This storm passed over me about 30 minutes before. Those are my truck’s tracks looking back from whence I came. High up the hill from my current vantage point well of the ridge peak. Big views on that side of the hill but a better perspective down the red dirt road up one of the better sledding hills in the winter you’ve ever seen. Maybe 20 cars a day drive this during the summer. Just a few oil well service trucks and ranchers travel this. Trips to town are 70 miles to Gillette Wyoming or 90 miles to Belle Fourch South Dakota. This is a pretty remote spot in Wyotana. It is only 10 miles to the nearest asphalt road here though. All down hill too, literally lol.
That was a deluge of a storm coming over where I was. I tried to avoid the storm but the course was unpredictable without cell signal with affiliated radar. I just need a doppler rig on the roof. Big Hail is NOTHING I want to run into. I’ve got enough damage on my truck from it. I try really hard to stay out of the weather but several storms went through the area and one was bound to run over me. It did. No damage and I got some really fine images from the event. I have about 1/2 an hour of cool phenomena related to a good hail storm that will work their way into my publishing timeline.
Five months ago I saw this scene up on the high ridges overlooking the Little Powder River Valley. The hard part about this kind of image is to get up that ridge without leaving your rig up there until spring. Some drift was likely to stop progress as much as the ice going up the steep two track roads. This tree is 400 feet higher than my homestead about a mile away. The paths there are determined by the drifts.
I thought the contrast of a beautful snowy sunset versus the hot humid dry summer would be therapeutic. At the time it seems like you want summer…just never happy are we 😜🤘
Winter sunset around 4:30PM instead of the 9 (ish) PM sunset now in the summer as this posts. The 5 AM Summer sunrise comes all too soon for this photographer in the mid-summer when this posts. Summer has trouble competing with the amount of ice in the air to generate BIG sunsets like this. I have to admit that in my experience and personal choice, winter sunsets are better than summer🤔 👀 ❤️
Close / Far Perspectives as this where a telephoto is used to CRUSH the distance between the camera and the close object with the far object more or less uneffected by the magnification. . I’m a good 300 yards back from that foreground lone tree. I’ve said it before that with this kind of photography (close/far), high F-stop and distance from your foreground object is necessary.
A series of storms moved through the area a mid- may afternoon late.. I had been photographing them for several hours with the photosession running well into twilight. Shot the heck out of this… Here the sun has set but the clouds are being lit up by the long traveled red wavelengths. Up high the clouds are white which is the unfettered light that is just skipping off the atmosphere. The crimson had to fight it’s way to reflect off those clouds. IT’s a classic red to white cloud sunset gradient projected on the clouds by our star. The colors generated from path differences of the light. The shorter wavelengths just don’t make it that far so you have red (longer light waves).
At any rate, is that an Eagle? Condor? Turkey Vulture? Any body for a Unicorn?? I suffer horribly from Pareidolia (seeing faces or shapes of familiar objects in clouds). Carl Sagan theorized that hyper-facial perception stems from an evolutionary need to recognize — very quickly — faces. There is an evolutionary advantage to those that can see them quickly and act accordingly. I act by grabbing a camera in manual mode, set the ISO to 325, aperture to F11 and speed 1/100th rested 12 mm lens.
That is a VERY wide angle lens grabbing a big chunk of sky for this wonderfully complex sky production. Captured of the trailing back edge of a much larger Mesocyclone where I was driving around the sun lit side of those storms. The show that evening continued well into twilight with me driving two track roads up in the backcountry to capture it.
How to fill a frame? How about a look through a very delicate highly weathered antique root system. A long time ago, this tree went down a hill riding a landslide. The ride tipped it over exposing it’s still covered/intact root ball. That ball preserved all the Pine Trees finer parts of it’s root system within it’s embrace. Having grown in soft sand (more or less), the tree’s roots shortly were exposed by rain / freezing / thawing. One grain at a time blowing or falling off that ball slowly exposing the anastomosing forms / connections once under soil.
Being located upon a steep slope with unsure footing surely keeps cattle away from rubbing on these delicate root structures. I don’t know how old the tree is but in this dry climate, I wouldn’t be surprised to see a 100 year old piece of “Prairie Driftwood”. That’s 100 years AFTER it died. There is nothing on the surface of the slope to indicate more than a slight amount of excess sandy sediment. There is no other way to explain the delicate nature of this. Vegetation quickly naturalized surfaces when disturbed in sandstone country. This is indeed sandstone country. All the soils here developed from the sandy river deposits left behind while the last of the dinosaur were walking about the land. I’m as likely to find a dinosaur bone as I am a scene like this.
These little birds are difficult to get close to and never pose long for you to take your time setting your camera up. Now catching on at ground level is a tricky stunt to say the least. I won’t give away my secrets on this one but it’s a good story. You really can’t move much once it knows your there. These guys cue on movement and react usually with an escape maneuver. Once they sense danger, there is no stopping them. This is a telephoto capture NOT a game trail camera….
Generally Meadowlarks are singing fools. If they aren’t actively hunting insects (slim picking this spring so far), they are yelling at the top of their lungs. I’ve pursued them for years. I’m pretty sure I’ve worn out a set of brake pads slowing down / stopping to try to capture their images. I have literally hundreds of attempts to photograph them where all I accomplished was to stop my forward momentum to the next photo location lolol.. Off they fly if you give them ANY reason to.
I will continue to hit the brakes when I sense their presence. Driving backroads often will give you long sections of fences to hunt meadowlarks. Having said that, places to perch are rare in the backcountry. Preferred locations with a view in mid prairie are well populated with these guys. Deep spring snows will place a premium on those perch locations. I find the morning after a good snow the best time to find them competing for places to alight.
Taken 8 days ago as this posts, the snow is melted, the 60 degree days of late spring have won. The mud season has relented for this morning and I was able to ascend to a high ridge. All without damaging the two track trail along the journey. The sun rose at 6AM for this capture. My itinerary for this trip up to the local roof of the world started 1/2 hour before at 5:30. I usually leave early to get most of Civil Twilight in my photographic timeline. Working the ridge all the wayThis particular morning was a 700+ image morning. I worked 12 scenes over all that will end up as final finished prints in my portfolio. From Twilight, to sunrise, to meadowlarks, deer and Pronghorn all morning. This timeline ended up with a rainbow from the storms incoming from the west this day.
I was working out of my Ford Raptors drivers window as the wind was kicking up. There was a bit of buffeting of the camera ongoing but with this much light, a little camera movement isn’t much of an issue lol. I don’t like to have a heater on as the heat waves against the cold outside can significantly distort the image coming into your camera. I try to keep the vehicle at ambient temperature unless that is just stupid to the mission. I’ve seen a few days like that at -20 or 100 plus outside. I find my tolerance of distorted images increases at those envelope edges. Perhaps it’s just old age creeping up and I’m getting wussy… 😜👅
Off to the right, commonly known as a “Mock Sun” or “Sun Dog, this is a Parhelian or “Mock Sun” It occurs at 22 degrees angle from the sun. There are many manifestations of this. This capture was a few miles back in the backcountry while I was driving parallel ridges for that evenings sunset.
Caused by Diffraction which is the slight bending of light as it passes around the edge or through an transparent object. In the atmosphere, diffracted light is actually bent around atmospheric particles – most commonly, the atmospheric particles are tiny water droplets found in clouds. Ice is common too. Diffracted light can produce fringes of light, dark, or colored bands. Here Hexagonal plates of ice are falling actively from the sky. Ice Hexagonal plates Frozen in Space and Time as they fell (literally and figuratively).
It was a cold evening for this sky show. This ice was hazing up the whole sky. I drive up the ridge and POP and there was the sun dog out of the “blue”…. Slide to a stop, enjoy the view while the camera comes out of sleep, compose, set the final settings, focus and click. The image is about 60 degrees wide overall. Love the Veiled Sun.
A tad of Photographic musing:
Priority (working on Manual) Your lenses will differ than mine but close focus is necessary for such a long image with a telephoto. The snags here are relatively easy… because… . I used High F-stop as my priority choice for looking into the sun. That’s a deep focal field your seeing. (high f stop numbers mean a deep field of focus) It’s there to use but at the cost of a lot less light going into the camera. That is a good thing looking into brightness. Your only able to gather light through the now pin hole in the lens’s aperture). Google f-stop and learn what it means (if your trying to learn how to use your camera.
I’m always saying I work “Parallel Ridges” photographically but actually showing parallel ridges isn’t easy. These long shadows during this late golden hour moment accentuate the topography in this landscape. The coloration was natural in this low light civil twilight sky. Atmospheric Ice will do this. It’s called “Alpenglow” if you haven’t googled that before. …
Autumn is in full effect for this country. Most of the ranches trees are behind me but this treed gully provides some foreground color in this image. A lot of grasses have a reddish hue to them as well as the various deciduous trees in the valley.
There is a lot of ground covered in this frame. 40 miles out to the far ridge which part of the Red Hills up in Montana. I’m on what I call Ridge one which is about 1 mile inside of Wyoming. I really enjoy working this country with cameras. There are infinite angles and slopes to work ridge lines to properly corral light into your camera. Wild life encounters set off the experience. I never know what I’m going to run into up here. This is a land of many uses.
Your actually looking across 2 good sized river valleys. Ranch creek is the first big valley in the distance. Ranch Creek eventually feeds the Little Powder River which resides in the second valley. These small rivers removed all that sediment between the tallest peaks. The ground used to reach between the peaks and filled in all that valley area. Little rivers do LOTS of erosion over a LOT of time by a LITTLE at a time. 🤔⚒
I was hoping the sun would set on the fenceline but my directions and timing were off a few degrees/seconds…. The sun will always appear to move from left to right as well as downward as it sets. Of course it’s the horizon rising but you already know that. (The sun isn’t moving here, the earth is spinning) . The earth is tilted on it’s axis .
Science Factoid: That tilt is relative to the solar systems flat plane called the ecliptic. All the planets are circling the sun on that plane. The earths north/south axis Currently, the Earth’s axis is tilted 23.5 degrees from the plane of its path/orbit around the sun. But this tilt changes/wobbles like a top. Wobbles during a long wobble cycle that averages around 40,000 years. (Based on good scientific work eh? 👁 )
The tilt of the axis varies between 22.1 and 24.5 degrees. Because this tilt changes, the earth is exposed to differing amounts of energy from the furnace over that interval. Paleoclimatology is something I have dabbled in with an advanced degree in Paleo stuff… . I will tell you the sun is the driver of our climate so one would assume that global changes occur as the way you face the sun. Yup, the climate has been changing since it all started as a pool of molten rock accumulated in a gravity well lol.
SO back to Looking into the Furnace : This time of year, sun sets dramatically from left to right as the horizon rises here. But it rises from left to right at sunrise. (The phrase to google here is Ecliptic solar system). So tracking this and watching it change by the minute was very impressive.
Photographic Musing: Bright bright bright stuff. Shutting the camera down to light ALMOST taken with the lens cap on (it’s that bright lolol)
You only have 3 main things to set on your camera by working it on manual mode. They are: “ISO” (Camera Sensitivity), f-stop (aperture or pupil size of the lens) and Shutter Speed in parts of a second (s). Figure out what is important to you (deep focus or freezing motion?). You set f-stop high for deep focal field . F-stop low for shallow depth of focus field. F-stop takes away light so high f-stop (small hole in the lens) is good for high light situations.
Priority 1 taken care of. Your next priority (2) is ISO (camera sensitivity). Low ISO is ALWAYS best because High ISO give you too much light AND a grainy appearance in the image. So LOW camera sensitivity (or slow ISO 100). High ISO is best for LOW LIGHT situation. Really HIGH ISO over 2000 is for the dark if you need it only. I consider ISO evil to go high with. Last thing on the list is shutter speed which is your variable to adjust the total exposure. You adjust until you get the result you desire.
On an older DSLR reflex type camera, you look at the image on the LCD on the back of the camera body AFTER you take the photo. With a Mirrorless Removable Lens Camera though, you get what you see on the screen INSIDE the camera, WHILE you are moving the dials the image reflects the changes you make. What you see is what you get. Instant feedback, MUCH easier for you to learn on.
So if you made it this far in my text, and your looking at cameras, pick a mirrorless model, preferably a full frame/large sensor camera. Full Frame cameras have higher dynamic range than smaller sensor cameras. 📸 Disclaimer: Don’t USE a standard DSLR camera to take sun photos and YOUR camera may not be rated to take this heat. Large sensor cameras spread out that light and don’t melt like some smaller sensor cameras would here. More important, don’t blind yourself in a DSLR even trying this. Seriously!👁 Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands.