My camera lens front just from the warm car, captured two flakes of frost falling from the trees. Those ice flakes hit the warm glass and turned to liquid with the heat transfer. Providing two extra lenses for me to peer “through”. Artifactual obviously ….. Pretty anyway 😜😀📸
I usually don’t publish images with lens artifacts but the artist in my liked the way this came out. In full disclosure I had to fix the flare on the right which for what ever reason doubled enough to be distracting from the symmetry of the image. Just a slight double ghost I fixed there. So technically I removed a beer can from the postcard photo here. ART.
I have a tendency toward pointing cameras into suns lol. This was a photo I took AFTER the main twilight show that morning. The twilight lighting was truly amazing but as soon as the sun cracked the horizon, chapter two of this stage show began. No intermission either !. The orange red color cast early light was saturating all the white frost and snow surfaces for the next few minutes. Sometimes the same red light that colors the “Belt of Venus” variety of Alpenglow works it way down on the ground. Particularly up on the high ridgelines. Add a little hoar frost, a bit of white ice and you have a perfect reflective surface to light up. Light up just like the Belt of Venus was doing coterminously with this image but over my shoulder. The back sky was all pink down to the ridgelines.
Lone Tree on Veiled Sun. When I get a heavily veiled sun, I’m all about getting it behind and in focus with terrestrial objects. It’s always a good thing when this particular tree lines up with astronomic objects (sun moon). The Lone Tree on a Ridge is about 1/4 miles out from a parallel ridge in this capture. The sun is a little further behind.
The clouds were very thick and obscuring with the sun mostly filtered out behind the veil. I am as always, reactive to the light with only a bit of premonition to guide me to the next spot from here. Half the game of photography is knowing when you got the shot and it’s time to move on. Otherwise you spend too much time at the site and miss other opportunities. I move pretty rapidly from interesting situation/alignments of the sun or the moon by driving along parallel ridges. I work the “Shadow” line by driving it and “seeing” what develops as I move. The cool stuff to photograph as in “I know it when I see it”.
There are times I see things that are virtually impossible to capture. This veiled sun was ‘easy”. A fully lit sun behind this tree is a common occurrence but without neutral density glass filters in front of the camera, even these Sony Super Cameras , this would be impossible. The tree limbs would be totally washed out. I never use glass filters or even do I use a pretty much standard UV haze filter. I find they get in the way of the image more than “fixing ” what they do. A UV filter does protect your lens glass from scratches though and is probably worth it for what you would do mostly. I point cameras at the sun a lot and glass infront of the lens has been an issue in the past for me. Just saying….
Trail Camera Lens Flare is a capture of light bouncing around in the lens of the gadget. Camera lenses are dull black inside for a reason. It keeps reflections down. I normally treat these as artifacts (which they are) on an image. If there was a subject on this frame, the lens flare would be a problem. Here I’m pretty sure it is the subject of the frame lolol. I consider this as such as ART but it’s all done in the camera..
Light bouncing around and making intricate patterns like this I have found to occur more inside of Game Trail Cameras. Plastic lenses are the rule or a plastic guard in front of a glass lens is a prime causation of this effect. The Sony Alpha E mount lenses are pretty well made by Zeiss for Sony. I deal with lens flare but it’s usually not pronounced in those optics. The cheaper game trail cameras are sensitive to bright light obviously.
Personally I like the flares as a subject unto themselves. There is an “art” to making them, working them and otherwise manipulating flares inside of lenses as you are taking photos. Tilting your camera a certain way, positioning the sun in a way as to not have them is typical for the work I do. I find I compose pretty quickly in the eyepiece but these crop up and complicate what should be an easy shot.
Changing focal length on a zoom lens can minimize the effect, holding away from the sun and a good sunshade. These are the best things to do in a hostile light environment. Centering the sun in the frame will eliminate a LOT of the flare problems pointing into the sun.
Here we are with Halloween night about over…The witches are heading home…….Christmas is next.
Is that a christmas tree??? Maybe an angel?? Actually that’s lens flare which is an artifact phenomena inside the lens from really bright light bouncing about. Another artist has convinced me that they are being used in movies now as “cool” work and there are even filters to add them to your images.
This is a natural lens flare (as it were) that I could work at positioning on the screen overlaying the background of the “Red Hills” in the distance (40 miles).
I’m trying to work these things lolo. I’m not sure what the big thing is but hey, here is a big one. Like it???😲 Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands
“Off Golden Pond” This is one of the few shots I have published where I left in the lens flare(s). To me they are internal reflections in the camera, are artifacts I usually remove….that are apparently becoming quite the style with lens flares being incorporated into major movies I’ve noticed of late….
I find Lens Flares are difficult to incorporate artistically into an image in my experience. Mostly they are difficult to avoid pointing a camera toward the sun or other really bright lights because they actually can destroy the image covering it with glare. Often they are more difficult to remove in the digital darkroom if you are “cleaning” up your image there Try taking something like a huge light area off an otherwise ultra-smooth color gradient….(laughing maniacially). Have fun with that .
This one has at least 4 flares in a line to 6 o’clock. I’m not sure what the big deal is with them in modern films, but I’ll work the problem on my end when I can lolol.
To me, this image is all about the line of grass framing the bottom of the capture. Portrait aspect. I captured these photons Off this Golden Pond thus the name (sly smile). Reflections……