I took this a week ago as this posts with quite a Twilight Behind a Lone Tree on a Remote Ridge. This one of about a dozen favorite lone trees of mine being on a very high ridge that is approachable from both sides at least on foot from this side AND I can get far enough away to fit it all in to the frame. These are all requirements for me to get this kind of capture. Topography and astronomy has to coincide with Botany. That’s a lot of coincidence lol.
Twilight skies are notoriously color boosted by many artists. I would suggest to you that if anything, the real show was actually much more vivid in person. I stopped a bit light on saturation finalizing this as I’d like it to be photorealistic to what I experienced. It was beautiful. It’s easy to be enamoured with silhouettes of lone trees against an active twilight sky show. I keep them real though and will tell you if I seriously mess with color. It’s seldom I mess with the highlights of an image. My tendency is to bring hidden detail out of the shadow in the digital darkroom. . I did none of that with this image for the silhouette effect. It is pretty much as raw out of the camera.
This capture has the triangle formed by the clouds and the hill slope. Geometry formed in an image is always a bonus “hero”. Every photo needs a few heros. Hero’s defined here as something that draws the eye, brings forth a memory, or is just a nice series of colors or gradients. Something attractive.
While I admire the tenacity of this lone tree. Living with out the benefit of the group shelter from the incessant Wyoming/Montana winds. Here on the high ridges all things are buffeted by hurricane winds yearly. The slopes leading up to them will enhance and focus the wind at times worsening the situation. Having an unparalleled view is a benefit, of this old sentinels exposed existence.
If this tree is certainly 100 years old (probably 200+), it has seen a mininum of 36500 sunrises and 36500 sunsets. I’ve only photographed well over 1000 from start to finish during my photographic travels. I’ve seen virtually (almost) every shade on the pantone color swatch book in the natural sky. And many of those missing color representatives created by others using excessive “filters” to enhance their highlights posted on the internet.. Some of the colors I’ve seen created by others are certainly un-natural. ART. The use of that color slider control on the phone are definitely missing in nature lolololol. I try REALLY HARD to be a photorealist. Blue Snow is a classic example. I’ve seen blue snow twice in my life. Both circumstances were in EARLY Civil Twilight. I see it daily posted in the forums. Generally I live in a blue snow free zone.
The color gradients I see in this image are the Alpenglow equivalent of a rainbow. It’s sort of the wrong order of colors as a classic rainbow but there are refractions here going on. I have to get up to the ridges at least 1/2 an hour early. Getting into position this time of year is always in question and often in doubt. I’m on foot for this particular location for this shot. .
Lone Tree on Veiled Sun. When I get a heavily veiled sun, I’m all about getting it behind and in focus with terrestrial objects. It’s always a good thing when this particular tree lines up with astronomic objects (sun moon). The Lone Tree on a Ridge is about 1/4 miles out in this capture. The sun is a little further behind.
The clouds were very thick and obscuring with the sun blinking in and out from behind the veil. I am as always, reactive to the light with only a bit of premonition to guide me to the next spot from here. Half the game of photography is knowing when you got the shot and it’s time to move on. Otherwise you spend too much time at the site and miss other opportunities. I move pretty rapidly from interesting situation/alignments of the sun or the moon by driving along parallel ridges. I work the “Shadow” line by driving it and “seeing” what develops as I move. The cool stuff to photograph as in “I know it when I see it”.
There are times I see things that are virtually impossible to capture. A fully lit sun behind this tree is a common occurrence but without neutral density glass filters in front of the camera, even these Sony Super Cameras , this would be impossible. The tree limbs would be totally washed out. I never use glass filters or even do I use a pretty much standard UV haze filter. I find they get in the way of the image more than “fixing ” what they do. A UV filter does protect your lens glass from scratches though and is probably worth it for what you would do mostly. I point cameras at the sun a lot and glass infront of the lens has been an issue in the past for me. Just saying….
Don’t point a DSLR camera into the sun. It can blind you if you look into the eyepiece and it will probably burn a spot in your digital image chip in the camera. I use a full frame mirrorless Sony Alpha 7R 2’s ,3’s and 4’s which I routinely point at the sun. Resultant… no apparent damage to the cameras over several years of this.
If your buying gear soon….
Mirrorless Cameras: I’m not blind now because I look through the a Mirrorless cameras eyepiece which has a video screen behind the glass so no direct path of light to blind you. Newer mirrorless cameras do this video thing. Older Designed DSLR’s don’t show you your image until AFTER YOU CLICK. Mirrorless Cameras show you your settings changes live on screen and you get what you see when you click not after. If your shopping for cameras, I would tell you to buy mirrorless. Particularly if you work outside with cameras. Studio it’s not critical either way.
This is called Lone Tree Ridge Sunrise. The Clouds were such that I could point the camera into the furnace and actually see details on the edge. Such conditions where I can catch a sun surface like this are not common. The necessary glare filter here is natural cloud cover. I have a lot a captures from this morning using that veiled sun but this is one of my favorite Lone trees. It’s actually alive but it looks pretty scraggly lol.
My arrival at this alignment here is about 15 minutes too late. If the sun was lower I would have moved back from the ridge to keep the angle. Thusly more of Lone Tree would have been above the ridge . The tree is just behind the crest from this angle. Still the effect was very interesting to my artsy side so I finished the image. The yellow sun is natural as the camera saw it. It is way to bright for me to say what color it was outside the cameras protective video environment. Looking at this scene through anything but a mirrorless camera (not a DLSR) could blind you . Pick the wrong camera and you can also burn a hole in your sensor chip. Double trouble with less expensive cameras so be aware.
I worked about 15 locations over a 10 mile stretch of Wyoming Backroads that morning. It was way to muddy to go into the backcountry and tear up my two track roads. I’ll wait until it’s frozen again to venture up into the backcountry.
I took this a week ago as this posts with quite a Twilight Behind a Lone Tree on a Remote Ridge. This is a favorite lone tree of mine being on a very high ridge that is approachable from both sides at least on foot from this side AND I can get far enough away to fit it all in to the frame.
Twilight skies are notoriously color boosted. I would suggest to you that if anything, the real show was actually much more vivid in person but I stopped a bit light on saturation on this one as I’d like it to be believable lolol. It was beautiful.
The Lone Tree on the remote back country ridge line has been a sentinel there for decades of high winds and exposure.. The soil he’s growing on is clay and rock with just scrub brush and sage around it. Nothing special for it, but this tree is one of my favorite subjects. He has a 180 mile wide horizon to horizon view from it’s perch. I can see him from close to far away both sides of the ridge for both sunrise and sunset.
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