Driving the backcountry I see many images but not all of them are straight forward just point and click lol. Without the Smoke Pall totally filtering all but the brightest longest wavelength colors. The sun was ALMOST naked eye viewing here which made the grass highlight possible. Halo’s in the grass around the sun are hard to catch when they are not BLOWN out by overexposure.
Normally the glaring intensity of the setting sun will over power the cameras sensor leaving hard colored edges around the sun, unlike this smooth gradient/transition. I really like smooth gradients in my images, if you see steps in my color ramps, either it was really like that or I screwed up something lol.
The color is true to the sky I was looking at through the camera. Most of the sky was smoke grey. This is a very small area of the sky through this telephoto lens. This image covers an area the size of a postage stamp at arms length. This was hundreds of yards away.
The thickness of the smoke of late has been troublesome. Animals and Humans alike suffer from the choking irritant. As I type this, the residents of Jordan Montana can return to their home. One of many fires ongoing in the area was ready to run over the town. The 50 mph winds and low humidities made for fire storm grassland conditions. One of the few redeeming results of a hot forest or grass fire is the color in the sky down wind. I’ve seen some smoke/light phenomena this week I’ve never experienced before.
Done without a neutral density filter in front of the camera. Almost a silly unlikely capture. It is a rare image from my equipment that has very few issues with the silhouette against the sun. The smoke in the atmosphere obviously has some attenuating aspect on the amount of light passing through. Normally the camera is on the edge of the envelope doing this. All the normally insurmountable technical issues were overcome to get this one.
The big lemon colored sun is an easy capture in and of itself. Getting something terrestrial in front of it without large red rims around objects (diffraction artifacts). Washing them out is typical. I have pointed a camera at the naked sun with trees in front a few times (thousands) before and have never gotten this quality out of the composition. Sharpest edges ever in this type of composition lol. Again, only a smoke attenuated sun will do when you need a celestial object for a “sitting”. Of course I lost 1/2 of the light by letting it set 1/2 way lolol. High fstop (the softness) for deep focus, fast shutter in the 1/6000th range, LOW ISO in the 100 range and a lot of atmospheric filtering.
I’m always trying to work sunset at less than f22 if possible. I suspect this is f60 ish. A tiny pin hole in the aperture. It’s a 1200 mm lens with a very high resolution camera (170 meg raw+ .jpg) which allows me to come up this close without much of a crop. There is NO substitute for high resolution and high dynamic range in a camera.
The Forest Fires to our west (this publishes 10 days after I wrote it), contribute many things to our environment. The clearing of the overgrowth in healthy ecosystems is certainly positive. When the fires become an issue is when poor conservation (at best) combines with drought to set up a tinderbox. That becomes a negative. Then we build our houses in the trees. A failure to have a firebreak in your landscape is what burns structures. If you live in a fire area, you have to build for a fire area.
The dry year has this lake about as low as it gets. I have seen it about a foot lower but it’s artesian source replenishes it about as fast as evaporation. Normally it is topped off by a storm or two causing surface run off over a few thousand acres. It can get very full very fast. I have a post I placing a game camera a foot above the spill ways lips elevation. Those images will occur late next spring. I hope to have ducks next to the game trail cameras lol.
As a composition: I placed the sun behind the tree for two reasons. One the thing was still too bright to do this properly. It’s hard to get those details in the shadows with a super bright sun glaring at you. Two the water wouldn’t reflect the exposed sun…wrong angle lolol. Give it a few weeks and it will move far enough south (left frame) that it will reflect clear of the trees. Angles change over the year and to follow them is to give yourself possibilities with that photon capture box. Knowing when things align up lets you be there.