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Lunar Eclipse Earths Shadow

Lunar Eclipse Earths Shadow
Lunar Eclipse Earths Shadow

Lunar Eclipse Earths Shadow

Super Blue Blood Moon taken Feb 1, 2018,. This is was the first of it’s breed seen in the United State since 1866. . The white part is the actual fully illuminated moon. The red, the earths shadow (pre-umbra and umbra) make up the bloody red disk. 3200mm astro glass.

A blue moon of course, happens when there are two full moons in a single month. Technically this Blue Moon is a fudge (again) by NASA since the actual full moon happened in the morning of Feb 1st not on Jan 31st by less than 2 hours in some places. I love it when NASA fudges. 🤔

Blue moons are not quite as rare as the old saying implies. On average they occur once every 2.7 years. The lunar 29.53 lunar month migrates across the 30 or 21 day calendar month. February has never had a blue moon….. There were two blue moons in 2018 due to the discrepancy in timing adding up over the years. There were no full moons at all in February 2018 for instance. There is some calendar magic ongoing as these lunar shows migrate around.

This moon was a super moon being at it’s closest point to the earth in it’s orbit at slightly under a 225 thousand miles. This compared to the average of 238 thousand. What difference could 13000 miles make….14 percent apparent size difference. It’s hard to see with your eyes but I see it comparing things like windmill sails to the lunar disk size from the same spot in the road at the same focal length. I have these fixed objects to compare the moon’s size with lol.

Location: Over Bliss DInosaur Ranch, Wyoming/Montana borderlands. It was durn cold for this one lolol.

Title: Lunar Eclipse Earths Shadow

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Sunrise Through Frosty Fence

Sunrise Through Frosty Fence
Sunrise Through Frosty Fence

Sunrise Through Frosty Fence

The sub-zero morning I took this up on a high ridge, the Hoar frost covered ANYTHING that was exposed to the wind. Freezing fog grew monster ice feathers off every surface that disrupted smooth air flow. I have many images yet to finish from that morning.

Here on the Montana/Wyoming border, the snow can be as deep as the backcountry is big with just a few plowed paths to provide access to the high ground. The wind here moves a lot of snow from ridges to the surrounding slopes so if your on the ridge, DON’T get off the ridge. You loose the traction of “position” off the top. Stuck is not good up here.

Given the opportunity, I will set up for a Close/Far perspective capture when ever a fence “of interest” is around. This was a very early morning session that started in early twilight and worked for several hours. It’s not every day I see this kind of hoar frost. It does happen but not necessarily every year up here.

The highest ridges locally are 4000 feet in elevation. With valley fog being pushed over higher elevations. Thus creating a fantastic environment for hoar frost growth to prodigious proportions. Woven Wire Fence: When you absolutely don’t want smaller livestock going from pasture to pasture. It makes a wonderful nucleation spot for ice crystals to grow from. Working backcountry has it’s little areas of zen. Millions of them actually. We just have to slow down and see them. Capture their photons. The ironically, hurry on to the next little spot of zen lololol. Such is the life of “working” a scene with cameras…. 📸🤔

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands. (Wyotana)

Title: Sunrise Through Frosty Fence

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Moon Owl Composite ART

Moon Owl Composite ART
Moon Owl Composite ART

Moon Owl Composite ART

Art then Science:

The chill of the upcoming winter was in the air. I captured an old soldier of a wildlife tree. Heavily used by Wood Peckers and Flickers to hunt in for grubs. It oversees/overllows all on it’s high backcountry ridge redoubt. A safe nest for a dozen creatures. Within is a rest from the relentless high ground wind. A rest here for this Great Horned Owl while the rising moon lights up the scene. While dark to our eyes, the extraordinary night vision of the hunting raptor (and my Sony Alpha 7RIV) pierce the darkness. 😜 📸

Did I mention the above is art. The moon just by itself is a 16 image composite. I own the owl silhouette and the snag/twilight photo. Took me a bit to do this well. 🤔👀 (Landscape up to 3×2 feet)

Now the Science:

The owls perception of the night world and need to detect the smallest movement a trait of the species. This would be a real world nocturnal and uncommon encounter. I’m ignoring the limitations of physics and gear to get an image like this require it’s construction in the digital dark room. This scene has happened millions of times however. They would be REALLY hard to catch in the real world. It’d take a heck of a lens to do this at maybe 500 yards out. Having said that, if this ever unveiled in front me in the real world, I could certainly capture the image. That is, if I were given about 5 minutes to get into position/set up lolol.

While active during the day at times, they habituate the darkness and are totally apex predators in this environment. Just to stress the point, none of this would be happening without the moon. (Morning citizen scientist assignment, please google “moon formation”).

The moon is our planets protector. It’s mass around the earth keeps the earths rotation stable. Research reveals that less than 10 percent of terrestrial planets may have a satellite large enough to provide the stability life needs to develop. (This is a big deal and where some genuine magic occurs)

The Mass and resultant gravity is necessary for stabilizing the Tilt of our planet like a huge slow motion gyroscope. Scientists say Earth’s “obliquity”, as this tilt is known, is important to remain stable. Changes in Obliquity have huge repercussions from the resultant environmental reactions. Should Earth’s obliquity wander over hundreds of thousands of years, it would cause environmental chaos by creating a climate too variable for complex life to develop in relative peace. Imagine obliquity such that the South Pole is all daylight 100 percent of the time and the North Pole in 100 percent night sky. Our lunar neighbor has literally made it possible for you to read this as a sequence of events set up in the flow of Space and Time. 🤔📸

Title: Moon Owl Composite ART

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Backcountry Peace Sign

Backcountry Peace Sign
Backcountry Peace Sign

Backcountry Peace Sign (Hoar Frosted to heck).

Yup, a good fence is a good way to keep Peace between neighbors. An example of a serious border fence built by a local rancher keeps the peace for sure. It surrounds his whole property of many square miles.. it’s 8 feet high, high tension and virtually impenetrable by ungulates that use to eat part of his grass crop. He even paid for double wide cattle gates on the road to make it harder for game to get in there. I suspect the math worked out. It was cheaper to build a fence than put up with the damage to the grass crop the antelope and deer do every year.

Now I have an 8 foot high electric deer exclusion fence that keeps deer out of the 10 acres around my homestead’s infield. My yard fenced/surrounded by a similar barrier. Deer, 99.99 percent excluded from entry, watch from the outside. .. I let them play on the other 3490 acres of the ranch at their leisure. I understand his frustration with deer. They were causing tremendous damage to the ornamental plants and even shelter belt trees were feeling the deer pressure. Damage ornamental plants mounted into the thousands of dollars some years done by deer. New plants in my homes landscape were abused badly. It took me personally months to construct the 200+ section buck rail/electric hybrid fence surrounding my yard. The only way now to get in to my yard is through a gate which is where they occasionally penetrate my defenses.

Location: Bliss Dinosaur ranch, Wyoming/Montana borderlands. (Wyotana)

Title: Backcountry Peace Sign

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Down Yonder by the Fence

Down Yonder by the Fence
Down Yonder by the Fence

Down Yonder by the Fence

The morning was sub-zero. That which was exposed to the wind, had been covered by Hoar Frost. Freezing fog grew monster ice feathers off every surface that disrupted smooth air flow. I have many images yet to finish from that morning.

Here on the Montana/Wyoming border, the snow is as deep as the backcountry is big . Just a few plowed paths provide access to the high ground. The wind here moves a lot of snow from ridges to the surrounding slopes so if your on the ridge, DON’T get off the ridge. You loose the traction of “position” off the top.

Given the opportunity, I will set up for a Close/Far perspective capture when ever a fence “of interest” is around. This was a very early morning session that started in early twilight and worked for several hours. It’s not every day I see this kind of hoar frost. It does happen but not necessarily every year up here. The highest ridges are 4000 feet above sea level in elevation. Valley fog pushed over higher elevations. Thus creating a fantastic environment for hoar frost growth to prodigious proportions.

Woven Wire Fence: When you absolutely don’t want smaller livestock going from pasture to pasture. It makes a wonderful nucleation spot for ice crystals to grow from. The low angle light was still very spotty. I had to find a “Slit” through the trees to catch this. Working backcountry has it’s little areas of zen. Millions of them actually. We just have to slow down and see them. Capture their photons. The ironically, hurry on to the next little spot of zen lololol. Such is the life of “working” a scene with cameras…. 📸🤔

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana)

Title: Down Yonder by the Fence

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Moon On a Stump

Moon On a Stump
Moon On a Stump

Moon On a Stump

If you are “stumped” as to how I did this, I assure you it was done in the camera lol. No digital or otherwise magic involved. (well there are some orbital mechanics😜🤔)…. This was quite a ways out from my long lens to get that stump into the infinity focal depth along with the moon. Getting the moon to cooperate with the topography was quite a challenge in this hilly country.

Having terrestrial objects in the same focus as the moon or the sun is definitely an acquired skill with a few requirements for it’s practice. I’m still trying to perfect this kind of work in a variety of ways. Getting only a few opportunities a month to work a full moon low in the sky and still have the sun light up the foreground scene. Wait another 28 days and hope it isn’t cloudy during those days. 6 or 7 times a year in other words do I get a “shot” at this. .

You need at least a 400mm telephoto on a high f number for a deep focal field. You still need to stand way back several hundred yards to enable the telephoto to crush the perspective. Your lighting will change your other settings from what I used but a high f-stop is the place to start.

Perspective: Works like this…

As you step back the stump will get noticeably smaller but the moon stays about the same size. So the further you step back the smaller the stump and the relatively bigger the moon looks. Perspective takes hold….

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands (Wyotana).

TItle: Moon On a Stump

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Backcountry Snow Moon Rising

Backcountry Snow Moon Rising
Backcountry Snow Moon Rising

Backcountry Snow Moon Rising

A little Backcountry Magic for you moon lovers out there.

The Atmospheric Lensing was in full blown effect for this. The moon distorted by the mirage lines. Remember that this moon is actually below the line of sight to the horizon at this moment. The moons image here has been bent around the planet over the horizon by the differences in air density/temperature. Without atmosphere in the way, you wouldn’t see it yet. It’s actually below the horizon which is dropping to expose it. (You realize the horizon is dropping NOT the moon is rising right??) The times of sunrise and sunset are always off a minute or so because of this phenomena for objects (the sun too) near the horizon.

Photographic Musings:

In a nutshell, you need a 400mm or longer lens, distance, timing, topography and a full moon. Distance from the foreground object is your friend. So is a HIGH f-stop number (f22 or higher). High f-stop gives you a deep field of focus that extends foreground object to infinity (moon). Being the double edged sword that f-stop is, by turning it up, you reduce the already low light level in the camera. A short 3 second time exposure if you have a tripod would be nice to compensate. Longer exposure means more light into the camera.. I did this handheld at about 1/30th second. Your ISO (camera sensitivity) is your wildcard. Change it to get an image as rule one is get the image…damn the graininess (which high ISO will give you). There are only three things you have to adjust to use your camera on manual mode after all.

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands

Title: Backcountry Snow Moon Rising

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Moon Quarter Close Up

Moon Quarter Close Up
Moon Quarter Close Up

Moon Quarter Close Up

It’s not magic using a 12 inch Meade LX 200 at 3200mm, I need to take 6 images of the moon to mosaic together a full image. This left 1/3rd of a waning Crescent/last quarter). I took this in infra-red so the color is artificial. Infra-red comes out pretty and pink raw out of the camera. This is more like it was at the time I took it not far from the horizon. The seeing was good that night. That was the mystical part….

The joy of “Mirrorless” removable lens cameras is that you get what you see in the eyepiece (or backLCD) BEFORE you click the shutter. Working in manual mode on a Mirrorless, you instantly know what your settings are doing, you watch it live on the screen. This is NOT a DSLR camera routine where you approximate the settings, take a photo, check the image on the LCD. Then you reset your setting better….. Rinse and Repeat until you get the shot.

I wouldn’t even consider buying the best possible DSLR versus a 1500 dollar mirrorless removable lens camera. Not even close. Mirrorless allows you instant feed back to your actions. If you are gear shopping, I strongly suggest you find out about mirrorless camera bodies that take removable lenses. As with anything else, you get what you pay for. I use Sony Alpha 7R series extensively though I have a couple of consumer level Canon M series cameras. I’m currently using the smaller chip cameras (not full frame like the Sony) for astro/big telescope as this image.

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana)

Title: Moon Quarter Close Up

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Falling Horizon Exposing Moon

Falling Horizon Exposing Moon
Falling Horizon Exposing Moon

Falling Horizon Exposing Moon

My view from “Ridge 1” looking at the sun rise on “Ridge 4” which is about 10 miles distant. Working on Parallel Ridges gives you landscape ladders automatically.

The world we are living on is spinning like a top in space. Rotating around the earth the moon is albeit relatively slowly to our eyes. The appearance of the moon “rising” is an illusion. The Horizon is actually falling away fast enough that it makes a difference on long range rifle shots.

If you shoot a hypothetical “average” bullet at a 1000 yard target straight to the east, you better aim low…. say about 6 inches . If you aim to the west, you should aim high since the target is rising under your bullet. . You see to the east the target is dropping. Thus I’m saying that the horizon travels about 6 inches during the time a bullet travels 1000 yards. (over 1/2 mile). 6 inches is arbitrary as your bullet will act differently than my hypothetical one.

So the next mind game is to shoot straight north or south. You have to shoot neutrally, neither high nor low. Really long range rifle shooters use this in their calculations. Nothing like having your target rise or fall depending on the direction and distance the bullet travels over time. I’ve been involved in professional shooting for decades, trust me on this. You have to compensate at distances much over about 700 yards a little bit more each yard the bullet has to fly further. Most sportsman don’t shoot that far.

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands.

Title: Falling Horizon Exposing Moon

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Barbed Wire Hoar Frosted

Barbed Wire Hoar Frosted
Barbed Wire Hoar Frosted

Barbed Wire Hoar Frosted

It’s not every day I see this kind of hoar frost. It does happen but not this well very often…. The highest ridges here are 4000 feet in elevation. Valley fog/ moisture was being pushed over higher elevations. Thus creating a fantastic environment for hoar frost growth to prodigious proportions. Natural Sharp edges like the points of barbed wire provides a “point of nucleation” for the ice feathers to form. The symbolism by mother nature was not lost on me here lolol. 👀

Science here is a conversations about the “Triple Point” of water which is a good basic concept to understand if we’re talking about weather. When the water vapor is thick and RIGHT at the temperature/pressure point it can be deposited directly to ice from water vapor. Typically these ice crystal feathers are less than an inch. Thes monsters were a full inch and a half with a few around the ranch reaching 2 inches for that storm. 

Interestingly, this is NOT a black and white photo. It’s is full color but the light was as flat as it gets. The T-posts are very old and only slightly green but they provide an anchor to the world of color in this other wise chroma bare capture. Science 

This is the only time I’ve ever seen such a thing such that the barbs grew so prodigiously. I spent hours that morning walking from place to place absorbing the unique sites as they were presented to me. It wasn’t long after this photo that the wind picked up and obliterated the threatening look of the wire. 

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands (Wyotana).

Title : Barbed Wire Hoar Frosted

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Hoar Frost Fence Line

Hoar Frost Fence Line
Hoar Frost Fence Line

Hoar Frost Fence Line

The sub-zero morning I took this out on a flat covered by geothermal steam. The Hoar frost covered ANYTHING that was exposed to the wind. Freezing fog grew monster ice feathers off every surface that disrupted smooth air flow. Long shadows and red light dominate this scene …

Here on the Montana/Wyoming border, the snow is usually as deep as the backcountry is big. Just a few plowed paths are about to provide access to the high ground. The wind here moves a lot of snow from ridges to the surrounding slopes so if your on the ridge, DON’T get off the ridge. You loose the traction of “position” off the top. The snow on the flats is unpredictable.

Given the opportunity, I will set up for a Close/Far perspective capture when ever a fence “of interest” is around. This was a sunrise session that started in early twilight and worked for several hours. It’s not every day I see this kind of hoar frost plus red morning light. It does happen but not necessarily every year up here. The highest ridges are 4000 feet in elevation. This is around 3700 feet. Thus creating a fantastic environment for hoar frost growth to prodigious proportions.

Woven Wire Fence: When you absolutely don’t want smaller livestock going from pasture to pasture. It makes a wonderful nucleation spot for ice crystals to grow from. The low angle light was still awesome. Working backcountry has it’s little areas of zen. We just have to slow down and see them. Capture their photons. The ironically, hurry on to the next little spot of zen lololol. Such is the life of “working” a scene with cameras…. 📸🤔

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands

Title: Hoar Frost Fence Line

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Hoar Frost Red Light

Hoar Frost Red Light
Hoar Frost Red Light

Hoar Frost Red Light (Full Screen is really a nice way to view with this image).

RIght at sunrise when the light from the sun is colorcast markedly red, any scene with hoar frost reacts vividly. Here on this high ridge with an infinite view to the horizon 100 miles away. This, the same light that makes the Pink “Belt of Venus”. Also responsible for the Red lIghting on distant hills these long traveled rays. Ultimately reflected to my lens. All pink is sky images are reflecting this very light. Those long red rays are going through the most atmosphere. The really bound off the bright white frost flowers and crystals. Catching it digitally is another thing 📷🤔

This scene is produced here to the same colors I experienced that morning. It’s as close as I can do it. Note how the snow in the shadows is grey/white .(natural) While the sunlit pure white frost turns into a nearly fiber optic pink projector screen.

Exposed surfaces to the wind were coated here by 3/4 of an inch of hoar frost. The north side of trees, grass interrupted the air flow of moisture laden air. This changed the “Triple Point” (good google word along water vapor). The Hoar frost growth is ice forming simply by moist air flowing over objects where a SLIGHT pressure change from the turbulence causes deposition of the ice. It’s crystal growth live real time that I’ve watched happening real time during several trips up on the ridges. I have gone up in terrible foggy cold weather to work the flat light before a time or two lol.

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands.

Title: Hoar Frost Red Light

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Moon Up Close and Personal

Moon Up Close and Personal
Moon Up Close and Personal

Moon Up Close and Personal

It’s not magic using a 12 inch Meade LX 200 at 3200mm, I need to take 6 images of the moon to mosaic together a full image. This top 1/3rd of a D moon (first quarter). I took this in infra-red so the color is artificial. Infra-red comes out pretty and pink raw out of the camera. This is more like it was at the time I took it not far from the horizon. The seeing was good that night. That was the mystical part….

The joy of “Mirrorless” removable lens cameras is that you get what you see in the eyepiece (or backLCD) BEFORE you click the shutter. Working in manual mode on a Mirrorless, you instantly know what your settings are doing, you watch it live on the screen. This is NOT a DSLR camera routine where you approximate the settings, take a photo, check the image on the LCD. Then you reset your setting better….. Rinse and Repeat until you get the shot.

I wouldn’t even consider buying the best possible DSLR versus a 1500 dollar mirrorless removable lens camera. Not even close. Mirrorless allows you instant feed back to your actions. If you are gear shopping, I strongly suggest you find out about mirrorless camera bodies that take removable lenses. As with anything else, you get what you pay for. I use Sony Alpha 7R series extensively though I have a couple of consumer level Canon M series cameras. I’m currently using the smaller chip cameras (not full frame like the Sony) for astro/big telescope as this image.

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana)

Title: Moon Up Close and Personal

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Full Moon Belt of Venus

Full Moon Belt of Venus
Full Moon Belt of Venus

Full Moon Belt of Venus

A magical “Belt of Venus” morning up on the Montana/Wyoming border waaaaaay out in the backcountry. The sunrise is still 10 minutes away behind my shoulder as the blue stripe on the horizon shows. That blue is the shadow of the opposite horizon blocking the long red light from the sun just over the lip. The pink projected onto the Ice suspended in the atmosphere are the reflections from the long wavelengths make it to my camera lens. This high rolling backcountry is very remote and relatively easy to get to in the summer. It is NOT so easy to get to this time of year. This was taken late fall 2019 before the snow pack started to form this high up.

Close / Far perspectives are a complex photographic challenge for all of you. An automatic setting on your camera is not going to do this image.

I’ve gone through the basics a few times and will entertain questions below for photographic solutions to your working on manual mode aversion. (Kind of like fear of swimming). You just have to jump in and turn that top dial to M. Then you figure out which control wheel controls each of the three settings you change in manual mode. ISO (Camera Sensitivity), f-stop (size of the aperture/pupil in the lens), finally Shutter Speed.

You only need to understand those three things to run on Manual mode. Their relationship to each other and how messing with one, requires you to mess with the others a tad to compensate the amount of light coming into the camera. Your riding a three way light teeter totter trying to balance those settings.

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana)

Full Moon Belt of Venus

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Full Moon Rising

Full Moon Rising
Full Moon Rising

Full Moon Rising

A little Backcountry Magic for you moon lovers out there.

The Atmospheric Lensing was in full blown effect for this. The moon distorted by the mirage lines. Remember that this moon is actually below the line of sight to the horizon at this moment. The moons image here has been bent around the planet over the horizon by the differences in air density/temperature. Without atmosphere in the way, you wouldn’t see it yet. It’s actually below the horizon which is dropping to expose it. (You realize the horizon is dropping NOT the moon is rising right??) The times of sunrise and sunset are always off a minute or so because of this phenomena for objects (the sun too) near the horizon.

Photographic Musings:

In a nutshell, you need a 400mm or longer lens, distance, timing, topography and a full moon. Distance from the foreground object is your friend. So is a HIGH f-stop number (f22 or higher). High f-stop gives you a deep field of focus that extends foreground object to infinity (moon). Being the double edged sword that f-stop is, by turning it up, you reduce the already low light level in the camera. A short 3 second time exposure if you have a tripod would be nice to compensate. Longer exposure means more light into the camera.. I did this handheld at about 1/30th second. Your ISO (camera sensitivity) is your wildcard. Change it to get an image as rule one is get the image…damn the graininess (which high ISO will give you). There are only three things you have to adjust to use your camera on manual mode after all.

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands

Title: Full Moon Rising

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Woven Wire Hoar Frost

Woven Wire Hoar Frost
Woven Wire Hoar Frost

Woven Wire Hoar Frost

The sub-zero morning I took this up on a high ridge, the Hoar frost covered ANYTHING that was exposed to the wind. Freezing fog grew monster ice feathers off every surface that disrupted smooth air flow. I have many images yet to finish from that morning.

Here on the Montana/Wyoming border, the snow is as deep as the backcountry is big with just a few plowed paths to provide access to the high ground. The wind here moves a lot of snow from ridges to the surrounding slopes so if your on the ridge, DON’T get off the ridge. You loose the traction of “position” off the top.

Given the opportunity, I will set up for a Close/Far perspective capture when ever a fence “of interest” is around. This was a very early morning session that started in early twilight and worked for several hours. It’s not every day I see this kind of hoar frost. It does happen but not necessarily every year up here. The highest ridges are 4000 feet in elevation. With valley fog being pushed over higher elevations. Thus creating a fantastic environment for hoar frost growth to prodigious proportions.

Woven Wire Fence: When you absolutely don’t want smaller livestock going from pasture to pasture. It makes a wonderful nucleation spot for ice crystals to grow from. The low angle light was still very spotty. I had to find a “Slit” through the trees to catch this. Working backcountry has it’s little areas of zen. Millions of them actually. We just have to slow down and see them. Capture their photons. The ironically, hurry on to the next little spot of zen lololol. Such is the life of “working” a scene with cameras…. 📸🤔

Title: Woven Wire Hoar Frost

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Hoar Frost Framing the Moon (Look Closely)

Hoar Frost Framing the Moon (look closely)
Hoar Frost Framing the Moon (look closely)

This was quite a morning with Hoar Frost Framing the Setting Moon (you really have to look to see it over the tree in the center).

This is actually a 400 mm telephoto capture from 30 or so feet back, very high fstop and a LOT of light (thanks for that lolol).

I drove 10 miles to this spot HOPING I could get the moon to stand out in the mist. Any later and it would have disappeared into the low ice clouds.

High ridge lines with freezing fog frost (hoar frost) are well worth hunting for. Temp at the time was certainly somewhere around zero as it is most of the early winter mornings here.

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Harvest Moon Settling in Between 2 Backcountry Goal Posts

Harvest Moon Settling in Between 2 Backcountry Goal Posts
Harvest Moon Settling in Between 2 Backcountry Goal Posts

Landing in between 2 Backcountry Goal Posts, the Full Harvest moon was settling in on those nice soft bushes. It has to be tired after being up in the sky all day. Looks comfy from this vantage point🤣

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands.

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Windmill Filter for a Bright Full Moon

Windmill Filter for a Bright Full Moon
Windmill Filter for a Bright Full Moon

With a Very Low to the horizon Bright Full Moon, I use “Filters” where ever possible to moderate the bright glare. Here a windmill filter (“Sneaky Pete” the photobombing windmill who I have no control over. He randomly jumps into my landscapes. Keeps odd hours apparently too. That’s another story though. It’s a years long narrative about the “Pete bros” windmills that “live” up here.

Windmill Junkies Unite, Windmill Wednesday.

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Reflections: Full Moon over Wetlands

Reflections: Full Moon over Wetlands
Reflections: Full Moon over Wetlands

Our wetlands entertain many reflections every day but you have to be there at the right time to capture those photons that are worth catching….

The full Moon tonight was a beautiful sight rising just a few minutes before sunset. I worked it with 4 cameras/lenses. I have a few photos to finish from the “sitting” lol.

Location: Bliss Dinosaur Ranch, (pretty much ON the Montana/Wyoming border, the 45 parallel, precisely 1/2 way between the north pole and the equator. Exactly🤔)