As I follow the full moon traveling along the ridge lines, I saw this situation develop. As I travel parallel ridge lines, I descend as the moon ascends which keeps the moon “rolling” along the crest. Ridges here travel for miles and have deep gullies adjacent. My options are many to watch the lunar progress. So I’m moving along and stop. Suddenly the moon stops moving too. Seemingly confused by the wire obstacle in it’s path. Hard to get that much cheese from here to there over that so to speak… That fence line would have been a cheese slicer for sure.
So to avoid being cut into cracker snacks, I figure it will take some computational power at least similar to the computers in Apollo spacecraft to make this maneuver. While I’ve seen the moon do many things. I’ve never seen it hike a fence. I see the same look on his face as I see on a Mule Deer. You know, that look just before they jump a fence. Sort of a mix of determination and blank stare if you break it down….. 👀
So this time delay sure could have thrown off all those critical tidal charts. That let alone the full moon effecting human behavior for longer. Full Moon and all that. To that point I’m sure this indecision slowed him down on his rounds. Must have made it up later though….But an apparent feat of athleticism as I continued my trip. I turned around, moved a few feet and JUST when I looked away and moved, it had jumped. Must have since when I looked back, it was on the other side of the fence…
There are many landmarks on the moon. Each has it’s own exotic name. Sometimes named after historic figures, others Latin. The Huge Tycho Crater with it’s star field of ejecta radiating outward. It’s a bright part of the moon on the left . That left would be east in our sky and west on the moon……… 🤔 It is named after Tycho Brahe. ……. How in the Heck does one get the most prominate crater on the moon’s face officially named after you? 😜
This is a setting moon. Tycho Crater is on the left side Tycho would be on the south end of the moon (our south too) if it were a rising moon. It’s not the moon rotating at night, it’s us. 🤔 👀
Turns out Tycho was an interesting guy worth of the research as I side track here………. He was a Danish “Nobelman” which means he was connected certainly lol. More important to science were his contributions at the infancy of optics looking at Astronomy (Up Close and Personal). Known as an Astrologer, he made EXTENSIVE astronomical observations. He set the idea that the moon orbits the earth in motion. He had recognized the planets orbited the sun. Sort of got wrong the part about the sun orbiting the earth.
Notably, he was endowed with a silver nose. So goes the story. Lost the tip in a sword fight. Scientists were WAY more interesting back then lolol. Dangerous world around 1600 AD. No lab coats I suspect. No safety Glasses no regulations, no warning labels saying “caution: coffee might be hot”. He was an “alchemist as well. Let’s mix this with that and see what happens… Died 1601 at the age of 55…. Who knows what he got into lolol.
You can just see some sculpting on the moons edges demonstrating just a little atmospheric distortion that night. Taken using terrestrial glass… 1200mm.
Location: Somewhat west (on earth) above the Bliss Dinosaur Ranch, Wyoming / Montana borderlands (Wyotana)
A few days a month I get a chance to get SOME light from the sun at the same time the full moon is rising. This is a little late in the timeline where there is still enough light to catch the outline of the ridge. The Full Sturgeon Moon slowly emerging from hiding behind this lone tree. IT turns out the moon is shy until it has no choice and has to be exposed. I mean it turns all sorts of shades of pink, orange and red so it MUST be shy. He might have been ducking behind that tree to relieve himself before he starts the night shift. I mean the man in the moon is obviously a gentleman trying to be proper after all.
Getting Details on Close objects and far objects in the same single photo…. A matter of high #f-stop setting which give you deep focus. It also steals light preventing it from getting in the camera. So a long shutter open time is a good thing. Not too long as it will over expose the moon, not too long as this hand held shot would be blurred. I find 1/30th freehand minimum for blur. A monopod will go 1/15th. Tripod you have to keep moving, not handy, a few seconds exposure on a moving moon. That’s not good. Basically, your walking over uneven ground, moving in opposition to the moons movements. It rises, I walk closer to the hill. It goes to the right, I move to the left. Set your ISO to get a visible image on your screen. Rule of photography 127 is “Get the photo” Damn the ISO…
During those 2 days a month that I get to have both the full Moon with the Sun coterminously in the sky, I “work” them photographically fairly hard. My operational tempo on nights like this is intense really. I have a rough map in my head where I want to go sometimes but making to where I need to be and when are two different things lol.
Here I was about 5 minutes late. I spent too much time at the last location. Knowing WHEN to leave a site and move on is paramount to productive backcountry photography. Conditions are fleeting, the sun was setting, the moon was climbing in the sky. I love this lone tree on this remote ridge. It has wonderful views (about 180 miles horizon to horizon from it’s ridge). Such dendritic shapes lend themselves to light filtering work. I suppose I’ll get a bill with model rates charged plus the overtime for the wait. Never keep your model waiting for you. 😜
When I get a Full moon rising at the horizon, I’m all about getting it behind and in focus with terrestrial objects. This is a sub-hobby with my larger professions of photography. Toward that end…. It’s always a good thing when this particular tree lines up with astronomic objects (sun moon). This particular old soldier up high on a ridge has faced the worst wind/weather this high country can throw at it. It is a true old soldier. The Lone Tree on a Ridge is about 1/4 miles out from the parallel ridge is was working in the dark for this capture. The moon is a “little” further behind the ridge.👀
You can always tell the setting versus the rising moon. Look at the three small bottom craters on the moon lower right. They are pointing to 3 or 4 o’clock. That is a setting moon. The rising moon will have those three craters pointing at 12 o’clock. Another way of knowing is that the “Man in the Moon” is going to sleep laying his head down to the right if so, it is the end of the night. If the “Man in the moon”s face is upright, then it’s a rising moon.
The Buck Moon here is colored by the effect the atmosphere has on the reflected sunlight. I pursue Full Moon still above the horizon with enough light to capture a close stand of Jack Pines for the close / far perspective aspect of this capture. Mostly you get silhouettes doing this with most gear. This particular image was my second of three chances I worked the July 2020 moon. By capture far this has the best color for the moon to wear out on the town for all to see. It is of course a major influence on human behavior, perhaps it’s operating in condition orange like the rest of us down here on earth ☹️ . Some are in Condition Red…..
The moon has been consistent in it’s behavior throughout all historic human issues here on Planet Earth. There are certainties in the universe. I suspect the moon is watching our silliness now with a tear in it’s eye. Regardless… It will be continue acting as it does long after we are gone. 👀 🤔 📷
I follow the moons shadow line on opposite ridges during times like these. Surfing tree to tree. When the sun AND the full moon are both dancing with the horizon occurs rarely. Usually once a month I get one, two or three opportunities to photographically work a 96 percent plus moon face. While the moon is certainly rising while I work, I actively move across the landscape to a proper position.
Here I caught the moon showing off jumping between two trees midair . It was one of those “here, hold my beer” moments. I see the moon messing around on the horizon all the time. While I might muse of his more amusing traits, I certainly respect his position in the scheme of things over time.
I’m not sure why this story came up but I’ll tell it. As the earth ages, the moon is slowly getting further away from us. Like an ice skater throwing his arms out. THere are all sorts of ramifications:
One of world’s oldest living fossils: the chambered Nautilus has a growth ring that is timed by the sun (i.e. one per day). Plus a new chamber timed by the moon (once per lunar month). Back in the Cambrian Period (about 500 million years ago) these Cephalopod fossils have mostly 18 growth rings per chamber. Modern day nautiloids have 28 growth rings per chamber. It isn’t just two end data points either! All through geologic history, including the entire age of dinosaurs to now. The nautilus gains growth rings per chamber in a fairly smooth progression over the many centuries.
This indicates clearly that in the Cambrian life (nearly the oldest fossils of this living calendar found), that a “month” had only about 18 days. For the moon to complete an orbit of the earth this fast, it had to have been much closer to the earth (shorter orbital path). This has all kinds of implications on geologic history when you consider that “earth tides” are synchronized with the moons revolutions around the earth.
All sorts of other effects such as the diurnal deformation of the earth as well as ocean tides are dramatically influenced thusly. If the moon was much closer to the earth in ancient geological times. Much physics would be magnified in it’s effect. That helps explain the past high energy movement of crustal plates, huge orogenic formation of mountains and other earth-building events such as eustasy our ancient geologic past. A closer moon would make for REALLY big tides…. REALLY…
Algonquin tribes of what is now the northeastern United States called this full Moon the Buck Moon. Also called the Thunder Moon because of early summer’s frequent thunderstorms. It lived up to the latter name as several thundershowers moved through the area during it’s time full this month. The Europeans call the July Moon the “Hay Moon” for the activities this time of year in the fields. Also coined the “Mead Moon” for the honey gathered in it’s making.
The Silhouette here is a result of a setting Moon settling behind a thick cloud back at the horizon. (Actually the earth is spinning, the horizon rising with the moon relatively stationary but don’t worry about the way things really are 😜 ). All occurring during early morning twilight with it’s dark western sky. Little light was available for the camera to see the cloud. Only a silhouette offered it presence to be known.
The moon being close to the horizon, the atmospheric lens effectively distorting it’s normally sharp edges. This was the color of the moon during this particular encounter with it. The moons color is all about the color of the light making it through the atmosphere to my lens. This weekend provided me 4 weather windows to the moon rise. A different color of disk appeared for each timeline. I have more files to download from this months limited opportunities to catch the full moon low to the horizon. I worked it every opportunity I was given.
I call this Moon/Tree Surfing. Actually it’s me riding the moons “Shadow line” on the opposite parallel ridge. The higher ridge between me and the moon gives me a 500 yard distant foreground with the moon somewhat further behind that. I will drive along these ridges looking for places where the moon thinks he’s not being seen. Unsuspecting…. So I catch him carefully resting on the local vegetation as here. He’s just lifting off as he saw me. He certainly doesn’t need some high plains paparazzi posting his photo in the “Post” sitting down on the job. I me he has a strict schedule to keep and many things rely on the Moon’s time keeper.
From a strictly technical viewpoint, I get to do this kind of daylight illuminated foreground and the moon behind only once a month on average.. Some months the window is closed entirely by weather. Clouds do a good job obscuring what I know is going on behind them. Fortunately this was a very clear evening of July 3rd. The moon appeared full for two sunsets (3rd and 4th) plus a sunrise between. It was definitely a weekend to photograph the moon if you have the gear and the inclination. The air has been clear lately to boot making the “Seeing” on the moon’s surface good enough maybe to get out my big lenses from storage. Humm… 🤔
This is the first image from the July 2020 full moon from this timeline. I’m still down loading images from the last 2 photographic trips into the backcountry. In the last 15 hours I’ve taken photos of the moon, rainbows, lightning, and (rainbows with lightning in the photo too). I’ve been very busy.
A significant portion of the twilight this particular morning provided obscured (at best) views of the setting moon. If I get one night a month where I get the full moon floating over sun illuminated landscapes, I consider myself lucky. THe moon disappeared as it touched down into that slight white hazy layer above the ridge. Show to the west over…now back to the east.
What I do with that morning and where I choose to set up is not entirely random I point out. Knowing WHERE the moon is going to set or rise becomes relevant to the discussion when your ready to go out the door with a box o’ cameras. Compass directions of moon/sun set and rise are handy out in the backcountry. The cyclical changes in the orbits of the moon changes where it sets. As the seasonal migration of the sun north and south are variables.
I still have to fly by the seat of my pants when the sun is rising behind me with a beautiful sunrise. Simultaneously this moon is going to disappear in a few minutes. Storms were going through the area. Best possible photographic conditions in my opinion. 😜
TWO Big Storms rumble across the high prairie land of Wyotana. The wedge on the left is closer, smaller and in the partial shadow of another storm between it and the sun. The right storm is really huge and ‘muscular” for your “garden variety” of giant storm moving across the high plains. The close storm is 40 miles out obscuring the Devil’s Tower from my view. The larger storm is well over 100 miles out over in South Dakota across that state line. These storms have energy equal to an atom bomb that they expend over their lifespan.
Closed to me the window to the horizon rising early June 2020 Strawberry Moon. These two monsters spinning like tops in the way being effective a keeping me out. By this point in this 30 mile road trip, I was getting impatient for the extra 1/2 hour it took for the moon to rise over that cloud bank.
In full disclosure, this is two very wide images individually stitched side by side inside of the digital darkroom. A real scene though. It is over 160 degrees wide almost 1/2 of the sky. These were really quite a scene. This is of course, the reason I followed the storms out on the road. Waiting just for this moment. The colors are as I experienced them with lighter / whiter clouds at the top and the “Belt of Venus” sunset light projected onto the storms sides.
This 99 Percent illuminated lunar disc has learned it is a lot of work to move all that cheese to the zenith of it’s orbit around the earth. . Resting too long will upset all the tidal charts that mariners use for sailing. Can’t have that…. Here I caught it resting in a soft grassy spot none the less. It saw me and rose to the occasion….
I find that the moon is a lazy celestial object. Always sitting down on the job. Here I caught the sneaky planetoid JUST lifting off the “Grass Recliner” it was sitting on. Who knows how long it was sitting there. I mean I only saw it move after I pointed a camera at it… I catch the old guy resting on unusual things all the time. This while walking parallel Ridges on the moon shadow line.
Missed are a million moments in time depending on the angle you find yourself observing a particular scene at. Every different angle will give you an entirely different viewpoint. I’m always looking at angles and what I have to do to achieve the perspective I’m looking for. The ability to anticipate the way things WILL happen and being there with a camera in your hand is about 90 percent of the photography game. The rest of getting the photo is reliant of your positioning before that time/space moment. My biggest limiting factor besides gravity is topography. Can’t stand with no ground under you or climb where there are no steps yet.
(May 2020, third/last supermoon of the year) I was fortunate to have worked them all. This month I only had one opportunity to work it against the landscape. I have 4 quality images from this month’s full moon which is about par for the course. Without a doubt this image is the best one I have obtained from this combination.
This one is somewhat similar to others I’ve taken and I’ve shot this tree many times as it’s only a mile from my driveway. However the burgundy (muted pink light) alpenglow, details in the dark and the dynamic range of this one makes my heart pitty pat… 📸📸
I’ve taken a few photos of this tree in front of various astronomic occurrences. It is indeed a lone tree on that position about 1000 yards away from where I took this image.
Photographing images like this a combination of finding the right position in x/y space, timing and distance is z, and that position moves with the speed of the moon. This makes using Tripods very difficult as you have a moving target. Maybe a monopod. This however was handheld. Distance is your friend here from that Lone tree.
Practicing this kind of photography has found me on my butt more times than any other tripping over sage. The moon is constantly moving, I’m usually on some parallel ridge walking forwards (as the moon is rising and to the left a bit while looking through a 2 foot long lens (tube) and not at my feet with sage brush around on uneven ground.Bear with me as capturing this kind of image is a “sub-hobby” of mine within the general photography that I do. I find it a serious challenge to get terrestrial objects in the same focal plane as the moon or the sun in twilight or darker conditions. Just like this. This composition is a tough one to capture in this low light/long focal field combination. 📸
2×3 aspect to 3 feet. Rested 1200 mm lens on “Clever Girl’s” drivers window.
Location: near the Bliss Dinosaur Ranch, Wyoming/Montana borderlands
Right Turn “Clyde” series…. (Lot’s of detail in that dark )
This was less than easy to do. Handheld long lens rested on the Ford Raptor’s open door, (Clever Girl herself) with the 48 inch Rigid LED light bar lighting up the reflective sign. The trick of course is to get back far enough to get both objects in the infinite focal length. Then you still have to place enough light on the sign…. Now I handicapped myself by sticking with the truck. I could have walked back another 100 yards with a monopod and still have the same light on the sign.. I’m not always tolerant of windy/cold and this was a windy/cold night. Taken about an hour and 20 minutes AFTER sunset, the only real sources of light was the 98 percent April (Pink) Moon and my headlight. That is a dark night sky behind.
There were stars but even this crazy high dynamic range camera couldn’t sense/see them. The clouds right around the moon that were lit up, made it into the cameras data stream. Getting any detail around a moon of such wispy clouds scantily covering a moon is not something I’m able to accomplish some nights. Very very iffy that process. I’m thinking an average cell phone is not going to capture this.
This April 2020’s moon was every present for 4 photo-sessions in a row. I can’t remember a full moon interval where I’ve gotten to work it so much. The April supermoon, our orbiting partner was as close as it gets this year to the earth for this.
When I see a Full moon rising at the horizon, I’m all about getting it behind and in focus with terrestrial objects. It’s always a good thing when this particular tree lines up with astronomic objects (sun moon). This particular lone tree up high on a ridge has faced the worst wind/weather this high country can throw at it. It is a true old soldier. (April Egg/Fish/Pink Moon 2020)
The Lone Tree on a Ridge is about 1/4 miles out from the parallel ridge is was working in the dark for this capture. The moon is a little further behind the ridge.
Photographic Musings: Clear as a bell this evening. I worked the sunset but this moon rose about 80 minutes after that. It was dark and a true night sky. About half the game of photography is knowing when you got the shot and it’s time to move on. Otherwise you spend too much time at the site and miss other opportunities. I move pretty rapidly from interesting situation/alignments of the sun or the moon by driving along parallel ridges. This I captured only because I was moving along at an operational tempo most seal teams would envy lolol. Light is VERY fleeting.
I work the Moon’s “Shadow” line on parallel “opposite” ridge by driving along it and “seeing” what develops as I move. This is where the cool stuff suddenly pops up to photograph as in “I know it when I see it”. There are times I see lighting that is virtually impossible to capture with the technology. This moon is relatively easy by comparison lol. Of course, a full moon behind trees is a very common occurrence. It happens every time a full moon is up, at many angles millions of places around a woods. It’s being in the right place at the right time with the right gear to catch the image. That is the hard part.📷
It really was pink for this Moon Rise. Caught the Egg Moon at the moment of lift off from the horizon. This Mountain ridge is 10 miles out from my camera. This moon rise was 94 degrees east on the compass. (corrected for magnetic declination of course). You see magnetic north is not the same as geographic north. There are 8 degrees 44 minutes difference here at the Bliss Dinosaur Ranch. If you use a compass and don’t correct it for Polar Wandering of the magnetic pole, your navigation is off a bit. Makes a big difference the further you go lol.
The tendency to crush perspective is a property of long focal length lenses. This 1200 mm is about 28 inches long. It is looking at an area of that distant ridge that is about the size of a postage stamp at arms length. The distant stamp would cover the moon and the ridge in this photo more or less. This really zooms up on the ridge. The moon too but the relatively closer ridge, is disproportionally enlarges. If I were to jump into a car and drive 5 more miles back, the moon would still look this big but the ridge would look a lot smaller by comparison. The relatively smaller ridge with the moon about the same size would be the result. The moon appears to grow as I move further away from the ridge.
Actually this is indeed a 98.5 Percent Full April “Pink” Moon but the images title is a classic reference to a Movie Line. If you know from where, you could be my friend lol.
This is a very long 1200 mm telephoto shot with the sun being mostly up behind me with a brief over lap. Having the two celestial bodies at the horizon with daylight and a full moon is a one or two times a month opportunity IF the weather cooperates. Of course I have the moon lowering in the sky from about an hour before this. This particular one the last shot of the timeline consisting of several hundred images.
I am standing on my ground which is the same elevation as the saddle between the two far peak. That range of mountains is called the “Red Hills” and is 40 (forty) miles distant from my camera. The Intervening Little Powder River Valley 500 feet lower than the far ridge removed all that ground between here and there. A sand grain at a time the 20 foot wide “Little Powder” River carried all that sediment down to the Gulf of Mexico, through several tributaries. Some of it is still in the river banks along the way. All things eventually work to the sea.
This, looking westward barely diagonally across the Wyoming to Montana border. The moon setting at 279 degrees. I prepositioned myself just so it would set between the peaks. Fore knowledge of how things work makes your photo session “predictable”. It helps you choose to use the map in your head. Google: ‘Moon Compass’, and work the choices.
The red light passing to the pink/red “Belt of Venus” alpenglow behind the snag pine tree. That phenomena projected filtered to red light on the ice in the sky opposite of the sun. Same effect here but on the moon.
This just the atmospheric gauntlet of dust, moisture of all phase states, pollution etc block out all but the red light. So the “Worm Moon A.K.A. Lenten Moon, Crow Moon, Sugar Moon, Sap Moon, Chaste Moon or just the March Full Moon lol.
Getting topography/ hills and a celestial object to cooperate the same time can be challenging. …I know the topography I work pretty well on the Bliss Dinosaur Ranch after ‘working it’ for decades. Knowing the direction the moon is going to set is a matter of looking it up on google. Get a map, (in my head by now) and figure out “what two or three things” can line up.
I decide where to go early on but am flexible enough to change mid stream because I’m very mobile. Getting around these days in snowy or muddy hills is a requirement for this job lolol. I never know WHAT the show is going to be when I go out with cameras. I do usually know WHERE a celestial alignment will occur with what hillside. 😄 This moon didn’t sneak up on me by any means. Getting up on the high ridges is of course the place to be for such a shot. The backcountry high in the hills provide all the topography and perspective that any photographer could need. Having effectively unlimited access to many square miles of backcountry Wyotana is always a good thing with a camera.
I find that the moon is a lazy celestial object. Always sitting down on the job. Here I caught the sneaky planetoid before lifting off the backcountry folding chair it was sitting on. Who knows how long it was sitting there. I mean it only moved after I pointed a camera at it… This color is it’s “Blush” of “being caught” sitting down on the job I suspect. I’ve seen a red flush before too. Easily flustered I think… 😜📸
I catch our old orbiting neighbor resting on unusual things all the time walking parallel Ridges along the shadow line. Missed are a million moments in time depending on the angle you find yourself observing a particular scene at. Every different angle will give you an entirely different viewpoint. I’m always looking at angles and what I have to do to achieve the perspective I’m looking for.
The ability to anticipate the way things WILL happen and being there with a camera in your hand is about 50 percent of the photography game. The rest of getting the photo is reliant of your positioning before that time/space moment. My biggest limiting factor besides gravity is topography of course. You can’t walk where there isn’t ground I have found. 😔🤘
Halo’s around the moon are tough to capture. Try it…. I’ve been known to climb on my vehicles roof to get just a little more height. It would be nice to have a folding ladder from time to time too angles being what angles are. . 😜
This is the second image from this timeline I finished.
Capturing a Halo around a full moon is not that easy as the full moon’s brightness usually overpowers the dimmer clouds surrounding. Most cameras can’t take it but the veil of clouds reducing the brightness REALLY helps. I look at this with awe. It’s a rare confluence of lighting that allows this. Agood moon halo is tough to capture. Dynamic Range is a big deal in cameras if your working in dim light. The ability to see that halo is a direct function of your cameras ability to see the details of the hair on a black cat in a coal bin. Just apply that attribute here.
Photographic Musings: To take a full moon without clouds, the ISO 100, 1/100th and f-11 manual mode settings are a good starting place. This is more like ISO 250, 1/50th and f11 (lowest f stop/biggest aperture on this telephoto.) Your shutter speed is your variable of the three settings you have control of in Manual Mode. The other two settings are more or less standard for moon work unless you have very fast long lenses.
Everything changes if you are using a fast f-4.5 600mm super-telephoto lol. Fast telephotos are wonderful for this if you have a camera with a very wide dynamic range too. 15 f-stops dynamic ranch in these high end Sony Cameras ….. The ability to see the darks against the brights is what that is all about. Dynamic Range in your camera is a big deal if your working low lights, twilights and nights. I used a big super-telephoto fast Canon lens on a Sony Alpha 7RII to do this work. A 600mm supertelephoto lens is somewhere in the 6000 dollar range. IT’s obviously prohibitive and 13K to buy one new. I suggest getting a used one through either E-bay or Amazon as you typically CAN return things unless otherwise stated. 🤔👀📸
Capturing a Halo around a full moon is not that easy as the full moon’s brightness usually overpowers the dimmer clouds surrounding. Most cameras can’t take it but the veil of clouds reducing the brightness REALLY helps.
I look at this with awe as it’s a rare confluence of lighting that allows a good halo to be captured around the moon.
To take a full moon without clouds, the ISO 100, 1/100th and f-11 manual mode settings are a good starting place. This is more like ISO 250, 1/50th and f11 (lowest f stop/biggest aperture on this telephoto. Your shutter speed is your variable of the three settings. The other two settings are more or less standard for moon work unless you have very fast long lenses. Everything changes if you are using a f-4.5 600mm super-telephoto lol. Fast telephotos are wonderful for this if you have a camera with a very wide dynamic range too. The ability to see the darks against the brights is what that is all about. Dynamic Range in your camera is a big deal if your working low lights, twilights and nights.
I used a big super-telephoto fast Canon lens on a Sony Alpha 7RII to do this work. That lens is somewhere in the 6000 dollar range used. IT’s obviously prohibitive and 13K to buy one new. I suggest getting a used one through either ebay or amazon as you typically CAN return things unless otherwise stated.
When I get a Full moon setting close to the horizon and JUST enough light, I’m all about getting it behind and in focus with terrestrial objects. It’s always a good thing when this particular tree lines up with astronomic objects (sun moon).
The Lone Tree on a Ridge is about 1/4 miles out from a parallel ridge in this capture. The moon is a little further behind.
Photographic Musings: There were heavily banded clouds with the moon mostly filtered out behind the veil through the twilight.. In an out of view over it’s last hour in the sky this morning which I observed. I am as always, reactive to the light with only a bit of premonition to guide me to the next spot from here. Half the game of photography is knowing when you got the shot and it’s time to move on. Otherwise you spend too much time at the site and miss other opportunities. I move pretty rapidly from interesting situation/alignments of the sun or the moon by driving along parallel ridges.
I work the “Shadow” line on the opposite ridge by driving along it and “seeing” what develops as I move. The cool stuff to photograph as in “I know it when I see it”. There are times I see things that are virtually impossible to capture. This veiled sun was ‘easy”. A partially veiled moon behind this tree is a common occurrence. This is low low light to catch that tree pre-sunrise in mid-civil twilight.
The chill of the upcoming winter was in the air. I captured an old soldier of a wildlife tree. Heavily used by Wood Peckers and Flickers to hunt in for grubs. It oversees/overllows all on it’s high backcountry ridge redoubt. A safe nest for a dozen creatures. Within is a rest from the relentless high ground wind. A rest here for this Great Horned Owl while the rising moon lights up the scene. While dark to our eyes, the extraordinary night vision of the hunting raptor (and my Sony Alpha 7RIV) pierce the darkness. 😜 📸
Did I mention the above is art. The moon just by itself is a 16 image composite. I own the owl silhouette and the snag/twilight photo. Took me a bit to do this well. 🤔👀 (Landscape up to 3×2 feet)
Now the Science:
The owls perception of the night world and need to detect the smallest movement a trait of the species. This would be a real world nocturnal and uncommon encounter. I’m ignoring the limitations of physics and gear to get an image like this require it’s construction in the digital dark room. This scene has happened millions of times however. They would be REALLY hard to catch in the real world. It’d take a heck of a lens to do this at maybe 500 yards out. Having said that, if this ever unveiled in front me in the real world, I could certainly capture the image. That is, if I were given about 5 minutes to get into position/set up lolol.
While active during the day at times, they habituate the darkness and are totally apex predators in this environment. Just to stress the point, none of this would be happening without the moon. (Morning citizen scientist assignment, please google “moon formation”).
The moon is our planets protector. It’s mass around the earth keeps the earths rotation stable. Research reveals that less than 10 percent of terrestrial planets may have a satellite large enough to provide the stability life needs to develop. (This is a big deal and where some genuine magic occurs)
The Mass and resultant gravity is necessary for stabilizing the Tilt of our planet like a huge slow motion gyroscope. Scientists say Earth’s “obliquity”, as this tilt is known, is important to remain stable. Changes in Obliquity have huge repercussions from the resultant environmental reactions. Should Earth’s obliquity wander over hundreds of thousands of years, it would cause environmental chaos by creating a climate too variable for complex life to develop in relative peace. Imagine obliquity such that the South Pole is all daylight 100 percent of the time and the North Pole in 100 percent night sky. Our lunar neighbor has literally made it possible for you to read this as a sequence of events set up in the flow of Space and Time. 🤔📸
Window to the Moon (Take you back 8 months for this one)
In my side yard is a wonderful old tree that I seldom work with cameras. I had to get enough distance away such that the camera could focus on both the foreground / background. Then I had to find a very rare hole in the canopy to set up the composition. This photography stuff is tough to get all the angles and distances to overcome the limitations of the technology we use.
Close / Far perspectives such as this are indeed a sub-hobby of mine within the larger world of photography I immerse myself in.
You’ll need a 400mm or longer lens, distance, timing, topography and a full moon. Distance from the foreground object is your friend. So is a HIGH f-stop number (f22 or higher). High f-stop gives you a deep field of focus that extends foreground object to infinity (moon). Being the double edged sword that f-stop is, by turning it up, you reduce the already low light level in the camera.
A short 1/2 second time exposure if you have a tripod would be nice to compensate. You need a Longer exposure… That means more light into the camera to compensate for the high F-stop’s little pin hole aperture. I did this handheld at about 1/30th second. Your ISO (camera sensitivity) is your wildcard. Change it to get an image as rule one is get the image…damn the graininess (which high ISO will give you). Around ISO 500 should get you close with these other settings and a long lens. There are only three things you have to adjust to use your camera on manual mode after all.
Done in the camera (not a crop), I call this what I consider a “formally” framed image.👀 I took a great deal of precious time to precisely alight that gate with the edge of the frame. Hard to do with the angle I had to acquire to line up the banded cloud veiled moon. Camera lens distortion and other laws of physics applied. It was pretty dark too I point out as the sun hasn’t risen just yet that morning. Taken later in the fall after the first snow. All melted in this particular capture. It’s all covered by the white stuff at the time I post this in early March 2020.
There are only a few days a month when the full moon is still up while there is enough light to capture a landscape. A significant portion of those morning have obscured (as best) views of the setting moon. If I get one night a month where I get the full moon floating over illuminated landscapes, I consider myself lucky. What I do with that morning and where I choose to set up is not entirely random I point out. Knowing WHERE the moon is going to set or rise becomes relevant to the discussion when your ready to go out the door with a box o’ cameras. Compass directions of moon/sun set and rise are handy out in the backcountry. The cyclical changes in the orbits of the moon changes where it sets. As the seasonal migration of the sun north and south are variables.
I find the moon to be a big show off when ever it can be. Here it is rolling around a hill top like a precocious 10 year old. It’s probably trying to impress the sun which is still up over my shoulder still barely lighting up the scene I often find it resting on the horizon or caught by some rouge “Ent” Tree. Way out in the remote back country many magical and mystical things occur when I pursue light. I’m just the stenographer here with the limitations of the technology I deal with daily.
There are only a few days a month where the relatively full moon is close to the still sunlit horizon. I get perhaps 3 or 4 sunrise/sunsets a month with the moon involved. Some months I don’t get the opportunity due to cloud cover . I’m usually game to be in the backcountry for this kind of activity. As I post this it’s deep mid-winter in the backcountry. We are high up so we get more snow than most. Deep snow sort of slows me down but NOW I have a taller truck with 35 inch studded snow tires to help a bit.
On the moon you can clearly see the smaller top crater at 12 oclock. (It’s actually a small “Mare”). It is always at 12 oclock on a rising moon but at 3 oclock as the moon sets here at 45 degrees north latitude. That little Crater is Mare “Crisium”. (Sea of Crisis from the latin).
Have you noticed the moon’s face appears to rotate clockwise as the night progresses? This is an illusion as you are the one that is rotating, not the moon🤔. Your looking at the moon rising looking east. Then you spin and look at the moon set to the west. In other words your point of view has changed. The amount of change depends on how far north or south of the equator. Illusionary. It’s very complex from here and another whole narrative. 🤔📸 It will make you crazy trying to figure this one out lololol.
Photographing images like this a combination of finding the right position in x/y space, timing and distance is z, and that position moves with the speed of the moon which makes using Tripods very difficult. Maybe a monopod. This was handheld. Distance is your friend here from that Lone tree. I’m about 600 yards out from it for this shot. This is a full sized image not a crop. Doing this kind of photography has found me on my butt more times than any other. The moon is constantly moving, I’m usually on some parallel ridge walking forwards (as the moon is rising and to the left a bit while looking through a 2 foot long lens (tube) and not at my feet with sage brush around on uneven ground.
Capturing this kind of image is a “sub-hobby” of mine within the general photography that I do. I find it a seriously fun challenge to get terrestrial objects in the same focal plane as the moon or the sun in twilight or darker conditions. Just like this 📸
It takes a Manual Mode setting to do this folks. Cell phone cameras need not apply and won’t do this without an external lens of some rigged hook up….lolol Lots of F-stop, then all you have to do is adjust the other two parameters left, ISO (camera sensitivity) and Shutter speed. I’ve covered that many times elsewhere so I won’t do it again here 📸 It takes a lot of focal length in your lens to do this.
. 2×3 aspect to 3 feet wide from a 1200 mm telephoto lens. Not a crop.
Location: near the Bliss Dinosaur Ranch, Wyoming/Montana borderlands
Moon, This is the Moon. NOT the Sun. Captured from a Truck Window mounted camera up high in the backcountry of MT/WY. I have been able to get around with my “new rig” a little better. This capture on a remote ridge. This was done with a 30 second time exposure to pick up all the ambient light that was about. I could BARELY see this blush on the trees and had to set up my camera to catch this. A little tricky actually but the thought process is straight forward. The moon was heavily veiled for this and that limited me to landscapes instead of moon photos lol. This is the result.
Known as the Snow Moon, named after the snow on the ground. Some North American tribes named it the Hunger Moon due to the scarcity food. Also the hard hunting conditions during mid-winter. Others named it the Storm Moon for the tendency towards brutal February ‘s storms
This was a very very dark capture. A 30 second time exposure requires a very stabile platform like a heavy tripod or a sand bag and a remote trigger. I used a timer. Your first priority is shutter speed, the more the shutter is open, the more light the camera is going to collect. 30 seconds is a long exposure for me.
The Aperture was F-11. To get Deep focal fields, F-11 is low for me. I wanted the Moon lit “Snow Diamonds” to show up in focus. The Snow Diamonds would blur setting a lower F-stop. Any higher F-stop and the image would have been too dark. Focal Length was 48mm.I hate using ISO higher than about 150 but here I used 300. (camera sensitivity.)
Satire: The forest is full of a million moments of time and space. Different moments and different angles each contribute to what a camera can save for our amusement. It’s a matter of being in the right place at the right time to see the play go on stage.
Here the moon had found a nice place to catch a comfortable rest before climbing to it’s zenith. Thank heavens this didn’t hold up the moon very long as there are so many things that rely on precise timing of the moon and the tides. 😃 Think of the mess if the moon gets held up.🤔🤔
Back to my normal programming:
Of course there are other phenomena related to the full moon besides photographers making up satire. Emergency rooms get busy on full moon nights. I worked as a medic for 20 years total and I give some credence to that discussion. I’ve seen some crazy stuff on full moon nights. They say that dogs are 28 percent more likely to be taken on an ER vet visit during the full moon. Birth Rates go up (don’t ask me! I learned what caused that crap early on). More Crimes are committed (FBI stats), Amazingly and last in this short list is that during a full moon is a better time to have surgery. The outcome statistically is better during the full moon. I don’t ask why. I just go with the flow….
Moon Rise in Pitch Black (This is the Moon NOT the sun AND full Screen is a Must).
Moony Alpenglow I’m thinking. This is a 20 second long time widefield exposure with the camera aperture at low f-numbers (wide open). ISO is less than 1000 for this. High ISO is an evil thing in night time exposures.
I don’t do much work late at night as I do photography all day so there has to be a nap time somewhere. On the occasional night when I’m up over a mile away from my door up on Ridge 1 late at night, I usually bring a tracker along. Set up on Polaris. Takes a few minutes usually. Your camera mounts right to the tracker. 300 -400 bucks on amazon.
Rule of 600 in Star Photography:
The rule states that the maximum length of an exposure with stars that doesn’t result in star streaks is achieved by dividing the effective focal length of the lens into the number 600. A 50mm lens on a full sized sensor camera, therefore would allow 600 / 50 = 12 seconds of exposure before streaks are noticeable. That is unless you are using a device that moves the camera the same rate as the stars move. These “trackers” are a fairly inexpensive gadget but you do have to understand how to find Polaris (North star). Then you can take sharp stars over long intervals instead of getting lines from them moving.
Of course 20 seconds with a wide open iris totally overexposes the moon. That was the point. I wanted to see the moony Alpenglow it was projecting even faintly visible to my naked eyes lolol.
Windmill Cheese Trimming (just a little off the whiskers please)
MOONDAY Monday, 2nd moon photo today….
“Sneaky Pete”the Windmill here provides a perspective regardless of his intent to photo-bomb this moon capture. I have no control over his actions. He just likes the attention. He and his bigger older brother “Re Pete” live and work here on ranch. They seem to work their way into my landscapes way higher than the statistical average compared to other ranch creatures. 😜😜😀
Manual Mode Phobia: (You know who you are) ….
Close / Far perspectives are a complex photographic challenge for all of you. An automatic setting on your camera is not going to do this image.
I’ve gone through the basics a few times and will entertain questions below for photographic solutions to your working on manual mode aversion. (Kind of like fear of swimming). You just have to jump in and turn that top dial to M. Then you figure out which control wheel controls each of the three settings you change in manual mode. ISO (Camera Sensitivity), f-stop (size of the aperture/pupil in the lens), finally Shutter Speed.
You only need to understand those three things to run on Manual mode. Their relationship to each other and how messing with one, requires you to mess with the others a tad to compensate the amount of light coming into the camera. Your riding a three way light teeter totter trying to balance those settings.