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Red Hills Twilight Landscape

Red Hills Twilight Landscape
Red Hills Twilight Landscape

Red Hills Twilight Landscape

Brown Season twilight landscapes are always dark, some are more colorful than others. When the veil of clouds is heavy, the shade and hues become muted with the encroaching dusk. Unfettered light causes an entirely different result… here, browns are in full display. I spend a lot of time working twilight skies/landscapes and find them challenging to reproduce accurately. It would be very easy to turn up the sky colors but I’m trying really hard to be a photorealist. This is as close as I can get this to how I experienced the scene. I find that an infinite spectrum of variable twilight exists and are mostly “capturable” with the right gear.

A majority of photographers wouldn’t finish this image I’m thinking. Having said that, I’m all about subtle tones and hues that escape view by most. The cool air of the twilight, the movement of game in the distance, the quickening of the light fleeing the scene is always breathtaking to me. Huge long landscapes (40 miles) make for an appropriate venue for this end of a day capture.. All creatures great and small getting ready for the night are all in their own world. Anticipating the washing away of the brown by spring rains to expose the green that is forthcoming. Seasons change, days come and go, but the animals seen to survive the hardships with an ever optimistic outlook toward the next day and the next meal.

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana)

Title: Red Hills Twilight Landscape

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Layers of Natural Sepia Tone

Layers of Natural Sepia Tone
Layers of Natural Sepia Tone

Layers of Natural Sepia Tone

I’m always saying I work “Parallel Ridges” photographically but actually showing parallel ridges isn’t easy. These long shadows during this late golden hour moment accentuate the topography in this landscape. The coloration was natural in this low light civil twilight sky. Atmospheric Ice will do this. It’s called “Alpenglow” if you haven’t googled that before. …

Autumn is in full effect for this country. Most of the ranches trees are behind me but this treed gully provides some foreground color in this image. A lot of grasses have a reddish hue to them as well as the various deciduous trees in the valley.

There is a lot of ground covered in this frame. 40 miles out to the far ridge which part of the Red Hills up in Montana. I’m on what I call Ridge one which is about 1 mile inside of Wyoming. I really enjoy working this country with cameras. There are infinite angles and slopes to work ridge lines to properly corral light into your camera. Wild life encounters set off the experience. I never know what I’m going to run into up here. This is a land of many uses.

Geolmorphology:

Your actually looking across 2 good sized river valleys. Ranch creek is the first big valley in the distance. Ranch Creek eventually feeds the Little Powder River which resides in the second valley. These small rivers removed all that sediment between the tallest peaks. The ground used to reach between the peaks and filled in all that valley area. Little rivers do LOTS of erosion over a LOT of time by a LITTLE at a time. 🤔⚒

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana).

Title: Layers of Natural Sepia Tone

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Alpenglow Early April Snow

Alpenglow Early April Snow
Alpenglow Early April Snow

Alpenglow Early April Snow

Some twilights are full of primary colors so pure they rival a new Pantone swatch chart (about 300 bucks new). I very carefully reproduce what happened that morning here. The snow had a decidedly cyan tint which I can see clearly in my minds eye from the moment of the shutter release. I don’t see it too often, it’s always under intensely involved Twilight Skies. I see so many posted images of electric blue snow. I’m confused because I have never seen electric blue snow in real life.

I’ve lived in Wyoming working with color images professionally or other artists beginning 1991. Experienced a few well taken winter images up here I have. It is my observations that Blue Colorcast in Snow is quite rare. Images that have it, are (usually) either 1: improperly set up white balance (most likely), or 2: intentional twisting up the volume on a broad stroke color enhance control. Now I’m all for art in a photograph but with full disclosure of the deed. I’m not going to present an art work as a photograph. It’s a matter of Professional Courtesy to other photographers.

I have found that a good portion of the viewer ship like color enhanced photos. Everybody has their own likes and that what art is all about. Unfortunately for that segment I’m a photorealist and try VERY hard to accurately reproduce what I saw at the time. I’m sorry, if you like blue snow, you’ll have to look at another artist. I live within in a blue snow free zone.

Location; Bliss DInosaur Ranch, Wyoming/Montana borderland (Wyotana)

Title: Alpenglow Early April Snow

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Layered Landscape to the BigHorns

Layered Landscape to the BigHorns
Layered Landscape to the BigHorns

Layered Landscape to the BigHorns

Layers of Landscape to the first big ridge stretch for 40 miles in the distance. The Alpenglow illuminated BigHorn Mountains are saturated in an orange color cast projecting off of the deeper snow cover of the slopes. There are still spotty snow in the low and sheltered northern slopes and the deeper slopes of the 130 mile distant peaks. 1200 mm telephoto.

Photographic Musings:

This of course is a time exposure as it were. I consider anything longer than 1/4 second a time exposure best done on a tripod or some support. You can take photos like this free handed but your ISO is going to have to be so high that you’ll get grain on your image. A minimum handheld speed with a long lens is about 1/100th. With a telephoto your going to have to compensate for the lack of light somehow as they are not a fast lens. Turning up camera sensitivity? This will unfortunately give you larger grain to your image and add noise to the color. It will however bring an image in.

The first rule of photography is get the shot. The second rule is get it right !. Longer time exposures give your camera a chance to gather light the easy way. You always want as LOW and ISO as you can get away with. Low light images like this look wonderful if done on a tripod. Not so much hand held. I use a clamp on my car window with my favorite tripod head on it that mates to my cameras. Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands

Title: Layered Landscape to the BigHorns

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Sunset Over Deer Ridge

Sunset Over Deer Ridge
Sunset Over Deer Ridge

Sunset Over Deer Ridge

Lining Deer UP from hundreds of yards away against the setting sun is an exercise in understanding topography. By working parallel ridges I get to stay hundreds of yards away from the casual deer. not alert the deer and am still able to get far enough away to catch a foreground object in focus for three layers of image here.

I only get to have the planets align like this a few times a year. I only had one opportunity this year to have deer pose for me in front of such a show. Images like this are infrequent in their occurrence for me to work. In reality this is going on all the time, there just isn’t anyone there to take the photo. Getting into the right position for this is a lucky event.

I have known these two bucks for a few years and because aware of their tendency to walk this ridge an hour before sunset. They were on their way from their grass pasture to the water hole on the other side. Almost every day these two walked this ridge like clockwork. Following the same trail daily These two are still around. I’m not sure exactly where with the snows. The Backcountry is challenging to get back into at the moment. I see them both on game trail cameras near the water holes we keep open mid winter for them. If we didn’t keep water tanks open they would have to migrate. The closest running water which is some distance from this high ground.

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana)

Title: Sunset Over Deer Ridge

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Savanna Tree High Backcountry

Savanna Tree High Backcountry
Savanna Tree High Backcountry

Savanna Tree High Backcountry

I took this a week ago as this posts with quite a Twilight Behind a Lone Tree on a Remote Ridge. This one of about a dozen favorite lone trees of mine being on a very high ridge that is approachable from both sides at least on foot from this side AND I can get far enough away to fit it all in to the frame. These are all requirements for me to get this kind of capture. Topography and astronomy has to coincide with Botany. That’s a lot of coincidence lol.

Twilight skies are notoriously color boosted by many artists. I would suggest to you that if anything, the real show was actually much more vivid in person. I stopped a bit light on saturation finalizing this as I’d like it to be photorealistic to what I experienced. It was beautiful. It’s easy to be enamoured with silhouettes of lone trees against an active twilight sky show. I keep them real though and will tell you if I seriously mess with color. It’s seldom I mess with the highlights of an image. My tendency is to bring hidden detail out of the shadow in the digital darkroom. . I did none of that with this image for the silhouette effect. It is pretty much as raw out of the camera.

This capture has the triangle formed by the clouds and the hill slope. Geometry formed in an image is always a bonus “hero”. Every photo needs a few heros. Hero’s defined here as something that draws the eye, brings forth a memory, or is just a nice series of colors or gradients. Something attractive.

Location: Ridge 1, Bliss Dinosaur Ranch, Wyoming/Montana borderlands.

Savanna Tree High Backcountry

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Windmill and Smoke Sun Filter

Windmill and Smoke Sun Filter
Windmill and Smoke Sun Filter

Windmill and Smoke Sun Filter

Forest Fires hundreds of miles away accentuate and attenuated this image. Various levels of smoke from burning forests give western photographers opportunities. I am not ashamed to take advantage of it though my heart goes out to those that the fires impact. I’ve physically fought my share of grass fires living surrounded by a sea of grass. Fires used to burn here from their start to the first snows putting them out. I’ve seen some tremendous sunsets as a benefit to natures actions cleaning up the dead fall that we have allowed to accumulate to dangerous levels.

I’ve said many times before that I don’t use glass filters in front of my lenses. When shooting directly into the sun, the best filters have lefts a ghost of the sun in my images. Offset artifacts are not generally welcome to a photographer that tries really hard to be a photorealist. I will occasionally wander using lens reflections/flares in my work, but not here lol. 📷

Big Long Telephoto lenses have a tendency to CRUSH perspective like a compressed accordion . Getting topography, Windmill and Sun all to line up at the same time while at the same elevation as the sail…..not that regular an occurrence lol. I know the topography I work pretty well after ‘working it’ for decades. Knowing the direction the sun is going to rise is a matter of looking it up on google. Get a compass, a map (in my head by now) and figure out “what two or three things” can line up.

I never know WHAT the show is going to be when I go out with cameras. I do usually know WHERE it is going to take place though. 😄

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana)

Title: Windmill and Smoke Sun Filter

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Perspective: BigHorns Blurred Windmill

Perspective: BigHorns Blurred Windmill
Perspective: BigHorns Blurred Windmill

Perspective: BigHorns Blurred Windmill

Here “Sneaky Pete” the Windmill is doing what he does best, get into my landscapes. I have no control over his actions…..😎 (years old narrative).🤣

The window to the Big Horn Mountains from my ranch has 130 miles of atmosphere between my high ridge location and those 13,000 foot high peaks… I see them maybe once a week. It was windy but this is still a 1/15th second time exposure in order to blur the windmill sail.

This was a missed post so I manually posted this this AM. I’m not sure how I screwed it up but here I am working live and not a week out lolol.

Have a great Friday and be safe in all you do.

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana)

Title: Perspective: BigHorns Blurred Windmill

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BigHorn Longhorns

BigHorn Longhorns
BigHorn Longhorns

BigHorn Longhorns is a capture from earlier this summer. The peach colored alpenglow and purple mountain hues really accent the rich green of the pasture. This was a very good year for grass. It was hugging the hill here. It was as high as the cattle down in the fertile washes.

Alpenglow is the result of atmospheric ice refracting light. The purples hues also come due to ice. All with lots of help from the the red light that make it through that hundreds of miles thick filter. I find peach colored alpenglow is not that common. I very carefully exposed that sky to match what I saw. Bear in mind that the cattle are 300-400 yards out. The first blue ridge is 40 miles out. The Big Horn Mountains are 130 miles distant from my lens. I had to find just the right spot in the 3D topography out here to line this up.

Both those were Bulls (at that time lololol). Now they are steers……… Nothing is certain up here but Winter and brown season lol. This picture hopefully will take you back to that early summer day.

This is a very long 800mm lens. With an 800 from here, I can just fit the main peaks of the BigHorns in the frame from this distance. You need to use a pretty high f-stop to get this deep a focus. Distance from the closest object is your friend in this kind of image. Deep focal fields come at the expense of loosing light. Your already in a low light environment in twilight. Tripods help a LOT.

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands

Title: BigHorn Longhorns

BigHorn Longhorns is a capture from earlier this summer. The peach colored alpenglow and purple mountain hues really accent the rich green of the pasture. This was a very good year for grass. It was hugging the hill here. It was as high as the cattle down in the fertile washes.

A result of atmospheric ice suspended in the atmosphere, Alpenglow colors the scene. The purples hues come with help from the the red light that make it through that hundreds of miles thick filter. I find peach is not that common. I very carefully exposed that sky to match what I saw. Bear in mind that the cattle are 300-400 yards out. The first blue ridge is 40 miles out. The Big Horn Mountains are 130 miles distant from my lens. I had to find just the right spot in the 3D topography out here to line this up.

Both those were Bulls (at that time lololol). Now they are steers……… Nothing is certain up here but Winter and brown season lol. This picture hopefully will take you back to that early summer day. Tired of the cold I already am.

Our Corriente’ herd has intermingled with the angus this winter. They will mooch when they can . Bossy to a cow, they know how to use their horns. IF they want through a fence, they pretty much walk through it. Fortunately, the old cows in the herd pretty much keep everyone close by. THey mingle with the angus but they know they are “better” in their mind. 😜

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands

Title: BigHorn Longhorns

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Layered BigHorn Mountain Landscape

Layered BigHorn Mountain Landscape
Layered BigHorn Mountain Landscape

Layered BigHorn Mountain Landscape: It’s mid-November and a HUGE hay crop was everywhere in this country. Still picking them up this late in the year. Boy there are still a lot of haybales to move. I caught the a hydraulically equipped hay truck stopped long enough to take this 1 second exposure. They had been at this all day and it was pretty dark and were still hauling. There were hundreds to pick up this year.

This of course is a time exposure as it were. I consider anything longer than 1/4 second a time exposure best done on a tripod or some support. You can take photos like this free handed but your ISO is going to have to be so high that you’ll get grain on your image. A minimum handheld speed is about 1/100th with a telephoto so your going to have to compensate for the lack of light somehow. Turning up camera sensitivity? This will unfortunately give you larger grain to your image and add noise to the color. It will however bring an image in. The first rule of photography is get the shot. The second rule is get it right !.

Longer time exposures give your camera a chance to gather light the easy way. You always want as LOW and ISO as you can get away with. Low light images like this look wonderful if done on a tripod. Not so much hand held. I use a clamp on my car window with my favorite tripod head on it that mates to my cameras.

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands

Title: Layered BigHorn Mountain Landscape

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Big Horn Mountains Behind the Veil

Big Horn Mountains Behind the Veil
Big Horn Mountains Behind the Veil

The view from my Driveway of the Big Horn Mountains behind the Veil of a big cloud bank in the Powder River Basin. That ridge is about 40 miles out from my position and the peaks of the 13,000 feet high Big Horns are 130 miles out from my viewpoint.
This is actually a side show to the sunset on going off the right side of this frame.

We are as high elevation wise as the first black ridge (the Red Hills) and generally have the same weather as the high grounds around us. The lower areas down in the valley often has rain where we get snow. We call this place.. “Little Siberia” and that designation has been handed down to us from the previous owners of this ranch decades ago lol. The name still applies. But we have the views😄

As I type this, we are 4 degrees (oct 29th) at 5:14AM. … It’s October NOT November yet. Winter is coming (for a classic reference).

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands.

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Crimson Sunrise #224

Crimson Sunrise #224
Crimson Sunrise #224

Good Sunday Morning from the Bliss DInosaur Ranch, Crimson Sunrise #244 is a fairly recent capture of mine from last month before the ice age.

I’m setting this image up to post on face book about a week before it posted and your actually reading this. (I answer in real time) so I’m predicting an ice age between now and then :).

Time Warp🤣 I have to think a week ahead now lolol.

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands.

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Sneaky Pete Photobombing the Big Horns

Sneaky Pete Photobombs the Big Horns
Sneaky Pete Photobombs the Big Horns

Here “Sneaky Pete” the Windmill is doing what he does best, get into my landscapes. I have no control over his actions…..😎 (years old narrative).🤣
The window to the Big Horn Mountains from my ranch has 130 miles of atmosphere between my high ridge location and those 13,000 foot high peaks… I see them maybe once a week. It was dead calm for this capture or I would have had the windmill blurred by it’s spinning. This 3 second time exposure well after sundown at twilight is a classic view from the Bliss DInosaur Ranches Ridge 1 of the Big Horns from the borderlands…

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Misty Mountains

Misty Mountains
Misty Mountains

Layer after layer of Misty Mountain Ridges. I call this kind of image… a “landscape ladder”. Just the other morning….

Location: Bliss Dinosaur Ranch, Wyoming/Montana

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Pronghorn Nursery Up on the Ridge Line

Pronghorn Nursery Up on the Ridge Line
Pronghorn Nursery Up on the Ridge Line

This Pronghorn nursery was way high on a remote backcountry ridge up in the borderlands of Wyoming/Montana about 10 minutes before local sunrise and it’s a backshot from the sunrise show to our right.

They were patient with me and allowed me to move away without spooking them. I prefer not to pressure animals so I can approach easier next time.
I know this group having seen them every day for the summer so far lol. There are a dozen other groups of antelope on our ranch I follow/see in my travels.

Location: Bliss DInosaur Ranch, Wyoming Montana.