(May 2020, third/last supermoon of the year) I was fortunate to have worked them all. This month I only had one opportunity to work it against the landscape. I have 4 quality images from this month’s full moon which is about par for the course. Without a doubt this image is the best one I have obtained from this combination.
This one is somewhat similar to others I’ve taken and I’ve shot this tree many times as it’s only a mile from my driveway. However the burgundy (muted pink light) alpenglow, details in the dark and the dynamic range of this one makes my heart pitty pat… 📸📸
I’ve taken a few photos of this tree in front of various astronomic occurrences. It is indeed a lone tree on that position about 1000 yards away from where I took this image.
Photographing images like this a combination of finding the right position in x/y space, timing and distance is z, and that position moves with the speed of the moon. This makes using Tripods very difficult as you have a moving target. Maybe a monopod. This however was handheld. Distance is your friend here from that Lone tree.
Practicing this kind of photography has found me on my butt more times than any other tripping over sage. The moon is constantly moving, I’m usually on some parallel ridge walking forwards (as the moon is rising and to the left a bit while looking through a 2 foot long lens (tube) and not at my feet with sage brush around on uneven ground.Bear with me as capturing this kind of image is a “sub-hobby” of mine within the general photography that I do. I find it a serious challenge to get terrestrial objects in the same focal plane as the moon or the sun in twilight or darker conditions. Just like this. This composition is a tough one to capture in this low light/long focal field combination. 📸
2×3 aspect to 3 feet. Rested 1200 mm lens on “Clever Girl’s” drivers window.
Location: near the Bliss Dinosaur Ranch, Wyoming/Montana borderlands
When I see a Full moon rising at the horizon, I’m all about getting it behind and in focus with terrestrial objects. It’s always a good thing when this particular tree lines up with astronomic objects (sun moon). This particular lone tree up high on a ridge has faced the worst wind/weather this high country can throw at it. It is a true old soldier. (April Egg/Fish/Pink Moon 2020)
The Lone Tree on a Ridge is about 1/4 miles out from the parallel ridge is was working in the dark for this capture. The moon is a little further behind the ridge.
Photographic Musings: Clear as a bell this evening. I worked the sunset but this moon rose about 80 minutes after that. It was dark and a true night sky. About half the game of photography is knowing when you got the shot and it’s time to move on. Otherwise you spend too much time at the site and miss other opportunities. I move pretty rapidly from interesting situation/alignments of the sun or the moon by driving along parallel ridges. This I captured only because I was moving along at an operational tempo most seal teams would envy lolol. Light is VERY fleeting.
I work the Moon’s “Shadow” line on parallel “opposite” ridge by driving along it and “seeing” what develops as I move. This is where the cool stuff suddenly pops up to photograph as in “I know it when I see it”. There are times I see lighting that is virtually impossible to capture with the technology. This moon is relatively easy by comparison lol. Of course, a full moon behind trees is a very common occurrence. It happens every time a full moon is up, at many angles millions of places around a woods. It’s being in the right place at the right time with the right gear to catch the image. That is the hard part.📷
When I get a Full moon setting close to the horizon and JUST enough light, I’m all about getting it behind and in focus with terrestrial objects. It’s always a good thing when this particular tree lines up with astronomic objects (sun moon).
The Lone Tree on a Ridge is about 1/4 miles out from a parallel ridge in this capture. The moon is a little further behind.
Photographic Musings: There were heavily banded clouds with the moon mostly filtered out behind the veil through the twilight.. In an out of view over it’s last hour in the sky this morning which I observed. I am as always, reactive to the light with only a bit of premonition to guide me to the next spot from here. Half the game of photography is knowing when you got the shot and it’s time to move on. Otherwise you spend too much time at the site and miss other opportunities. I move pretty rapidly from interesting situation/alignments of the sun or the moon by driving along parallel ridges.
I work the “Shadow” line on the opposite ridge by driving along it and “seeing” what develops as I move. The cool stuff to photograph as in “I know it when I see it”. There are times I see things that are virtually impossible to capture. This veiled sun was ‘easy”. A partially veiled moon behind this tree is a common occurrence. This is low low light to catch that tree pre-sunrise in mid-civil twilight.
Window to the Moon (Take you back 8 months for this one)
In my side yard is a wonderful old tree that I seldom work with cameras. I had to get enough distance away such that the camera could focus on both the foreground / background. Then I had to find a very rare hole in the canopy to set up the composition. This photography stuff is tough to get all the angles and distances to overcome the limitations of the technology we use.
Close / Far perspectives such as this are indeed a sub-hobby of mine within the larger world of photography I immerse myself in.
You’ll need a 400mm or longer lens, distance, timing, topography and a full moon. Distance from the foreground object is your friend. So is a HIGH f-stop number (f22 or higher). High f-stop gives you a deep field of focus that extends foreground object to infinity (moon). Being the double edged sword that f-stop is, by turning it up, you reduce the already low light level in the camera.
A short 1/2 second time exposure if you have a tripod would be nice to compensate. You need a Longer exposure… That means more light into the camera to compensate for the high F-stop’s little pin hole aperture. I did this handheld at about 1/30th second. Your ISO (camera sensitivity) is your wildcard. Change it to get an image as rule one is get the image…damn the graininess (which high ISO will give you). Around ISO 500 should get you close with these other settings and a long lens. There are only three things you have to adjust to use your camera on manual mode after all.
Photographing images like this a combination of finding the right position in x/y space, timing and distance is z, and that position moves with the speed of the moon which makes using Tripods very difficult. Maybe a monopod. This was handheld. Distance is your friend here from that Lone tree. I’m about 600 yards out from it for this shot. This is a full sized image not a crop. Doing this kind of photography has found me on my butt more times than any other. The moon is constantly moving, I’m usually on some parallel ridge walking forwards (as the moon is rising and to the left a bit while looking through a 2 foot long lens (tube) and not at my feet with sage brush around on uneven ground.
Capturing this kind of image is a “sub-hobby” of mine within the general photography that I do. I find it a seriously fun challenge to get terrestrial objects in the same focal plane as the moon or the sun in twilight or darker conditions. Just like this 📸
It takes a Manual Mode setting to do this folks. Cell phone cameras need not apply and won’t do this without an external lens of some rigged hook up….lolol Lots of F-stop, then all you have to do is adjust the other two parameters left, ISO (camera sensitivity) and Shutter speed. I’ve covered that many times elsewhere so I won’t do it again here 📸 It takes a lot of focal length in your lens to do this.
. 2×3 aspect to 3 feet wide from a 1200 mm telephoto lens. Not a crop.
Location: near the Bliss Dinosaur Ranch, Wyoming/Montana borderlands
Moon, This is the Moon. NOT the Sun. Captured from a Truck Window mounted camera up high in the backcountry of MT/WY. I have been able to get around with my “new rig” a little better. This capture on a remote ridge. This was done with a 30 second time exposure to pick up all the ambient light that was about. I could BARELY see this blush on the trees and had to set up my camera to catch this. A little tricky actually but the thought process is straight forward. The moon was heavily veiled for this and that limited me to landscapes instead of moon photos lol. This is the result.
Known as the Snow Moon, named after the snow on the ground. Some North American tribes named it the Hunger Moon due to the scarcity food. Also the hard hunting conditions during mid-winter. Others named it the Storm Moon for the tendency towards brutal February ‘s storms
This was a very very dark capture. A 30 second time exposure requires a very stabile platform like a heavy tripod or a sand bag and a remote trigger. I used a timer. Your first priority is shutter speed, the more the shutter is open, the more light the camera is going to collect. 30 seconds is a long exposure for me.
The Aperture was F-11. To get Deep focal fields, F-11 is low for me. I wanted the Moon lit “Snow Diamonds” to show up in focus. The Snow Diamonds would blur setting a lower F-stop. Any higher F-stop and the image would have been too dark. Focal Length was 48mm.I hate using ISO higher than about 150 but here I used 300. (camera sensitivity.)
Satire: The forest is full of a million moments of time and space. Different moments and different angles each contribute to what a camera can save for our amusement. It’s a matter of being in the right place at the right time to see the play go on stage.
Here the moon had found a nice place to catch a comfortable rest before climbing to it’s zenith. Thank heavens this didn’t hold up the moon very long as there are so many things that rely on precise timing of the moon and the tides. 😃 Think of the mess if the moon gets held up.🤔🤔
Back to my normal programming:
Of course there are other phenomena related to the full moon besides photographers making up satire. Emergency rooms get busy on full moon nights. I worked as a medic for 20 years total and I give some credence to that discussion. I’ve seen some crazy stuff on full moon nights. They say that dogs are 28 percent more likely to be taken on an ER vet visit during the full moon. Birth Rates go up (don’t ask me! I learned what caused that crap early on). More Crimes are committed (FBI stats), Amazingly and last in this short list is that during a full moon is a better time to have surgery. The outcome statistically is better during the full moon. I don’t ask why. I just go with the flow….
There is more science going on here than you might suspect. First of all it’s about 8 minutes after sunset here. I can tell from the blue area under the pink Belt of Venus Alpenglow. The moon sits in the blue. That color is the SHADOW of the horizon. The long traveled red/pink light above the moon is the reflected light from the sun that made it back to my photon capture boxes (camera). The horizons shadow on the atmospheric Ice floating acts like a projection screen for the only color to make it that far. Ligh raveled hundreds of miles through air/dust/moisture/inversion layers bending and filtering out shorter wavelengths by those obstructions.
Long telephoto captures CRUSH perspective. Low light after sunset starting civil twilight is one of my favorite times to practice my long range skills. This was done with a fixed 400mm lens which in an ideal world, should be a standard lens in your “kit”. Most use a 100-400 zoom. Most of those are not particularly fast lenses but they work just fine under all but these conditions lol. Bigger diameter lenses gather more light than smaller diameter lenses.
Normally I would blur the windmill as 99 percent of the time it is moving. Not that it’s windy up here or anything….. IT was indeed dead calm at this moment. Problem though, even if it was moving, a blurred windmill takes a long exposure, the bright full moon takes a shorter exposure. Your only choice is to expose the highlights properly. You can’t cheat on this on in the camera though I could have done it in the digital darkroom (photoshop) easily.
MONDAY MOONDAY : All moons all day….moon image number 5 (of 6) for the day 6pm edition..
Backcountry Moon Cradle:
I find that the moon is a lazy celestial object. Always sitting down on the job. Here I caught the sneaky planetoid JUST lifting off the “snag” cradle it was sitting on. Who knows how long it was sitting there. I mean it only moved after I pointed a camera at it… I catch the old guy resting on unusual things all the time walking parallel Ridges on the shadow line.
Missed are a million moments in time depending on the angle you find yourself observing a particular scene at. Every different angle will give you an entirely different viewpoint. I’m always looking at angles and what I have to do to achieve the perspective I’m looking for. The ability to anticipate the way things WILL happen and being there with a camera in your hand is about 100 percent of the photography game. The rest of getting the photo is reliant of your positioning before that time/space moment. My biggest limiting factor besides gravity is topography. Can’t stand with no ground under.
As this moon is rising, I have to walk closer to the hill to keep the perspective. If I move forward about 20 feet, you can’t see the log / snag. Also If I move up 20 feet I’m suspended in mid air levitating above a 20 foot deep gully next to the path. The ground I am actually standing on lol. I wonder how many photographers have walked a little more back, a little more, and more. Only to find out that there wasn’t any ground there.
Satire: I’d like to imagine this Hunter’s Moon here was rising off it’s resting place in the remote backcountry of the Wy:Mt borderlands. It’s a lot of work rising all that cheese to it’s zenith at the top of the sky. I think a good rest before a climb is always in order don’t you?🤣
The moon never stays long resting as I photograph it all the time being lazy on things. If it stayed too long thought, the tide charts would be all messed up. I catch the moon doing all sorts of anthropomorphic things in my images. You just have to think about it😎
Location: Near the Bliss Dinosaur Ranch, Wyoming/Montana borderlands.
I have a sub-hobby within my larger Photographic activities of taking photos of the Moon carefully positioned around terrestrial objects, all in focus, here trapped by the Trees……. Tonight I will post 3 moon images in various forums lol.
The moon must be a slippery fellow since he obviously got out of this well planned trap by those trees. Surrounded and it got away. Escape and evasion exemplified!🤣
To take the image “Full Moon over Turtle Butte”, I was standing in Montana taking a photo of the top of “Turtle Butte” so your looking at a full moon across the Montana/Wyoming border and at the actual border up there somewhere 👁👁 Note:….
The Montana/Wyoming border is located on the 45 degrees north Latitude line. That line is precisely 1/2 way from the equator to the north pole. That precise point/line is across that photos somewhere…
Getting the full moon in focus with terrestrial objects is a hobbie of mine. I had to do some serious gully hopping to get this one lolol.