Driving the backcountry I see many images but not all of them are straight forward just point and click lol. Without the Smoke Pall totally filtering all but the brightest longest wavelength colors. The sun was ALMOST naked eye viewing here which made the grass highlight possible. Halo’s in the grass around the sun are hard to catch when they are not BLOWN out by overexposure.
Normally the glaring intensity of the setting sun will over power the cameras sensor leaving hard colored edges around the sun, unlike this smooth gradient/transition. I really like smooth gradients in my images, if you see steps in my color ramps, either it was really like that or I screwed up something lol.
The color is true to the sky I was looking at through the camera. Most of the sky was smoke grey. This is a very small area of the sky through this telephoto lens. This image covers an area the size of a postage stamp at arms length. This was hundreds of yards away.
The thickness of the smoke of late has been troublesome. Animals and Humans alike suffer from the choking irritant. As I type this, the residents of Jordan Montana can return to their home. One of many fires ongoing in the area was ready to run over the town. The 50 mph winds and low humidities made for fire storm grassland conditions. One of the few redeeming results of a hot forest or grass fire is the color in the sky down wind. I’ve seen some smoke/light phenomena this week I’ve never experienced before.
Occasionally, when the ‘seeing’ is good, I pull out my big gun optics pointing them toward the Jovian Moon system. There are many more moons around Jupiter than are on this image. These four however are the easy ones. The little 12 inch diameter optic I used for glass here is not up to the task unless I do much longer tracking time exposures. A 12 inch light gathering ability makes it faster than catching the same image with a smaller aperture. I have also found that higher resolutions cameras give you higher resolution images lol. This is an effective 4800mm focal length.
The year was 1609 and a fellow by the name of Galileo Galilei pointed a primitive Duch made gadget up at the massive Planet. Looking through the pieces of glass mounted like a skeletonized tube. Galileo was important in the early development of the telescope as he taught himself to grind glass to build his own instruments. He notices that 4 “stars” were circling Jupiter. Humm. That single observation set in motion the Brilliant mathematical mind that man possessed. He was obsessed with the new telescope working tirelessly to improve the state of the art. In 1609, he was observing an 20X view that the human eye could achieve. That is similar to a 24 power rifle scope. I can’t imaging observing this with less than a 1200 mm focal length and a 6 or so inch aperture. Let alone a rifle scope. Better than naked eye though in use before the improvements by Galilei lol.
The Blue Sky of up high fame is positionally just right to be in relatively unfiltered light. All the clouds below are SATURATED with the reddish / brown color I call “Burnt Umber”. A filtered window to the sun off frame to the left let in enough light to reflect off “Sneaky Pete” the Windmill who appropriately was showing off his shiny surfaces. A matter of pride in a windmill. His older brother “Re Pete” lives about 3 miles further into the backcountry. Not as shiny, the 80 year old wind engine is. It was DEAD CALM or I would have captured that sail a spinning.
This night’s air quality wasn’t as bad as some lately. The cloud deck was a good projector screen for the smoke filtered light that night. This is of course a close / far perspective with the sky being the far part. Both in focus. Easy with a cell phone, tough with a manual camera. I was moving along the trail by this veritable legend in his own mind wind engine. I have no control over his actions but I saw the glint(s) off the side, stopped, backed up and composed the shot. Click. He was so becalmed, I think it was sort of a windmill nap. So I finally snuck up on “Sneaky Pete”… It has taken years….. Proof there are periods of no wind up here ……
OK, This is a confusing image to me. As a fairly astute observer of things, I’d like to think I can explain what I see. Or at least I’ve come close enough for government work a time or two lol. This one is an enigma to me and has left me scratching my head to nail it the causation for this down.
I’ll present my thoughts. You can decide what you think or add a second alternative.
Looks like: Rain is falling in shafts being blown by wind to the right. These rain shafts are being illuminated by Crepuscular Rays from an downward angle from the right to the left. This made a classic screen door or rectilinear pattern here. I was quite amazed at this rare sky. So many things have to come together to make this happen. Oddball for sure.
Crepuscular Rays are a mix of shadow and light. The irregular cloud shapes make irregular shadows. Those clouds block the light in places reaching the already formed rain shafts. The light appears divergent from the sun’s position. They form only when the sun is positioned behind an irregularly shaped cloud or mountain which lets the rays of the sun pass through a cloud in bands. They don’t always happen at sunset. This was mid-afternoon and off schedule for the phenomena which tend to happen at sunrise or sunset.
These close / far perspectives are always a challenge to me. I have to put myself into a mouses mind and imagine the sheer size of human machinations. This Antique steel wheel has been standing here for many decades. It overlooks a huge vista all around it. Ridge top locations allow for such luxuries. It pays for it’s view with the extreme exposure to the elements. The metal parts of this old farm machinery will be here hundreds of years. That is assuming it isn’t recycled in some dystopian future society.
This fairly “clear of smoke” sunset has been a member of a rare population of late. As I type this Massive fires are burning along the west coast. I can only hope that wet or snowy weather comes quickly to the west this year. It’s likely the only thing that will stop those fires. 125 years of not enough controlled burns apparently has found the dead fall fuel load too high in many locations. I’m glad to see the relatively smoke free skies like tonight. I of course was taking a few photos of the setting sun.
The 22nd. of September (Equinox) is coming in a few days from this post. I will be working east / west perspectives with the sun aligning up with all sorts of things. Twice a year I get to do that. Once this month I get pretty clear skies.
Best wishes to all the folks under threat from the fires.
I’d say these guys were traveling the neighborhood and found an oasis in this high near desert environment. I usually keep a game camera pointing at active (full) stock tanks. Some day I’m going to photograph a big raptor on this tank but not yet lolol. Mostly I get blurry animals at night but SOME (1 in maybe 100) day time image are pretty good.
Here “Sneaky Pete” the windmill is watching the commotion as he effectively photobombs this wildlife image. I have no control over his actions.
We keep four stock tanks running all year with a small by high pressure water jet into the tank. This circulates the water in a circle and tends to keep it open in the winter. I’ve not had one freeze up yet. About a gallon in 4 minutes… Pumping water for lifestock and wildlife consumption has been expensive over the decades I suspect. I haven’t crunched the numbers and really don’t want to know… With all the cattle our water pumping amounts to around 100 bucks a month worth of electricity. Fortunately that is right around what we get back from the utility company we feed with 18 big solar panels each month. More water use in the summer of course, less in the winter.
I figure without liquid water in the winter, most of the deer that winter here would move to lower (wetter) locations. The grackles are migratory so are grouping this time of year. They raid my barnyard when they get the urge as well. This tank is a busy winter tank. Lots of deer come to water here.
The Forest Fires to our west (this publishes 10 days after I wrote it), contribute many things to our environment. The clearing of the overgrowth in healthy ecosystems is certainly positive. When the fires become an issue is when poor conservation (at best) combines with drought to set up a tinderbox. That becomes a negative. Then we build our houses in the trees. A failure to have a firebreak in your landscape is what burns structures. If you live in a fire area, you have to build for a fire area.
The dry year has this lake about as low as it gets. I have seen it about a foot lower but it’s artesian source replenishes it about as fast as evaporation. Normally it is topped off by a storm or two causing surface run off over a few thousand acres. It can get very full very fast. I have a post I placing a game camera a foot above the spill ways lips elevation. Those images will occur late next spring. I hope to have ducks next to the game trail cameras lol.
As a composition: I placed the sun behind the tree for two reasons. One the thing was still too bright to do this properly. It’s hard to get those details in the shadows with a super bright sun glaring at you. Two the water wouldn’t reflect the exposed sun…wrong angle lolol. Give it a few weeks and it will move far enough south (left frame) that it will reflect clear of the trees. Angles change over the year and to follow them is to give yourself possibilities with that photon capture box. Knowing when things align up lets you be there.
This is the Sun…not the Moon. During the forest fire smoke Month of August 2020, I had “SOME” opportunity to play with the subdued / occluded sun under otherwise clear skies. Of course the smoke moderated the intensity of the light. That REALLY helped with the technical issues of taking a blurred windmill against a still very bright object. It’s easier to do with lens filters on the camera (Neutral Density) but I don’t use anything in front of my lenses 99.9 percent of the time. This is raw in the camera stuff.
There is a lens artifact in the sail of the windmill pointing from the sun to towards the center of the spinning dish. I left it in the image as I liked it lol. Lens artifacts are a result of light bouncing around inside the lens. Usually a lot of light. I’ve fought them before being too intense glaring out the whole image. The subdued sun makes all this possible.
The lighting through this smoke pall reminds me seriously of the total eclipse a few years back. I watched that total eclipse in Douglas Wyoming. There was an odd shading at first followed by a progressive “dusky” feeling. Life under this pall beside the breathing issues, is very similar to that odd eclipselighting both in illumination value and overall feeling.