Everything was covered by ice. During this winter cold morning with little or no cloud cover, an iridescent cloud starts to move across the sun. The Shadows are Long with a slight up hill angle to the hill. The makes the shadows even longer. This VERY high contrast environment of white and black is way outside the normal photographic envelope. I believe iridescent clouds to be WAY more common that I used to. We just can’t look into the scene without blinding ourselves to see them. The Mirrorless Cameras I use that feed to a video screen. It actually lets me see this image BEFORE I click the camera. I can adjust the settings live real time on the screen.
The star off the sun is resultant from a high f-stop number. Having only a pin hole for a pupil/aperture/opening in your lens. You get diffraction from the edges of the hole. This little bit of optical physics explains the star around the sun. Turning up your f-stop has an added benefit. in this case by reducing the amount of light coming into your camera.
In this high light environment, your also going to have adjust shutter speed really fast. Set your ISO really low (camera sensitivity) or both to compensate for the high light. Basically you have to shut down your camera to light. Many cameras will take a neutral density filter to accomplish this. . Your always balancing 3 different settings in Manual Mode on your camera. I use NO/zip/zero automatic settings anywhere. Not in my cameras or lenses. No auto focus, no stabilization etc. Manual photography strictly on a very modern platform. I get a pretty good battery life that way😄.
Lone Tree on Veiled Sun. When I get a heavily veiled sun, I’m all about getting it behind and in focus with terrestrial objects. It’s always a good thing when this particular tree lines up with astronomic objects (sun moon). The Lone Tree on a Ridge is about 1/4 miles out in this capture. The sun is a little further behind.
The clouds were very thick and obscuring with the sun blinking in and out from behind the veil. I am as always, reactive to the light with only a bit of premonition to guide me to the next spot from here. Half the game of photography is knowing when you got the shot and it’s time to move on. Otherwise you spend too much time at the site and miss other opportunities. I move pretty rapidly from interesting situation/alignments of the sun or the moon by driving along parallel ridges. I work the “Shadow” line by driving it and “seeing” what develops as I move. The cool stuff to photograph as in “I know it when I see it”.
There are times I see things that are virtually impossible to capture. A fully lit sun behind this tree is a common occurrence but without neutral density glass filters in front of the camera, even these Sony Super Cameras , this would be impossible. The tree limbs would be totally washed out. I never use glass filters or even do I use a pretty much standard UV haze filter. I find they get in the way of the image more than “fixing ” what they do. A UV filter does protect your lens glass from scratches though and is probably worth it for what you would do mostly. I point cameras at the sun a lot and glass infront of the lens has been an issue in the past for me. Just saying….
Don’t point a DSLR camera into the sun. It can blind you if you look into the eyepiece and it will probably burn a spot in your digital image chip in the camera. I use a full frame mirrorless Sony Alpha 7R 2’s ,3’s and 4’s which I routinely point at the sun. Resultant… no apparent damage to the cameras over several years of this.
If your buying gear soon….
Mirrorless Cameras: I’m not blind now because I look through the a Mirrorless cameras eyepiece which has a video screen behind the glass so no direct path of light to blind you. Newer mirrorless cameras do this video thing. Older Designed DSLR’s don’t show you your image until AFTER YOU CLICK. Mirrorless Cameras show you your settings changes live on screen and you get what you see when you click not after. If your shopping for cameras, I would tell you to buy mirrorless. Particularly if you work outside with cameras. Studio it’s not critical either way.
Halloween Satire: Crystal Ball Back Country Sunset…… I found this _other Worldly Muli-Dimensional Portal (wormhole)” floating in the backcountry after the snows. I considered driving into it and popping up somewhere on the other side of the universe but decided to stick it out here instead. After all, I had images to finish in the camera and can’t miss tax time….😜 After all, during Halloween strange magical things happen up here in the remote backcountry of Montana/Wyoming. (both states in this image). (Nobody ever watch “StarGate SG-1 before lolol).
I’m amazed “Sneaky Pete” the Windmill didn’t try to get in on this but I think the 0 degree temps probably kept him from moving very fast. Fortunately the wind was fairly calm up on that high ridge. This was me driving places I’ve been a few times but most wouldn’t drive there in this kind of snow. I had to plow about a mile of two track road with my Skid Steer Loader to get close to this spot where I walked up the ridge to get this shot. I get to use the roads I build up on the ridges between blowy storms in this country. It takes several hours of pushing snow to get up here and once a week it shuts me down. By late to mid winter, I’m about done pushing snow. I get locked out of the backcountry and stuck on backcountry County Roads where I also get some amazing images…. more on that later this winter 😎
Actual photo short the support for the spherical optical quality lens ball removed in the digital Darkroom but don’t tell the kids that 🎃. So this is ART not a pure photo. I removed a small support under the sphere in Full Disclosure. This is VERY wide angle and a 2:1 aspect. 10mm lens.
This gathering of Mountain Blue Birds Migration Ready was caught the passing through of what looks to be a Common Flicker swooping in the middle of the flock and disrupting this gathering and scattering a few lol… Something had to set the camera off and usually its a warm body going through it’s infra-red detection grid.
Game Trail Camera Captures
Besides my Sony Alpha 7RII Pile, … I run a network of 26 Game Trail Cameras (for you new guys). For every “Great” photo from a Game Trail Camera like this I look through thousands of out of focus and over/underexposed images. Great ones do occasionally happen like this though lolol. My collecting SD cards from Game Trail Cameras and viewing the contents take up hours every week these days.
I find many good captures among the numerous random clicks they collect. Maybe 1 in 100 is a good image that I can fix and use here. This one is 1 in 2 or 3 thousand lolol. I actually do get multiple flocks of migrating birds on a regular basis toward the end of Autumn. Autumn was on a tuesday this year I remember all too well. Then it was winter and it’s stayed cold mostly for the last month. The Blue Birds have all headed south where there are live insects to hunt.
Each and every image from a game trail camera is problematic from a professional photo-finish standpoint and this one was no exception. Those images (to a one) take me a “bit” to “fix” before I would publish them and put my name on them. THere are all sort of .jpg artifacts and borders around high contrast areas that I have to go over very tediously to correct. Having said that, this is a full sized 2 feet by 3 feet image lol. Portrait aspect.
Photographing Moor Rising: Lone Tree is a combination of finding the right position in x/y space, timing and distance is z, and that position moves with the speed of the moon which makes using Tripods very difficult. Maybe a monopod….This was handheld. Distance is your friend here from that Lone tree. I’m about 600 yards out from it for this shot. This is a full sized image not a crop. Doing this kind of photography has found me on my butt more times than any other. The moon is constantly moving, I’m usually on some parallel ridge walking forwards (as the moon is rising and to the left a bit while looking through a 2 foot long lens (tube) and not at my feet with sage brush around on uneven ground.
Capturing this kind of image is a “sub-hobby” of mine within the general photography that I do. I find it a seriously fun challenge to get terrestrial objects in the same focal plane as the moon or the sun in twilight or darker conditions. It’s a good skill to hone for when the right situation presents itself.. Like this 📸
You have to get working that camera on Manual if you want to do this kind of work lol. Cell phone cameras need not apply and won’t do this without an external lens of some rigged hook up….lolol Lots of fstop, then all you have to do is adjust the other two parameters left, ISO (camera sensitiviey) and Shutter speed. I’ve covered that many times elsewhere so I won’t do it again here 📸 Suffice to say, distance is your friend here and lots of lens to do this.
. 2×3 aspect to 3 feet tall from a 1200 mm telephoto lens. Full frame not a crop.
I took this a week ago as this posts with quite a Twilight Behind a Lone Tree on a Remote Ridge. This is a favorite lone tree of mine being on a very high ridge that is approachable from both sides at least on foot from this side AND I can get far enough away to fit it all in to the frame.
Twilight skies are notoriously color boosted. I would suggest to you that if anything, the real show was actually much more vivid in person but I stopped a bit light on saturation on this one as I’d like it to be believable lolol. It was beautiful.
The Lone Tree watching with less than “One minute to Sunrise” has seen thousands of such sights. I struggle to catch but a few in my photon capture boxes. It’s all where you spend most of your time. It’s got me beat up on that ridge🤔
This is still a night sky being in twilight before sunrise.