This Pronghorn bucks straight on look was a good portrait opportunity. Taking the time to turn sideways the camera side ways They tend to be a bit “flighty” at times and you get their white butts running away as a photo…🤣 When I go out into the backcountry, it’s always a mystery who I’m going to meet and how they are going to react to me. This healthy buck in mid-spring that was put off by my intrusion on his territory. He treated me like another animal with generally him trying to pressure me . I never try to push wildlife on my place as they don’t let me watch them again. They run away instead.
I have found that by being consistently not a problem for wild animals really helps approaching them. Acting like another grazing animal in your vehicle is my technique. I almost never get out and expose my human form to the critters. That would be un-productive. They only see my vehicle and my cameras. I’m still evaluating how these guys will react to my NEW vehicle.
The Pronghorn rut is long over at this time so most of that business is taken care of by now. All the ranches Pronghorn Have migrated with the first snows. THey walk 20 miles to the south. The Thunderbasin Natural Grasslands is a miniature version of the Serengeti Plain here in north eastern Wyoming. (Fewer Big Cats) Not so much in the summer but in the winter there are LARGE herds of Pronghorn that move there from a pretty big surrounding area to winter over the brutal conditions that we enjoy about this region. There is running water there.
As I watch the sun descend across the sky moving to the right and downward as it travels. The light is so bright as to prevent the technology I am using from picking up any details in the landscape that I can recover. Too much dynamic range in this stage show. The scene was so bright, no human eye could bear it for more than a quick glance. The necessity to set the camera to expose the highlights properly can and does preclude catching any shadow details.
I was after the blue in the sky above the glare though. The Blazing orange alpenglow from the surface haze is only light that traveled long distances through the atmosphere. Only reds and yellows make it. But way up high in the sky, there is still blue light. That blue is unfettered by the atmosphere that high up. Because of the angle of the sun, that part of the sky is still in full colored daylight. That versus the red/yellow light that is being caught by my traps.
To have the sun drop into a perfect little valley for it to rest the night was also a consideration. To be in just the right place when this happens is a matter of planning and preparation. Knowing where cool terrain features are is just a matter of being there and learning/working your area. I have a whole list of things I CAN do any particular day. It depends entirely on the light plus where it’s coming from. 📷
Hoar Frost Red Light (Full Screen is really a nice way to view with this image).
RIght at sunrise when the light from the sun is colorcast markedly red, any scene with hoar frost reacts vividly. Here on this high ridge with an infinite view to the horizon 100 miles away. This, the same light that makes the Pink “Belt of Venus”. Also responsible for the Red lIghting on distant hills these long traveled rays. Ultimately reflected to my lens. All pink is sky images are reflecting this very light. Those long red rays are going through the most atmosphere. The really bound off the bright white frost flowers and crystals. Catching it digitally is another thing 📷🤔
This scene is produced here to the same colors I experienced that morning. It’s as close as I can do it. Note how the snow in the shadows is grey/white .(natural) While the sunlit pure white frost turns into a nearly fiber optic pink projector screen.
Exposed surfaces to the wind were coated here by 3/4 of an inch of hoar frost. The north side of trees, grass interrupted the air flow of moisture laden air. This changed the “Triple Point” (good google word along water vapor). The Hoar frost growth is ice forming simply by moist air flowing over objects where a SLIGHT pressure change from the turbulence causes deposition of the ice. It’s crystal growth live real time that I’ve watched happening real time during several trips up on the ridges. I have gone up in terrible foggy cold weather to work the flat light before a time or two lol.
Sunset ON the BigHorn Mountains : Boy was that bright 😎
There are two ridges here. The lowest darker ridge is the top of the “Red Hills” 40 miles distant. The second ridge is the Bighorn Mountain Chain 130 miles out. The clouds and snow storms were moving across the top of the peaks. With the sun here cutting into the cloud deck obscuring the high peak on the right. . The scene was very intense and bright with all the ice in the air acting like a projector screen. . The foreground trees are a few hundred yards out on this 1200 mm telephoto shot . Sunset ON the Bighorn Mountains
This is the second evening this fall that I’ve had “Sort” of a weather window. Seeing the Big Horns such a long ways away isn’t common. I remind you that this area of the sky is about the size of a postage stamp at arms length. All the while through a 3 foot long lens. Observing this scene change by the second as the clouds moved by quickly. I was moving between trees during this shooting. I wanted to see what the parallel ridge would present as far as opportunity to frame this scene. The sun is only setting over the Big Horn Mountains for a few more days this fall. I keep moving north while the sun moves to the south. This keeps the angle until it doesn’t lolol.
Sunset ON the Bighorn Mountains was sooo bright…. F57 was the final fstop setting at 1/2000th at ISO 100 were the settings. The high fstop (maximum for this Canon supertelephoto) accounts for the trees in the foreground being in focus at all. The trees on the first ridge are in focus too but the clouds and moisture is blurring the Big Horns at that great a distance.