It’s green spring grass contrasted with Snow on the 130 mile distant peaks. This image is taken from my driveway here on the MT/WY border. Clearly “Nipple” butte stands 10 miles distant. The treed ridge is 40 miles out with the trees at the top of that ridge being the same elevation I stand/live. The 13000 foot high peaks of the Bighorn Mountain Chain reach far above that but well over the curvature of the horizon at it’s base. . Even further out than the range the bank of clouds stands perhaps 200 miles out from my camera.
Anything over 100 miles is a long photograph. Particularly through the low earth’s atmosphere. It take extraordinarily clear air to get detailed images of the Bighorn Mountains from this distance. To get images of the clouds well past it… That is a silly far shot. Now I take images of astronomical objects millions of miles away but only through 300 miles of atmosphere. MOST of that atmosphere is in the bottom 10 miles of the blanket. About equivalent to where Nipple Butte is….
TO find the distance to your “horizon, take the height of above the surface of your view point divide that by 0.5736 , then take the square root of that number and you have the distance to the horizon from your viewpoint. If your 6 feet tall the horizon is about 3 miles away. Works very well on flat ground… up here where there might be a few ridges around, it depends on topography too lolol.
Imagine what a pioneer traveling to those peaks with an ox cart thought when he saw this vista. 🤔👀
The subtle hues of this image of theBigHorn Mountains are amazing colors to cover a landscape with. It was really that color, you could feel the humidity in the air. Wet sage too.
I saw this developing the other night. I’ve been on a mission to catch the orange light behind the BigHorn Mountains. Some nights, the weather window is closed to the mountains. Closed to the sun that window was that night. It hid far to the right off frame. The 130 miles distant 13,000 foot high mountain range was shrouded in the mist. All that air between my lens and the peaks are full of moisture and dust. This at the end of that nights sky show performance. Result: a subtle low light scene with an orange gel in front over the now moist spring landscape. Alpenglow in the spring.
I’ve spent a lot of time this month pursuing the Big Horns photographically. The range is playing peek a boo with the weather controlling the show. I have many good captures from this month of the ranch which will slowly work their way into my work flow here.
The first dark ridge is 10 miles distant. The next darker ridge in the middle is 40 miles out. Taken with a 800 mm telephoto capture on a very high resolution camera. If you hold a postage stamp at arms length and place it against the horizon, this image would fit into a square that size. Big lenses take place a very small part of the scene in front of you covering the cameras chip image area.
Location: Bliss Dinosaur Ranch, Wyoming/Montana overlooking the Red Hills out to the Bighorn Peaks.
Landscape Ladder was taken a week ago as this posts. The grassy remote ridgetop I was on, gives way to the Little Powder River Valley across the first ridge at 10 miles distance.
The next ridge is the Red Hills 40 miles out, is backed by the 13000 foot high peaks. Those of the core of the BigHorn Mountain Uplift.
The Powder RIver Basin between the Mountains any my ranch pretty much ends at my ranch. I’m living right on the edge between the Wyoming Black Hills and the Powder River basin. Just west of my ranch, dinosaur fossil bearing rock that is older than the Big Horn Uplift. They dive under the sediments worn off the BigHorn Mountains.
Our Ranch is as high topograpically above the Little Powder River Valley Floor as the dark 40 mile distant ridge. It allows me to see the BigHorn peaks at this 130 mile distance. Weather windows to the BigHorns have been more plentiful this year unlike previous ones.
The sun is currently setting well north of these peaks from my vantage point at the moment. IT was still up at this capture… I won’t see it set over the big V notch until next fall again. The sun will continue to set a little more north each day till the summer solstice. Then it starts to rise and set a little further south each day until the Winter Solstice. I try to be very in tune to such things as my daily photographic activities take into account moon rise, sunsets with the time of year. Angles of sunrise and sunset are critical to where I go to photograph these days. Weather has the greatest impact of course.
Taken a few days ago. This is a VERY bright scene but the sun was indeed markedly yellow and the sky orange around the glare of the sun placed in the same focal plane as this tree. If you hold your thumb out at the end of your outstretched arm, it would cover this image area. Positioned where I thought the bulb should screw into this rare backcountry lamp post. When taking such images, shutting down the camera to light is a necessity. The lens is an 28 inch long 600 mm optic. I’m working hand held for this kind of capture. About 300 yards distant from the snag. The sun is out a bit further. 🤔
Being so bright a scene, it had some interesting light effects on the sensor and diffraction effects are rife. The particulates in the air as well as the clouds below it’s line of sight enabling only the longest red rays access to me. The bright yellow light from the sun overwhelmed and diffracted around the branches. though. Makes it look like it on this side of the tree lolol.
I never know how these are going to come out when taking photos way outside the sane photographic envelope looking into the sun as this capture. Settings you must consider looking it a scene is a fast shutter so going freehand is easy. You need ISO low low numbers and fstop as high as you need to enable both snag/sun to be in the same focal field.. The higher f – stop will give you a deep depth of field but will tend to cause those diffraction effects where the light wraps around and hides the branches.
I went to Gillette two weeks ago (now as this posts) to deliver ammunition to a local gun store. (as I build such under Federal License) Heading back from ONLY the gun store and a fast food joint….. Any how I had a stash of McDonalds Double Cheese burgers (perfect for freezer implantation for later) in the back seat under a coat. (Somethings you don’t want to go through a global pandemic without ). All warm and snug there there were .
.So I had the bright Idea of taking a backroad loop I had never been on before on the way home. It’s was a 50+ mile addition to my 70 mile trip home (burgers were fine). They were still pretty warm as the down coat was effective as an insulator. That and the back seat heat vent driving with the windows open lolol. I digress….
So I’m driving along in undiscovered country with ranch names I’ve heard of but never seen before. Most roads in this country parallel drainage. Certainly crossing small creeks presented engineers with various problems. I was going 45 (which is the gravel road speed limit). Driving past the small groups of Pronghorn and mule deer . I didn’t see any White Tail or Elk on this drive. Moving along to actually cover a lot of ground. Saw this…I tried to lock up all 4 wheels but the antilock breaks got in the way again. I’m a purist and really enjoy simple cars with real feedback but that’s another narrative…..
Anyway, this scene stood out like a diamond in a very late brown season rough. The old roadway paralleled the existing road for hundreds of feed only to cross at this point. SOMEONE was the last personal to drive a vehicle over that thing. A student of water flow and drainage, I imagine , how many spring floods or flash floods from a summer thunderstorm this old infrastructure project has stood up to. Still here!
Routing: Random… Basically, drive 30 miles north of Gillette. Turn right at Weston… drive 30 miles out of my way, turn left 30 miles, turn left 30 miles…. (Basically my itinerary for this trip) lolol.
Location: Heald Road, Campbell County Wyoming. 30 miles south of the Bliss Dinosaur Ranch, Wyoming/Montana (Wyotana)
I find that the moon is a lazy celestial object. Always sitting down on the job. Here I caught the sneaky planetoid before lifting off the backcountry folding chair it was sitting on. Who knows how long it was sitting there. I mean it only moved after I pointed a camera at it… This color is it’s “Blush” of “being caught” sitting down on the job I suspect. I’ve seen a red flush before too. Easily flustered I think… 😜📸
I catch our old orbiting neighbor resting on unusual things all the time walking parallel Ridges along the shadow line. Missed are a million moments in time depending on the angle you find yourself observing a particular scene at. Every different angle will give you an entirely different viewpoint. I’m always looking at angles and what I have to do to achieve the perspective I’m looking for.
The ability to anticipate the way things WILL happen and being there with a camera in your hand is about 50 percent of the photography game. The rest of getting the photo is reliant of your positioning before that time/space moment. My biggest limiting factor besides gravity is topography of course. You can’t walk where there isn’t ground I have found. 😔🤘
Halo’s around the moon are tough to capture. Try it…. I’ve been known to climb on my vehicles roof to get just a little more height. It would be nice to have a folding ladder from time to time too angles being what angles are. . 😜
Sunset 40 Mile Ridge . The Sun becomes stuck in a rut occasionally as well. 😜
The solar disk was occluded by thick clouds before this. I thought I wasted my trip out. This last minute break/slit occurred . Then it slipped under the cloud deck which allowed this very small portion of the far horizon.
Looking into the setting sun from 40 miles distant. That Ridge is in the “Red Hills”. (Their name.) The horizon rising to cover the globe of fire so delicately veiled by the shroud of clouds close to the ground this evening. The nuclear processes emitting photos traveling 93 million miles over about 8 minutes of travel time. Light travels at 186,000 miles per second so I am actually looking back in time and Space by 8 minutes.
Awkwardly, I remind you that the sun is not line of sight here but actually below the horizon. The image of the sun is bent around the earth. RIght around the curvature a bit. Distorted from below the line of sight into my view. Its a phenomena that is always happening as the atmosphere acts like a lens and bends the image. When ever light travels through medium(s) of different refractive index(s), it get’s bent. The various different temperature layers of the atmosphere work in a similar way to a glass lens of the same curvature. does with the light. It’s not until a few minutes later that line of sight catches up with reality as the sun rises above the atmosphere.
The Deep Yellows and Reds of this Image are the only colors to reach my photon capture devices (cameras). The atmospheric moisture and dust is the gauntlet to all shorter wavelengths. I carry a variety of these photon traps with me most times I venture out into the backcountry. This one was a Sony Alpha 7RIV, 600mm G Series Sony/Zeiss Telephoto with a 2X focal extender by Sony. 📷
This view of a 130 mile long twilight BigHorn Mountains Landscape Ladder was taken a few weeks ago just making it into my workflow. The grassy remote ridgetop I was on, gives way to the Little Powder RIver Valley. The first silhouetted ridge is the Red Hills backed by the 13000 foot high peaks of the core of the BigHorn Mountain Uplift. The Powder RIver Basin between the Mountains any my ranch pretty much ends at my ranch. I’m living right on the edge between the Wyoming Black Hills and the Powder River basin. Just west of my ranch, dinosaur fossil Bearing rock is older than the Big Horn Uplift . Those ancient sediments dive under the debris worn off the BigHorn Mountains.
Our Ranch is as high topograpically above the Little Powder River Valley Floor as the dark 40 mile distant ridge. It allows me to see the peaks at this distance. Weather windows to the BigHorns have been plentiful this year unlike previous ones. The sun is currently setting just north of these peaks from my vantage point at the moment. I won’t see it set over the big V notch until next fall now.. The sun will continue to set a little more north each day. I starts to rise and set a little further north each day until the Summer Solstice.
I try to be very in tune to such things as my daily photographic activities take into account moon rise, sunsets with the time of year. Angles of sunrise and sunset are critical to where I go to photograph these days. Weather has the greatest impact of course.
This Pronghorn bucks straight on look was a good portrait opportunity. Taking the time to turn sideways the camera side ways They tend to be a bit “flighty” at times and you get their white butts running away as a photo…🤣 When I go out into the backcountry, it’s always a mystery who I’m going to meet and how they are going to react to me. This healthy buck in mid-spring that was put off by my intrusion on his territory. He treated me like another animal with generally him trying to pressure me . I never try to push wildlife on my place as they don’t let me watch them again. They run away instead.
I have found that by being consistently not a problem for wild animals really helps approaching them. Acting like another grazing animal in your vehicle is my technique. I almost never get out and expose my human form to the critters. That would be un-productive. They only see my vehicle and my cameras. I’m still evaluating how these guys will react to my NEW vehicle.
The Pronghorn rut is long over at this time so most of that business is taken care of by now. All the ranches Pronghorn Have migrated with the first snows. THey walk 20 miles to the south. The Thunderbasin Natural Grasslands is a miniature version of the Serengeti Plain here in north eastern Wyoming. (Fewer Big Cats) Not so much in the summer but in the winter there are LARGE herds of Pronghorn that move there from a pretty big surrounding area to winter over the brutal conditions that we enjoy about this region. There is running water there.
As I watch the sun descend across the sky moving to the right and downward as it travels. The light is so bright as to prevent the technology I am using from picking up any details in the landscape that I can recover. Too much dynamic range in this stage show. The scene was so bright, no human eye could bear it for more than a quick glance. The necessity to set the camera to expose the highlights properly can and does preclude catching any shadow details.
I was after the blue in the sky above the glare though. The Blazing orange alpenglow from the surface haze is only light that traveled long distances through the atmosphere. Only reds and yellows make it. But way up high in the sky, there is still blue light. That blue is unfettered by the atmosphere that high up. Because of the angle of the sun, that part of the sky is still in full colored daylight. That versus the red/yellow light that is being caught by my traps.
To have the sun drop into a perfect little valley for it to rest the night was also a consideration. To be in just the right place when this happens is a matter of planning and preparation. Knowing where cool terrain features are is just a matter of being there and learning/working your area. I have a whole list of things I CAN do any particular day. It depends entirely on the light plus where it’s coming from. 📷
Hoar Frost Red Light (Full Screen is really a nice way to view with this image).
RIght at sunrise when the light from the sun is colorcast markedly red, any scene with hoar frost reacts vividly. Here on this high ridge with an infinite view to the horizon 100 miles away. This, the same light that makes the Pink “Belt of Venus”. Also responsible for the Red lIghting on distant hills these long traveled rays. Ultimately reflected to my lens. All pink is sky images are reflecting this very light. Those long red rays are going through the most atmosphere. The really bound off the bright white frost flowers and crystals. Catching it digitally is another thing 📷🤔
This scene is produced here to the same colors I experienced that morning. It’s as close as I can do it. Note how the snow in the shadows is grey/white .(natural) While the sunlit pure white frost turns into a nearly fiber optic pink projector screen.
Exposed surfaces to the wind were coated here by 3/4 of an inch of hoar frost. The north side of trees, grass interrupted the air flow of moisture laden air. This changed the “Triple Point” (good google word along water vapor). The Hoar frost growth is ice forming simply by moist air flowing over objects where a SLIGHT pressure change from the turbulence causes deposition of the ice. It’s crystal growth live real time that I’ve watched happening real time during several trips up on the ridges. I have gone up in terrible foggy cold weather to work the flat light before a time or two lol.
Sunset ON the BigHorn Mountains : Boy was that bright 😎
There are two ridges here. The lowest darker ridge is the top of the “Red Hills” 40 miles distant. The second ridge is the Bighorn Mountain Chain 130 miles out. The clouds and snow storms were moving across the top of the peaks. With the sun here cutting into the cloud deck obscuring the high peak on the right. . The scene was very intense and bright with all the ice in the air acting like a projector screen. . The foreground trees are a few hundred yards out on this 1200 mm telephoto shot . Sunset ON the Bighorn Mountains
This is the second evening this fall that I’ve had “Sort” of a weather window. Seeing the Big Horns such a long ways away isn’t common. I remind you that this area of the sky is about the size of a postage stamp at arms length. All the while through a 3 foot long lens. Observing this scene change by the second as the clouds moved by quickly. I was moving between trees during this shooting. I wanted to see what the parallel ridge would present as far as opportunity to frame this scene. The sun is only setting over the Big Horn Mountains for a few more days this fall. I keep moving north while the sun moves to the south. This keeps the angle until it doesn’t lolol.
Sunset ON the Bighorn Mountains was sooo bright…. F57 was the final fstop setting at 1/2000th at ISO 100 were the settings. The high fstop (maximum for this Canon supertelephoto) accounts for the trees in the foreground being in focus at all. The trees on the first ridge are in focus too but the clouds and moisture is blurring the Big Horns at that great a distance.