Close Far Perspectives are something I haven’t worked recently. The smoke plumes from western fires clogging up my horizons to anything but the sun. I get only a few terminator crossings a month any to photograph the rising lunar disk coterminous with the sun still being up (even a little like this). The dark blue you see here is seconds away from turning black in the camera. The is the edge of the envelope for what this technology can do. The silhouette would soon be fading into the black sky in minutes.
Wonderful smokey color that night though we weren’t particularly under Pall at that moment. Particulates in the higher air is likely to blame for this hue. Almost salmon but with just a tinge of red. Hard to find such things in archives of my travels.
Heads Up!… The Moon while on schedule for once a month, but October 2020 will have two. The first on October 1st, and the second on October 31st. That rarity is what coined the phrase “once in a blue moon” back in 1821, according to the Farmer’s Almanac. The “standardized” explanation of the blue moon wasn’t defined “officially” August 1937 or so the story goes… I will work both moons in October assuming the weather window to their light opens for me to capture in my photon capture boxes. Rule number 112 of photography is: no window, no images… That one is fixed in the rules of the universe I’m afraid lolol.
Augusts full moon is commonly known as the “Sturgeon Moon” because the giant sturgeon of the Great Lakes and Lake Champlain were most readily caught during this part of summer. Moons seem to be named after significant feeding events in human history. Not quite how that happens.
More folk names of this moon include: The “Wheat Cut Moon”, “Moon When All Things Ripen, the “Full Green Corn Moon”, and the “BlueBerry Moon”. Publicity seeking of course, this Aermotor Windmill jumped in front of the bigger personality photobombing the scene. Hehas been around for 80-100 years anyway. In the 1930’s there was a homestead nearby and supposedly a log mill. I have yet to find ANY trace of a log mill on my ground. Prairie Paparazzis as myself am always keen on finding out who is hanging with what. 😜
As I type this narrative, we are under a “New Moon”. Half way through the 28 day moon cycle. Coming up in October of 2020, there will be a rare blue moon. The last blue moon was March 31’st 2018. They don’t come around too often thus the term “Once in a Blue Moon”. I pay a lot of attention to lunar cycles in chasing this photogenic fellow. There are only a few days a month I can do this kind of work. Then usually several of those windows get closed due to weather. The time for Orange Harvest Moons is afoot. All the forest fires are going to supplement the color shows this fall. That is until the snow come. I’m betting on a hard winter up here.
I have not seen too many pink full moons but this one was REALLLLLLY pink at it’s first rising. It slowly turned to a very orange orange as it rose. I have one or two images where there is a pink to orange gradient barely visible on the lunar disk. I photographed the whole timeline from just cracking the horizon to clearing the trees in many different ‘zooms”. It was truly a startling color to me at the time.
That color is frozen in my memory until I die as I’ve not seen the phenomena before this way saturated naturally. I made sure to finish the image photo-realistically accurate as I can here. The hard work for me on this capture were the details on the landscape and in the trees. The moon was “easy”.
Technically the sun was “up” above the horizon behind me for this. It was however cloistered and obscured behind a significant cloud bank. When the moon rose, the sun had about 13 minutes before it set. I continued to move around the ranch and shoot close far perspectives for the next hour or so. This month will be only this night’s work as tonight a storm moved through and obscured night 2 of the Sturgeon August 2020 moon rise from my vantage point.
I had actually worked myself into a precarious position on this cliff to get these captures. I ran out of topography to get where the composition needed to be. This is a close as I could get lol. It doesn’t look like much but I only had bare minimum equipment to get this view. I had to climb to get the angle on where the moon was to rise.
I had some bright idea of getting those old growth trees on the horizon. Since the closest trees are about 1/2 a mile out, the close far perspective doesn’t do the location justice. I had crawled up on the steep side of the tall butte I call “Lookout Butte” which you pretty much have to scramble climb up. It was pretty windy at the time which is always helpful trying to get a long lens camera still. I was pretty much resting cameras on rocks about 1/2 of the time lol.
One of the hardest moon images to capture with any consistency is the haze you can see around the moon in some cases. A thin veil of clouds, more of mist obscures the face. Secondarily, it leaves a smooth gradient of haze from it’s fuzzy proximal colors to the periphery. I can think of only a few dozen times I’ve gotten an image this good from any camera. This is the Sturgeon Moon. Sept 2020.
The difficulty comes from the high dynamic range. It’s like getting a star field in the same image as a properly exposed moon. It’s rare rare rare to be able to do it inside the camera in one shot. Usually they are composites. No one can cheat the way light physics works. Optical sensor chips used in the high end Sony Alphas are pretty adept at covering high dynamic range requirements. I think it really has as much to do with the particular lighting conditions the photographer encounters.
If your interested, this was done with pretty good terrestrial glass. Should have used astronomic glass. Look very carefully at the right lower edge of the moon. See a faint red line? No matching line on the left side. (bear in mind I’m VERY OCD about color). That artifact is caused by “Chromatic Aberration” in an otherwise excellent lens. It’s a good thing for you fellow students to learn about. Google “Chromatic Aberration Lenses”. Think a 2000 dollar lens should do this…? humm..
I like to look back 6 months or so every once in a while. It reminds me how much I enjoy the season we are currently in lol.
A January Full Moon Setting (Super Blood Wolf Moon for 2020). Native Americans called the January Moon, the “Wolf Moon” because this full moon occurs in the dead of winter. It’s cold, the ground is frozen, and the prey pickings are slim. Wolves were hungry during this time thus plaintively howled at the moon, their calls frighteningly echoing in villages. A few definitions that apply to this moon….
A Supermoon is one when the moon is at perigee (closest to the earth on it’s elliptical orbit). The moon looks particularly large because it is lol. Blood Moon, Blood moons historically have actually had blood shed under them unfortunately. This has indeed influenced the course of history.
The Blood red that month described from the Lunar Eclipse coincident this Super moon. I did not have a photographic window to the eclipse.😔 Syzyge (SiZ-i jee) … what a wonderful scrabble word. It’s a nifty occurrence though. Conjunctions of 3 celestial objects (sun, earth moon) is an alignment in a straight line). A solar or lunar eclipse when all three are aligned is Syzyge Perigee syzgy… the moon is at perigee AND there is syzygy happening, aligning with the Earth and Sun, It’s termed perigee syzygy, AKA Supermoon.
Now you know as much as I do about the Wolf Moon last January. Most of my images are posted about a week after they are finished so this posts the 24th of July, taken the morning of the 10th of January. IT takes a while for me to dig back into my “Images to finish folder” sometimes. I write these narratives right at a week ahead of their posting. (currently). Keeping up producing 4 finished fine art images a day is a bit of a chore lolol. 📷📷🤘
See the medium sized Mare (Mare Crisium) at 12 oclock. The one near the edge. . That smaller crater will always point to 12 during a rising moon. It points to 3 oclock on a setting moon image. The little light from the twilight behind me was enough just to barely see the slope of that ridge. That ridge was around 10 miles from my camera/1200mm lens.
It’s not the moon that is turning in space to rotate that crater…. Actually you are the one that is spinning/rotating here on earth. IT’s all about your perspective. Question to think about…if your standing on Mare Crisium, does the earth ever set?🤔👀👅
A Supermoon is one when the moon is at perigee (closest to the earth on it’s elliptical orbit). The moon looks particularly large because it is lol. Blood Moon, Blood moons historically have actually had blood shed under them unfortunately. This has indeed influenced the course of history. The Blood red this month described from the Lunar Eclipse coincident this Super moon. I did not have a photographic window to the eclipse.😔 Syzyge (SiZ-i jee) … what a wonderful scrabble word. It’s a nifty occurrence though.
Conjunctions of 3 celestial objects (sun, earth moon) is an alignment in a straight line). A solar or lunar eclipse when all three are aligned is Syzyge Perigee syzgy… the moon is at perigee AND there is syzygy happening, aligning with the Earth and Sun, It’s termed perigee syzygy, AKA Supermoon. Now you know as much as I do about the Pink Moon this year. All my images are posted about a week or two after they are taken so this posts the 29, taken the evening of the 8th. It’s as fast as I can get to “recent” images finished and get the posted these longer /warmer days. I write these narratives right at a week ahead of their posting. (currently).
I knew what time and place the moon was to rise but it seemed to take FOREVER for the March 9th rising Supermoon. It was precisely this color. The same phenomena effects the sun. “Golden Hour” and better, the red light passing to the pink/red “Belt of Venus” alpenglow. That projected filtered to red light on the ice in the sky opposite of the sun. Same effect here but the moon to my camera. This resultant from the atmospheric gauntlet of dust, moisture of all phase states, pollution etc block out all but the red light. Lots less yellow light made it through in this capture.
So the “Worm Moon A.K.A. Lenten Moon, Crow Moon, Sugar Moon, Sap Moon, Chaste Moon or just the March Full Moon lol.
Of course when the moon OR the sun is apparently this low, you actually seeing the celestial object below the line of sight to the horizon. The image is actually bent around the horizon. The atmospheric lens literally guides the image around the surface to my camera/eye. Getting topography/ hills and a celestial object to cooperate the same time can be challenging. …I know the topography I work pretty well after ‘working it’ for decades. Knowing the direction the moon is going to set is a matter of looking it up on google. Get a map, (in my head by now) and figure out “what two or three things” can line up.
I decide where to go early on but am flexible enough to change mid stream because I’m very mobile. Getting around in the snowy hills is a requirement for this job lolol. I never know WHAT the show is going to be when I go out with cameras. I do usually know WHERE an alignment will occur. 😄
This moon didn’t sneak up on me by any means. Getting up on the high ridges is of course the place to be for such a shot. The backcountry high in the hills provide all the topography and perspective that any photographer could need. Having free access to many square miles of backcountry WY/MT is always a good thing with a camera. Both States in this Photo.. I was lucky the weather cooperated with me as it disappeared into a cloud deck 20 minutes later not to reappear for over a day.
Sheepherder Cairn Moon Rise (Caught ol Luna taking a break) 😜
This 96 Percent illuminated lunar disc has learned it is a lot of work to move all that cheese to the zenith of it’s orbit around the earth. . Taking too long will upset all the tidal charts that mariners use for sailing. This little rock pile is one of several Sheepherders Cairns in the area I’m aware of.
I find that the moon is a lazy celestial object. Always sitting down on the job. Here I caught the sneaky planetoid JUST lifting off the “Rock Recliner” it was sitting on. Who knows how long it was sitting there. I mean it only moved after I pointed a camera at it… I catch the old guy resting on unusual things all the time walking parallel Ridges on the moon shadow line.
Missed are a million moments in time depending on the angle you find yourself observing a particular scene at. Every different angle will give you an entirely different viewpoint. I’m always looking at angles and what I have to do to achieve the perspective I’m looking for. The ability to anticipate the way things WILL happen and being there with a camera in your hand is about 100 percent of the photography game. The rest of getting the photo is reliant of your positioning before that time/space moment. My biggest limiting factor besides gravity is topography. Can’t stand with no ground under.
As this moon is rising, I have to walk closer to the hill to keep the perspective. If I move forward about 20 feet, you can’t see the moon for the rocks. I run out of earth about 25 feet forward to a deep gully. Also If I move back 20 feet I’m suspended in mid air levitating above a 20 foot deep gully next to the path. It’s the ground on a narrow ridge I am actually standing on lol. I wonder how many photographers have walked a little more back, a little more, and more. Only to find out that there wasn’t any ground there.
Diving into the morning low sky mist, the incoming light from that big Supermoon at perigee (closest approach to the earth) has lessened from it’s peak. .. IT had just snowed the night before. Moisture was thick in the air.
Big Long Telephoto lenses have a tendency to CRUSH perspective like a compressed accordion . Getting topography, Tree and Moon all to line up at the same time can be challenging. …I know the topography I work pretty well after ‘working it’ for decades. Knowing the direction the moon is going to set is a matter of looking it up on google. Get a map, (in my head by now) and figure out “what two or three things” can line up. I decide where to go early on but am flexible enough to change mid stream because I’m very mobile. Getting around in the snowy hills is a requirement for this job lolol.
I never know WHAT the show is going to be when I go out with cameras. I do usually know WHERE an alignment will occur. 😄 This moon didn’t sneak up on me by any means. It was however a question as to whether or not it would dive into a cloud bank that morning lol. Getting up on the high ridges is of course the place to be for such a shot. The backcountry high in the hills provide all the topography and perspective that anyone photographer could need.
I’ve officially declared this last Monday of 2019 Moon Monday. As such I will post 6 of my favorite moon images elsewhere on facebook. Over the day. This morning at 6 AM was the first. This is the 9AM entry.
The Pink “Belt of Venus” variety of Alpenglow consists of ice illuminated by red light. That light made it through hundreds of miles of similarly ice filled atmosphere. Only the red light makes it through. Here the timing is such that the red is also gracing the “Red Hills” (their real name). Make’s one wonder how those hills got their name.😜Most folks out east would call them Mountains. We live basically at the same elevation (4000 ft) as the sun line on those hills. There is a 40 mile wide river valley draining into Montana between us. Those hills are a far bit down yonder….
The full moon that morning was too late setting that day for me to nab it’s photons while in the Belt of Venus. 😔
I would say right out of the gate that making cow pies in a scene an integral part of an amazing image I trapped out in our west corrals is a skill lol. 📷 This environment is RIGHT at sunrise ongoing over my shoulder. The cattle are standing in shadow where the tips of the “Red Hill” are getting illuminated. Our place is in morning shade for about 20 minutes after sunrise. There is a big ridge to our east (Ridge 1) that I work photographically for it’s 180 miles skies east-west.
These are Corriente’ Longhorns. The lineage was first imported into the Americas in 1493. They are tough guys and olympic quality athletes all. They take very little care but go where they want to. Fences are just inconvenient to them if they really want to go through. They use those horns. Smaller Corriente’s boss much larger cattle around easily and routinely.
Landscape Under Moonlight is a 3 second time exposure under very dark Nautical Twilight skies.
Nothing but Moonlight is illuminating this 40 mile deep landscape. The “Red Hills” are the distant ridge across the wide “Little Powder” River valley. I am located 600 feet above the valley floor on the Pass road (Trail Creek) to Rockypoint Wyoming. Looking toward the west/northwest the moon is about as far north as it travels in it’s movement around the planet.
There is no way to properly expose the moon AND gather the very faint light reflected back at my lens. So it might as well be as bright as the sun up in the corner. This is definitely hard to color correct. There were a lot of subtle hues and tones that weren’t natural because of the time exposure. The cloud highlights are indeed excessive as the time exposure allowed it to over saturate. Without digitally replacing that whole area of the image, I decided to leave it as it is.
Photorealism goes out the window a time exposure. They seem to always excessively expose something it seems lolol. Still the technology is very limited in it’s ability to see as well as the human eye which could resolve this. Reading under this light MIGHT be possible under moonlight . No camera on earth could bring this out with the moon’s face properly exposed. To do otherwise would be to have a composite image and not a genuine unaltered photo in this light.
Location: The Pass to Rockypoint on Trail Creek Road, Northern Campbell Country Wyoming. That’s Montana off in the distance. I am standing about 4 miles from the Montana border and those mountains ARE in Montana. (Wyotana)
The Red colorcast here (pink really) pushing through hundreds of miles of atmosphere gave a “Belt of Venus” accent to the already Red Barn: Hills: Road and Moon.
The Barn on the Historic Parks Ranch in Northern Campbell County is classic. I used a telephoto shot about a mile out for the perspective across 40 miles of landscape with a 20 miles wide river valley between ridges here. The ridge in the shadows is only about 3 miles out . The ridge in the pink light is 40 miles out. With the moon being a bit further away at 239,000 miles as a result it’s slightly squashed by the atmospheric lens effects. This is about 4 miles from my ranch.
I imagine a red truck parked in the red barn. Soon driving on the red gravel road to the “Red Hills” (their name). All the time with the red moon to lead you. This was taken from said red country road. That is the closest drive I have to make to get to an asphalt road. The next closest paved highway is about 12 miles from here. These guys are my closest neighbor at around 4 miles. It’s 70 miles to the closest traffic 3 way light from here.
The trip to those hills in the distance would take you an hour. Anything under 2 hours is considered pretty close by up here. I’ve had meeting I’ve driven to Casper to many time. (4 hours or so drive). Distances are big out here to go anywhere but where you are lol.
The Parks Ranch is now part of a larger cattle association and is managed under that operation. The old buildings here were built out of locally obtained. The rough milled wood from cut from the local old grown pines. The original of homestead there is HUGE and finished around 1920 I understand.
Location: A few miles from The Bliss Dinosaur Ranch, Wyoming/Montana borderlands.
Photographing Moor Rising: Lone Tree is a combination of finding the right position in x/y space, timing and distance is z, and that position moves with the speed of the moon which makes using Tripods very difficult. Maybe a monopod….This was handheld. Distance is your friend here from that Lone tree. I’m about 600 yards out from it for this shot. This is a full sized image not a crop. Doing this kind of photography has found me on my butt more times than any other. The moon is constantly moving, I’m usually on some parallel ridge walking forwards (as the moon is rising and to the left a bit while looking through a 2 foot long lens (tube) and not at my feet with sage brush around on uneven ground.
Capturing this kind of image is a “sub-hobby” of mine within the general photography that I do. I find it a seriously fun challenge to get terrestrial objects in the same focal plane as the moon or the sun in twilight or darker conditions. It’s a good skill to hone for when the right situation presents itself.. Like this 📸
You have to get working that camera on Manual if you want to do this kind of work lol. Cell phone cameras need not apply and won’t do this without an external lens of some rigged hook up….lolol Lots of fstop, then all you have to do is adjust the other two parameters left, ISO (camera sensitiviey) and Shutter speed. I’ve covered that many times elsewhere so I won’t do it again here 📸 Suffice to say, distance is your friend here and lots of lens to do this.
. 2×3 aspect to 3 feet tall from a 1200 mm telephoto lens. Full frame not a crop.
Moon on the Rocks is a capture off the top of a local butte. Capturing the Moon and terrestrial objects in the same focal plain is a hobby of mine as I’ve said before. I only get roughly 2 days a month of this opportunity so 24 days a year at best. Usually the weather doestn’ cooperate and seldom is the seeing so good as to have the details sharp so low in the atmosphere. That old atmospheric lens distorts the details so readily, nights like this are a gift to me. No haze, no distortion and a rock outcrop far enough away AND at the right angle….Click !!!
Moon shot Photographic Musings: Taking an image like this is an exercise in getting distance and topography to line up for you. Distance from the hills is a big deal….. Your working your camera on Manual now right?? 🙏 Highest f-stop on the lens is your first setting. (your priority). High fstop gives you a Chance at focusing both the terrestrial Hill top AND the moon in the same image. Deep focus is the only way to do this.. Your other two settings ISO and shutter speed are easy since you set your shutter speed next to the maximum you can hold the camera steady at say 1/30th of a second for a rested camera and your holding the body or use a tripod (be quick cause the moon moves). Tripod moon shots can be a second long (unless your tracking) with the moon if you have a very high fstop and a low ISO (camera sensitivity). The ISO is the last thing you adjust to bring your image into view and ideally into perfection. Mirrorless cameras are easier than DSLR’s to figure this out with so if your just starting with cameras and your buying, buy a mirrorless. You get to see your settings work live real time before you click unlike a modern DSLR camera that you look at the image you just took AFTER the click. No direct light path to the eye as your looking at a video screen inside the camera. You now know all I know about this 🤔
I hope your Monday is going well. I’ve been on computer since 5AM😎…. Mixed Skies but sunrise looks to be a clear sky (boring) sunrise so I’ll stay in and do digital darkroom work (12 degrees outside).
One the way back to the ranch from Gillette (a 140 mile round trip), I saw this Moon Rise over Trail Creek Road. The Sun had just set behind me and all this red light was even reflecting off the road sign turning a dark blue sky into a dark redish purple “Belt of Venus” which is the long red wavelengths bouncing off the ice in the air. This gave the whole scene a rediish colorcast which here is as it was then.
This is the hunters moon which was just above a wispy cloud layer lighting it up. There were plenty of hunters packing up for the day on Trail Creek so the moon was living up to it’s name. Red Colorcast this deep isn’t that common in my experience.
Geologic Musings: Some of you know I’ve been a geologist (MS) as one of my professional careers I’ve had in my travels… I’m very much into Geobiology and sedimentology. This area in this image is a well dissescted sandstone/shale geologic sequence (Tullock or Fort Union Formation Tertiary) with most of this grassy areas bedrock being younger than the dinosaurs. My ranch way up on those ridges on the upper left of the photo has the older Cretaceous Dinosaur Bearing sediments. Down in the river valley you get some quartz cobbles where the rivers concentrate them. . It’s pretty rare to find cobbles up on the far ridges and when you do they are always affiliated with dinosaur fossils……
These stones are called “gastroliths” or stomach stones. The dinosaurs carried them from where they picked them up hundreds of miles away from where they were finally deposited when the dinosaur died…. Rivers that deposited the Cretaceous dinosaur bearing sands sand were only competent to carry sand only, they couldn’t carry cobbles very well lolol. Too heavy for the current velocity. I actually look for sand with rounded mud clasts (balls of mud) the size of the bones I’m looking for to search for fossils. I bet you think I look for fossils first. Actually I look at the sediment and it’s characteristics before I start looking about.
Location: Trail Creek Road, 1 mile south of Montana near the Little Powder River, Campbell County Wyoming.
Seen north of Gillette Wyoming, a mooning of an antique windmill hiding behind hay bales. That is a big stack of hay bales with that platform being at least 20 feet high. The old wooden tower windmills are becoming rarer and harder to find. I’m trying to figure out how that sail got damaged but it must have been a very big bird involved…..
This sliver of Moon setting over the 40 mile distant “Red Hills” from my vantage point was the last setting/bit of the full Hunter moon this year. This is deep in twilight and was a very dark environment. This is actually a 1 second time exposure. There really wasn’t much light from that moon sliver…. It was still pretty dark with these pro Sony cameras just being able to make out the landscape.
Normally, the amount of light put out by the moon lighting up the clouds around it all the way down but you can’t capture that with current technology…. It’s pretty hard to get that in the camera unless you have something to filter out most the moon light. Here I’m using a ridge to balance the difference between the two light levels. The moon isn’t overwhelming the faint glow from the clouds with this little sliver. A “Ridge Filter” so to speak. Got the glow in the clouds😄
(Satire): I caught this hungry “Ent’s” hand trying to grab the moon. I actually had to step on his toe… err….. root to distract him. (But I got the photo first!) The moon got away of course… Good thing I did because if he grabbed that moon for even just a few seconds…all those tidal charts would be off…what a nightmare.🤔📸 So it seems I saved the world yet again from catastrophic schedule disruption. This has got to be like the 10th time I’ve stopped these Ents from grabbing that old hunk of cheese😂
I have a sub-hobby within my larger Photographic activities of taking photos of the Moon carefully positioned around terrestrial objects, all in focus, here trapped by the Trees……. Tonight I will post 3 moon images in various forums lol.
The moon must be a slippery fellow since he obviously got out of this well planned trap by those trees. Surrounded and it got away. Escape and evasion exemplified!🤣
To take the image “Full Moon over Turtle Butte”, I was standing in Montana taking a photo of the top of “Turtle Butte” so your looking at a full moon across the Montana/Wyoming border and at the actual border up there somewhere 👁👁 Note:….
The Montana/Wyoming border is located on the 45 degrees north Latitude line. That line is precisely 1/2 way from the equator to the north pole. That precise point/line is across that photos somewhere…
Getting the full moon in focus with terrestrial objects is a hobbie of mine. I had to do some serious gully hopping to get this one lolol.
This Mesocycone was Veiling the full Moon enough to catch the stars visible to my naked eye but seldom to a camera pointing at the full moon. Most you see are fakes or composites. This 6 second time exposure would have been overexposed badly with a full moon that was unveiled. This is the real deal seeing stars with a full moon.
Straddling South Dakota, Wyoming and Montana, this storm was 100 miles across. I photographed it in the deep backcountry for almost 2 hours with 6 different camera lens combinations from before sunset to well into Astronomic twilight under the full moon. Being backcountry means any light on the terrain is ambient from the flash and the moon/stars.
THe colors are way saturated which is what time exposures do. I actually really dampened down the purples in this image.
This ranks as one of my personal favorite images of the year. There are a few others….🤔
A Magical Halloween Night in the Back Country is obviously ART and a composite of various photos I own. Made just for Halloween, there is indeed a little magic out here in the backcountry. Share freely as the season is rife. I’ll post more Halloween “stuff” as I go this month. I’m peddling as fast as I can lol.