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Trunk Filter Lone Tree

Trunk Filter Lone Tree
Trunk Filter Lone Tree

Trunk Filter Lone Tree

I love using natural materials to filter out the glare from a setting sun such that the background colors appear. Between lens reflections and flares, the glare makes for a harsh photographic environment. Resultant in umber colored images unlike this blue sky to yellow transition. When I utilize something like this tree trunk to block, completely hide the sun, a different world emerges from the light overload. Almost nothing can look at the sun unfiltered. Modern Large sensor cameras do pretty well (fairly high end mirrorless NOT DSLR cameras) at not melting a spot in the sensor pointing into the nuclear furnace.

Chasing Gradients of color hue or saturation is a worthy use of my limited hands on camera time I feel. The yellow / golden light surviving the trip through the lower atmosphere making it to my photon capture device is dutifully recorded digitally. What ever software algorithm the camera settings impart to record the scene as a series of Ones and Zeros (I0III000I00)Billions of numbers long. It is my job to bring the digital file out of the camera and bring it into the digital darkroom.

It is my choice to finish them as I remember them. Everybody that actually is a photorealist must process the photo in some way or another. Cameras are terrible at getting it right. First of all I intentionally expose ONLY the highlights correctly. That way you can actually see detail in them. They are not all blown out as if you try to get dark detail. Blown out is lost information and bad photography.

Then you use the tools in a program like Photoshop™ or Lightroom™ to bring the dark areas back to reality. This process expands the dynamic range of the image. I brought the green out of the tree from pitch black. It’s a little thing but it’s exactly what Ansel Adams did with his contrasts and differential exposures. He did his in the chemical dark room and this would have taken him months to do this in black and white. Let alone the color thing. Technology has advanced a LOT in this field over the last century.

Location: Bliss Dinosaur Ranch, Wyoming/ Montana borderlands.

Title: Trunk Filter Lone Tree

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Lone Tree Moonlight Filter

Lone Tree Moonlight Filter
Lone Tree Moonlight Filter

Lone Tree Moonlight Filter

During those 2 days a month that I get to have both the full Moon with the Sun coterminously in the sky, I “work” them photographically fairly hard. My operational tempo on nights like this is intense really. I have a rough map in my head where I want to go sometimes but making to where I need to be and when are two different things lol.

Here I was about 5 minutes late. I spent too much time at the last location. Knowing WHEN to leave a site and move on is paramount to productive backcountry photography. Conditions are fleeting, the sun was setting, the moon was climbing in the sky. I love this lone tree on this remote ridge. It has wonderful views (about 180 miles horizon to horizon from it’s ridge). Such dendritic shapes lend themselves to light filtering work. I suppose I’ll get a bill with model rates charged plus the overtime for the wait. Never keep your model waiting for you. 😜

When I get a Full moon rising at the horizon, I’m all about getting it behind and in focus with terrestrial objects. This is a sub-hobby with my larger professions of photography. Toward that end…. It’s always a good thing when this particular tree lines up with astronomic objects (sun moon). This particular old soldier up high on a ridge has faced the worst wind/weather this high country can throw at it. It is a true old soldier. The Lone Tree on a Ridge is about 1/4 miles out from the parallel ridge is was working in the dark for this capture. The moon is a “little” further behind the ridge.👀

Location: Bliss Dinosaur Ranch, Wyoming / Montana borderlands (Wyotana)

Title: Lone Tree Moonlight Filter

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Lone Tree Ridge Sunset

Lone Tree Ridge Sunset
Lone Tree Ridge Sunset

Lone Tree Ridge Sunset

Getting into position on parallel ridges is certainly a challenge early in the morning. In the evening as this, it’s relatively easy to get there. It’s finding your way back that is the challenge. Role reversal almost across the board. As soon as the sun sets behind that ridge, the whole valley I have to travel into is into dusk and darker environments. Reversing the order of events between a sunset and a sunrise seems to be a universal constant with a few contrarian natural occurrences about.

Sunrise/Sunset. (classical reference intended). For one we rise, the other we set to bed . In a similar vein, it’s hard to get there in the morning and hard to get back at night. “En revanche mon ami”. Unlike humans, the horizon rises at night. However, if you look, in the morning the horizon drops downward in the morning. The Full Moon sets in the morning and rises at night. A lot of events seem to happen right at those two times. It must be a coincidence, or perhaps an ancient biological dependance on the cycle. Just a few more gears driving the wheel of life.

The coming of the light and the departure. It is the appreciation of the process that adds so much to the overall experience I enjoy with this work. I use the term “Terminator Crossing” to describe both sunrise and sunset in one word. If you have never heard of “Terminator” except in connection with “the future is not set” and Arnold, time to google Terminator. You see the Terminator on the moon all the time.

Have a great and safe evening…

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana).

Title: Lone Tree Ridge Sunset

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Sunset Behind Lone Tree

Sunset Behind Lone Tree
Sunset Behind Lone Tree

Sunset Behind Lone Tree

Five months ago I saw this scene up on the high ridges overlooking the Little Powder River Valley. The hard part about this kind of image is to get up that ridge without leaving your rig up there until spring. Some drift was likely to stop progress as much as the ice going up the steep two track roads. This tree is 400 feet higher than my homestead about a mile away. The paths there are determined by the drifts.

I thought the contrast of a beautful snowy sunset versus the hot humid dry summer would be therapeutic. At the time it seems like you want summer…just never happy are we 😜🤘

Winter sunset around 4:30PM instead of the 9 (ish) PM sunset now in the summer as this posts. The 5 AM Summer sunrise comes all too soon for this photographer in the mid-summer when this posts. Summer has trouble competing with the amount of ice in the air to generate BIG sunsets like this. I have to admit that in my experience and personal choice, winter sunsets are better than summer🤔 👀 ❤️

Close / Far Perspectives as this where a telephoto is used to CRUSH the distance between the camera and the close object with the far object more or less uneffected by the magnification. . I’m a good 300 yards back from that foreground lone tree. I’ve said it before that with this kind of photography (close/far), high F-stop and distance from your foreground object is necessary.

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana)

Title: Sunset Behind Lone Tree

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Backcountry Mesocyclone Lone Tree

Backcountry Mesocyclone Lone Tree
Backcountry Mesocyclone Lone Tree

Backcountry Mesocyclone Lone Tree

Finding a Huge Mesocyclone Spinning 50 miles+ off in the distance, I’m thinking “Perspective” 📸 So I had a “Far Object’. This little Spinning top of a storm with the energy of the atom bomb spread out over it’s lifetime. This is just the right 1/3rd of the storm. I easily could have made a triptych out of the total storm. Over an hour after this capture, I was chasing this storm and indeed took a very wide composite image of the sunset projecting red on this storm. Both daylight AND twilight captures of this storm are now in my portfolio. 

These storms are HUGE and are the source of most of the “bad weather ” we experience during green and brown season. Think of them as potential monsters if they roll over you. They take their own time over where ever they travel. Your going to get some big rain if your under one of these for very long. Yes tornadic activity can occur out of them. Hail is also a HUGE threat. 

They make ultimate IMAX™ wide theatre screen for the filtered sunlight reflecting off back to my camera). The Sun being a big projector over my shoulder with this being the backshow more mid-day . 📸 Having passed right over us. This Mesocyclone storm cloud must have been 100 miles across. Still Blue with white clouds, the twilight colors later in any sunset timeline are a result our star projecting a smooth color gradient filtered through the atmosphere.

Location: Bliss Dinosaur Ranch, Wyoming / Montana borderlands (Wyotana)

Title: Backcountry Mesocyclone Lone Tree

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Lone Tree Ridge Sunset

Lone Tree Ridge Sunset
Lone Tree Ridge Sunset

Lone Tree Ridge Sunset

When I get a heavily veiled sun, I’m all about getting it behind and in focus with terrestrial objects. It’s always a good thing when this particular tree lines up with astronomic objects (sun moon). This Lone Tree on a Ridge is about 1/4 mile out in this capture. The sun is a little further behind. High Ridges are their own reward even with out the photography. This is wonderful country.

Photographic Musings: The clouds were very thick and obscuring with the sun blinking in and out from behind the veil. I am as always, reactive to the light with only a bit of premonition to guide me to the next spot from here. Half the game of photography is knowing when you got the shot and it’s time to move on. Otherwise you spend too much time at the site and miss other opportunities.

I move pretty rapidly from interesting situation/alignments of the sun or the moon by driving along parallel ridges. I work the “Shadow” line by driving it and “seeing” what develops as I move. The cool stuff to photograph as in “I know it when I see it”.

There are times I see things that are virtually impossible to capture. A fully lit sun behind this tree is a common occurrence but without neutral density glass filters in front of the camera, even these Sony Super Cameras , this would be impossible. The tree limbs would be totally washed out. I never use glass filters or even do I use a pretty much standard UV haze filter. I find they get in the way of the image more than “fixing ” what they do. A UV filter does protect your lens glass from scratches though and is probably worth it for what you would do mostly. I point cameras at the sun a lot and extra glass in front of the lens has been an issue in the past for me. Just saying….

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana)

Title: Lone Tree Ridge Sunset

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Three Angus and a Tree

Three Angus and a Tree
Three Angus and a Tree

Three Angus and a Tree

The lighting was so unusual I pulled up and pursued it as hard as I could. The heavily veiled sun was peaking through up the hill. But not where I was standing hundreds of yards away. The angles were unusual. I was sun shaded but bright spotlights shone through the veil. This high lighting the hillside. This sunrise was a nice variation of the many themes I have experienced. Lots of contrasts and highlights are a good thing lol.

There is a fossil site below that tree… I haven’t really dug much there, just scratching the surface. I know there is a caudal vertebra from some dinosaur sitting up there under the edge of a boulder about a foot from where I initially found it. It’s only a few inches across. There are also a few bone cross sections (outcrop with bones sticking out) under the cap rock. I don’t believe it is worth my time to dig there as it’s likely just a few random individual bones. They are likely NOT bones from the same individual. Bones soon to become fossils were washed into that spot by the Cretaceous Age rivers. (End of the Dinosaur Era). 53 percent of the fossil record is composed of pieces and parts of Triceratops… They were the cows of the day..

Everybody on two legs (theropods like T-rex) at them. The more things change, the more they remain the same. 2 legged creatures of today eat those modern day cows too.

Location: Bliss Dinosaur Ranch, Wyoming / Montana borderlands (Wyotana)

Title: Three Angus and a Tree

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Lone Tree Backcountry Lamp

Lone Tree Backcountry Lamp
Lone Tree Backcountry Lamp

Lone Tree Backcountry Lamp

Taken a few days ago. This is a VERY bright scene but the sun was indeed markedly yellow and the sky orange around the glare of the sun placed in the same focal plane as this tree. If you hold your thumb out at the end of your outstretched arm, it would cover this image area. Positioned where I thought the bulb should screw into this rare backcountry lamp post. When taking such images, shutting down the camera to light is a necessity. The lens is an 28 inch long 600 mm optic. I’m working hand held for this kind of capture. About 300 yards distant from the snag. The sun is out a bit further. 🤔

Being so bright a scene, it had some interesting light effects on the sensor and diffraction effects are rife. The particulates in the air as well as the clouds below it’s line of sight enabling only the longest red rays access to me. The bright yellow light from the sun overwhelmed and diffracted around the branches. though. Makes it look like it on this side of the tree lolol.

I never know how these are going to come out when taking photos way outside the sane photographic envelope looking into the sun as this capture. Settings you must consider looking it a scene is a fast shutter so going freehand is easy. You need ISO low low numbers and fstop as high as you need to enable both snag/sun to be in the same focal field.. The higher f – stop will give you a deep depth of field but will tend to cause those diffraction effects where the light wraps around and hides the branches.

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands.

Title: Lone Tree Backcountry Lamp

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Channeling Japan in Wyoming

Channeling Japan in Wyoming
Channeling Japan in Wyoming

Channeling Japan in Wyoming

Lone Trees and Large Suns are in an of themselves, each worth of pursuing with a long lens. (1200mm). 300 yards out,. With the dramatic veiled sun and clouds in front, I was able to pull a Japanese scene out of this light.

This Isolated Lone Tree actually has a fossil site at it’s base that I’ve not collected much. I just walk around the surface there and I have not dug. I even left a caudal (tail) vertebra under a boulder there so there is always a fossil to find there. If you were astute looking around you might see large chunky bone fragments coming out of the sandstone in a small outcrop under the ledge to the right of the tree. I keep this place native for the rare person(s) I would take to this place. One of my 4 rifle courses for the Wyoming Tactical Rifle Championship surrounds this hill top.

I have a theory that is certainly just anecdotal. I believe that the soil types derived from the underlying sediment from fossil sites is easier for this species of pine tree to grow in than surrounding soils. MANY of the small fossil sites in this Cretaceous Sandstone Country have either a big majestic Snag laying around or a tree growing just above the fossil site. It is a “working” theory in the jargon of science in that I’m always trying to observe subtle nuances

Location: Bliss DInosaur Ranch, Wyoming / Montana borderlands (Wyotana)

Title: Channeling Japan in Wyoming

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Veiled Moon Lone Tree

Veiled Moon Lone Tree
Veiled Moon Lone Tree

Veiled Moon Lone Tree

Photographing images like this a combination of finding the right position in x/y space, timing and distance is z, and that position moves with the speed of the moon which makes using Tripods very difficult. Maybe a monopod….This was handheld.

Distance is your friend here from that Lone tree. I’m about 600 yards out from it for this shot. This is a full sized image not a crop. Doing this kind of photography has found me on my butt more times than any other. The moon is constantly moving, I’m usually on some parallel ridge walking forwards (as the moon is rising and to the left a bit while looking through a 2 foot long lens (tube) and not at my feet with sage brush around on uneven ground. I’m all about getting it behind and in focus with terrestrial objects. It’s always a good thing when this particular tree lines up with astronomic objects (sun moon). The moon is a little further behind.

Photographic Musings: The clouds were very thick and obscuring with the moon blinking in and out from behind the veil. I am as always, reactive to the light with only a bit of premonition to guide me to the next spot from here. Half the game of photography is knowing when you got the shot and it’s time to move on. Otherwise you spend too much time at the site and miss other opportunities. I move pretty rapidly from interesting situation/alignments of the sun or the moon by driving along parallel ridges. I work the “Shadow” line by driving it and “seeing” what develops as I move. The cool stuff to photograph as in “I know it when I see it”. There are times I see things that are virtually impossible to capture unfortunately. Working on those 😜👀📸📸

Location: near the Bliss Dinosaur Ranch, Wyoming/Montana borderlands

Title: Veiled Moon Lone Tree

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Lone Tree Sky Show

Lone Tree Sky Show
Lone Tree Sky Show

Lone Tree Sky Show

Lone Tree on Veiled Sun. When I get a heavily veiled sun, I’m all about getting it behind and in focus with terrestrial objects. It’s always a good thing when this particular tree lines up with astronomic objects (sun moon). The Lone Tree on a Ridge is about 1/4 miles out from a parallel ridge in this capture. The sun is a little further behind.

Photographic Musings:

The clouds were very thick and obscuring with the sun mostly filtered out behind the veil. I am as always, reactive to the light with only a bit of premonition to guide me to the next spot from here. Half the game of photography is knowing when you got the shot and it’s time to move on. Otherwise you spend too much time at the site and miss other opportunities. I move pretty rapidly from interesting situation/alignments of the sun or the moon by driving along parallel ridges. I work the “Shadow” line by driving it and “seeing” what develops as I move. The cool stuff to photograph as in “I know it when I see it”.

There are times I see things that are virtually impossible to capture. This veiled sun was ‘easy”. A fully lit sun behind this tree is a common occurrence but without neutral density glass filters in front of the camera, even these Sony Super Cameras , this would be impossible. The tree limbs would be totally washed out. I never use glass filters or even do I use a pretty much standard UV haze filter. I find they get in the way of the image more than “fixing ” what they do. A UV filter does protect your lens glass from scratches though and is probably worth it for what you would do mostly. I point cameras at the sun a lot and glass infront of the lens has been an issue in the past for me. Just saying….

Location: Bliss Dinosaur Ranch, Wyoming/Motnana borderlands.

Lone Tree Sky Show

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Natural Twilight Pink Colorcast

Natural Twilight Pink Colorcast
Natural Twilight Pink Colorcast

Natural Twilight Pink Colorcast

I do see some RARE colorcast Twilight situations now and again. This is real color I swear. The red light making it to the clouds above totally saturated the snow below with the same color. Like a projector screen reflecting the red to my camera. I am very accurate in my highlight colors and this is as I remember the scene vividly. This is actually the West view/back show with the eventual sunrise 20 minutes later than this capture.

I have one other similarly colorcast dominated image with a more yellow color. It was too a morning early Civil twilight even . I have just finished it’s image which is waiting in the wings to post here in a few days perhaps. The yellow colorcast image was a different twilight entirely. I’ve experienced only a few occasions of this kind of lighting in several decades of watching sunrises/sunsets. . It takes a very specific series of conditions to make this kind of twilight illumination. Catching and reproducing color accurately in my images is what I try to do. If it weren’t this way and it was a normal twilight, I would have removed this color from the image (which I could easily do). But this was the scene as I experienced it. Dramatic as heck to be honest.

Being there with a camera is the hard part in mid-winter. This particular occurrence happened in December 2018. I kept the camera busy that morning lol. 📸📸

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands

Title: Natural Twilight Pink Colorcast

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Lone Tree Banded Sunset

Lone Tree Banded Sunset
Lone Tree Banded Sunset

Lone Tree Banded Sunset

In a rare display of a pre-sunset yellow to blue gradient all the way to the roof of the sky. A nice golden lower sky alpenglow color-cast downlow smoothly mixes against the still rich blue of the upper sky. This gives a smooth mix of color through the pure blue at the zenith.

From the stand point of a photographer that has watched a few sunsets:

Just took this a few days before I type this. I consider this sunset as in the top 20 that I actually said “WOW” while I was taking it. Several times as I was clicking away with different compositions with the same backdrop sky show. That immediate wow factor to me pushed it to the front of the line somehow lol. This image publishes right at 10 days from when I took it. I am no longer live the same day. All these narratives are written about a week before the actual post.

I do however try to read every comment and respond to questions as best I can. It might take me a week to make it to any particular forum but I do eventually read everything that I find. I answer several hundred comments (like 300 ) comments a day this year. I check PM messages best I can lolol. Please forgive me if I missed you. I appreciate all comments event the critics. I’m my own worst critic so nothing anyone else can say hurts lololol.

I spend well over an hour taking, finishing a photo, write a 250 -300 word narrative publish it and answer responses to them. 5 per day currently. Facebook is a busy place for me.

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands (Wyotana).

Title: Lone Tree Banded Sunset

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Lone Tree Lamp Shade

Lone Tree Lamp Shade
Lone Tree Lamp Shade

Lone Tree Lamp Shade

Up here in the backcountry I use what ever is handy to reduce the glare from that big Light Bulb in the sky.

Lone Tree on Veiled Sun. When I get a heavily veiled sun, I’m all about getting it behind and in focus with terrestrial objects. It’s always a good thing when this particular tree lines up with astronomic objects (sun moon). The Lone Tree on a Ridge is about 1/4 miles out in this capture. The sun is a little further behind.

Photographic Musings:

The clouds were very thick and obscuring with the sun blinking in and out from behind the veil. I am as always, reactive to the light with only a bit of premonition to guide me to the next spot from here. Half the game of photography is knowing when you got the shot and it’s time to move on. Otherwise you spend too much time at the site and miss other opportunities. I move pretty rapidly from interesting situation/alignments of the sun or the moon by driving along parallel ridges. I work the “Shadow” line by driving it and “seeing” what develops as I move. The cool stuff to photograph as in “I know it when I see it”.

There are times I see things that are virtually impossible to capture. A fully lit sun behind this tree is a common occurrence but without neutral density glass filters in front of the camera, even these Sony Super Cameras , this would be impossible. The tree limbs would be totally washed out. I never use glass filters or even do I use a pretty much standard UV haze filter. I find they get in the way of the image more than “fixing ” what they do. A UV filter does protect your lens glass from scratches though and is probably worth it for what you would do mostly. I point cameras at the sun a lot and glass in front of the lens has been an issue in the past for me. Just saying….

Disclaimer:

Don’t point a DSLR camera into the sun. It can blind you if you look into the eyepiece and it will probably burn a spot in your digital image chip in the camera. I use a full frame mirrorless Sony Alpha 7R 2’s ,3’s and 4’s which I routinely point at the sun. Resultant… no apparent damage to the cameras over several years of this.

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands (Wyotana)

Title: Lone Tree Lamp Shade

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Divergent Shadow Perspective Landscape

Divergent Shadow Perspective Landscape
Divergent Shadow Perspective Landscape

Divergent Shadow Perspective Landscape

Everything was covered by ice. During this winter cold morning with little or no cloud cover, an iridescent cloud starts to move across the sun. The Shadows are Long with a slight up hill angle to the hill. The makes the shadows even longer. This VERY high contrast environment of white and black is way outside the normal photographic envelope. I believe iridescent clouds to be WAY more common that I used to. We just can’t look into the scene without blinding ourselves to see them. The Mirrorless Cameras I use that feed to a video screen. It actually lets me see this image BEFORE I click the camera. I can adjust the settings live real time on the screen.

Photographic Musings:

The star off the sun is resultant from a high f-stop number. Having only a pin hole for a pupil/aperture/opening in your lens. You get diffraction from the edges of the hole. This little bit of optical physics explains the star around the sun. Turning up your f-stop has an added benefit. in this case by reducing the amount of light coming into your camera.

In this high light environment, your also going to have adjust shutter speed really fast. Set your ISO really low (camera sensitivity) or both to compensate for the high light. Basically you have to shut down your camera to light. Many cameras will take a neutral density filter to accomplish this. . Your always balancing 3 different settings in Manual Mode on your camera. I use NO/zip/zero automatic settings anywhere. Not in my cameras or lenses. No auto focus, no stabilization etc. Manual photography strictly on a very modern platform. I get a pretty good battery life that way😄.

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands (Wyotana)

Title: Divergent Shadow Perspective Landscape Aspect: Square to 18 inches

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Lone Tree on Veiled Sun

Lone Tree on Veiled Sun
Lone Tree on Veiled Sun

Lone Tree on Veiled Sun. When I get a heavily veiled sun, I’m all about getting it behind and in focus with terrestrial objects. It’s always a good thing when this particular tree lines up with astronomic objects (sun moon). The Lone Tree on a Ridge is about 1/4 miles out in this capture. The sun is a little further behind.

Photographic Musings:

The clouds were very thick and obscuring with the sun blinking in and out from behind the veil. I am as always, reactive to the light with only a bit of premonition to guide me to the next spot from here. Half the game of photography is knowing when you got the shot and it’s time to move on. Otherwise you spend too much time at the site and miss other opportunities. I move pretty rapidly from interesting situation/alignments of the sun or the moon by driving along parallel ridges. I work the “Shadow” line by driving it and “seeing” what develops as I move. The cool stuff to photograph as in “I know it when I see it”.

There are times I see things that are virtually impossible to capture. A fully lit sun behind this tree is a common occurrence but without neutral density glass filters in front of the camera, even these Sony Super Cameras , this would be impossible. The tree limbs would be totally washed out. I never use glass filters or even do I use a pretty much standard UV haze filter. I find they get in the way of the image more than “fixing ” what they do. A UV filter does protect your lens glass from scratches though and is probably worth it for what you would do mostly. I point cameras at the sun a lot and glass infront of the lens has been an issue in the past for me. Just saying….

Disclaimer:

Don’t point a DSLR camera into the sun. It can blind you if you look into the eyepiece and it will probably burn a spot in your digital image chip in the camera. I use a full frame mirrorless Sony Alpha 7R 2’s ,3’s and 4’s which I routinely point at the sun. Resultant… no apparent damage to the cameras over several years of this.

If your buying gear soon….

Mirrorless Cameras: I’m not blind now because I look through the a Mirrorless cameras eyepiece which has a video screen behind the glass so no direct path of light to blind you. Newer mirrorless cameras do this video thing. Older Designed DSLR’s don’t show you your image until AFTER YOU CLICK. Mirrorless Cameras show you your settings changes live on screen and you get what you see when you click not after. If your shopping for cameras, I would tell you to buy mirrorless. Particularly if you work outside with cameras. Studio it’s not critical either way.

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands.

Title: Lone Tree on Veiled Sun

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Crystal Ball Back Country Sunset

Floating Crystal Ball Back Country Sunset with Magic Glass Sphere Halloween
Floating Sphere and a Lone Tree Sunset

Halloween Satire: Crystal Ball Back Country Sunset…… I found this _other Worldly Muli-Dimensional Portal (wormhole)” floating in the backcountry after the snows. I considered driving into it and popping up somewhere on the other side of the universe but decided to stick it out here instead. After all, I had images to finish in the camera and can’t miss tax time….😜 After all, during Halloween strange magical things happen up here in the remote backcountry of Montana/Wyoming. (both states in this image). (Nobody ever watch “StarGate SG-1 before lolol).

I’m amazed “Sneaky Pete” the Windmill didn’t try to get in on this but I think the 0 degree temps probably kept him from moving very fast. Fortunately the wind was fairly calm up on that high ridge. This was me driving places I’ve been a few times but most wouldn’t drive there in this kind of snow. I had to plow about a mile of two track road with my Skid Steer Loader to get close to this spot where I walked up the ridge to get this shot. I get to use the roads I build up on the ridges between blowy storms in this country. It takes several hours of pushing snow to get up here and once a week it shuts me down. By late to mid winter, I’m about done pushing snow. I get locked out of the backcountry and stuck on backcountry County Roads where I also get some amazing images…. more on that later this winter 😎

Actual photo short the support for the spherical optical quality lens ball removed in the digital Darkroom but don’t tell the kids that 🎃. So this is ART not a pure photo. I removed a small support under the sphere in Full Disclosure. This is VERY wide angle and a 2:1 aspect. 10mm lens.

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands

BlissPhotographics.com

Crystal Ball Back Country Sunset

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Blue Birds Migration Ready

Blue Birds Migration Ready
The Gathering: Blue Birds Grouping Before the Migration

This gathering of Mountain Blue Birds Migration Ready was caught the passing through of what looks to be a Common Flicker swooping in the middle of the flock and disrupting this gathering and scattering a few lol… Something had to set the camera off and usually its a warm body going through it’s infra-red detection grid.

Game Trail Camera Captures

Besides my Sony Alpha 7RII Pile, … I run a network of 26 Game Trail Cameras (for you new guys). For every “Great” photo from a Game Trail Camera like this I look through thousands of out of focus and over/underexposed images. Great ones do occasionally happen like this though lolol. My collecting SD cards from Game Trail Cameras and viewing the contents take up hours every week these days.

I find many good captures among the numerous random clicks they collect. Maybe 1 in 100 is a good image that I can fix and use here. This one is 1 in 2 or 3 thousand lolol. I actually do get multiple flocks of migrating birds on a regular basis toward the end of Autumn. Autumn was on a tuesday this year I remember all too well. Then it was winter and it’s stayed cold mostly for the last month. The Blue Birds have all headed south where there are live insects to hunt.

Each and every image from a game trail camera is problematic from a professional photo-finish standpoint and this one was no exception. Those images (to a one) take me a “bit” to “fix” before I would publish them and put my name on them. THere are all sort of .jpg artifacts and borders around high contrast areas that I have to go over very tediously to correct. Having said that, this is a full sized 2 feet by 3 feet image lol. Portrait aspect.

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands (my backyard).

Blue Birds Migration Ready

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Moon Rising: Lone Tree

Moon Rising: Lone Tree
Moon Behind the Lone Tree on the Ridge

Photographing Moor Rising: Lone Tree is a combination of finding the right position in x/y space, timing and distance is z, and that position moves with the speed of the moon which makes using Tripods very difficult. Maybe a monopod….This was handheld. Distance is your friend here from that Lone tree. I’m about 600 yards out from it for this shot. This is a full sized image not a crop. Doing this kind of photography has found me on my butt more times than any other. The moon is constantly moving, I’m usually on some parallel ridge walking forwards (as the moon is rising and to the left a bit while looking through a 2 foot long lens (tube) and not at my feet with sage brush around on uneven ground.

Capturing this kind of image is a “sub-hobby” of mine within the general photography that I do. I find it a seriously fun challenge to get terrestrial objects in the same focal plane as the moon or the sun in twilight or darker conditions. It’s a good skill to hone for when the right situation presents itself.. Like this 📸

You have to get working that camera on Manual if you want to do this kind of work lol. Cell phone cameras need not apply and won’t do this without an external lens of some rigged hook up….lolol Lots of fstop, then all you have to do is adjust the other two parameters left, ISO (camera sensitiviey) and Shutter speed. I’ve covered that many times elsewhere so I won’t do it again here 📸 Suffice to say, distance is your friend here and lots of lens to do this.

. 2×3 aspect to 3 feet tall from a 1200 mm telephoto lens. Full frame not a crop.

Have a great day all, be safe in all you do… 😀


Location: Bliss DInosaur Ranch, Wyoming Montana borderlands

Moon Rising: Lone Tree

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Twilight Behind A Lone Tree on a Ridge

Twilight Behind A Lone Tree on a Ridge
Twilight Behind A Lone Tree on a Ridge

I took this a week ago as this posts with quite a Twilight Behind a Lone Tree on a Remote Ridge. This is a favorite lone tree of mine being on a very high ridge that is approachable from both sides at least on foot from this side AND I can get far enough away to fit it all in to the frame.

Twilight skies are notoriously color boosted. I would suggest to you that if anything, the real show was actually much more vivid in person but I stopped a bit light on saturation on this one as I’d like it to be believable lolol. It was beautiful.

Location: Ridge 1, Bliss Dinosaur Ranch, Wyoming/Montana borderlands.

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One Minute to Sunrise

One Minute to Sunrise
One Minute to Sunrise

The Lone Tree watching with less than “One minute to Sunrise” has seen thousands of such sights. I struggle to catch but a few in my photon capture boxes. It’s all where you spend most of your time. It’s got me beat up on that ridge🤔

This is still a night sky being in twilight before sunrise.

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands.