Done without a neutral density filter in front of the camera. Almost a silly unlikely capture. It is a rare image from my equipment that has very few issues with the silhouette against the sun. The smoke in the atmosphere obviously has some attenuating aspect on the amount of light passing through. Normally the camera is on the edge of the envelope doing this. All the normally insurmountable technical issues were overcome to get this one.
The big lemon colored sun is an easy capture in and of itself. Getting something terrestrial in front of it without large red rims around objects (diffraction artifacts). Washing them out is typical. I have pointed a camera at the naked sun with trees in front a few times (thousands) before and have never gotten this quality out of the composition. Sharpest edges ever in this type of composition lol. Again, only a smoke attenuated sun will do when you need a celestial object for a “sitting”. Of course I lost 1/2 of the light by letting it set 1/2 way lolol. High fstop (the softness) for deep focus, fast shutter in the 1/6000th range, LOW ISO in the 100 range and a lot of atmospheric filtering.
I’m always trying to work sunset at less than f22 if possible. I suspect this is f60 ish. A tiny pin hole in the aperture. It’s a 1200 mm lens with a very high resolution camera (170 meg raw+ .jpg) which allows me to come up this close without much of a crop. There is NO substitute for high resolution and high dynamic range in a camera.
These close / far perspectives are always a challenge to me. I have to put myself into a mouses mind and imagine the sheer size of human machinations. This Antique steel wheel has been standing here for many decades. It overlooks a huge vista all around it. Ridge top locations allow for such luxuries. It pays for it’s view with the extreme exposure to the elements. The metal parts of this old farm machinery will be here hundreds of years. That is assuming it isn’t recycled in some dystopian future society.
This fairly “clear of smoke” sunset has been a member of a rare population of late. As I type this Massive fires are burning along the west coast. I can only hope that wet or snowy weather comes quickly to the west this year. It’s likely the only thing that will stop those fires. 125 years of not enough controlled burns apparently has found the dead fall fuel load too high in many locations. I’m glad to see the relatively smoke free skies like tonight. I of course was taking a few photos of the setting sun.
The 22nd. of September (Equinox) is coming in a few days from this post. I will be working east / west perspectives with the sun aligning up with all sorts of things. Twice a year I get to do that. Once this month I get pretty clear skies.
Best wishes to all the folks under threat from the fires.
Here the BigHorn Mountains are surrounded by an odd color to cover a landscape. It was really that color lol. I saw this developing the other night. I’ve been on a mission to catch the orange light behind the BigHorn Mountains. I haven’t seen a weather window open to the BigHorns for over a month. Smoke, haze, soot and other forest fire products were blocking the view. The sun was hiding far to the right off frame. This was a night when the side shows were WAY more photogenic that the glare of the sun. The odd lighting resultant from the filtering of the light by the smoke.
The 130 miles distant 13,000 foot high mountain range was shrouded in this Orange (ish) colorcast. It was like a stage light with an orange gel in front over the landscape. As the sun moved down through progressively thicker and thicker layers of clouds, the scene disappeared. Too dark to capture.
I’ve spent a lot of time this month pursuing the Big Horns photographically. The distant range is always playing peek a boo with the weather controlling the show. I have very few Long Distance captures from this month on the ranch. Those few will slowly work their way into my work flow here. The black ridge at the in front of the BigHorns is 40 miles out from this high resolution camera.
Location: Bliss Dinosaur Ranch, Wyoming/Montana overlooking the Red Hills out to the Bighorn Peaks.
The Forest Fires to our west (this publishes 10 days after I wrote it), contribute many things to our environment. The clearing of the overgrowth in healthy ecosystems is certainly positive. When the fires become an issue is when poor conservation (at best) combines with drought to set up a tinderbox. That becomes a negative. Then we build our houses in the trees. A failure to have a firebreak in your landscape is what burns structures. If you live in a fire area, you have to build for a fire area.
The dry year has this lake about as low as it gets. I have seen it about a foot lower but it’s artesian source replenishes it about as fast as evaporation. Normally it is topped off by a storm or two causing surface run off over a few thousand acres. It can get very full very fast. I have a post I placing a game camera a foot above the spill ways lips elevation. Those images will occur late next spring. I hope to have ducks next to the game trail cameras lol.
As a composition: I placed the sun behind the tree for two reasons. One the thing was still too bright to do this properly. It’s hard to get those details in the shadows with a super bright sun glaring at you. Two the water wouldn’t reflect the exposed sun…wrong angle lolol. Give it a few weeks and it will move far enough south (left frame) that it will reflect clear of the trees. Angles change over the year and to follow them is to give yourself possibilities with that photon capture box. Knowing when things align up lets you be there.
This is the Sun…not the Moon. During the forest fire smoke Month of August 2020, I had “SOME” opportunity to play with the subdued / occluded sun under otherwise clear skies. Of course the smoke moderated the intensity of the light. That REALLY helped with the technical issues of taking a blurred windmill against a still very bright object. It’s easier to do with lens filters on the camera (Neutral Density) but I don’t use anything in front of my lenses 99.9 percent of the time. This is raw in the camera stuff.
There is a lens artifact in the sail of the windmill pointing from the sun to towards the center of the spinning dish. I left it in the image as I liked it lol. Lens artifacts are a result of light bouncing around inside the lens. Usually a lot of light. I’ve fought them before being too intense glaring out the whole image. The subdued sun makes all this possible.
The lighting through this smoke pall reminds me seriously of the total eclipse a few years back. I watched that total eclipse in Douglas Wyoming. There was an odd shading at first followed by a progressive “dusky” feeling. Life under this pall beside the breathing issues, is very similar to that odd eclipselighting both in illumination value and overall feeling.
Those of us that see images in clouds might pay attention to this wonderful western Sunset. A lamb is passing under the “Eye of Sauron” sunset. Wyotana (both states are in the photo) has some very impressive sky shows. I work over 400 of them a year and have for several years now. Having seen many of them gives me an interesting perspective that few having on terminator crossings. (Look it up on Google if you don’t know).
The terminator moves over us at 1000 mph twice per day. (The world is 24,960 miles in circumference) It takes 24 hours for one full rotation. That’s roughly 1000 mph that we are traveling in a fairly tight circle of 6917 miles in diameter. Traveling so fast in a circle it’s amazing we don’t fly off this big ball. There has to be SOME outward force eh? lolol.
This is a view west across the Little Powder River Valley from up on the west side of the Pass to Rockypoint Wyoming on Trail Creek Road. It’s 40 miles to the mountain ridges in the distance. There is a lot to be said for gaining elevation. This is about 10 miles from my homestead and roughly 3 miles south of Montana where I stand.
It’s amazing how the sky at the top can still be blue with the alpenglow popping out in the lower atmosphere. The light bathing those high clouds is still blue and unfiltered by the low/thick atmosphere. IT’s a classic Rule of thirds color ladder too lol. Laid out like a tic tac toe game. Just super-impose the game over the image to see what I mean. 📸
There are lots of characters (years long narratives) around this ranch. Here is a continuing theme… 😀
I’ve seen “Sneaky Pete” the photobombing windmill with cold feet before but I suspect it feels like hot coals. Actually I’ve observed this behavior by him before with Sneaky jumping over the solar disc with the intent to trap him. (I have no control over his action). Sneaky learns pretty slowly. After all he is a windmill.
The sun of course has been around a LOOOOONG time and is a observer of all things. Sometimes the activities of humans and their machinations amuse it. Other times like this, not so much. Of course being wise in all things, he just slipped out the bottom as the horizon rose behind Sneaky. (Back to my normal prograamming).
Blurred Windmill with a Bright sun…….. F36, 1/15th sec, ISO 100 with a 200mm focal length. Two opposing settings. High fstop for the light reduction PLUS the deeper focal field for the close/far perspective. LOOOONG shutter at 1/15th. You have to at least rest a 200-400mm lens on something to hold it still at 1/15 and that is hard. The long shutter allows the blur. A tripod is better. Your ISO is your final setting (camera sensitivity). Just adjust it until you can get the exposure you want. This is a razor edge/ paper cut edge of the envelope kind of capture. I had nothing left in the camera I could do to eliminate more light and still blur the windmill.
JUST after the sun disappears behind the rising horizon, I clicked this. The simple image of a sunset is only overcome by the beauty of the event. Watching thousands of sunsets from start to finish has taught me nuances in lighting. Both Causation and Effect become apparent with enough observation. There are an infinite number of angles to look at something. There are more that I can imagine in my mine. (more than infinity). 😜
Sunsets this time of year from my ranch are getting more and more straight to the west. From my position one mile inside of Wyoming, your looking at both states in this frame. Wyoming is to the left and Montana is to the right. Living on the border with access to both states has it’s advantages. I am sandwiched between two counties fire departments and get pretty good service lolol. This late into a drought year has me looking over Amazon and elsewhere online for firefighting tools. To have a smoke free sky like this image might take a while with a pretty good fire 50 miles west of here. You can’t see it here as this was the day’s ending before it started burning.
So enjoy the clear sky sunset while I’ve still got them making their way into my work flow. The last two sunset/sunrise I’ve worked have been heavily influence by the smoke from that fire. There will be other images of that fire’s smoke plume incoming and published here soon.
“Sneaky Pete” the Windmill has positioned himself dead center of this BIG twilight borderlands twilight sky show. Habitual Photobombers like Sneaky are incouragible. I have no control over their actions. I never know for sure how a twilight show is going to turn out. Overcast skies tend to be the best shows but there has to be a window from the sun to the under deck of the cloud layers. No window due to clouds blocking light equals no color. The reds and oranges you see here are the result of only those long wavelengths making it through the hundreds of miles of atmosphere. Smoke or moisture in the air can increase the effect. I’ve seen these skies so red that the color cast from the sky makes the snow purple. I have several photographic timelines of even more intense skies. This one ranks right up there with the some of the best full coverage skies.
Don’t let your mother know you look at stuff like this…. 👀 WOW, I see a lot of lit up skies. This was a good one…A real color scheme as I experienced the scene. My photographic technique is to properly expose the highlights and worry about the shadow details later. I wasn’t so concerned with the landscape on this capture. The skies gradient from yellow to red in amazing to experience live thusly stealing my total attention. Taken by a 60mm lens, this give the appearance of “SLIGHTLY” zoomed in.
Often I climb a ridge only to be clouded out of a sunset. To be honest, I was worried about this particular night’s cloud cover shutting me down. Just a thin band at altitude but below it snuck out a full blown solar spotlight. I call these sun slits where at the last second, the clouds part enough for our furnace to shine though.
The cluster of buildings is the Homestead of the Bliss Dinosaur Ranch. I don’t publish too many photos of the place but it’s a good scale to the breadth of this wide angle image. The largest white roof at the rear of the compound is about the size of a regulation foot ball field for scale.
The difference between an enormously bright sun and a now shadowed landscape is tremendous. The dynamic range necessary to see the extremes exceed the human eyes ability. Looking into the sun would cause you to avert your gaze. But you could probably see the landscape around it if you don’t stare directly at the sun. Cameras see the world entirely differently and not as well as the human eye. They can see into the bright better than our eyes can. They can see into the dark better than our eyes can. WHere they eyes win is being able to see both at the same time. Cameras don’t have the dynamic range the human eye has. Technology is catching up with us though. It won’t be long until the cameras are better. At least the ones I can afford to by now can’t do it.