6 months ago during the summer solstice of 2019, a BIG 100 mile across mesocyclone moved over us right at sunset. Of course “Sneaky Pete” the Windmill jumped into the photo as he is a terrible attention hog. I have no control over his actions. Windmill Wednesday AND Christmas Wednesday. , Windmill Junkies Unite 🤘
I do understand through a third party that “Sneaky Pete” the Windmill wishes all of his fans a very very Merry Christmas. He has this insecurity problem where he wants to solve through fame and fortune acquired via his exposure in pictures. So he rushes into my images. His brother “Re-Pete” I’m sure also has Christmas wishes but he couldn’t be present at this photo taking session. He was over the hill out at his hangout during this storm.. Hard to get a family together portrait of the two brothers. They can’t move easily through the timber. I suspect they haven’t seen each other for a long time. I’ll have to see if I can arrange a digital family reunion someday…. 😜
I’m not sure what his New Year resolution. I’m pretty sure it has to involve photobombing more and injecting himself into my landscapes.
My new years resolution is to catch more skies like this and finally get all these images I’ve got stored away up on my web gallery. That will take a “while”. I consider it job security.
From all of us at the Bliss DInosaur Ranch, all of it’s creatures mythical and otherwise , Merry Christmas and a Happy/Safe New Year. 2020 is going to be an interesting year to be alive.
The light rays reaching toward the heavens. Scientists call them Crepuscular Rays. Those photons bounce off ice in the atmosphere. The travel to my camera lens. Within the camera’s sensor, they are dutifully recoded but only as a series of 1’s and 0’s. All by the computer in the camera. There a variety of software programs (filters if you will) effect the digital signal in various ways determined by a programmer overseas. If you select automatic, those are the guys doing the camera adjustments. Try manual mode sometimes…… Only three main things to learn….. Just saying.
When ever I try to capture a fairly bright sun, I actually use no lens filter in front of this or any other of my sun shots for several years now. I use mirrorless camera gear that shows me the image on a video screen. This prevents me from being blinded doing this twice a day when I’m working photography a week at a time. DSLR cameras in contrast to Mirrorless Cameras have a direct path for light to your eye. Yup, you can blind yourself doing this once.
With the right gear rated to do this, turn down your ISO to 100 or lower if your camera will go lower), turn your fstop to the highest number of the lens your using has. (this closes the “pupil of the lens to a pin point). A LOW F-stop will open up the lens and you’ll have overexposure PLUS the tree will be out of focus). High f-stop numbers give you a long depth of focus. As well high f-stop reduces light. (sort of important looking into the furnace).
The last of the three things you adjust in manual mode is Shutter speed. This last setting is your variable with the first two setting taking priority in getting this image. It may take everything your camera has for a fast shutter say 1/3000ths of a second. My Sony Alphas will hit 1/8000th of a second for a LOT less light.
Many consumer entry level cameras don’t have enough dynamic range built in. The ability to shut down light enough is part of that.. Then you use a screw on glass filter in front of the lens. Called Neutral Density filters, available at any camera shop for your lens. Coming in different degrees of darkness, they cut down light. In my experience, they give you ghosts to deal with in the image. This is why I don’t use them..
Using really Wide lenses attempts to fit everything into the frame. Here a Sony Alpha 7RII is wearing a 10 mm lens. It sees well over 120 degrees wide or tall (1/3rd of a complete circle). So your looking at roughly a fourth of the whole sky/vista)Reach for the Sky is what this old growth Jack Pine grove is doing. Small grass fires don’t bother these trees much. They do get hit by lightning quite a bit as many of these old soldiers have scars from shocking encounters.
Wide lenses add a little distortion to an image on the edges. I can correct for this in the digital darkroom but just a bit of perspective is a good thing . 👁👁When ever I get a veiled southwestern sunset, I head for this ridgeline. Known on ranch (and here in my narratives) as “Ridge 1” . It runs for about 6 miles across the landscape. Fortunately for me, it is parallel to 5 other north/south trending ridges that allow me to work terrain. I am able to find little areas of Zen up there.
Ridgeline Photography : Mini Course
Using a veiled sun as a focal point under a cathedral ceiling is an easy landscape subject lol. Usually I’m moving from place to place looking for a confluence of angles and alignments in the landscape. I stop, get the “shot” and move on looking for another “alignment”.. Sunset doesn’t last forever. Knowing when to leave and move on is 1/2 of this game. Objects that create “Leading Lines” that draw your eye (like the trees pointing to the cathedral) or an angled hillside and tree line setting up a “wedge” or a triangle in the image. All pointing to the sun main “hero” of the image (the sun).
A good image needs “heros” (plural) to not be just a “snapshot”. Lots of “heros” in this image. Composition, using the characteristics of your lenses (using that distortion to add appeal to the image) The sun, the sky the trees, each is it’s own interest in the image.