This is the Sun…not the Moon. During the forest fire smoke Month of August 2020, I had “SOME” opportunity to play with the subdued / occluded sun under otherwise clear skies. Of course the smoke moderated the intensity of the light. That REALLY helped with the technical issues of taking a blurred windmill against a still very bright object. It’s easier to do with lens filters on the camera (Neutral Density) but I don’t use anything in front of my lenses 99.9 percent of the time. This is raw in the camera stuff.
There is a lens artifact in the sail of the windmill pointing from the sun to towards the center of the spinning dish. I left it in the image as I liked it lol. Lens artifacts are a result of light bouncing around inside the lens. Usually a lot of light. I’ve fought them before being too intense glaring out the whole image. The subdued sun makes all this possible.
The lighting through this smoke pall reminds me seriously of the total eclipse a few years back. I watched that total eclipse in Douglas Wyoming. There was an odd shading at first followed by a progressive “dusky” feeling. Life under this pall beside the breathing issues, is very similar to that odd eclipselighting both in illumination value and overall feeling.
There are lots of characters (years long narratives) around this ranch. Here is a continuing theme… 😀
I’ve seen “Sneaky Pete” the photobombing windmill with cold feet before but I suspect it feels like hot coals. Actually I’ve observed this behavior by him before with Sneaky jumping over the solar disc with the intent to trap him. (I have no control over his action). Sneaky learns pretty slowly. After all he is a windmill.
The sun of course has been around a LOOOOONG time and is a observer of all things. Sometimes the activities of humans and their machinations amuse it. Other times like this, not so much. Of course being wise in all things, he just slipped out the bottom as the horizon rose behind Sneaky. (Back to my normal prograamming).
Blurred Windmill with a Bright sun…….. F36, 1/15th sec, ISO 100 with a 200mm focal length. Two opposing settings. High fstop for the light reduction PLUS the deeper focal field for the close/far perspective. LOOOONG shutter at 1/15th. You have to at least rest a 200-400mm lens on something to hold it still at 1/15 and that is hard. The long shutter allows the blur. A tripod is better. Your ISO is your final setting (camera sensitivity). Just adjust it until you can get the exposure you want. This is a razor edge/ paper cut edge of the envelope kind of capture. I had nothing left in the camera I could do to eliminate more light and still blur the windmill.
This full color image taken just outside the north fence of our homestead here in the Montana/Wyoming borderlands. Best tail of a comet I’ve ever taken and I’ve done a few over the decades back to Halley’s Comet in the 1980’s. The surprise Comet Neowise C/2020 F3 is it’s official designation. IT is a naked eye comet in this dark sky environment. Enjoy it as it’s not coming back for another 7000 years. So this will have to do. Let me know what it looks like next pass around the sun. It’s a big one with a 3 mile diameter nucleus. The orange tail totally took me by surprise. I could barely see the windmill in the viewfinder as this presented as pretty much a black screen with a few blotches on it lol. Focusing by instinct really.
I suggest about 3 AM though this was taken around 3:45 AM. I was “working” the comet after doing photography yesterday afternoon AND last sunset. It’s been a pretty short night. I might take a nap today…… Doing night photography is a whole different animal I point out. Not having light makes for a host of issues you have to deal with inside the camera and outside.
With a long lens (this zoom was set to 300mm. Now the hard part with no light, is that turning your shutter speed to 10 seconds makes it VERY hard to focus precisely. Some “messing around” and testing the waters is necessary. Also there has to be some extra camera sensitivity (ISO) to boost the already silly low amount of light coming into the camera. A really good challenge.
Close / Far perspectives are complex during the daylight. This is a 10 out of 10 difficulty image requiring a tripod, proper shutter settings, not too high an ISO and enough F-stop to be able to focus BOTH close and far objects. Razors edge stuff… My lighting source are the low beams on my Ford F-150 Raptor. The LED light bar was TOO bright for the foreground without fogging out the background. So just a little ground light with a 10 second exposure. Any longer shutter with this long focal length, your going to get motion blur on the stars and Comet. To say this was a challenge would be an understatement. I didn’t think I had enough depth of field (focal depth) to pull it off. Got lucky I guess. Good luck trying this.
I have a few more nights to potentially work this comet. It’s all about the cloud cover. Normally I am at least 7 – 10 days out from taking a photo to publishing. This was taken this morning. Front of the line lolol.
Windmill Cheese Trimming (just a little off the whiskers please)
MOONDAY Monday, 2nd moon photo today….
“Sneaky Pete”the Windmill here provides a perspective regardless of his intent to photo-bomb this moon capture. I have no control over his actions. He just likes the attention. He and his bigger older brother “Re Pete” live and work here on ranch. They seem to work their way into my landscapes way higher than the statistical average compared to other ranch creatures. 😜😜😀
Manual Mode Phobia: (You know who you are) ….
Close / Far perspectives are a complex photographic challenge for all of you. An automatic setting on your camera is not going to do this image.
I’ve gone through the basics a few times and will entertain questions below for photographic solutions to your working on manual mode aversion. (Kind of like fear of swimming). You just have to jump in and turn that top dial to M. Then you figure out which control wheel controls each of the three settings you change in manual mode. ISO (Camera Sensitivity), f-stop (size of the aperture/pupil in the lens), finally Shutter Speed.
You only need to understand those three things to run on Manual mode. Their relationship to each other and how messing with one, requires you to mess with the others a tad to compensate the amount of light coming into the camera. Your riding a three way light teeter totter trying to balance those settings.
A Wind and Solar Set is a pair of usable energy alternative where nothing else is available.
I’m using “Sneaky Pete” the Windmill to pump air to de-stratify a small pond (it helps keep it open some too for barnyard ducks).
The ranch has 24 big solar panels generating electricity which mostly does water pumping in remote sites. The are most cost effective where they are no where close to electric lines. I think we have 3 wind generators set up and working small things like battery charging. As such I’m probably one of the greenest guys you know. We still pump lots of water.
The coal generated electricity pumps water to water the livestock. It’s about 30 gallons of water a day per cow in the summer. A herd of 200 cattle ( small herd) will drink 6000 gallons of water a day on a hot one….. Solar does one of our pastures completely. It was expensive to put in.
Windmills earned their keep historically with a plethora of brands dotting the landscape. There were a lot of these in this country which got electricity very late in the mid-50’s. Telephone in the 60’s. SO many of those windmills were the primary source of water for the ranch. Some places had springs up here on the “high ground” but not too many.
Most of the easy water was down in the river valleys. We are a ‘dryland’ ranch with a couple of spring fed lakes but no running water all year. We do have streams and washes that get exciting during heavy rains. Flash floods happen all the time down in the gully system around here. There is water storage on the surface here but Windmills definitely made a difference in the ability to settle the west. This Wyoming/Montana borderlands country was settled late in the early 1900’s by small ranchers.
Anybody see a face to the right of the Windmill Sail? I didn’t do it. Natural faces in clouds…