On the crest of this backcountry ridge, trees grow out of boulders. This hill top has a hard cap rock that has resisted erosion thusly protecting the rocks below. This is ALL Hell Creek Sandstone. This leaves these relatively harder boulders for me to enjoy but trees must penetrate them. Close Far Perspectives are worthy of working I think …
The Cretaceous rocks are 66 million years old and that lichen can be 100 years or more old. Only rocks that are undisturbed have big lichen patches. Cattle pressure/wear from rubbing will destroy it. There are big areas of this boulder strewn surface covered with Sunburst Liichen (Xanthoria sp.), sometimes called pincushion lichen. Bear in mind that there are hundreds of different species of Lichen that inhabit Wyoming. Differentiating them exactly is sort of a science all by itself. The cattle don’t like the footing on this hill top knob.
Lichenologists have to have work of some kind. Academia is the obvious job path. I suspect that there is a use for court testimony however the job prospects of a Lichenologist is about the same as a masters in biostratigraphy such as myself. Though interestingly, biostratigraphers do a lot of work with oil companies .. My general comment about Lichen nomenclature is that you need a bachelors of science in Biology (which I have) to look at the photos. The text about the lichen is a foreign language.😀😀.
I digress, Enjoying a sunset while walking around with several cameras in the remote backcountry is similar to a shooting gallery with a .22 but without the report. Lots of good stuff to shoot at. Just a click versus bang.
With the addition of a single brush stroke thusly a forked tongue. The silhouette comes to life as the original namers of this landform imagines. I See that rattle snake certainly. Now the story is that a rattle snake den was blown up there in the 1970’s by the owner of our ranch that apparently enjoyed the use of dynamite. In the 1970’s if you owned land in Wyoming/Montana you could easily obtain dynamite for moving stumps, breaking rocks or any other legal purpose. I’m pretty sure it’s fairly difficult to obtain. Just the storage requirements would cost 6 grand (educated estimate).
The problem with Pareidolia (seeing shapes from random data) is that it is often multif-acted and complex. The snake head silhouette could also be a sedan doing a “burn out” spinning it’s tires smoke trailing behind. So many perceived shapes in random silhouettes. The shark above the snake’s head in the clouds actually has teeth under it’s snout. I can also imagine several variations of the upper dark clouds too but I’ll leave the rest for you to sort out in your own anthromorphizing moments.
The twilight that night from a veiled cloud was just adding layers of makeup to an already golden/orange alpenglow evening. We get alpenglow every month of the year as frozen ice in the atmosphere is fairly common in this region. There are BIG sunsets/Sunrises in Wyotana sharing both Montana AND Wyoming skies.
How to fill a frame? How about a look through a very delicate highly weathered antique root system. A long time ago, this tree went down a hill riding a landslide. The ride tipped it over exposing it’s still covered/intact root ball. That ball preserved all the Pine Trees finer parts of it’s root system within it’s embrace. Having grown in soft sand (more or less), the tree’s roots shortly were exposed by rain / freezing / thawing. One grain at a time blowing or falling off that ball slowly exposing the anastomosing forms / connections once under soil.
Being located upon a steep slope with unsure footing surely keeps cattle away from rubbing on these delicate root structures. I don’t know how old the tree is but in this dry climate, I wouldn’t be surprised to see a 100 year old piece of “Prairie Driftwood”. That’s 100 years AFTER it died. There is nothing on the surface of the slope to indicate more than a slight amount of excess sandy sediment. There is no other way to explain the delicate nature of this. Vegetation quickly naturalized surfaces when disturbed in sandstone country. This is indeed sandstone country. All the soils here developed from the sandy river deposits left behind while the last of the dinosaur were walking about the land. I’m as likely to find a dinosaur bone as I am a scene like this.
Brown Season twilight landscapes are always dark, some are more colorful than others. When the veil of clouds is heavy, the shade and hues become muted with the encroaching dusk. Unfettered light causes an entirely different result… here, browns are in full display. I spend a lot of time working twilight skies/landscapes and find them challenging to reproduce accurately. It would be very easy to turn up the sky colors but I’m trying really hard to be a photorealist. This is as close as I can get this to how I experienced the scene. I find that an infinite spectrum of variable twilight exists and are mostly “capturable” with the right gear.
A majority of photographers wouldn’t finish this image I’m thinking. Having said that, I’m all about subtle tones and hues that escape view by most. The cool air of the twilight, the movement of game in the distance, the quickening of the light fleeing the scene is always breathtaking to me. Huge long landscapes (40 miles) make for an appropriate venue for this end of a day capture.. All creatures great and small getting ready for the night are all in their own world. Anticipating the washing away of the brown by spring rains to expose the green that is forthcoming. Seasons change, days come and go, but the animals seen to survive the hardships with an ever optimistic outlook toward the next day and the next meal.
Lining Deer UP from hundreds of yards away against the setting sun is an exercise in understanding topography. By working parallel ridges I get to stay hundreds of yards away from the casual deer. not alert the deer and am still able to get far enough away to catch a foreground object in focus for three layers of image here.
I only get to have the planets align like this a few times a year. I only had one opportunity this year to have deer pose for me in front of such a show. Images like this are infrequent in their occurrence for me to work. In reality this is going on all the time, there just isn’t anyone there to take the photo. Getting into the right position for this is a lucky event.
I have known these two bucks for a few years and because aware of their tendency to walk this ridge an hour before sunset. They were on their way from their grass pasture to the water hole on the other side. Almost every day these two walked this ridge like clockwork. Following the same trail daily These two are still around. I’m not sure exactly where yet as it’s early in the year and their antlers help me ID them sometimes…. The Backcountry is challenging to get back into at the moment. MUD!! I see them both on game trail cameras near the water holes we keep open. The closest running water which is some distance from this high ground.
When ever I point a really long lens directly into the sun, I’m going to get either Burnt Umber or Crimson colors. The latter was gifted to me here. You have to realize that no one knows what this would look like because you would be blinded to stare into such a scene. Using a 28 inch long lens to crush the perspective of about a mile distance from the tree pair. Shutting the camera down to light leads to all sorts of interesting effects. (mostly diffractions).
Obviously those two trees (Ents) were up to no good. Catching the sun like that trying to keep it all to themselves. Fortunately the sun had the state of mind to sneak out the back and disappear behind the ridge. The two didn’t have a clue how it got away but no matter how many times they try this, it never seems to slow down the sun very much. IT still rises more or less on time every day. Imagine if a whole forest did this at one time… think it might slow it down?
I work in a wondrous world of parallel ridges that when very mobile, allows me to find events like this to point my camera toward. By being able to move up and down topography quickly extends my ability to find such scenes. It is a truism that topography is my master. 10 feet lower, and the sun would be below the horizon, 20 feet higher and it wouldn’t be in the trees but above. Location, Location, Location…
It took me about 10 minutes to drive up this close once I crested the nearby hill exposing my self. . When I approach this area, I slowly encroach in steps. It’s comparable to imitating a grazing animal. The Raptor is pretty quiet. Particularly when compared to my previous clinking rattleing Jeep Grand Cherokee. This new rig is also very Black, dark and stealthy in it’s appearance. Lots of black animals walking around the hills (angus cattle). So my new rig is working very well to integrate into the scheme of things up here.
The various creatures on ranch will become accustomed to that new Ford F-150 Raptor with time. I also worked a herd of deer this same evening getting very close for this early in the season.
The return of the Great Blue Herons signifies the start of nesting season. I have only seen 8 Herons actively nesting so far. There may be some others to straggle in as they work their way back from winter haunts south. There are 7 nests in the trees across the lake from where this guy stands here. (one newly built this year) The male here did just fly up to the nest greeting it’s mate with a 3 Musketeers sword/beak swish caught here. They didn’t care about my approach and were fine in my rear view mirror when I backed up and away to change the scene. (got enough photos lolol).
There are actually several models/makers of this and similar vaneless windmill that this one could be. I’m not sure which it is positively…
Windmill technology had been around since 200 BC in China. By the 11th century with big mills in Europe. To grind grain and drain swamps were their main use. The technology brought into Europe by the Crusaders returning home. By the 1700’s the industrial revolution using water and eventually steam power reduced their use considerably. (Notable exception for the dutch). But in the Early 1800’s the new settlers to the Great Plains of America had a use for the wind engines. The Emigrants from Europe brought wind power with them. The western frontier provided a crucible. Upon which the technology constantly proved it’s merit. Pumping water was it’s task.
In the American West, settlers used wind to do work and conquer the land that otherwise would be marginal without a water source for stock. By the late 1800’s and early 1900’s, small wind generated water wells were ubiquitous across the country. Almost as numerous as the mills were the companies manufacturing them great and small.
As rural electrification proceeded the number of Windmill’s declined starting in the 1930’s. We used a windmill in a remote pasture until 2006. We ran a water pipeline from an electric well about 2 miles to it. There is also a solar powered well on our ranch.
These little birds are difficult to get close to and never pose long for you to take your time setting your camera up. Now catching on at ground level is a tricky stunt to say the least. I won’t give away my secrets on this one but it’s a good story. You really can’t move much once it knows your there. These guys cue on movement and react usually with an escape maneuver. Once they sense danger, there is no stopping them. This is a telephoto capture NOT a game trail camera….
Generally Meadowlarks are singing fools. If they aren’t actively hunting insects (slim picking this spring so far), they are yelling at the top of their lungs. I’ve pursued them for years. I’m pretty sure I’ve worn out a set of brake pads slowing down / stopping to try to capture their images. I have literally hundreds of attempts to photograph them where all I accomplished was to stop my forward momentum to the next photo location lolol.. Off they fly if you give them ANY reason to.
I will continue to hit the brakes when I sense their presence. Driving backroads often will give you long sections of fences to hunt meadowlarks. Having said that, places to perch are rare in the backcountry. Preferred locations with a view in mid prairie are well populated with these guys. Deep spring snows will place a premium on those perch locations. I find the morning after a good snow the best time to find them competing for places to alight.
Siamese Fighting Fish in the Clouds for you Pareidolia “sufferers”. You know who you are lol?. The colorful flowing finned fish living in little pint sized fish bowls as most of us have had one time or the other. Most of you don’t know my wife and I owned the only pet shop in a good sized college town for 6 years… I’ve had fish since I was 12 years old non stop. I still run an aquaponic greenhouse with several hundred pounds of live Tilapia with 128 square feet of vegetables growing off of it lol. In other words, I have fish branded into my brain lol. I also detect several uses in mirroring this image around the 1/2 face in the lower clouds.
Sunsets in the backcountry fall into so many varieties I have to develop a way to catalogue them. The high white clouds are in unfiltered sunlight passing through very little atmosphere. The lower clouds are bathed in light that has traveled many miles through surface air. That filled with particulates and moisture. Only the longest red wavelengths at the base make it through the longest path through the thickest air. This is a pure red, yellow green, blue, darker blue twilight gradient. The sun is still up in this capture. The sun is highly obscured . It might as well be twilight lol.
Some of the last snow from the winter of 2020 in mid-April. We are snow free as I post this two weeks later on March 8th, 2020.
I was driving the high ridge (Ridge1) heading back to my homestead. I had been driving parallel ridges watching this wonderful veiled sunset. As I crested the hill, I saw this scene…. stopped…. Click…. got it… then moving on to the next spot…
Two ways these form:. 1: light passing through suspended atmospheric plate-shaped hexagonal ice crystals in high and cold cirrus or cirrostratus clouds. 2: Alternately, refraction from light passing through freezing moist air at medium levels in clouds. Those “mock suns’ are may form at anytime of year but obviously the cold months are best. The colors usually go from red closest to the sun outward with the standard rainbow sequence. This was pretty bright.
A tad of Photographic musing:
Priority (working on Manual) Your lenses will differ…. . Use High F-stop as your priority. That’s a deep focal field your seeing. (high f stop numbers mean a deep field of focus for you to use but at the cost of a lot less light going into the camera). Your only able to gather light through the now pin hole in the lens’s aperture). But all this lets you get the detail in the grass in the front AND have the sky in focus. Google f-stop and learn what it means. Focusing up close AND far with a removable lens camera takes higher F-stop.
That HUGE butte (called “W” butte) is a southeastern Montana Landmark. Seen here from across the Montana/Wyoming border. The fore ground is in Wyoming. That mile wide Butte (in Montana) is at least 15 miles BEHIND that 400 foot tall old growth treed ridge. That ridge is 15 miles from where I’m standing for this capture. You can see the communications towers that are up there. They are 1 foot wide over the 150000 feet to those towers. I love how 1200 mm telephotos CRUSH perspective. Taken golden hour as the sun was setting shortly over my shoulder. Long Shadows and Long lenses… be still my heart…❤️
So about 30 miles distant from my camera stands the epicenter of what was at one time one of the largest ranches in the Country. That ranch named the “W” Butte Ranch, was said you couldn’t see the end of the ranch from the top of that butte. I suspect that is not true. My ground was never part of that ranch to my knowledge. I’ve only seen/have deeds back to 1906 though. I’m not sure before that, pretty sure gov’t had it.
That butte is capped by the Fox Hill Sandstone. That formation was derived from the Beach Sand the Dinosaurs were sunning themselves on. I expect to find those little umbrellas in frosty mixed drinks as fossils there. I see a host of sun chairs and umbrellas on that beach. Ocean sediments are on the surface east of there. Terrestrial sediments to the west of that butte. All Cretaceous in age. All three environments (sea, beach, and land) occured coterminously. Those are just lateral environments as we have today. They did migrate with time and have a complex relationship underground based on the gradual movement of the land based (terrestrial sediments) laterally. The google word for this is “Faces Geology”. It’s a complex concept. Have fun with that.
The intersection of Parks Rd and Trail Creek about 4 miles south of the Montana / Wyoming border is in the distance. I’m about a mile from that crossroads for this shot. The Pronghorn as a matter of principle decided to cross in front of me. They do this to show off. I was pursuing the rainbow the road was leading to. Of course rainbows are tough to catch up to since they move as you move lolol. BUT I find that there are rainbows images and then there are rainbow IMAGES.
Gravel Wyotana backcountry roads are always exciting in what you will come across. I had stopped to to capture the rainbow lining up with the road of course. I saw this Pronghorn, anticipated her path and waited patiently as she took her sweet time wandering across. There is a HUGE network of gravel backcountry roads in this country. The closest asphalt road to that intersection is about 9 miles to the right (looking south east here). The setting sun was REALLY low on the horizon for this capture as I initially working the sunset of course. I randomly run into animal encounters regularly in this country. More pronghorn per square mile than people here.
There is no hurrying mother nature or for that fact, mother Pronghorn (pregnant this time of year of course). Besides the fat belly, you can tell Pronghorn sex by looking for a black cheek patch which this gal doesn’t have. The males have a big black splotch under their ears / behind their eyes.
Taken 8 days ago as this posts, the snow is melted, the 60 degree days of late spring have won. The mud season has relented for this morning and I was able to ascend to a high ridge. All without damaging the two track trail along the journey. The sun rose at 6AM for this capture. My itinerary for this trip up to the local roof of the world started 1/2 hour before at 5:30. I usually leave early to get most of Civil Twilight in my photographic timeline. Working the ridge all the wayThis particular morning was a 700+ image morning. I worked 12 scenes over all that will end up as final finished prints in my portfolio. From Twilight, to sunrise, to meadowlarks, deer and Pronghorn all morning. This timeline ended up with a rainbow from the storms incoming from the west this day.
I was working out of my Ford Raptors drivers window as the wind was kicking up. There was a bit of buffeting of the camera ongoing but with this much light, a little camera movement isn’t much of an issue lol. I don’t like to have a heater on as the heat waves against the cold outside can significantly distort the image coming into your camera. I try to keep the vehicle at ambient temperature unless that is just stupid to the mission. I’ve seen a few days like that at -20 or 100 plus outside. I find my tolerance of distorted images increases at those envelope edges. Perhaps it’s just old age creeping up and I’m getting wussy… 😜👅
Off to the right, commonly known as a “Mock Sun” or “Sun Dog, this is a Parhelian or “Mock Sun” It occurs at 22 degrees angle from the sun. There are many manifestations of this. This capture was a few miles back in the backcountry while I was driving parallel ridges for that evenings sunset.
Caused by Diffraction which is the slight bending of light as it passes around the edge or through an transparent object. In the atmosphere, diffracted light is actually bent around atmospheric particles – most commonly, the atmospheric particles are tiny water droplets found in clouds. Ice is common too. Diffracted light can produce fringes of light, dark, or colored bands. Here Hexagonal plates of ice are falling actively from the sky. Ice Hexagonal plates Frozen in Space and Time as they fell (literally and figuratively).
It was a cold evening for this sky show. This ice was hazing up the whole sky. I drive up the ridge and POP and there was the sun dog out of the “blue”…. Slide to a stop, enjoy the view while the camera comes out of sleep, compose, set the final settings, focus and click. The image is about 60 degrees wide overall. Love the Veiled Sun.
A tad of Photographic musing:
Priority (working on Manual) Your lenses will differ than mine but close focus is necessary for such a long image with a telephoto. The snags here are relatively easy… because… . I used High F-stop as my priority choice for looking into the sun. That’s a deep focal field your seeing. (high f stop numbers mean a deep field of focus) It’s there to use but at the cost of a lot less light going into the camera. That is a good thing looking into brightness. Your only able to gather light through the now pin hole in the lens’s aperture). Google f-stop and learn what it means (if your trying to learn how to use your camera.
Chasing LIghtning is not for the faint at heart. Being in a vehicle “reduces” your exposure. It’s also possible for the vehicle to be struck. This can destroy the vehicles wiring or it’s computer. You also don’t want to be touching metal when that goes down lolol. I’ve been very close to bolts before. This one was REACHING out my direction lolol. It’s miles long.
I was driving up in Montana where my son and I watched a bolt hit the dirt 30 feet off the road on the drivers side. It hit in front of us so we had a clear view of it. I can still see the outline. The truck was all closed up so the sound was muffled. I’ve heard some pretty loud bolts but with a window open… a close bolt is going to leave some “ringing” in my ears lolol.
I usually work scenes like this with 2 cameras sitting on the cars passenger window on clamp tripods. Using Lightning Triggers allow you to set your camera to click with the bolt. My Sony Mirrorless respond within a few milli-seconds to the initial start of the flash. I usually use about 1/4second or longer time exposure which you adjust to the brightest part of the image. (expose the highlights properly). If you set the ISO too high, you will have the bolts too bright which tends to grow them larger than they are. This is about as perfect an exposure as you can get for as dark as it was for this scene. 📸
No this is not just outside Sanford and Son’s and no fake heart attacks here (Do you know the classical reference?)
So Game Trail Cameras play an important role in my understanding of game and predator patterns of movement. I have discovered that every canid that goes by this stick either pees on it or chews on it lolol. Apparently it is a community boundary between Coyotes and Red Foxes. I see Coyotes coming in from the east and these guys from the south. There may be some overlap in their territories but I suspect the two different species are NOT the best of friends. Top of that stick is definitely chewed on by many animals.
These Remote auto cameras definitely clue me in to behavior that I would normally have NO chance in capturing. I could sit down in this gully in a regular wildlife blind for days without any activity with a regular camera. Not that I have anything better to do on any particular day lolol. I think I’ll let the auto cameras do the work. These two were definitely on the hunt though. They just had to pay homage to the marks other left behind as a matter of due course I’m thinking.. 👀😜
Night images via Infra-Red flash are all to capture grainier than daylight images. The quality is more like a well printed newspaper than a high quality/resolution capture from a 5 thousand dollar camera rig. They may be grainy but they sure are Candid!. This is an 18 inch by 18 inch aspect final📸📸📸
I caught this one with a quality game trail camera I just checked the “roll” timeline as the mud season has had some dry periods. Enables me to get into the backcountry that does. Miles from anywhere. This particular camera has been alone in the backcountry since December 2019 almost 5 months ago. Batteries were still 60 percent lolol. From this camera, came dozens WONDERFUL captures of coyote, fox, skunk, porcupine, raccoon, mule deer, whitetail deer and finally pronghorn over it’s tenure in this spot. BEST roll off a Game Trail I’ve ever seen in years of this. Two different cameras were planted in this spot. They actually took good photos mostly. They are 30 meg each raw if you want to know. Higher resolution than most DSLRs in use. (I run a network of 28 game cameras at the moment).
Located at a wildlife funnel. The fences lead all to this gully and then the gully provides a lot of security to these animals here as it’s well forested. There are several “marked” spots that both coyote and fox are chewing on a particular stick there. This was with out a doubt the best game trail camera timeline I’ve ever looked at. .
This guy has pretty wet fur down low. He’s been traveling and putting out some heat out of those legs. Mid winter here is harsh on everyone. Every calorie of energy expended to melt snow, has to be replaced. The Coyote eating more than a stick in the corner sometime during the week. These guys are eating machine no doubt. They don’t bite horribly hard but they bite about 4 times a second based on what I’ve seen from a tame one I met. They make a lot of holes with their chompers. Mostly they eat mice/voles/prairie rats and anything else that they can catch. Unfortunately sometimes that includes young livestock. This gives them a most unwelcome reception at most ranches around these “here” parts up on the border.
Wiley here and a few of his mates make return after return to this spot over the last few months. I nailed the placement of this camera. Of course I will maintain them. Might set up another with movie mode on. The fox captures are amazing too. This camera even caught a 5 image sequence of a doe deer chasing a sharp tailed grouse wanting to stomp it. ….. Stay tuned.
Merging together silhouettes will if the lighting is conducive for such. One of these guys is a “butt head” it seems…. Your choice as to which one 😜
The Alpenglow from the suspended Atmospheric Ice was the backdrop for this evenings stage play. As I move from one photographic opportunity to another working the light, I see many things. Some are worthy of your time so I point my photon capture boxes in that direction trapping a few.
I watched these guys watch the setting sun between my main job of taking snap shots of the actual sunset that night lol. Deer definitely check out the sunset. I’ve seen them do it. The evening progressed from blinding bright sunset to the right saturated tones of the twilight. The “boys” got back to the main business of finding tasty morsels on the hillside.
These two Spring antler growing bucks have their bony horns covered in “Velvet”. This time of year (about a month from now) is prime antler growth time. I actually have a smaller “Stag” buck up here that still has it’s antlers. HE’s an oddball though. Everyone else shed theirs in January as did these two. The grow back very quickly with a blood vessel rich “Velvet” skin nourishing the growing bone from the buttons on their skull cap.
Yes there is actually a small cave passing all the way under that boulder. One can crawl in there with all the other creepy things that might live in such a place if you had to get out of the weather. (from the other side lol). That hole is the back window with a view over my shoulder…
It really was pink for this Moon Rise. Caught the Egg Moon at the moment of lift off from the horizon. This Mountain ridge is 10 miles out from my camera. This moon rise was 94 degrees east on the compass. (corrected for magnetic declination of course). You see magnetic north is not the same as geographic north. There are 8 degrees 44 minutes difference here at the Bliss Dinosaur Ranch. If you use a compass and don’t correct it for Polar Wandering of the magnetic pole, your navigation is off a bit. Makes a big difference the further you go lol.
The tendency to crush perspective is a property of long focal length lenses. This 1200 mm is about 28 inches long. It is looking at an area of that distant ridge that is about the size of a postage stamp at arms length. The distant stamp would cover the moon and the ridge in this photo more or less. This really zooms up on the ridge. The moon too but the relatively closer ridge, is disproportionally enlarges. If I were to jump into a car and drive 5 more miles back, the moon would still look this big but the ridge would look a lot smaller by comparison. The relatively smaller ridge with the moon about the same size would be the result. The moon appears to grow as I move further away from the ridge.
I’m always saying I work “Parallel Ridges” photographically but actually showing parallel ridges isn’t easy. These long shadows during this late golden hour moment accentuate the topography in this landscape. The coloration was natural in this low light civil twilight sky. Atmospheric Ice will do this. It’s called “Alpenglow” if you haven’t googled that before. …
Autumn is in full effect for this country. Most of the ranches trees are behind me but this treed gully provides some foreground color in this image. A lot of grasses have a reddish hue to them as well as the various deciduous trees in the valley.
There is a lot of ground covered in this frame. 40 miles out to the far ridge which part of the Red Hills up in Montana. I’m on what I call Ridge one which is about 1 mile inside of Wyoming. I really enjoy working this country with cameras. There are infinite angles and slopes to work ridge lines to properly corral light into your camera. Wild life encounters set off the experience. I never know what I’m going to run into up here. This is a land of many uses.
Your actually looking across 2 good sized river valleys. Ranch creek is the first big valley in the distance. Ranch Creek eventually feeds the Little Powder River which resides in the second valley. These small rivers removed all that sediment between the tallest peaks. The ground used to reach between the peaks and filled in all that valley area. Little rivers do LOTS of erosion over a LOT of time by a LITTLE at a time. 🤔⚒
The Great Blue Heron is also know as Ardea herodias by hobbiests and professionals alike. This gal was shore wading out 150 yards out, the sun was setting. You know, a classic wetland scene. Really not common up in this high dry ridge country….. Seeing a Heron out on the ranch is rare unless you go to where they hang out. They are not known for hanging out on the high dry ridges of the grasslands. Fortunately we have several small lakes on the ranch. This lake is a spring fed OLD man made lake dammed up around the turn of the century. Early cattle drives watered here even before the dam was built.
These are BIG birds weighing in at 4.5 – 5.5 pounds, stand 5 foot tall with a 5 foot wingspan….. They are AMAZING circus performers. Being total masters of their environment, they have superpowers!📸 I observed this one through a 1200mm 28 inch long lenses while I was on an adjacent shore across the lake. Watched it for about 20 minutes, finally it took off tired of watching me I suspect lol. The light was fading fast, I’m trying to get detailed shots of a still bird so the camera settings were not quite fast enough to totally freeze in ice the wing tips. Getting at lake level while a spooky bird watches but doesn’t fly way is a good thing :). The rules of Physics and technological limitations again demonstrate they are my masters. (along with topography if you follow my narratives 😜. )
The peaks in the distance, known as the Red Hills reach 40 miles out from the camera. Most folks out east would call them Mountains. We live basically at the same elevation (4000 ft) as the ridge tops on those hills. The “Little Powder River” Basin lays between myself and the Red Hills in the distance.. Part of the right side of that ridge is in Montana while I’m standing in and looking at 1/2 a Wyoming , 1/2 a Montana scene. This Gibbous Moon captured here in the process of heading for the horizon/setting. Remember it’s not the moon that’s moving. It’s the horizon/you. I chase the moon from time to time. Sunrise over my shoulder was an amazing show that morning… Nice snow for an Early April.
The full moon that morning was too late setting that day for me to nab it’s photons while in the Belt of Venus. 😔 The “Belt of Venus has dissipated with the blue wavelengths finally making it through to the atmospheric Ice clearly suspended in the low atmosphere here. That icy haze was rich pink red 20 minutes earlier before the sunrise. that morning. The time lines from a really good sunrise/sunset might run 2 hours long for me. I might take 800 -1000 images during that two hours. Out of those, maybe 4 or 5 will make it into my work flow.
A magical “Belt of Venus” evening up in the eastern Sky. . The sunset was 10 minutes past behind my shoulder as the blue stripe on the far horizon shows. That blue is the shadow of the western/opposite horizon blocking the long red light from the sun just over the lip. The pink projected onto the Ice suspended in the atmosphere are the reflections from the long wavelengths make it to my camera lens.
This ground is relatively easy to get to in the summer and fall as it’s on a local county road lol. This was taken spring 2019 as the snow pack started to melt into ponds as which provided the mirror for this capture. .
Close / Far perspectives are a complex photographic challenge for all of you. An automatic setting on your camera is not going to do this image.
I’ve gone through the technical basics a few times. I would entertain questions below for photographic solutions to your working on manual mode aversion. (Kind of like fear of swimming). You just have to jump in and turn that top dial to M. Then you figure out which control wheel controls each of the three settings you change in manual mode. ISO (Camera Sensitivity), f-stop (size of the aperture/pupil in the lens), finally Shutter Speed.
You only need to understand those three things to run on Manual mode. Their relationship to each other and how messing with one, requires you to mess with the others. Just a tad to compensate the amount of light coming into the camera. Your riding a three way light teeter totter trying to balance those settings.
This mood setting Blue image posted only 24 hours after my last blue image……. Starting a trend perhaps…… I was just musing that a moody blue scene was rare in my portfolio. . I’ve even been accused of being blue blind by more than one individual. Having said that, I try really hard to be photorealistic in what I do. I do consider myself a landscape photographer. This doesn’t mean I’m not biased in my pursuit of crimson skies with silhouetted land. I am biased in my choices. . I way disproportionally post fully engaged complex skies. Obviously simple was better here.
This is almost exactly on the Montana / Wyoming border with it pretty much running through that largest tree. That is 45˚ North Latitude as close as the civilian GPS I use, can locate. Well endowed our ranch is geographically. That major meridian runs through us for about 2 miles linear of the Montana/Wyoming border in our ranches boundaries. I have over the decades gotten a pretty good idea where it is at any one time and by landscape features. That invisible line is literally 1/2 way between the Equator and the North Pole (the Montana/Wyoming border too).🤔 We are also about 120 miles from the geographic center of the North American continent. You couldn’t get much further from an Ocean than this spot….literally lol. No local “Red Lobster”. We have to drive 150 miles to the closest one. 😔
View from up on Ridge one here on ranch. The window to the Big Horns is IFFY this time of year from this far away. My truck/tripod is 130 miles out for this capture off the highest point around the place. The timing on this was mid-Civil Twilight. The sunset is far right off frame looking from the Montana/Wyoming border to the southwest toward the range.
Full Screen is a good choice for this. Twilight over the BigHorns this night was so obviously gorgeous. I had to resort to a short time exposure to catch it. The timing on this sunset is very late in Civil Twilight. When the alpenglow colorcasts the snow on the Mountains, I get interested 👀📸.
Civil Twilight after sunset ends about 28 minutes after the sun goes down 8 degrees under the horizon. It’s usually the best time to get those crimson and yellow skies. Orange here is a mixture. Atmospheric Ice causes this phenomena caused by refracted light passing through. Only the red wavelengths which have survived through hundreds of miles of atmosphere light the cloud deck.
The long lenses I use crush the perspective of distance. I’m almost always using telephotos to bring in just the BigHorn Mountains filing the whole frame. It takes about a 800 mm long focal length to fill the camera frame side to side with the tallest part of the range. The black ridge at the bottom is 40 miles out. The clouds behind the range are around 200 miles out I would suspect. The distance is hard to put into proper frame. Those 13000 feet high mountains appear smaller than the thumb on my outstretched arm from here.
I find that the moon is a lazy celestial object. Always sitting down on the job. Here I caught the sneaky planetoid before lifting off the backcountry folding chair it was sitting on. Who knows how long it was sitting there. I mean it only moved after I pointed a camera at it… This color is it’s “Blush” of “being caught” sitting down on the job I suspect. I’ve seen a red flush before too. Easily flustered I think… 😜📸
I catch our old orbiting neighbor resting on unusual things all the time walking parallel Ridges along the shadow line. Missed are a million moments in time depending on the angle you find yourself observing a particular scene at. Every different angle will give you an entirely different viewpoint. I’m always looking at angles and what I have to do to achieve the perspective I’m looking for.
The ability to anticipate the way things WILL happen and being there with a camera in your hand is about 50 percent of the photography game. The rest of getting the photo is reliant of your positioning before that time/space moment. My biggest limiting factor besides gravity is topography of course. You can’t walk where there isn’t ground I have found. 😔🤘
Halo’s around the moon are tough to capture. Try it…. I’ve been known to climb on my vehicles roof to get just a little more height. It would be nice to have a folding ladder from time to time too angles being what angles are. . 😜
This is actually a morning back show looking at clouds sitting over the Big Horn Mountains 70 miles behind the dark ridge (the Red Hills) which are 40 miles distant. The cloud resembles a mesocyclone incoming and it was a weather system rapidly moving in on us. The moon was soon to dive behind the approaching spring storm. A mix of rain/snow and sleet proceeded to move in shortly afterwards that morning.
The moon here is a Waning Gibbous JUST past the full March Supermoon known as the Worm Moon. March is the month birds start digging worms out of the ground thus the moniker.
The two antelope had just run across the road in front of my truck, the male with them was still on the other side of the road. Separated from their leader, they stopped and waited for him Click . As I moved he broke stance and ran right in front of my truck as a sign of disregard to my presence. I have found that as a matter of principle, if Pronghorn CAN run across your path, they WILL run across your path.
I’ve only hit ONE pronghorn in 20 years of driving these backroads of Wyoming. I would indicate that as a family we have hit 13 deer and 2 antelope in the same time. I have personally hit 4 of those deer. Total Damage in all those collision to my vehicle… A broken license plate bolt and a lot of car washes. I spend a LOT of money on really good vehicle bumpers. Saves my insurance company a bit as I have never had a claim on a vehicle. Does it lower my insurance???? Maybe….
Photographing images like this a combination of finding the right position in x/y space, timing and distance is z, and that position moves with the speed of the moon which makes using Tripods very difficult. Maybe a monopod….This was handheld.
Distance is your friend here from that Lone tree. I’m about 600 yards out from it for this shot. This is a full sized image not a crop. Doing this kind of photography has found me on my butt more times than any other. The moon is constantly moving, I’m usually on some parallel ridge walking forwards (as the moon is rising and to the left a bit while looking through a 2 foot long lens (tube) and not at my feet with sage brush around on uneven ground. I’m all about getting it behind and in focus with terrestrial objects. It’s always a good thing when this particular tree lines up with astronomic objects (sun moon). The moon is a little further behind.
Photographic Musings: The clouds were very thick and obscuring with the moon blinking in and out from behind the veil. I am as always, reactive to the light with only a bit of premonition to guide me to the next spot from here. Half the game of photography is knowing when you got the shot and it’s time to move on. Otherwise you spend too much time at the site and miss other opportunities. I move pretty rapidly from interesting situation/alignments of the sun or the moon by driving along parallel ridges. I work the “Shadow” line by driving it and “seeing” what develops as I move. The cool stuff to photograph as in “I know it when I see it”. There are times I see things that are virtually impossible to capture unfortunately. Working on those 😜👀📸📸
Location: near the Bliss Dinosaur Ranch, Wyoming/Montana borderlands
Toward obtaining an image at -2 degrees F. There was a breeze and I don’t care how you dress, something gets cold lolol.
This Close Far perspective is a favorite way to deal with first light of morning. Fortunately this ridge had a 1/8 inch of Hoar Frost covering all the vegetation. I call these “Pine Noodles” as it just seems to fit. The earliest light as the sun is just rising has a decidedly pink color cast. Usually this is most obvious on the sky opposite the sunrise. The “Belt of Venus” which is a very pink Alpenglow phenomena reflecting said pink light back. Pine Needles coated in ice make a very good projection/reflection screen. This pink color cast is not that common on local vegetation and is usually only perceptible on the atmospheric ice.
Hoar Frost usually forms on objects disrupting air flow. The air full of moisture under freezing conditions. DIrect condensation of that vapor from supersaturated air is greater then 100%. The formation of hoar frost is similar to the formation of regular dew with the difference that the temperature of the object on which the hoar frost forms is well below 32 degree F., whereas this is not the case with dew. Hoar frost crystals often form initially on the tips of plants and or other objects. I’ve seen vehicles, fences, tires, plants and even other icicles with Hoar Frost on them. The largest I’ve seen had frost feathers/needles almost 2 inches long.