(Crimson Alpenglow Close far Perspective #2 in this Yucca series)
Working the shadow line of parallel ridges with telephoto lenses has it’s rewards. I find that it’s the simple compositions that carry the most interest as complex misleads/distracts the viewer. Detail yes, but the time and space moment should place you in that continuum in your mind. The human eye might be able to resolve this but only for the briefest of moments. The reflexive look away followed by the ghost of the too bright scene on your retina. A quick thought of eye damage, you blink. Over a minute later, your vision probably would come back.
Yucca make for big speed bumps in the backcountry. Some of the clumps can get 2 feet high. In the winter they catch a snow drift behind the clumps big time. It looks like a sand dune field after a good snow and blow in the backcountry where Yucca is about.
I look at a lot of sunsets but seldom do I do much looking at the sun. Without the benefit of a mirrorless camera set up I’d be blind by now. I watch scenes like this develop live on video. The setting changes I make to the camera show up in real time as I spin the adjustment dials. With a mirrorless camera in my hands, I know what the image is going to look like before I click the shutter. Compare to a standard DSLR where you click and then see what you did on the back LCD. Just my 2 cents on that debate. Click!
If you are “stumped” as to how I did this, I assure you it was done in the camera lol. No digital or otherwise magic involved. (well there are some orbital mechanics😜🤔)…. This was quite a ways out from my long lens to get that stump into the infinity focal depth along with the moon. Getting the moon to cooperate with the topography was quite a challenge in this hilly country.
Having terrestrial objects in the same focus as the moon or the sun is definitely an acquired skill with a few requirements for it’s practice. I’m still trying to perfect this kind of work in a variety of ways. Getting only a few opportunities a month to work a full moon low in the sky and still have the sun light up the foreground scene. Wait another 28 days and hope it isn’t cloudy during those days. 6 or 7 times a year in other words do I get a “shot” at this. .
You need at least a 400mm telephoto on a high f number for a deep focal field. You still need to stand way back several hundred yards to enable the telephoto to crush the perspective. Your lighting will change your other settings from what I used but a high f-stop is the place to start.
Perspective: Works like this…
As you step back the stump will get noticeably smaller but the moon stays about the same size. So the further you step back the smaller the stump and the relatively bigger the moon looks. Perspective takes hold….
ART…. THIS IS ART. Well unless you take just the right or the left side by itself. Then it is just photography. Each is one photo next to itself flipped horizonally. The Magic is different people imagine different things with such a presentation. Your tendency to see anthropomorphic shapes in random data we are teaching to computers doing facial recognition. This is of course is a brilliantly bright setting sun breaking through a crack in the clouds over a ridge 40 miles out.
Some sunsets are limited to a very little spot of the sky. To look deeply into them when no human eye could is a spiff of using good equipment. It requires one to pretty much turn off your camera to light
This is an image I didn’t know what to do with thus the obvious choice…. The clouds were absolutely ROILING like a boiling pot live real time. I don’t do video. I’m not a videographer so I need to explain what I was seeing in this viewfinder.
When I look at a scene it can instantly transformed into a vision in my mind. In this case I saw a mask I was looking to. Some childhood memory of a Halloween costume no doubt. The best images bring back memories long forgotten. I find.
Mirroring scenes is a mental exercise I do pretty much with every sunset somewhere in any extended session. It’s just a check box for me to fill if I have the time. I always look for natural body parts in clouds so a set of eyes are welcome to the parts collection. 😜😜📷
Perspectives from the viewpoint of a kid climbing a tree, at least that is what I was after here. I always look at a scene and zoom in to that alternate view in my mind. I try to extend my perspective from where I stand to where the light is calling. These little areas of zen seem to just appear in front of me. Wyotana backcountry is rife with old ground, ground not disturbed by humans at all (except maybe for fires). . Lots of it by the hundreds of square miles. This is several miles off the nearest county road.
Wonderful backcountry captures happen because of paying dues. You have to be there with a camera in your hand to get some of those moments in space and time. They are fleeting, you often only have moments to capture them before the light changes. The more you carry a camera (s) around, the more cool captures your going to get. 📷 I’m always looking for visual tunnels….
This shows the icy backcountry snow getting a crust on it with a few above freezing days. These followed by subzero nights. The crust actually makes it harder to get around because your wheels are always trying to climb on top of that crust. Your basically in 4 holes all the time coincident with your wheels. Plus the snow becomes like ball bearings…. It’s about time for a big snow though. February is a busy snow month historically. The wet season of course is in the spring when all the biggest snows are. Usually LATE spring around late April or early May have have memorable storms historically.
In a rare display of a pre-sunset yellow to blue gradient all the way to the roof of the sky. A nice golden lower sky alpenglow color-cast downlow smoothly mixes against the still rich blue of the upper sky. This gives a smooth mix of color through the pure blue at the zenith.
From the stand point of a photographer that has watched a few sunsets:
Just took this a few days before I type this. I consider this sunset as in the top 20 that I actually said “WOW” while I was taking it. Several times as I was clicking away with different compositions with the same backdrop sky show. That immediate wow factor to me pushed it to the front of the line somehow lol. This image publishes right at 10 days from when I took it. I am no longer live the same day. All these narratives are written about a week before the actual post.
I do however try to read every comment and respond to questions as best I can. It might take me a week to make it to any particular forum but I do eventually read everything that I find. I answer several hundred comments (like 300 ) comments a day this year. I check PM messages best I can lolol. Please forgive me if I missed you. I appreciate all comments event the critics. I’m my own worst critic so nothing anyone else can say hurts lololol.
I spend well over an hour taking, finishing a photo, write a 250 -300 word narrative publish it and answer responses to them. 5 per day currently. Facebook is a busy place for me.
I live up on the high ridges of the Borderlands. About 300 feet lower from my place, this goes one. We’re all in trouble for floods to reach my door. Our homestead sits at 3700 feet. This flooded spot on the Montana border is 3419 feet above mean sea level. The Lowest spot in Wyoming is 3099 feet above mean sea level on the Belle Fourche River. My communication tower is 4013 feet or about 300 feet above my house. . A lot of water runs past this point in the right season.
This from last year showing the result of a quick warm up in March. The snow pack last year was greater at the same time than this year I observe. Drainage funneling down to choke points of course is a recipe for high water. Upstream here covers an area 50 miles long and 40 miles wide in some places. It’s several thousand square miles in the drainage of the “Little Powder River”. That’s a lot of ground with a couple of feet of snow melted down to 6 inches of well packed firn (granular snow) .
The local term is, “the river is coming down”. Now as a geologist, I think of the river coming down as referring to the water level declining. But this colloquial use means the water level is going up. All that water up stream is “Coming down”. I had never heard before I moved up here. Anyone else use this as a term for rising flood waters?
The commonality we all have with roads leading off into the distance brings back memories of “going over the pass”. Every time I crest a hill I never know what I’m going to see.
Taken early in Civil Twilight, this is a very deep focus close/far perspective. . I was watching this wonderful alpenglow/wispy cloud gradient already on a remote high ridge. A fully involved sky is a treasure but this morning was a treasure chest with all the rare colorcast it led to later in the sky show.
Civil Twilight begins about 28 minutes before sunrise or ends 28 minutes after sunset. It is that period from when the sun is about 6 degrees below the horizon. On clear days you can do normal outside activities that require light. That solar elevation angle below the horizon defines each twilight phase. CIvil Twilight is by far the brightest of the three twilights.
Up here in the Wyoming/Montana borderlands if you want a big view, you usually have to gain altitude to do so. Much easier on the roadways than back on the snowy ridges. The ridge tops are 4000 feet in elevation. Everything else is lower in this area. The lower streams are 3600 feet. We are actually very low topographically for Wyoming (but I digress). How easy it is to gain altitude depends on where you are going of course but winter makes this much more relevant a discussion. Climbing up backcountry two track trails is usually hazardous at best lolol. This complicated with snow blowing around. Being able to read snow drifts is a good skill in this country. This was a stressless busy morning for sure.
Location: near the Bliss Dinosaur Ranch, Wyoming/Montana borderlands. (Wyotana)
This Pronghorn bucks straight on look was a good portrait opportunity. Taking the time to turn sideways the camera side ways They tend to be a bit “flighty” at times and you get their white butts running away as a photo…🤣 When I go out into the backcountry, it’s always a mystery who I’m going to meet and how they are going to react to me. This healthy buck in mid-spring that was put off by my intrusion on his territory. He treated me like another animal with generally him trying to pressure me . I never try to push wildlife on my place as they don’t let me watch them again. They run away instead.
I have found that by being consistently not a problem for wild animals really helps approaching them. Acting like another grazing animal in your vehicle is my technique. I almost never get out and expose my human form to the critters. That would be un-productive. They only see my vehicle and my cameras. I’m still evaluating how these guys will react to my NEW vehicle.
The Pronghorn rut is long over at this time so most of that business is taken care of by now. All the ranches Pronghorn Have migrated with the first snows. THey walk 20 miles to the south. The Thunderbasin Natural Grasslands is a miniature version of the Serengeti Plain here in north eastern Wyoming. (Fewer Big Cats) Not so much in the summer but in the winter there are LARGE herds of Pronghorn that move there from a pretty big surrounding area to winter over the brutal conditions that we enjoy about this region. There is running water there.
Corriente Longhorn Playing Hathor is a capture from earlier this winter. The orange/peach colored alpenglow accented by the cloud blush off the snow in the foreground.. This was a very good year for snow early but not so much now. This was a standoff. Me versus her. I just look brave as there as a cattle gate between us as I got down on my knees looking for the reincarnation of the Egyptian God Hathor.
The orange Alpenglow is the result of atmospheric ice refracting light. All with lots of help from the the red light that make it through that hundreds of miles thick filter. I very carefully expose in the camera that sky to match what I saw at the time. The cow here is 100 yards out for my telephoto to get both the cow and the sky in the same focal field.
This Cow is NOT a Bull, just having horns does not a Bull Make. This is a mother I’ve had 5 years on ranch. … Nothing is certain up here but Winter and brown season lol. This picture hopefully will take you back to that early winter day.
If you don’t have a 100-400mm lens in your weapons chest, you need to consider it. You guy lenses for generations while fancy camera backs last a few years. I’m still using regularly a lens I bought in 1995.
Tip of the day:
You need to use a pretty high f-stop to get this deep a focus. Distance from the closest object is your friend in this kind of image. Deep focal fields come at the expense of loosing light. Your already in a low light environment in twilight.
Ice Road Coyote is an unexpected Game Trail Camera Capture. I have 4 good shots of this guy walking by here on 4 different days. (so far).
There are 8 species in the Genus Canis. The Canis we know best is Canus familiaris (common house dog). This Coyote is Canis latrans.
This is a female by the looks of it on other photos.. It’s about 4/5ths the size of a full size male. Males can weigh up to 45 pounds.. I’ve known a human raised Coyote and they are a force to be reckoned with if they focus on you.
Coyotes were “Wiley” I’ve always thought.. Hunting on thin Ice isn’t the brightest things I’ve ever seen.. This particular lake is well frozen at the moment. That ice is about 6 inches thick at the moment. If the warm weather keeps this up, it’s going to mean a cold bath if not me finding a floating clump of fur in the spring thaw. I’ve seen these guys walk on thin ice indeed in the past.
I tend to 29 Game Trail Cameras currently and plan to expand that network considerably over time. They take very little work but a lot of AA batteries over the network lol. I endorse no particular Game camera as they ALL have issues with photo quality. The way they save .jpgs drive me nuts as I have to fix each and every one I publish. The only thing you can really adjust besides 3 levels of exposure/flash/distance, is placement. Set them on a post or tree and wait. I will have cameras working all winter concentrated where wildlings actually go. Natural funnels and water holes are the easy picks.
Boys will be boys. They didn’t need a reason to lock horns because their hormones were kicking in. Rut was in late November/early December this year up here in the borderlands. They were, as they say, preoccupied and din’t care much about my presence during this tussle.
These two are the best of friends. Thick as thieves they are. About 5 minutes earlier, they wereresting in the shade of the afternoon together lol. This image was taken about 4 weeks before the rut really started and it was still good natured. They really were working on building up their necks. Those necks will swell considerably the close to the rut they get.
Biologists say that a big Bucks neck can swell up much larger than these boys have currently. From the spring, they can swell up to 50 percent larger of a circumference adding more muscle mass. This is all related of course to the Rut which is the annual fight to breed. They live in a world of scents and hormones floating in the air from the does in the group.
I have followed these two around for several years. These 3 year olds have known me since the beginning seeing me out on the ranch land taking photos of their childhood and parents. Now they are starting to really accept me as a another grazing animal. I slowly over time carefully approach deer. They are aware of old vehicles and how I approach. I drive like I’m grazing stopping and stopping. No I have a new truck so this will be interesting. No hurry. Might take me 1/2 an hour to get up this close without changing natural behavior. I’ve actually worked inside of deer herd boundaries before. I didn’t get a chance to do that this year for what ever reason. Everything has to line up just so for a good day of grazing with the Mule Deer. Running late.
Perspective Wounded Tree (I love trees growing out of rocks. ❤️📸
Wide landscapes are one of my many photographic pursuits and I enjoy using veiled skies better than clear blues. Getting high up topographically on a remote backcountry ridge, miles from the next closest human is usually a good start for a memory. The span of space/time has been bridged. It’s hard to argue with hundreds of square miles of un-molested ground. When ever I travel back east, I have trouble finding 50 square feet of ground that hasn’t been effected by human machinations. Cleared ground is the rule there not the rare exception. The population density of this 128 square mile zip code is 124 voters last I heard. That’s one voter per square mile on average lololol.
I am standing in Montana for this image shooting across the Wyoming border.. Wyoming Skies over Montana ground. This is many miles from the nearest ranch house. Not many have ever seen this view but myself, a few other ranchers maybe, and you. Ranchers don’t do a lot of sight seeing up in this country. If they do, it is a by product of course of looking for loner steers and cows out on the range. These are BIG pastures up here. Several square miles of pasture ground is not unusual to have a fence around.
Some nights out I drive for a few hours from place to place, roost to higher roost. Five miles travel as the bird flies can be 10 miles by land. There are no asphalt roads up here. Maintained gravel is the country road system, State roads are concrete and asphalt. The closest asphalt to this location is about 15 miles. Its’ a long way via two track roads to make it there. The country roads are a much faster way to travel. There are 10’s of thousands of miles on two track roads in backcountry Wyoming. Matched only by the number of miles of roads UNDERGROUND in all the deep
Grass Stand Sun Filter (or Summer Sunset Through the Grass…..)
Yellow gradient to red but there were some low clouds messing up a perfect gradient. It’s hard to fight mother nature but I like the yellow and transitional orange in this. Stepping JUST over a ridge line with a long lenses camera is at sunset becomes habit. I work parallel ridgelines all the time looking for close / far perspectives such as this.
The sun is SOOOO bright you couldn’t look at this scene with the human eye. I’m about 150 yards back from this grassy ridge with around 400mm involved. I work the shadow line on the far ridge. Distance is your friend with this kind of shot. Maximum F-stop settings (high numbers) give you a deep field of focus. Ifs your first priority to get the grass AND the background in focus. Good thing, it’s a bright scene and the High f-stop makes your aperture a pin hole. Go higher if you can. Then I mentioned, distance from the foreground object is key. You have to be far enough back to get the grass AND the sun focused at the same time.
As I type this, we are going into a cold snap you will have experienced by the time you read the post. I build these posts about a week ahead on average. I post 6 different images everyday on FB along with the story or lesson for the narrative.
Mirage Over the BigHorns (They don’t look like that)….
Fata Morgana = Complex Mirage
Often observed over large patches of snow/ice at low uniform temperature. Sounds like here lolol… A Fata Morgana is a pretty rare event in my experience. I’ve never seen this before but it can occur anywhere. There is no limitation for temperature though as they can occur on hot days. This was not a hot day lolol.
Fata Morgana is described as a very complex “superior” form of mirage. It will have three or more distorted erect and inverted images . All within the primary mirage. Changes of the constantly variable conditions of the atmosphere cause it to change form rapidly. A Fata Morgana may change in infinite ways within just a few seconds, Including changing to become a straightforward superior mirage. A superior mirage occurs when the air under the line of sight is colder than the air above it. This unusual arrangement is termed ” temperature inversion”. Warm air above cold air is the opposite of the normal temperature gradient of the atmosphere during the daytime. That obviously was the case here.
Seen from sea level to mountain tops, this phenomena has even been seen from aircraft. I’ve never ever experienced this in 20 years of living up here. Now the Big Horn Mountains are 130 miles distant. That is one long distance mirage. About 200 miles line of sight past the Big Horns are the Wind River Mountains. The strange slopes COULD be from the Wind River Slopes showing in the mirage. Alternately, the mirage COULD be Multiplying and stacking in several layers the slopes of the Big Horns themselves. (Educated Speculation at best).
“Atmospheric ducting” of light causes this. The lensing created by bending the light rays in an arc equal to the curvature of the earth. Proper Positioning is necessary to see this. Being JUST below or actually in the atmospheric duct is necessary to see the Fata Morgana Mirage.
A famous myth like the Phoenix, a magnificent creature of paradise, a land beyond the sun. . Fatigued from building it’s nest before the sun rise, you notice it’s obvious tiredness. The sun god began to carry the sun up from the horizon to it’s zenith, the Phoenix bends it’s neck back like a crane. It begins to sing a haunting cry that stops the sun in it’s tracks. So beautiful was the song, the sun god stopped to listen to his notes. Upon his resuming his journey, a spark falls from the sky igniting a fire that consumes the nest and the bird. But please avoid worry, it rose again from the ashes reborn young and renewed. 😜
Those crazy ancient greeks thought the Phoenix lived across the straights in Arabia. Living next to a well (paradise in Arabia apparently ), it bathed there every morning. (bird tea I’m thinking). That song stopped Apollo and his chariot in the sky (with the sun), the rest is history 🤔
We’ve seen destructions, creation, life, death along with learning that life in Paradise isn’t all it was meant to be lolol. The Phoenix lived a thousand years each rebirth cycle. Never destined to stay destroyed but to be reborn again. A lesson of time works into the story as well. There are several versions of the story, one where the bird self-immolates lol.
This is from a good Game Trail Camera sitting mostly on the ground. Catching a flock of what I think are cowbirds coming in to a water hole to drink. The only control you have over a Game Trail Camera is where you place it. Love the lens flares …..
A clandestine meeting down Yonder by the fence line was occurring when I interrupted it. I suspect it was a lively discussion of one meeting with two different opinions resultant from it. Just like humans do. There may be some territorial statement ongoing during this capture. That’s good hunting ground behind them. There is about a 100,000 mice and other small voles/prairie dogs/ rodents out there for the taking. Who looks where takes on a big meaning lol.
Yet another capture driving along remote backcountry roads up here in the borderlands. I saw these two Raptors talking 30 feet apart. At this lower f-stop setting, the focal field was about 20 feet deep and these birds are 30 feet apart lol. I’m not a hawk expert and the distinction between Red Tailed Hawks and Ferruginous Hawks seems blurred to me. On bird is definitely bigger than the other. I suspect somebody knows the answer that will be reading this. Feel free to correct my ID as I’m only about 80 percent sure. The different sizes are an obfuscation.
Random encounters result in opportunistic captures for my photon traps. (cameras). I see them….driving along a gravel road, stopping. Then getting out standing between the door and the car with a 2 foot long lens is a chore best accomplished with some haste. Doing so and not have the birds fly off is a whole different encounter. The chances that both birds would hold their ground on a vehicle incoming at 45 mph is small. 45 is the speed limit on most gravel backroads around here. Then have enough time during all that get a camera up and set properly in manual mode. . Elapsed time less than 20 seconds I would imagine.
Location: near the Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana)
This Game Trail Camera is a good clue that the Mule Deer Rut Starts pretty soon. I would really like to find this guy on a sunny day with a good pro-camera. These game trail camera images are hard to finish each and every one.. They do amazing work for being “Johnny on the Spot” automatic machines though. Now if they would just put a sony alpha body inside I’d pay good money for an automatic game camera that took photos the quality of say a good consumer level digital DSLR camera. I know right where to put it… 📷
This thick necked big antlered 12 point (6 ring hangers on each side how ever you want to classify him. He survived the hunting locally. I suspect he will father quite a few fawns shortly. I believe that rut is about 20 days late this year starting. The rest of the summer was a month late so I suspect they are also effected by the offset weather. This was indeed a very odd year weather wise. Lots of water = lots of grass but fortunately it all didn’t catch fire. There is a LOT of one hour fuel out there at the moment. The cattle are busy eating this all down as I type.
I have to go out and move these cameras today as cattle are back in this pasture. :(. I think there are 9 or 10 of them so it will take a while. I usually take my time but having cattle in with game trail cameras is a good way to get them gooey. Some of them are worth protecting lolol.
Sunset Across the 130 mile Distant BigHorn Mountains is one of quite a few BigHorn Range captures over most of last week. Amazing stuff 😲📸
Watching this alignment start up with the sun WAY left of the range less than a half hour before this. The sun will always move from left to right as well as downward. Of course it’s the horizon rising but you already know that. (The sun isn’t moving here, the earth is spinning) . The earth is tilted on it’s axis
That tilt is relative to the solar systems flat plane called the ecliptic. All the planets are circling the sun on that plane. The earths north/south axis Currently, the Earth’s axis is tilted 23.5 degrees from the plane of its path/orbit around the sun. But this tilt changes/wobbles like a top. During the long wobble cycle that averages around 40,000 years. (Based on good scientific work eh? 👁
The tilt of the axis varies between 22.1 and 24.5 degrees. Because this tilt changes, the earth is exposed to differing amounts of energy from the furnace over that interval. Paleoclimatology is something I have dabbled in. I will tell you the sun is the driver of our climate so one would assume that global changes occur as the way you face the sun. Yup, the climate has been changing since it all started as a pool of molten rock accumulated in a gravity well lol.
SO back to this photo:
This time of year, sun sets dramatically from left to right as the horizon rises here. But it rises from left to right at sunrise. (The phrase to google here is Ecliptic solar system). So tracking this and watching it change by the minute was very impressive.
Bright bright bright stuff. Shutting the camera down to light ALMOST taken with the len cap on (it’s that bright lolol) You only have 3 main things to set on your camera by working it on manual mode.
They are: “ISO” (Camera Sensitivity), f-stop (aperture or pupil size of the lens) and Shutter Speed in parts of a second (s). Figure out what is important to you (deep focus or freezing motion?). You set f-stop high for deep focal field . F-stop low for shallow depth of focus field. F-stop takes away light so high f-stop (small hole in the lens) is good for high light situations. Priority 1 taken care of.
Your next priority (2) is ISO (camera sensitivity). Low ISO is ALWAYS best because High ISO give you too much light AND a grainy appearance in the image. So LOW camera sensitivity (or slow ISO 100). High ISO is best for LOW LIGHT situation. Really HIGH ISO over 2000 is for the dark if you need it only. I consider ISO evil to go high with.
Last thing on the list is shutter speed which is your variable to adjust the total exposure. You adjust until you get the result you desire. On an older DSLR reflex type camera, you look at the image on the LCD on the back of the camera body AFTER you take the photo. With a Mirrorless Removable Lens Camera though, you get what you see on the screen INSIDE the camera, WHILE you are moving the dials the image reflects the changes you make. What you see is what you get. Instant feedback, MUCH easier for you to learn on. So if you made it this far in my text, and your looking at cameras, pick a mirrorless model, preferably a full frame/large sensor camera. Full Frame cameras have higher dynamic range than smaller sensor cameras. 📸
Don’t USE a standard DSLR camera to take sun photos and YOUR camera may not be rated to take this heat. Large sensor cameras spread out that light and don’t melt like some smaller sensor cameras would here. More important, don’t blind yourself in a DSLR even trying this. Seriously!👁
This is the third image I finished from this photo session with a Gold Tachnid Fly. Tachnid Flies as a group are wonderful things to have in your garden. They kill major insect pests that destroy our crops. Kind of a big fly, really bristly and quite a vivid appearance highlights this Tachnid Fly Gardeners Friend #3.. This capture is by far the best of 3 in the series technically. Also artistically really from this time line of finished images. The Asters were post frost pollen providers here.
In an unusual manner, SOME species of Tachnids actually have their eggs develop in their bodies. Thus giving birth to live larva which they deposit readily in caterpillars and other crop eating insects. As a group they do a tremendous service to us in general. The adulst are around your garden to drink nectar through that have their ulterior motive for visiting your garden. They inject their larva (or just eggs under the skin so the larvae will slowly digest the host bug. Killing the host as it develops. (more on this later).
Sounds like an early Japanese Horror Film. Some species of Tachnids lay a live larva on a leaf and it will crawl around looking for a host to burrow into. Then it will eat and digest it slowly from the inside out. The larvae (of course) start on the least important parts of their host to keep it alive longer. Kind of like Cow birds and Cuckoos laying their eggs in another nest.
But these guys have the added feature of killing the host. Classy Lifestyle if I may say so. . Parasitic reproduction for sure but these are not animal carrion flies that carry disease about. As I’ve said, they are our friend. Good thing they only pick on other bugs that tend to eat our crops. The eat nectar, pollens and saps as an adult. This one is munching on pollen from the surviving asters after the first heavy frost. Not much else to eat out there.
The lens I used for this is a little odd being about 2 feet long. It is only an inch in diameter. It has LED lights at the end around the lens. They tend to be a bit yellow in general but yellow plus gold is vivid. . Being “Ultra macro” with a very deep focal field is rare. Getting the fly and mostly the flower in focus is an amazing performance . Even more so considering the “plus” size that these Flies are. He’s at least 1/2 inch long if not a tad larger. Getting this close to a fly feeding with a bright light….. Esier than without the bright light 🤔📸 or so I’ve noticed.