Actually this is indeed a 98.5 Percent Full April “Pink” Moon but the images title is a classic reference to a Movie Line. If you know from where, you could be my friend lol.
This is a very long 1200 mm telephoto shot with the sun being mostly up behind me with a brief over lap. Having the two celestial bodies at the horizon with daylight and a full moon is a one or two times a month opportunity IF the weather cooperates. Of course I have the moon lowering in the sky from about an hour before this. This particular one the last shot of the timeline consisting of several hundred images.
I am standing on my ground which is the same elevation as the saddle between the two far peak. That range of mountains is called the “Red Hills” and is 40 (forty) miles distant from my camera. The Intervening Little Powder River Valley 500 feet lower than the far ridge removed all that ground between here and there. A sand grain at a time the 20 foot wide “Little Powder” River carried all that sediment down to the Gulf of Mexico, through several tributaries. Some of it is still in the river banks along the way. All things eventually work to the sea.
This, looking westward barely diagonally across the Wyoming to Montana border. The moon setting at 279 degrees. I prepositioned myself just so it would set between the peaks. Fore knowledge of how things work makes your photo session “predictable”. It helps you choose to use the map in your head. Google: ‘Moon Compass’, and work the choices.
When I get a Full moon setting close to the horizon and JUST enough light, I’m all about getting it behind and in focus with terrestrial objects. It’s always a good thing when this particular tree lines up with astronomic objects (sun moon).
The Lone Tree on a Ridge is about 1/4 miles out from a parallel ridge in this capture. The moon is a little further behind.
Photographic Musings: There were heavily banded clouds with the moon mostly filtered out behind the veil through the twilight.. In an out of view over it’s last hour in the sky this morning which I observed. I am as always, reactive to the light with only a bit of premonition to guide me to the next spot from here. Half the game of photography is knowing when you got the shot and it’s time to move on. Otherwise you spend too much time at the site and miss other opportunities. I move pretty rapidly from interesting situation/alignments of the sun or the moon by driving along parallel ridges.
I work the “Shadow” line on the opposite ridge by driving along it and “seeing” what develops as I move. The cool stuff to photograph as in “I know it when I see it”. There are times I see things that are virtually impossible to capture. This veiled sun was ‘easy”. A partially veiled moon behind this tree is a common occurrence. This is low low light to catch that tree pre-sunrise in mid-civil twilight.
Photographing images like this a combination of finding the right position in x/y space, timing and distance is z, and that position moves with the speed of the moon which makes using Tripods very difficult. Maybe a monopod. This was handheld. Distance is your friend here from that Lone tree. I’m about 600 yards out from it for this shot. This is a full sized image not a crop. Doing this kind of photography has found me on my butt more times than any other. The moon is constantly moving, I’m usually on some parallel ridge walking forwards (as the moon is rising and to the left a bit while looking through a 2 foot long lens (tube) and not at my feet with sage brush around on uneven ground.
Capturing this kind of image is a “sub-hobby” of mine within the general photography that I do. I find it a seriously fun challenge to get terrestrial objects in the same focal plane as the moon or the sun in twilight or darker conditions. Just like this 📸
It takes a Manual Mode setting to do this folks. Cell phone cameras need not apply and won’t do this without an external lens of some rigged hook up….lolol Lots of F-stop, then all you have to do is adjust the other two parameters left, ISO (camera sensitivity) and Shutter speed. I’ve covered that many times elsewhere so I won’t do it again here 📸 It takes a lot of focal length in your lens to do this.
. 2×3 aspect to 3 feet wide from a 1200 mm telephoto lens. Not a crop.
Location: near the Bliss Dinosaur Ranch, Wyoming/Montana borderlands
I caught the Hunter’s Moon rising over a mountain top. This “mountain” top was a mile or so out there. When the moon is this low, sometimes the atmospheric lens really distorts the “globe” shape but this night it was pretty clear and non distorting. There is some sculpting of the edges by the roiling atmosphere at such a low angle. Pretty good detail for a horizon moon though. I have literally seen a scrushed blurred blob setting before. It all depends on the air and what it’ doing to the light.