of course. As a Geologist, I will tell you the earth has NO climate. It has ALL climates lolol. Watch when someone says the “earth’s climate”. I have discovered in my travels, that when someone starts an argument on Climate with that phrase (earth’s climate) , it’s a pretty good indicator that they don’t have a clue about what they are talking about lolol. I’ve seen this so many times.
This was actually rain and not snow for a change. I haven’t seen rain for 6 months since before Oct,1, 2019 when winter started last year. I remember it well as I was on the road the day before in the BigHorns. Those are about 130 miles just left of frame here with this view to the north west as this thing was coming in. The mountains on the far left were 40 miles distant from my camera at this click. Anybody else see a face in the thunderhead??👁👁
Dark environments…Open up your camera a bit. Little bit lower fstop, a bit slower speed or a little more ISO (camera sensitivity). All THREE setting this way will increase the amount of light into your camera. Each effect the light gathering ability of your rig. Your just trying to balance light with the other attributes of those three, each of which is a double edge sword. More on that later…
I believe this is a Triceratops Toe (nail)… It’s known as a Pez Ungual to be precise.
The difference between Hadrosaur Dinosaurs (Duck Bills) and Triceratops (Three Horn) is a matter of opinion i believe lol. Wider like this is probably Triceratops. Longer thinner versions of the same bone I usually attribute to either Hadrosaur or PachyCephalosaur (Bone Head with Spikes). . These three and others had hoofs very similar in general shape. The larger ones are probably all Triceratops as they constitute over 50 percent of the fossil record of the Hell Creek Formations. Hadrosaurs only were about 25 percent of the herd.
It’s like the bone that is under your fingernail. Except the cuticle/nail covered it like a horn. The holes and grooves are all venous processes and nerve pathway/holes for those to base around the blood rich toe tips.
Hadrosaurs and Triceratops were both the “cattle” of their day. All the Raptors accounted for less that 5 percent of the fossil record. I have found a dozen of these over 20 years. River transport beat up most… . Often someone chewing/breaking dinged them.. Random breaking in the outcrop is also selective against these being preserved. This particular one is essentially perfect, no glue needed. This needs a serious session under an miniature sandblaster using sodium bicarbonate to blast away the sand on the surface.
Formation: Hell Creek / Lance Cretaceous Terrestrial River / Lake sediments at the end of the reign of the dinosaurs. Circa 66 million years ago.
My camera lens front just from the warm car, captured two flakes of frost falling from the trees. Those ice flakes hit the warm glass and turned to liquid with the heat transfer. Providing two extra lenses for me to peer “through”. Artifactual obviously ….. Pretty anyway 😜😀📸
I usually don’t publish images with lens artifacts but the artist in my liked the way this came out. In full disclosure I had to fix the flare on the right which for what ever reason doubled enough to be distracting from the symmetry of the image. Just a slight double ghost I fixed there. So technically I removed a beer can from the postcard photo here. ART.
I have a tendency toward pointing cameras into suns lol. This was a photo I took AFTER the main twilight show that morning. The twilight lighting was truly amazing but as soon as the sun cracked the horizon, chapter two of this stage show began. No intermission either !. The orange red color cast early light was saturating all the white frost and snow surfaces for the next few minutes. Sometimes the same red light that colors the “Belt of Venus” variety of Alpenglow works it way down on the ground. Particularly up on the high ridgelines. Add a little hoar frost, a bit of white ice and you have a perfect reflective surface to light up. Light up just like the Belt of Venus was doing coterminously with this image but over my shoulder. The back sky was all pink down to the ridgelines.
Looks like the aftermath of Captain Kirk having used his phaser weapon on my Morton Building. …. Actually a rising sun through HIGHLY Turbulant clouded air mass that got creative with the actual round shape. Since the sun is still below actual line of sight, the light being bent around the planet by the “atmospheric lens”. Red and Yellow light the only to arrive at my photon traps.
Certain Atmospheric Conditions create very unusual distortions of the sun. I watch somewhere around 500 sunrises/sunsets a year up here in my work. Give or take according to weather window whims. Now I’m counting a sunrise and 1 and a sunset as another one here. I work the light when ever it appears to need working lolol.
The number of distortions I see this severe is a few every other year or so. I don’t think I’ve ever seen a building shape. If you look really hard…I imagine an RV moving away right in the yellow shape but that is pushing it lololol. The sculpted edges were moving real time though the lens live.
The atmosphere was absolutely “ROILLING” boiling, distorting, mirage (ish). Looking at an area of sky smaller than your thumb on an outstretched arm, this 1200 mm magnification image is a very small portion of the sky. The sun, on the other hand, subtends an angle of approximately 0.52° (31 arc-minutes) to an observer on the Earth. It’s amazing and a striking coincidence. By sheer chance, it is almost the same as the angle subtended by the moon. I digress, this image is 1.5 degrees wide. It’s a pretty small slice of a 360 degree pie that morning 😀👀📸📸
The first ridge of Rock, theTullock Formation, (Tertiary Alluvial Fans ) deposited 130 miles from the Big Horn Mountain which were the Source of the sediment. High gradient Streams ran off those distant slopes bringing the debris all the way out here. The first ridge is part of the “Prairie Dog Hills that span the Montana / Wyoming border 8 miles to my west. . It’s rough country out there too lol.
The Second Ridge is the spine of the “Red Hills” 40 miles distant. The Little Powder River Squeezes into the valley behind some 400 feet lower than the second ridge top. Sediments derived from the Big Horn Uplift were the source material. There are considerable area of “Clinker” Rock in those hills. Clinker is natures ceramic. Underground coal fires bake the clay surrounding the coal layers into a red Ceramic thus the moniker of “Red Hills”.
Finally, the March morning back show looking at the last sliver of the setting Full April Egg Moon (Passover moon). The moon heavily distorted from the atmospheric lensing that low in the air. The color is a result of only the red wavelengths making to my camera through that air. 1200mm long lens on a big heavy tripod. 2 second Time Exposure.
This moon is is also known by other name variations such as the Paschal Moon, Egg Moon, Fish Moon, Hare Moon, and the Sprouting Grass Moon. IT will occur Tuesday, April 7th at 8:35PM, Mountain Time. This image is from Last Aprils Paschal Moon. This Moon sometimes occurs in March and sometimes in April. The word Paschal means “Passover” in Greek (a transliteration of the Hebrew word pesach).
Face to Face Stare Down …. 18in square aspect, ….. It’s a game trail camera capture again.👀📸
I’ve kept a couple of game trail cameras pointing at this spot for well over a year now. I discovered this is a major game intersection point where game either goes under or over the fence. It is the local pass between the grazing pasture and the local water trough. We have a solar panel driven well about 300 yards down drainage from this point. For generations animals have been stopping here for a variety of reasons. Birds stop here too as the fence line is the first/last place to land above the water. The topography guides the flow of the animals here.
I’m thinking this is a little close for proper “Social Distancing these days. The play remains the same but the actors have changed .
Satire for a paragraph or 3 : ….
The local Pronghorn population is known for their awareness of world events. Their network is face to face of course. I don’t translate Pronghorn very well yet. Or as the Commercial says, I’m OK at reading Pronghorn lips. . I translate their written language much better as that is very straight forward. Usually forward in the direction they were moving when they left the cuniform like tracks in the ground. What if they are writing a story as they run along. Oh wait….they are :
Some Pronhorns was cajoled by “Sneaky. So he probably heard news from “Sneaky Pete” the windmill. Passing it on here in this capture “Down Yonder By The Fence Line”.
“Sneaky Pete’s” the windmill’s role up here is complex but generally his role is one of an information broker. My side of the “Deal”. I give him publicity and enable his photobombing of my landscapesSituated with a world class view, “Sneaky” knows all that happened around him. who originally heard it from the chickens that eavesdrop under my radio shacks. There is a whole network of connected creatures up here in Wyotana. For giving “Sneaky Pete” so much time, he sets up stuff like this for me in return. 🤔😜
I can count the number of Blue Sky Background images I produce a month on both hands. I have been finishing 150 -180 images a month for the last 7 months. I’ve got 1300 pages finished on my future book (s) project. My tendency is to have a definite preference away from the longer colors of the spectrum. Robin’s Egg Skies are ubiquitous up here at certain times of the year. This visual tunnel with the anastomosing feminine form of the snag caught my attention driving along that late evening. The shadows were very long in the late golden hour low angle light. The Fallen snag in the foreground frames the bottom, the surrounding pine boughs frame the sides.
Telescopic perspectives are always worthy of the attempt. This is a 600 mm 28 inch long lens with me standing down this hill hundreds of yards. These long shots are deceptive in how they treat relative distances. That plus the lighting on this scene drew me to stop my rig and set up to take this cornucopia of textures and contrasts.
Taken late fall 2019, it’s just making it’s way into my workflow. I have the job security of 3800 portfolio images left to finalize lolol. Finishing more than 5 a day is hard work. These days are warming so that might have to go to 4 a day over the summer. I get distracted by fossils and ranch chores during the warmer days. I’ve finished 1300 since Sept 21, 2019. It’s be easy if I also weren’t finishing new material as I take it lololol. 😜📸
This is a 2 feet x 3 feet image at full size. Now I know this is out of season .I’m reposting some images refinished to current specs from this last summer. I think it’s an interesting break from the late winter weather we’ve been having.
It was raining on me at the time about 10 minutes after sunset. This was our version of twilight that late summer 2019 evening. I was in my Jeep Grand Cherokee on a large flat ridge top right in the middle of lightning flashes all around me. One of the better places to be during a lightning storm is in a car. That is as long as your not touching metal. It also helps if you don’t have long camera lenses sticking outside your open window….. oh wait lolol..
There are two ways of doing this. If it is very dark, set your camera on a stabile tripod in a dry area. Take 25 second time exposures at ISO 200 and f11 to start with… You will have to tweek some to see what comes out. Or use an external “lightning trigger” to snap the camera as the bolt touches off. Set your camera near or at ISO 200 F11 and 1/4 second. Your setting s may vary but now too far out. The trick here to get a full frame (not a crop) image was to watch the storm and figure out where the bolts were consistently hitting. Then you just point the camera into that area and wait lolol.
I find Meadowlarks a difficult catch. I should clarify that by saying getting a REALLY close “Closeup” to be a bucket list item. The tendency of a Meadowlark encounter is to be random. They occur often while driving in the backcountry along fence lines. I often am traveling along a two track backroad only to see 50 foot ahead a meadowlark on a fence. If you stop too close, they will fly away. But if you stop “just right” and don’t move at all, they won’t fly for a while. If you move AT ALL once you come to a complete stop, they will fly quickly away. This is a law of nature that I’ve only seen ONE bird out of hundreds ignore. He is another story.
This is a wild Meadowlark way out in the backcountry. Drove up on him. This guy was very tolerant of my Jeep as it approached. I stopped about 20 feet away. At that distance, with an 800mm fast lens, I can focus on his eyelashes. The hard part is getting 20 feet away from a wild bird. They frequent this whole area with 5 or 10 birds an acre sometimes. I’ve seen a bird fly every few seconds before driving two tracks. If I go slow, their songs permeate the quiet. Up here it can be so quite that you can hear your heart beat. Not during Meadowlark season lolol. They are all gone now for southern Climates as we are sub-arctic at the moment.