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Bracing for the Sunrise

Bracing for the Sunrise
Bracing for the Sunrise

Bracing for the Sunrise

As I travel the backcountry, I see opportunity in common objects. If I had uncommon things (huge mountains, monuments etc), I’d certainly photograph them. Regular Ranch objects are what I’ve got so I will work the common things looking for little areas of zen hidden among the other visual noise. My job is to catch isolated moments in time and space. There were an infinite number of places to observe this twilight, I chose to get down on my knees and look through this window to the twilight. You’ve got to get to where the photos are after all lolol.

Perspectives such as this, require a very close/far focus. That is not an easy task in fairly dark environments such as this. Just before the horizon dropped exposing the sun. It’s civil Twilight still, the sun has not risen yet.. (Astronomic, Nautical and Civil are the three twilights) I consider this a tough photographic environment certainly.

I do like working perspectives in low light. It’s working several problems at once in the cameras Manual mode. Such activities are an exercise in balance of the three major camera settings you have ANY control of. (white balance excluded).

Twilight is by far the best time of the day. Not many are up seeing what is going on most mornings. I’ve seen so many sky shows . Just about every possible situation short of some ultra rare phenomena. I will testify that twilight is the most varied color, capable of the full rainbow of possibilities. Only the bright greens of aurora have I not seen from twilight. Oxygen excited by the sun at 60 -120 miles high is that green. None in basic twilight that I have ever seen. The variety of scenes, the play of low angle light, leads one to take the work if you can get it lolol.

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands (Wyotana)

Title: Bracing for the Sunrise

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Lone Tree Lamp Shade

Lone Tree Lamp Shade
Lone Tree Lamp Shade

Lone Tree Lamp Shade

Up here in the backcountry I use what ever is handy to reduce the glare from that big Light Bulb in the sky.

Lone Tree on Veiled Sun. When I get a heavily veiled sun, I’m all about getting it behind and in focus with terrestrial objects. It’s always a good thing when this particular tree lines up with astronomic objects (sun moon). The Lone Tree on a Ridge is about 1/4 miles out in this capture. The sun is a little further behind.

Photographic Musings:

The clouds were very thick and obscuring with the sun blinking in and out from behind the veil. I am as always, reactive to the light with only a bit of premonition to guide me to the next spot from here. Half the game of photography is knowing when you got the shot and it’s time to move on. Otherwise you spend too much time at the site and miss other opportunities. I move pretty rapidly from interesting situation/alignments of the sun or the moon by driving along parallel ridges. I work the “Shadow” line by driving it and “seeing” what develops as I move. The cool stuff to photograph as in “I know it when I see it”.

There are times I see things that are virtually impossible to capture. A fully lit sun behind this tree is a common occurrence but without neutral density glass filters in front of the camera, even these Sony Super Cameras , this would be impossible. The tree limbs would be totally washed out. I never use glass filters or even do I use a pretty much standard UV haze filter. I find they get in the way of the image more than “fixing ” what they do. A UV filter does protect your lens glass from scratches though and is probably worth it for what you would do mostly. I point cameras at the sun a lot and glass in front of the lens has been an issue in the past for me. Just saying….

Disclaimer:

Don’t point a DSLR camera into the sun. It can blind you if you look into the eyepiece and it will probably burn a spot in your digital image chip in the camera. I use a full frame mirrorless Sony Alpha 7R 2’s ,3’s and 4’s which I routinely point at the sun. Resultant… no apparent damage to the cameras over several years of this.

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands (Wyotana)

Title: Lone Tree Lamp Shade

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Perspective Border Fence Line

Perspective Border Fence Line
Perspective Border Fence Line

Perspective Border Fence Line

This fence is parallel with and pretty much directly on the Montana/Wyoming border. Precisely 1/2 way between the North Pole and The Equator. 45 degrees north Latitude. You are looking West for the Sunset.

At the Spring OR Fall equinox, the sun would set straight to where the fence line is headed off in the distance. (Straight West) This alignment says somewhere in Late July or Early June. The sun is setting WAY north of the 1/2 way line. They were getting 24 hours of sun north of the Arctic Circle about the same time this photo was taken. The tilt of the earth with the northern hemisphere facing more directly at the sun will result in this alignment. You can’t believe the timing involved at getting the sun inside of a little peep hole like that wire . Hand holding a camera, moving your lens a millimeter in any direction and it’s out of alighment.

Same type type peep site on an old Shiloh Sharps 1873 model rifle. If you know what I speak, I could be your friend.

Photographic Musings

The twisted wires gate, made of stainless wire, is a highlight monster. I really like finding shiny metal gates. I make a note of where they are and head there under the right sky conditions. No matter where you are looking to take pictures, a good portion of what I do photographically is based on awareness of various interesting/complex’Foreground objects”. I have a map of them in my head. I look at the sky, where the sun is setting/rising, often then deciding what I’m going to be doing that photo session. Picking my targets, using my time effectively. (Plan what you do before you go out but be flexible and adapt.).
Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana).

Title: Perspective Border Fence Line

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Lone Tree on Veiled Sun

Lone Tree on Veiled Sun
Lone Tree on Veiled Sun

Lone Tree on Veiled Sun. When I get a heavily veiled sun, I’m all about getting it behind and in focus with terrestrial objects. It’s always a good thing when this particular tree lines up with astronomic objects (sun moon). The Lone Tree on a Ridge is about 1/4 miles out in this capture. The sun is a little further behind.

Photographic Musings:

The clouds were very thick and obscuring with the sun blinking in and out from behind the veil. I am as always, reactive to the light with only a bit of premonition to guide me to the next spot from here. Half the game of photography is knowing when you got the shot and it’s time to move on. Otherwise you spend too much time at the site and miss other opportunities. I move pretty rapidly from interesting situation/alignments of the sun or the moon by driving along parallel ridges. I work the “Shadow” line by driving it and “seeing” what develops as I move. The cool stuff to photograph as in “I know it when I see it”.

There are times I see things that are virtually impossible to capture. A fully lit sun behind this tree is a common occurrence but without neutral density glass filters in front of the camera, even these Sony Super Cameras , this would be impossible. The tree limbs would be totally washed out. I never use glass filters or even do I use a pretty much standard UV haze filter. I find they get in the way of the image more than “fixing ” what they do. A UV filter does protect your lens glass from scratches though and is probably worth it for what you would do mostly. I point cameras at the sun a lot and glass infront of the lens has been an issue in the past for me. Just saying….

Disclaimer:

Don’t point a DSLR camera into the sun. It can blind you if you look into the eyepiece and it will probably burn a spot in your digital image chip in the camera. I use a full frame mirrorless Sony Alpha 7R 2’s ,3’s and 4’s which I routinely point at the sun. Resultant… no apparent damage to the cameras over several years of this.

If your buying gear soon….

Mirrorless Cameras: I’m not blind now because I look through the a Mirrorless cameras eyepiece which has a video screen behind the glass so no direct path of light to blind you. Newer mirrorless cameras do this video thing. Older Designed DSLR’s don’t show you your image until AFTER YOU CLICK. Mirrorless Cameras show you your settings changes live on screen and you get what you see when you click not after. If your shopping for cameras, I would tell you to buy mirrorless. Particularly if you work outside with cameras. Studio it’s not critical either way.

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands.

Title: Lone Tree on Veiled Sun

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Pronghorn Buck Under Barbed Wire

Pronghorn Buck Under Barbed Wire
Pronghorn Buck Under Barbed Wire

Game Trail Camera capture: Pronghorn Buck Under Barbed Wire

I love Pronghorns color in this light. The color of their hide is very close here to the real color they sport mid day. Maybe just a TAD dark but very close. This instead of the “Golden Hour” color of much darker brown. I see a host of images of these guys much darker than I’ve ever seen them in the wild. Title: “Pronghorn Buck Under Barbed Wire”

Running under a barbed wire is risky but moving about 20 mph as he’s doing it…. wow. These guys move through those gaps with hardly loosing any speed. I’ve seen a dozen Pronghorn moving under barbed wire in a few seconds. They don’t mess around when they feel like it’s “time to go”. I suspect someone sounds a subtle alarm and they are “outta here”. Fastest land animal in North America, they have their share of scratches along their back too. I sometimes have image after image like this on a camera as the herds move through. The automatic cameras react to the movement and capture the action.

I’ve seen Pronghorn go OVER fences before but it’s not a common occurrence. Some fen

Location: Bliss DInosaur Ranch, Wyoming/Montana