That HUGE butte in silhouette(called “W” butte) is a southeastern Montana Landmark. Seen here from across the Montana/Wyoming border 35 miles distant. I’m standing in Wyoming. You can actually see the communications towers that are up there. An 18 inch wide tower at 35 miles is what is called “resolution”. I love how 1200 mm telephotos CRUSH perspective. Really high end camera backs give you very high megapixel count plus high dynamic range. The higher the megapixel count, the bigger you can print the image.
I seldom see naturally totally oversaturated clouds without me setting my camera incorrectly but the sky really was this color. I mention that because it’s looks very harlequin and un natural/odd to me. This is indeed what was down range of my lens that morning. I work very hard to get scenes to be a reproduction of what I experienced live real time. Looking back and forth between my video screen and the actual scene on almost every landscape/sunrise image is a good habit.
My process is to expose ONLY the highlights properly so as not to loose detail in them. I can worry about shadow detail in the digital darkroom. Interestingly, there was no detail in those crimsons back/bottom clouds to begin with. Nature doing the oversaturation is not that common in my experience. These cameras can usually look right through it to the detail hidden in the saturated area. IT wasn’t there to see from where I was…
Driving two track roads during Nautical twilight up high in the backcountry is easier when there is no snow or mud on the ridges. It still takes me 10 to 15 minutes to drive up to this location I call sunrise ridge. By the time I arrived this morning, it was still Nautical Twilight with maybe 30 minutes to go till sunrise. The sky starts to light up quickly from here on. , the air is crisp, the smell of sage and pine are rife.
There is little wind this morning which is uncommon. I start to feel the sunrise coming on. It’s something you can feel akin to a quickening. 👀
This was taken in early May. Dry year so far but mud is my current nemesis because I loath to leave tracks. I have a new vehicle now with excellent capabilities so I should be a productive spring up on the ridge tops. Looking up this hill for proper perspective, no lower yellow band yet. The yellow hasn’t made it this far yet.. The red from rays of the sun that made it through the gauntlet of hundreds of miles of atmospheres and moisture. The cloud bottoms were wave troughs dropping into the light and turning red as a result. As bright as the highlights are, the over all scene was dark. This you can see by the darkness of the foreground where I was sitting. It’s below the camera’s threshold of Dynamic Range. My eye’s could see landscape here. Not the camera though… 👀👀📸
To me the ultimate perspectives are the foggy ones. Shadows within frame set up by the sun presented themselves to me. Foggy sunrises are not a common thing up here in the high country. There is a lot of topography here. Differences in elevation a mile apart can be 3-400 feet in this backcountry. Big Long ridge tops tower over the surrounding drainage. In order to see the sun in this area, one has to be on a ridge top. Fog is not as common on ridges. When It is, I try to be there.
I’m trying to remember how many of this kind of photo I have…. errr,…. none but this one I think. Foggy shadows are rare in my world of backcountry ridges here in the highlands. I see fog in the valleys rarely, 5 or 6 times a year. More likely, the cloud deck moves down with no mercy over us with 100 yards visibility at a bright LED Bulb. Totally obscuring all but grey flat light.
I’ve been OVER a cloud deck like this only few times up here. I got lucky anticipating the clearing above the Inversion layer, I went outside and saw a few stars break through a small window. On that, I took a trip to the highest point I can drive to around and instantly was in the clear. This is one such time. There were just wisps of moisture pushing over the ridge top this unusual morning. It was fully overcast flat light down in the valleys lolol. 👀📸
I’m always trying to imagine things as a mouse would in my travels. My cameras don’t care if I’m taking a mouses viewpoint or mine at 6 foot. I put the camera on a plate to protect it. It was warm from being inside.
I actually don’t do a lot of architectural images, maybe 10 a year 🤔📸 Rare of the rare, I even have electric lines in this images which is certainly less probable. I never have them if I can avoid it. But I like to think I have an eye for patterns and a tendency for walking around with cameras. I’ll give in occasionally to my habits…. The two characteristics are synergistic if you have OCD as badly as I do 😜 I try to take advantage of this partnership when ever the two meet in the middle.
This phenomena was the result of a very gentle, very dry powder snow. It was like sand sifting through your fingers on that deck surface. One poof of wind and it all would have taken to drifts. AND this was about 4 inches deep for an idea of scale. The entire deck surface had this appearance. I thought I had seen most odd ball phenomena in the snows during my 3 decades living in Wyoming. I’ve never seen this phenomena before though I’d seen other photos of it. I didn’t have a deck in Jackson Hole as we had concrete there. I missed all that dry powder then where this is probably common. We are 2000 feet lower and warmer here. Snow sticks all the time to itself and covers this surface solidly.
This is tough capture that your not going to get on your cell phone lol. Let me set the stage for this stage play beyond most of your picture taking experiences.
To have this melodrama unfold in your mind, please understand that that silhouetted ridge is 40 miles from my camera. The sun a bit further. With the prodigious size of the optics, a significant wind cross section can be a factor moving your camera about. Not so much for this bright light capture. Shutter speed will dampen that motion. You need to use a fast shutter 1/2000th sec or higher so as not to gather too much light. Also LOW ISO numbers (camera sensitivity).
The most important thing is setting your camera to a HIGH a f-stop number as you lens will go. If you don’t, this WILL cook your camera’s sensor if your not working through a pin hole sized aperture. Talk about a bright scene….. The human eye has no right to be looking into such a harsh environment. (Disclaimer below)
Working from a high ridge helps get above the hazier air (at times) closer to the ground out of the picture. It improves the angle. Position is everything. Now I’d love to have a cell tower or a building for scale. Alas, there are not many up in this country with no cell service lol. Those are full sized trees and they are really REALLY far away👀 3200mm lens involved in this. Tripod for sure lol.
I remind you that it’s not the sun that is setting/falling here. We live on a spinning ball with the horizon actually doing the rising thusly slowly covering the face of the sun. The “Sun Slit” under the thick cloud deck above was just a sliver. Only allowing this fleeting scene to penetrate the space between the cloud with the opaque earth.
Disclaimer: Do not point your camera at the sun without knowing that DSLR’s have a direct light path that can and will blind you if you watch the sun through it. I use mirrorless full frame technology and watch scenes on video. No direct light path AND
The stratified cloud layer was rippled and in a perfect position to be lit from underneath by the sun as it dropped below the layer. It was heavily occluded before it got into the open air under the clouds. Big Sky yes but there is Herringbone sunset sky of both Wyoming AND Montana sky in this wide angle capture. (Most of my images have both states in them in one way or another).
The Herringbone pattern is not that common in my experience. Everything has to line up just right to get this kid of patterning/highlighting of just the low parts of the cloud layer. As soon as the heat from the sun hit this layer, the extra heat pretty much evaporated the clouds. Soon the sky went mostly clear for the actual sunset roughly 15 minutes later.
This location is only about a mile off the gravel road which this time of year is iffy. What you can’t see in this is the 5 or 6 inches of snow we have on the ground now. It’s been dang close to zero for several nights now. This is very early winter weather in my experience living up here in the borderlands. We get the best of both states AND the worst at times. Sometimes that is weather and other times it’s weather. 🤔😀
I’ve been busting still small drifts but I won’t go much off the paths now as it is really really slick and if you get into a hole, your not going to get out. They become gravity wells and even my jeep with full time 4 wheel drive has issues getting out of those in the winter. Don’t drop a tire off the level for anything. Hopefully I will only have this Jeep another month or two as I do have a higher smoother riding replacement coming with a 2020 build date likely lol.