This mood setting Blue image posted only 24 hours after my last blue image……. Starting a trend perhaps…… I was just musing that a moody blue scene was rare in my portfolio. . I’ve even been accused of being blue blind by more than one individual. Having said that, I try really hard to be photorealistic in what I do. I do consider myself a landscape photographer. This doesn’t mean I’m not biased in my pursuit of crimson skies with silhouetted land. I am biased in my choices. . I way disproportionally post fully engaged complex skies. Obviously simple was better here.
This is almost exactly on the Montana / Wyoming border with it pretty much running through that largest tree. That is 45˚ North Latitude as close as the civilian GPS I use, can locate. Well endowed our ranch is geographically. That major meridian runs through us for about 2 miles linear of the Montana/Wyoming border in our ranches boundaries. I have over the decades gotten a pretty good idea where it is at any one time and by landscape features. That invisible line is literally 1/2 way between the Equator and the North Pole (the Montana/Wyoming border too).🤔 We are also about 120 miles from the geographic center of the North American continent. You couldn’t get much further from an Ocean than this spot….literally lol. No local “Red Lobster”. We have to drive 150 miles to the closest one. 😔
To me the ultimate perspectives are the foggy ones. Shadows within frame set up by the sun presented themselves to me. Foggy sunrises are not a common thing up here in the high country. There is a lot of topography here. Differences in elevation a mile apart can be 3-400 feet in this backcountry. Big Long ridge tops tower over the surrounding drainage. In order to see the sun in this area, one has to be on a ridge top. Fog is not as common on ridges. When It is, I try to be there.
I’m trying to remember how many of this kind of photo I have…. errr,…. none but this one I think. Foggy shadows are rare in my world of backcountry ridges here in the highlands. I see fog in the valleys rarely, 5 or 6 times a year. More likely, the cloud deck moves down with no mercy over us with 100 yards visibility at a bright LED Bulb. Totally obscuring all but grey flat light.
I’ve been OVER a cloud deck like this only few times up here. I got lucky anticipating the clearing above the Inversion layer, I went outside and saw a few stars break through a small window. On that, I took a trip to the highest point I can drive to around and instantly was in the clear. This is one such time. There were just wisps of moisture pushing over the ridge top this unusual morning. It was fully overcast flat light down in the valleys lolol. 👀📸
View from up on Ridge one here on ranch. The window to the Big Horns is IFFY this time of year from this far away. My truck/tripod is 130 miles out for this capture off the highest point around the place. The timing on this was mid-Civil Twilight. The sunset is far right off frame looking from the Montana/Wyoming border to the southwest toward the range.
Full Screen is a good choice for this. Twilight over the BigHorns this night was so obviously gorgeous. I had to resort to a short time exposure to catch it. The timing on this sunset is very late in Civil Twilight. When the alpenglow colorcasts the snow on the Mountains, I get interested 👀📸.
Civil Twilight after sunset ends about 28 minutes after the sun goes down 8 degrees under the horizon. It’s usually the best time to get those crimson and yellow skies. Orange here is a mixture. Atmospheric Ice causes this phenomena caused by refracted light passing through. Only the red wavelengths which have survived through hundreds of miles of atmosphere light the cloud deck.
The long lenses I use crush the perspective of distance. I’m almost always using telephotos to bring in just the BigHorn Mountains filing the whole frame. It takes about a 800 mm long focal length to fill the camera frame side to side with the tallest part of the range. The black ridge at the bottom is 40 miles out. The clouds behind the range are around 200 miles out I would suspect. The distance is hard to put into proper frame. Those 13000 feet high mountains appear smaller than the thumb on my outstretched arm from here.
I find that the moon is a lazy celestial object. Always sitting down on the job. Here I caught the sneaky planetoid before lifting off the backcountry folding chair it was sitting on. Who knows how long it was sitting there. I mean it only moved after I pointed a camera at it… This color is it’s “Blush” of “being caught” sitting down on the job I suspect. I’ve seen a red flush before too. Easily flustered I think… 😜📸
I catch our old orbiting neighbor resting on unusual things all the time walking parallel Ridges along the shadow line. Missed are a million moments in time depending on the angle you find yourself observing a particular scene at. Every different angle will give you an entirely different viewpoint. I’m always looking at angles and what I have to do to achieve the perspective I’m looking for.
The ability to anticipate the way things WILL happen and being there with a camera in your hand is about 50 percent of the photography game. The rest of getting the photo is reliant of your positioning before that time/space moment. My biggest limiting factor besides gravity is topography of course. You can’t walk where there isn’t ground I have found. 😔🤘
Halo’s around the moon are tough to capture. Try it…. I’ve been known to climb on my vehicles roof to get just a little more height. It would be nice to have a folding ladder from time to time too angles being what angles are. . 😜
These guys are sandpipers with obscenely long bills. Since the male and female Curlews look pretty much alike with minor differences in the bill I’m not qualified to call. What I like about these guys is that they are grasshopper eating machines in the summer. They over winters in wetland marshes and other shore line estuaries. It couldn’t get much further away from the ocean as we are only a few hundred miles away from the geographic center of North America. These guys are our largest shore bird in North America. (National Audubon).
They are fussy birds if you come into their domain. Male displays over their nesting territory are impressive with loud ringing callsThey will circle about making lots of fuss trying to lead you away from the nest. I find them driving along the two track trails as I’m on the flats below the higher ridges. Mostly a flat field grassy nesting bird rather than preferring a hillside with a view as I’ve seen them.
This was a late spring snow storm from the spring of 2019. It caught everybody by surprise. Robins, Meadowlarks and Curlews were wading knee deep in the white stuff. Much to their collective dismay I’m sure. I understand that across their range, the numbers of this amusing bird are dropping with the reduction in natural grass land turned to mono-crop agricultural uses. They of course use wild non – tilled prairie to nest and feed during the summer months. A classic case of reduce the habitat and reduce the numbers. 😔
It was an Icy Alpenglow Morning right at sunrise up yonder on the ridge tops. The main sunrise show over my right shoulder is usually yellow (ish) but this back show is Lavender/Pink/Orange. This back show is called the “Belt of Venus” which is often on going while your watching the sunrise. You miss this show if you don’t look behind once in a while … Several image from this particular morning timeline made it through the “sieve” I use to determine which photo to work on. Alpenglow is the result ice in the air lighting up with the bright first pink starting about 40 minutes before sunrise… and then gradients to other nearly pure primary colors to this rare Lavender at times up high.
The red/pink will often work down on the tree top tips as the surviving red rays project off the ice on them. The hoar frost covering any exposed surface made for a winter wonderlands for a photographer with time before sunrise. Hoar Frost usually forms on objects disrupting air flow. The air full of moisture under freezing conditions. DIrect condensation of that vapor from supersaturated air is greater then 100%. T
he formation of hoar frost is similar to the formation of regular dew with the difference that the temperature of the object on which the hoar frost forms is well below 32 degree F., whereas this is not the case with dew. Hoar frost crystals often form initially on the tips of plants and or other objects. I’ve seen vehicles, fences, tires, plants and even other icicles with Hoar Frost on them. The largest I’ve seen had frost feathers/needles almost 2.5 inches long.
Sunset 40 Mile Ridge . The Sun becomes stuck in a rut occasionally as well. 😜
The solar disk was occluded by thick clouds before this. I thought I wasted my trip out. This last minute break/slit occurred . Then it slipped under the cloud deck which allowed this very small portion of the far horizon.
Looking into the setting sun from 40 miles distant. That Ridge is in the “Red Hills”. (Their name.) The horizon rising to cover the globe of fire so delicately veiled by the shroud of clouds close to the ground this evening. The nuclear processes emitting photos traveling 93 million miles over about 8 minutes of travel time. Light travels at 186,000 miles per second so I am actually looking back in time and Space by 8 minutes.
Awkwardly, I remind you that the sun is not line of sight here but actually below the horizon. The image of the sun is bent around the earth. RIght around the curvature a bit. Distorted from below the line of sight into my view. Its a phenomena that is always happening as the atmosphere acts like a lens and bends the image. When ever light travels through medium(s) of different refractive index(s), it get’s bent. The various different temperature layers of the atmosphere work in a similar way to a glass lens of the same curvature. does with the light. It’s not until a few minutes later that line of sight catches up with reality as the sun rises above the atmosphere.
The Deep Yellows and Reds of this Image are the only colors to reach my photon capture devices (cameras). The atmospheric moisture and dust is the gauntlet to all shorter wavelengths. I carry a variety of these photon traps with me most times I venture out into the backcountry. This one was a Sony Alpha 7RIV, 600mm G Series Sony/Zeiss Telephoto with a 2X focal extender by Sony. 📷
With the weather getting a little milder here late-winter, Crunching out through crusted snow becomes slippery at time. . Crusted snow is a hard surface on top of softer snow underneath. Occasionally ICE under it. I typically fall through somewherelol. This is dry high ridge country here in the borderlands of Wyoming / Montana Abandoned many decades ago, this plow wheel (with the rest of the plow off right frame) was a very high technology gadget when it was forged. State of the art. They have changed a bit since with hydraulics and size, but the basic tool remains for the same task. Somethings are hard to improve on. A fine 1911 Pistol comes to mind instantly…. maybe it’s just me…
The contrasts present were staggering, the light blinding to the human eye. Those in and of themselves are unable to behold such a scene unaided by technology. The Icy surface intensifies the glare reflecting golden light into your vision. You instantly avert your eyes to avoid damaging them. Sunglasses would have been inadequate. You can not and should not peer directly at the sun with sunglasses or non-mirrorless cameras.
New Mirrorless removable lens cameras have a significant ability to turn down the volume on the incoming light. None pass directly to your eyes. I see the scene on a video screen before I commit to take the image. I’m watching on TV effectively… Click… You’ll want to have a full frame mirrorless before attempting this. Disclaimer. Do not do this with a DLSR camera as there is a direct light path to your eye through the camera. This could EASILY blind you instantly. I only use Sony Alpha 7 R series mirrorless cameras which has no direct light path internally to your eye.
Landscape Ala Borderlands . (Green September 2019)
Here I stand in Wyoming and am imaging across the Montana/Wyoming Border. Looking over the Ranch Creek Drainage up to 50 miles distant to the far ridge in Montana. The intervening valley shows the erosive power of little “Ranch Creek”. Ranch creek is about 10 feet wide when its flowing. This drainage removed all that sediment covering from where I stand to the the horizon OFF where I’m currently standing exposing the dinosaur fossils in the older rocks. This is the country I call “Wyotana”.
All that low ground USED to have sandy sediments/rocks totally filling the hole between me and the horizon. The erosive power of the Little Powder River carrying one sand grain at a time to the next river eventually to the Gulf of Mexico. Those sediments now reside in the Mississippi River Delta or somewhere along a river bank on the way. All things eventually end up in the sea washed their by water.
Some parts of the ground under us are harder/more resistant to erosion than others. When you see a hill, usually that hill exists because everything else around it was removed. It is a remnant.. There are exceptions like volcanos and glacial deposits. Those deposits show where a hill is made not left as here. But these hills are all erosional remnants. The softer rock turns into gullies and washes. The harder/less erodible rocks make up the high places on a general concept level.
The geology of this country is integral in my photography. Yours too. The geology controls what we have access to. T%%he topography is created by the characteristics of the ground you stand on. Geology……….
I was hoping the sun would set on the fenceline but my directions and timing were off a few degrees/seconds…. The sun will always appear to move from left to right as well as downward as it sets. Of course it’s the horizon rising but you already know that. (The sun isn’t moving here, the earth is spinning) . The earth is tilted on it’s axis .
Science Factoid: That tilt is relative to the solar systems flat plane called the ecliptic. All the planets are circling the sun on that plane. The earths north/south axis Currently, the Earth’s axis is tilted 23.5 degrees from the plane of its path/orbit around the sun. But this tilt changes/wobbles like a top. Wobbles during a long wobble cycle that averages around 40,000 years. (Based on good scientific work eh? 👁 )
The tilt of the axis varies between 22.1 and 24.5 degrees. Because this tilt changes, the earth is exposed to differing amounts of energy from the furnace over that interval. Paleoclimatology is something I have dabbled in with an advanced degree in Paleo stuff… . I will tell you the sun is the driver of our climate so one would assume that global changes occur as the way you face the sun. Yup, the climate has been changing since it all started as a pool of molten rock accumulated in a gravity well lol.
SO back to Looking into the Furnace : This time of year, sun sets dramatically from left to right as the horizon rises here. But it rises from left to right at sunrise. (The phrase to google here is Ecliptic solar system). So tracking this and watching it change by the minute was very impressive.
Photographic Musing: Bright bright bright stuff. Shutting the camera down to light ALMOST taken with the lens cap on (it’s that bright lolol)
You only have 3 main things to set on your camera by working it on manual mode. They are: “ISO” (Camera Sensitivity), f-stop (aperture or pupil size of the lens) and Shutter Speed in parts of a second (s). Figure out what is important to you (deep focus or freezing motion?). You set f-stop high for deep focal field . F-stop low for shallow depth of focus field. F-stop takes away light so high f-stop (small hole in the lens) is good for high light situations.
Priority 1 taken care of. Your next priority (2) is ISO (camera sensitivity). Low ISO is ALWAYS best because High ISO give you too much light AND a grainy appearance in the image. So LOW camera sensitivity (or slow ISO 100). High ISO is best for LOW LIGHT situation. Really HIGH ISO over 2000 is for the dark if you need it only. I consider ISO evil to go high with. Last thing on the list is shutter speed which is your variable to adjust the total exposure. You adjust until you get the result you desire.
On an older DSLR reflex type camera, you look at the image on the LCD on the back of the camera body AFTER you take the photo. With a Mirrorless Removable Lens Camera though, you get what you see on the screen INSIDE the camera, WHILE you are moving the dials the image reflects the changes you make. What you see is what you get. Instant feedback, MUCH easier for you to learn on.
So if you made it this far in my text, and your looking at cameras, pick a mirrorless model, preferably a full frame/large sensor camera. Full Frame cameras have higher dynamic range than smaller sensor cameras. 📸 Disclaimer: Don’t USE a standard DSLR camera to take sun photos and YOUR camera may not be rated to take this heat. Large sensor cameras spread out that light and don’t melt like some smaller sensor cameras would here. More important, don’t blind yourself in a DSLR even trying this. Seriously!👁 Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands.
This is actually a morning back show looking at clouds sitting over the Big Horn Mountains 70 miles behind the dark ridge (the Red Hills) which are 40 miles distant. The cloud resembles a mesocyclone incoming and it was a weather system rapidly moving in on us. The moon was soon to dive behind the approaching spring storm. A mix of rain/snow and sleet proceeded to move in shortly afterwards that morning.
The moon here is a Waning Gibbous JUST past the full March Supermoon known as the Worm Moon. March is the month birds start digging worms out of the ground thus the moniker.
The two antelope had just run across the road in front of my truck, the male with them was still on the other side of the road. Separated from their leader, they stopped and waited for him Click . As I moved he broke stance and ran right in front of my truck as a sign of disregard to my presence. I have found that as a matter of principle, if Pronghorn CAN run across your path, they WILL run across your path.
I’ve only hit ONE pronghorn in 20 years of driving these backroads of Wyoming. I would indicate that as a family we have hit 13 deer and 2 antelope in the same time. I have personally hit 4 of those deer. Total Damage in all those collision to my vehicle… A broken license plate bolt and a lot of car washes. I spend a LOT of money on really good vehicle bumpers. Saves my insurance company a bit as I have never had a claim on a vehicle. Does it lower my insurance???? Maybe….
Photographing images like this a combination of finding the right position in x/y space, timing and distance is z, and that position moves with the speed of the moon which makes using Tripods very difficult. Maybe a monopod….This was handheld.
Distance is your friend here from that Lone tree. I’m about 600 yards out from it for this shot. This is a full sized image not a crop. Doing this kind of photography has found me on my butt more times than any other. The moon is constantly moving, I’m usually on some parallel ridge walking forwards (as the moon is rising and to the left a bit while looking through a 2 foot long lens (tube) and not at my feet with sage brush around on uneven ground. I’m all about getting it behind and in focus with terrestrial objects. It’s always a good thing when this particular tree lines up with astronomic objects (sun moon). The moon is a little further behind.
Photographic Musings: The clouds were very thick and obscuring with the moon blinking in and out from behind the veil. I am as always, reactive to the light with only a bit of premonition to guide me to the next spot from here. Half the game of photography is knowing when you got the shot and it’s time to move on. Otherwise you spend too much time at the site and miss other opportunities. I move pretty rapidly from interesting situation/alignments of the sun or the moon by driving along parallel ridges. I work the “Shadow” line by driving it and “seeing” what develops as I move. The cool stuff to photograph as in “I know it when I see it”. There are times I see things that are virtually impossible to capture unfortunately. Working on those 😜👀📸📸
Location: near the Bliss Dinosaur Ranch, Wyoming/Montana borderlands
Toward obtaining an image at -2 degrees F. There was a breeze and I don’t care how you dress, something gets cold lolol.
This Close Far perspective is a favorite way to deal with first light of morning. Fortunately this ridge had a 1/8 inch of Hoar Frost covering all the vegetation. I call these “Pine Noodles” as it just seems to fit. The earliest light as the sun is just rising has a decidedly pink color cast. Usually this is most obvious on the sky opposite the sunrise. The “Belt of Venus” which is a very pink Alpenglow phenomena reflecting said pink light back. Pine Needles coated in ice make a very good projection/reflection screen. This pink color cast is not that common on local vegetation and is usually only perceptible on the atmospheric ice.
Hoar Frost usually forms on objects disrupting air flow. The air full of moisture under freezing conditions. DIrect condensation of that vapor from supersaturated air is greater then 100%. The formation of hoar frost is similar to the formation of regular dew with the difference that the temperature of the object on which the hoar frost forms is well below 32 degree F., whereas this is not the case with dew. Hoar frost crystals often form initially on the tips of plants and or other objects. I’ve seen vehicles, fences, tires, plants and even other icicles with Hoar Frost on them. The largest I’ve seen had frost feathers/needles almost 2 inches long.
These guys were busy grazing on the grass of this ridge when out of the blue, this big ball of fire came down between them. Separated by an apparently dangerous fireball, the rear buck realizes the problem. I’m sure he’s working out the solution to his separation anxiety. Deer take time to process unique situations so I caught him here deep in thought. 😜📷
Lining Deer UP from hundreds of yards away against the setting sun is an exercise in understanding topography. By working parallel ridges I get to stay hundreds of yards away from the casual deer. not alert the deer and am still able to get far enough away to catch a foreground object in focus for three layers of image here. I only get to have the planets align like this a few times a year. I only had one opportunity this year to have deer pose for me in front of such a show. Images like this are infrequent in their occurrence for me to work.
In reality this kind of image is going on all the time, there just isn’t anyone there to take the photo. Getting into the right position for this is a lucky event. I have known these two bucks for a few years and because aware of their tendency to walk this ridge an hour before sunset. They were on their way from their grass pasture to the water hole on the other side. Almost every day these two walked this ridge like clockwork. Following the same trail daily These two are still around. I’m not sure exactly where with the snows/mud of late. The Backcountry is challenging to get back into at the moment.
A summer image from here on ranch for those of you with cabin fever here in mid-March. Can you feel the warmth of the summer evening?. How about the smell of pine and sage wafting in the breeze. Cotton wood pollen makes me sneeze as does grass pollen. It’s pretty humorous I choose such a place to regularly keep Kleenex in business. .
In the remote borderlands area of Wyoming and Montana I live on, we have fairly severe winters plus they last till May. Fortunately I have the perspective of living 10 years in Jackson’s Hole Wyoming. I used to get 6 feet of snow flat in my backyard every winter in Jackson. My drive way was only a few hundred feet to the plowed road. I had an Chained up 4WD ATV with a snow blower on the front. Much Less wind in Jackson…🤔 I’ve done -40 in Jackson Hole but only -30 down here 2000 feet lower topographically. I’m over 400 miles crow flies to Jackson up here in the N.E. Corner of Wyoming/SouthEast Montana.
Here in the borderlands north of Gillette Wyoming, we deal with drifts some of which are significant monuments to the ferocity of the breeze about at times. Way more wind up here on the high ridges of the western most Wyoming Black Hills. Unfortunately my drive way here is 1/4 mile long. It’s also warmer here. Jackson is 6200 feet above mean sea level, we are 3730 to 4055 feet elevation above sea level at the Bliss DInosaur Ranch homestead. That’s a little over 300 feet of difference in elevation in the topography here.
Driving in the backcountry and finding views like this is a reward in and of itself. I see things that are hard to capture that I’ve never been able to get just photorealistic as I saw it. This one was hard. High contrasts are such that the differences in dynamic range become difficult to record. A shadowed backcountry with my head/camera JUST in the light above the far ridges shadow.
This backcountry is beautiful under MOST conditions. This night was quite special for a clear sky evening. . There are so many places to explore, it’s literally endless with so many nooks and crannies that you would need horses and nothing but decades to explore.
Forest Fires hundreds of miles away accentuate and attenuated this image. Various levels of smoke from burning forests give western photographers opportunities. I am not ashamed to take advantage of it though my heart goes out to those that the fires impact.
I’ve physically fought my share of grass fires living surrounded by a sea of grass. Fires used to burn here from their start to the first snows putting them out. I’ve seen some tremendous sunsets as a benefit to natures actions cleaning up the dead fall that we have allowed to accumulate to dangerous levels. I’ve said many times before that I don’t use glass filters in front of my lenses.
When shooting directly into the sun, the best filters have lefts a ghost of the sun in my images. Offset artifacts are not generally welcome to a photographer that tries really hard to be a photorealist. I will occasionally wander using lens reflections/flares in my work, but not here lol. 📷
Big Long Telephoto lenses have a tendency to CRUSH perspective like a compressed accordion . Getting topography, Windmill and Sun all to line up at the same time while at the same elevation as the sail…..not that regular an occurrence lol. I know the topography I work pretty well after ‘working it’ for decades. Knowing the direction the sun is going to rise is a matter of looking it up on google. Get a compass, a map (in my head by now) and figure out “what two or three things” can line up. I never know WHAT the show is going to be when I go out with cameras. I do usually know WHERE it is going to take place though. 😄
I pay a lot of attention to Close / Far perspectives when I am out with a box of cameras. So many choices, how about a telephoto at 800 mm at 150 yards out from the branch. Such lighting only possible by parking an off road LED light bar close to the branch in question and start walking down hill until you can get both objects in focus. There are equations to figure out your focal distances but it depends entirely on your f-stop setting and particular lens. The higher the fstop, the less light into your camera BUT you get a deeper depth of focus. (i.e. both objects at infinity).
Mostly, completely missed are a million of these moments in time depending on the angle and time you find yourself observing a particular scene at. Every different angle will give you an entirely different viewpoint. Steep slopes help align a low moving terrestrial object with a terrestrial object (hint). I’m always looking at angles and what I have to do to achieve the perspective I’m looking for. The ability to anticipate the way things WILL happen and being there with a camera in your hand is about 100 percent of the photography game. Time in important, knowing when to leave a scene is as important as anticipating a scene.
The rest of getting the photo is reliant of your positioning yourself before that time/space moment. My biggest limiting factor besides gravity is topography. If the moon is rising, I have to walk closer to the hill to keep the perspective. If I move forward about 20 feet, you can’t see the branch . Also If I move up 20 feet I’m suspended in mid air levitating above a small chasm. I wonder how many photographers have walked a little more back, a little more, and more. Only to find out that there wasn’t any ground there. 😔
Whimsical: First of all, I’ve never seen a group of boys hanging out on the corner that didn’t bring an “oh oh” to my mind lol. The big guy (second to the right) is actually pretty big as a Mule Deer’s ears are 22 inches roughly across. I’ve certainly seen bigger bucks. Overall a nice Muley Buck I thought.
OH, I forgot, I’m suspecting they were about to drag race here . My presence shut it down as if by a switch. Instead they walked off slowly with casual glances over their shoulder. More or less continuing to move from one of my water tanks to their grazing areas. By the looks of those bellies hanging down, the food supply is doing well. Yup chubby future hubby for some lucky girl is.
The 35 mph speed limit is just suggestion as maximum speed to them I suspect though it’s the law up here on ranch. There is about 3 miles of county road that crosses across our ground. It makes it MUCH easier to get from one end to the other for everybody up here includeing this batch. They had just left the cleared gravel
I watch well known places of wildlife activity such as watering holes we keep open all year just for wild life. (4). Usually one of them will have stock on it but it’s still open for the deer and anybody else around to use. Everybody needs a place to drink. Wildlife tend to be hard pressed in the winter to find open water.
I often find myself out in the middle of nowhere in the grass during sunset. Humm I wonder what’s around for filter material? 🤔🤔 Also discovered is the tendency toward you actually being where you are. A limiting factor certainly lolol. Photography is both planned AND accidental when it occurs. Rule one of getting a photograph:
RULE 1: Have a camera with you as much as possible. I don’t even like to go outside without one when I’m going to do ranch chores in the mud in the rain.☑️
I have a very limited amount of time to shoot sunsets. Depending on the sky, I choose what camera/lens combination I’m going to grab to “work” the scene unfolding in front of my eyes. A Clear Sky Sunset is an indication ahead of time to set up a “Close / Far perspective image. The Thistle globe of seeds was my sun filter to reduce / minimize the glare from the sun.
You need a HIGH f-stop number for the deep focus plus it’s reduction of light. ISO 100 (low ISO for bright light camera sensitivity), and use shutter speed to adjust for what ever lighting scenario/exposure levels you wish.
I use filters all the time. In this case, I used a “Cellulose” filter (the thistle seed globe about 5 inches across) Biggest one ever lol.
That old bright sun even here at sunset needs some moderation before those photons hit that digital chip in my Sony Alpha Cameras.
Just for the record, I haven’t put an actual glass filter on ANY of the 7 cameras I used daily for well over a year🙏
The Prairie Crocus (Anemone patens) is not uncommon in the backcountry. I think this is a correct ID with this flower but I’m a terrible Flower Identifier. This one was closed up for the end of the day. Sol setting through a slit in the sky.
I find one can only photograph what is in front of him. I would take photos of plunging high water falls or some exotic Asian scene if it were in front of me. Being fairly tied down here on ranch is a problem since I’m the repair man here. When in the middle of nowhere, you have to find beauty in what is at hand using the resources available. The one photographic attraction I do have. A LOT of high ground with a host of living things that cover that landscape. Simple is better…
On this particular trip out into the backcountry I was hoping for a magnificent crown sky to fully involve the sky show in front of me but no. Alas all I got was a thin slit in the clouds. Just mere minutes before the sun would slide below my line of sight to the horizon. My day working cameras into the light was about done. What to do, what to do???.
My mind screams “Close / Far” perspective!!!. What is available miles from the nearest building surrounded by prairie grass. This last summer was wet with most things that could bloom, blooming. This was late in the “spring” around early May. Our last frost is mid may and it was cool that night. The LED light bar on the front of my Polaris ATV provided the illumination for the Crocus.
I traveled 180 miles to get to this windmill before sunrise and of course have a whole timeline of this trip but this was the best capture of the drive. I was doing a presentation to a committee for a donation to the our 501C3 fundraiser for wounded warriors we hold every July.
The butte behind was such a good background I was torn how to compose this and settles on this. I had to stay on the road as this was well fenced off plus it isn’t my ground so I tend to stay off working only from the road. There is plenty to do from the road I point out.
Old Wooden Windmill towers are good for MAYBE 50 years. Some may last a bit longer. This is over in southern Campbell Country. . . There is big backcountry down there south of Gillette. . Very few 7-11’s about but commerce / ranching happens here. It is genuine backcountry Wyoming.
Middle of the day with the sun behind me is a rare image for me lol. Mid summer and me getting away from the ranch is a rare thing. I often go on short road trips on Wyoming/Montana backroads and not see another vehicle. Breaking down is not an option up here without LOTS of survival supplies this time of year. Blankets, sleeping bags, food and basics are all on board. I do have a very good radio that communicates via repeater from 30 miles away if necessary. Not to worry.
This is 10 minutes before sunrise this late fall morning when i ran across these two. They were actually heading my way as I was setting up to shoot the sunrise soon to occur over my shoulder. I’m in my vehicle and pretty much in a “blind” as far as the local deer are concerned. They usually don’t mind if the vehicle moves either as long as it isn’t a fast movement or more than 20 or 30 yards moving slowly. Approach is very important lolol.
This country is big. I drove about 3 miles out into the backcountry to have these mule deer cooperate while I composed the capture. It’s always good when animals sit for me… The Pink Alpenglow was just a foretelling of the sunrise minutes away. This capture was dead center of civil twilight that morning. The Blue Streak under the pink sky is the shadow of the opposite horizon against the sky. The Pink is the red Light that has traveled hundreds of miles through atmosphere.
We have quite a bit of icy snow at the moment. much more so than the surrounding low country. ….for early march. It has been a very long winter as it started October 1 this year. It’s been not terribly severe but it’s been cold enough long enough for me lol. Life up in hight the Wyotana borderlands can be chilly at times lolol. Never a lack of things to take photos of though 📸
Flowery Friday LIttle Pixie Antennas….caught them feeding I did lol……
I always use natural objects to filter out the excessive light from the sun into my camera. This particular plant sat for me so I managed to get under it and line it up. It’s getting harder and harder to get that low anymore lol. I find the only way to capture this actually in focus is to look through the eyepiece to fine tune as this close a subject (about a foot) is tricky.
Boy do butterflies like this flower around mid-summer. These plants topped by large clusters of flowers spot through out our gardens.. As a genus, they have a vibrant range of colors. I’ve seen red, lavender, white, pink purple and I hear about orange phlox. Trivia word of the day: Phlox means Flame in Greek.
All but a few of the 65 species of Phlox are native to North America. It’s presence in our gardens here in Wyoming is suspect.Human intervention may have been involved. We didn’t plant Phlox in the gardens at our homestead. I suppose a seed from a bird dropped from it’s transport. Something about 100 years of gardening around this old homestead comes to mind as the cause though lol. .
You need a HIGH f-stop number for the deep focus plus it’s reduction of light. ISO 100 (low ISO for bright light camera sensitivity), and use shutter speed to adjust for what ever lighting scenario/exposure levels you wish. Establish/ always set your main priority in this case F-stop first and adjust the other two setting (ISO and Shutter speed) as secondary considerations.
What a beautiful morning this was. A little chilly on the drive back there.
Aermotor windmills account for the bulk of windmills out there. The company started way back in the 1888 with 24 sold the first year. Over 20000 of the beasties sold in 1892. The company still exists. They also sold a LOT of steel fire “look out towers” for fire watch and being a lightning target lololol.
Reconstructing past lives and events grabs your minds eye coming upon and old homestea. The comings and goings of old homesteads spark my imagination. There was a homestead about 1/4 mile from this location. They had their own hand dug well 35 feet deep and 4 feet wide about 200 feet from their house down in a deep gully.. I filled it in when I moved here. It was an “attractive nuisance”.
Most settlers had to use the water at their windmill. I suspect an outhouse long since gone somewhere nearby downward of the prevailing wind. This land has had cattle or sheep on it for 100 years and slightly more. That’s 5 generations of cowboys that stayed the night or the summer in this treeless pasture. Being the only source of water for several miles around, the cowboys drank here too.
This is very big country open back country. It’s remote and just plain challenging to get to in the winter. This is a steel windmill which is more expensive than building the wood towers was. Wells were positioned centered in the pasture. This made it accessible to the entire area. A lot depended on the ground water geology to make the shallow wells work long term. (luck mostly early on).
All these backcountry Lamp Posts have defective photocell switches. They never work more than a few minutes plus never at night. I need to talk to the management about this issue. I bet they have the parts at home depot to fix them…. Just saying 🤔😜😜 High Contrast eh?
Working/driving backcountry parallel Ridges in the winter is an exercise in getting home without pulling out the snow shovel. This is miles off the nearest county road. If you travel on the ridge tops, I find I don’t find deep snow too much. It tend to blow off the ridge into the surrounding lower areas. Found some deep snow the other day with my new rig. I did manage to drive out of it without having to dig it out. Took a few minutes of trying though…. Close….Because the snow tends to blow off of the ridge tops providing potentially miles of clear travel. Of course someone thought to put fences up. There never seems to be a gate on the ridge line. Thusly I’m forced to travel between ridges through the deeper snow regularly to travel any distance. . This is the most likely areas to stick you.
We’ve had a light snow winter though some of the local mountain ranges are 100 percent pack or there about. I can only hope we get a series of regular and not too severe snows over the next few months. Winter ends here in May.
Boy I don’t get a chance to “zoom into” a big fellow such as this very often. This is after rut so this guy survived the hunt this year. I call this a 4×5 but there are two brow tines you can’t see in this profile that you can sure hang a ring on. There are so many ways to “classify” how “good” a buck is based on his antlers. I tend to focus at the condition of the animal and this guy is one nice buck. I’m thinking it weights 275 pounds anyway.
Big Male Mule Deer go to 330 pounds and the females go to 200 pounds. The are actually indigenous to North America and are known by those distinctive “Mule” shaped ears. The hear extremely well with those big ears. I suspect they use their sense of smell way more though to detect danger. These guys are herbivores. They are survivors of what ever killed all the MegaFauna during the Pleistocene 11000 years ago.
Biologists say that a Bucks neck will swell up as showing the Mule Deer Buck Near Rut capture. They will swell up to 50 percent larger of a circumference adding more muscle mass. This is all related of course to the Rut which is the annual fight to breed. They live in a world of scents and hormones floating in the air from the does in the group.
Scientific data indicates that this growth is caused by a big surge in testosterone to the deer. That dose of steroids makes the neck muscles get big and also causes the deer to become more aggressive. I had a close encounter with a deer in my back yard a few Novembers ago.
Yet another capture from the network of 28 game trail cameras I maintain up here in the borderlands. Captured at the moment of the hawk strike. I’m thinking this was a bit hard on the “other bird”. (unidentified unlucky bird) while it was sitting on the post. Imagine just minding your own business. Suddenly, it was hit from behind/above. This is the definition of a bad day I’m thinking🤔👀📸
I’m not a hawk expert. The distinction between Red Tailed Hawks and Ferruginous Hawks seems blurred to me. I’m betting this is a red tail’ed hawk I suspect somebody knows the answer that will be reading this. Feel free to correct my ID as I’m only about 80 percent sure.
Random encounters result in opportunistic captures for my photon traps. (cameras). Catching an image like this with a regular camera is highly unlikely . I have never witnessed a hawk attack on another bird anywhere any time in my travels. I’m out in the backcountry all the time. I suspect my presence or the activity of the vehicle I’m in precludes any raptors taking game around me.
Game Trail Cameras captures are all problematic from a photo finishing aspect. I did my best to “fix” the inadequate technology. When they make a really good quality game trail camera, I’ll buy them. Until then, I’ll have to live with these photon traps as they are. I also have an image of him flying away with this hapless meal.
Location: near the Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana)
This view of a 130 mile long twilight BigHorn Mountains Landscape Ladder was taken a few weeks ago just making it into my workflow. The grassy remote ridgetop I was on, gives way to the Little Powder RIver Valley. The first silhouetted ridge is the Red Hills backed by the 13000 foot high peaks of the core of the BigHorn Mountain Uplift. The Powder RIver Basin between the Mountains any my ranch pretty much ends at my ranch. I’m living right on the edge between the Wyoming Black Hills and the Powder River basin. Just west of my ranch, dinosaur fossil Bearing rock is older than the Big Horn Uplift . Those ancient sediments dive under the debris worn off the BigHorn Mountains.
Our Ranch is as high topograpically above the Little Powder River Valley Floor as the dark 40 mile distant ridge. It allows me to see the peaks at this distance. Weather windows to the BigHorns have been plentiful this year unlike previous ones. The sun is currently setting just north of these peaks from my vantage point at the moment. I won’t see it set over the big V notch until next fall now.. The sun will continue to set a little more north each day. I starts to rise and set a little further north each day until the Summer Solstice.
I try to be very in tune to such things as my daily photographic activities take into account moon rise, sunsets with the time of year. Angles of sunrise and sunset are critical to where I go to photograph these days. Weather has the greatest impact of course.
(Crimson Alpenglow Close far Perspective #2 in this Yucca series)
Working the shadow line of parallel ridges with telephoto lenses has it’s rewards. I find that it’s the simple compositions that carry the most interest as complex misleads/distracts the viewer. Detail yes, but the time and space moment should place you in that continuum in your mind. The human eye might be able to resolve this but only for the briefest of moments. The reflexive look away followed by the ghost of the too bright scene on your retina. A quick thought of eye damage, you blink. Over a minute later, your vision probably would come back.
Yucca make for big speed bumps in the backcountry. Some of the clumps can get 2 feet high. In the winter they catch a snow drift behind the clumps big time. It looks like a sand dune field after a good snow and blow in the backcountry where Yucca is about.
I look at a lot of sunsets but seldom do I do much looking at the sun. Without the benefit of a mirrorless camera set up I’d be blind by now. I watch scenes like this develop live on video. The setting changes I make to the camera show up in real time as I spin the adjustment dials. With a mirrorless camera in my hands, I know what the image is going to look like before I click the shutter. Compare to a standard DSLR where you click and then see what you did on the back LCD. Just my 2 cents on that debate. Click!
If you are “stumped” as to how I did this, I assure you it was done in the camera lol. No digital or otherwise magic involved. (well there are some orbital mechanics😜🤔)…. This was quite a ways out from my long lens to get that stump into the infinity focal depth along with the moon. Getting the moon to cooperate with the topography was quite a challenge in this hilly country.
Having terrestrial objects in the same focus as the moon or the sun is definitely an acquired skill with a few requirements for it’s practice. I’m still trying to perfect this kind of work in a variety of ways. Getting only a few opportunities a month to work a full moon low in the sky and still have the sun light up the foreground scene. Wait another 28 days and hope it isn’t cloudy during those days. 6 or 7 times a year in other words do I get a “shot” at this. .
You need at least a 400mm telephoto on a high f number for a deep focal field. You still need to stand way back several hundred yards to enable the telephoto to crush the perspective. Your lighting will change your other settings from what I used but a high f-stop is the place to start.
Perspective: Works like this…
As you step back the stump will get noticeably smaller but the moon stays about the same size. So the further you step back the smaller the stump and the relatively bigger the moon looks. Perspective takes hold….