The Blue Sky of up high fame is positionally just right to be in relatively unfiltered light. All the clouds below are SATURATED with the reddish / brown color I call “Burnt Umber”. A filtered window to the sun off frame to the left let in enough light to reflect off “Sneaky Pete” the Windmill who appropriately was showing off his shiny surfaces. A matter of pride in a windmill. His older brother “Re Pete” lives about 3 miles further into the backcountry. Not as shiny, the 80 year old wind engine is. It was DEAD CALM or I would have captured that sail a spinning.
This night’s air quality wasn’t as bad as some lately. The cloud deck was a good projector screen for the smoke filtered light that night. This is of course a close / far perspective with the sky being the far part. Both in focus. Easy with a cell phone, tough with a manual camera. I was moving along the trail by this veritable legend in his own mind wind engine. I have no control over his actions but I saw the glint(s) off the side, stopped, backed up and composed the shot. Click. He was so becalmed, I think it was sort of a windmill nap. So I finally snuck up on “Sneaky Pete”… It has taken years….. Proof there are periods of no wind up here ……
This is the Sun…not the Moon. During the forest fire smoke Month of August 2020, I had “SOME” opportunity to play with the subdued / occluded sun under otherwise clear skies. Of course the smoke moderated the intensity of the light. That REALLY helped with the technical issues of taking a blurred windmill against a still very bright object. It’s easier to do with lens filters on the camera (Neutral Density) but I don’t use anything in front of my lenses 99.9 percent of the time. This is raw in the camera stuff.
There is a lens artifact in the sail of the windmill pointing from the sun to towards the center of the spinning dish. I left it in the image as I liked it lol. Lens artifacts are a result of light bouncing around inside the lens. Usually a lot of light. I’ve fought them before being too intense glaring out the whole image. The subdued sun makes all this possible.
The lighting through this smoke pall reminds me seriously of the total eclipse a few years back. I watched that total eclipse in Douglas Wyoming. There was an odd shading at first followed by a progressive “dusky” feeling. Life under this pall beside the breathing issues, is very similar to that odd eclipselighting both in illumination value and overall feeling.
The Smoke images keep coming up to bat. I get up hours before sunrise as I don’t need a lot of sleep. I typically nap most days to catch up. It’s what you have to do photographically working both sunrise and sunset in the summer. So with all the smoke from western forest fires I was assured colorful horizon crossings. I still walk out a few times before I head out to check the sunrise lighting. The hail storm in July KILLED my sunrise camera which see’s the eastern horizon. I can’t see the horizon from my homestead. So it’s a lot of instinct on whether to go out for several hours or not. If I go out in the morning, I’m making use of what light is worthy of your time and mine.
So the smoke is a very effective light filter here letting in this peach flavored light during a cloud banded sunrise. I pay very close attention to the scene as I take it to reproduce it effectively. The landscape detail was recovered in the digital darkroom as as a matter or course, I expose only the highlights correctly. Usually that leaves a very dark or silhouette landscape. This halfie (rare for me) was such a good landscape ladder that I thought it warranted a little extra room. Thusly framed the composition accordingly. Most of my compositions are in the camera. Rarely do I crop to any significant degree in the digital darkroom.
There are more smokey sunrise images in my “to finish folder”. Perhaps a dozen I really like. The will slowly mingle into my workflow as I get to them.
I really didn’t like going out into this. It’s nothing I haven’t been exposed to much worse fighting fires but…. That ridge is 40 miles out visible last night. The visibility this AM (7 days ago when this posts) was less than 3 miles. 10 times this bad. The sun literally set in just a few minutes as the pall ascended to cover it’s face.
This has been a very dry year west of here. As bad as it is up here, it’s worse over by Sheridan and surrounding areas. Of course we are not nearly as bad as the poster child of rough years… California. Gotta love 100 degrees and rolling brown outs. This image represents a Wyoming/Montana Brown out so to speak. The grass here now is considered “hour fuel”. Hour fuels are combustibles that can be soaking wet but within an hour will readily ignite. Red Flag warnings are wide spread through out the south west. They occasionally work their way up into this country too.
We had lightning later around midnight that day. Fortunately it rained well enough to keep any lightning strike from taking off. Of course struck trees can smolder for days…. I go up on ridges often this time of year. Looking for that tell tale smoke plume. I’m carrying 50 gallons of water on “Clever Girl” and a portable water filled back pack. It does a good job on small hot spots. IF you can knock something out quickly, it’s better than letting it get big I assure you lolol. I’m not a tough as I used to be though but I’m often looking. Being there is everything.