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Lunar Eclipse Earths Shadow

Lunar Eclipse Earths Shadow
Lunar Eclipse Earths Shadow

Lunar Eclipse Earths Shadow

Super Blue Blood Moon taken Feb 1, 2018,. This is was the first of it’s breed seen in the United State since 1866. . The white part is the actual fully illuminated moon. The red, the earths shadow (pre-umbra and umbra) make up the bloody red disk. 3200mm astro glass.

A blue moon of course, happens when there are two full moons in a single month. Technically this Blue Moon is a fudge (again) by NASA since the actual full moon happened in the morning of Feb 1st not on Jan 31st by less than 2 hours in some places. I love it when NASA fudges. 🤔

Blue moons are not quite as rare as the old saying implies. On average they occur once every 2.7 years. The lunar 29.53 lunar month migrates across the 30 or 21 day calendar month. February has never had a blue moon….. There were two blue moons in 2018 due to the discrepancy in timing adding up over the years. There were no full moons at all in February 2018 for instance. There is some calendar magic ongoing as these lunar shows migrate around.

This moon was a super moon being at it’s closest point to the earth in it’s orbit at slightly under a 225 thousand miles. This compared to the average of 238 thousand. What difference could 13000 miles make….14 percent apparent size difference. It’s hard to see with your eyes but I see it comparing things like windmill sails to the lunar disk size from the same spot in the road at the same focal length. I have these fixed objects to compare the moon’s size with lol.

Location: Over Bliss DInosaur Ranch, Wyoming/Montana borderlands. It was durn cold for this one lolol.

Title: Lunar Eclipse Earths Shadow

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Moon On a Stump

Moon On a Stump
Moon On a Stump

Moon On a Stump

If you are “stumped” as to how I did this, I assure you it was done in the camera lol. No digital or otherwise magic involved. (well there are some orbital mechanics😜🤔)…. This was quite a ways out from my long lens to get that stump into the infinity focal depth along with the moon. Getting the moon to cooperate with the topography was quite a challenge in this hilly country.

Having terrestrial objects in the same focus as the moon or the sun is definitely an acquired skill with a few requirements for it’s practice. I’m still trying to perfect this kind of work in a variety of ways. Getting only a few opportunities a month to work a full moon low in the sky and still have the sun light up the foreground scene. Wait another 28 days and hope it isn’t cloudy during those days. 6 or 7 times a year in other words do I get a “shot” at this. .

You need at least a 400mm telephoto on a high f number for a deep focal field. You still need to stand way back several hundred yards to enable the telephoto to crush the perspective. Your lighting will change your other settings from what I used but a high f-stop is the place to start.

Perspective: Works like this…

As you step back the stump will get noticeably smaller but the moon stays about the same size. So the further you step back the smaller the stump and the relatively bigger the moon looks. Perspective takes hold….

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands (Wyotana).

TItle: Moon On a Stump

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Backcountry Snow Moon Rising

Backcountry Snow Moon Rising
Backcountry Snow Moon Rising

Backcountry Snow Moon Rising

A little Backcountry Magic for you moon lovers out there.

The Atmospheric Lensing was in full blown effect for this. The moon distorted by the mirage lines. Remember that this moon is actually below the line of sight to the horizon at this moment. The moons image here has been bent around the planet over the horizon by the differences in air density/temperature. Without atmosphere in the way, you wouldn’t see it yet. It’s actually below the horizon which is dropping to expose it. (You realize the horizon is dropping NOT the moon is rising right??) The times of sunrise and sunset are always off a minute or so because of this phenomena for objects (the sun too) near the horizon.

Photographic Musings:

In a nutshell, you need a 400mm or longer lens, distance, timing, topography and a full moon. Distance from the foreground object is your friend. So is a HIGH f-stop number (f22 or higher). High f-stop gives you a deep field of focus that extends foreground object to infinity (moon). Being the double edged sword that f-stop is, by turning it up, you reduce the already low light level in the camera. A short 3 second time exposure if you have a tripod would be nice to compensate. Longer exposure means more light into the camera.. I did this handheld at about 1/30th second. Your ISO (camera sensitivity) is your wildcard. Change it to get an image as rule one is get the image…damn the graininess (which high ISO will give you). There are only three things you have to adjust to use your camera on manual mode after all.

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands

Title: Backcountry Snow Moon Rising

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Moon Quarter Close Up

Moon Quarter Close Up
Moon Quarter Close Up

Moon Quarter Close Up

It’s not magic using a 12 inch Meade LX 200 at 3200mm, I need to take 6 images of the moon to mosaic together a full image. This left 1/3rd of a waning Crescent/last quarter). I took this in infra-red so the color is artificial. Infra-red comes out pretty and pink raw out of the camera. This is more like it was at the time I took it not far from the horizon. The seeing was good that night. That was the mystical part….

The joy of “Mirrorless” removable lens cameras is that you get what you see in the eyepiece (or backLCD) BEFORE you click the shutter. Working in manual mode on a Mirrorless, you instantly know what your settings are doing, you watch it live on the screen. This is NOT a DSLR camera routine where you approximate the settings, take a photo, check the image on the LCD. Then you reset your setting better….. Rinse and Repeat until you get the shot.

I wouldn’t even consider buying the best possible DSLR versus a 1500 dollar mirrorless removable lens camera. Not even close. Mirrorless allows you instant feed back to your actions. If you are gear shopping, I strongly suggest you find out about mirrorless camera bodies that take removable lenses. As with anything else, you get what you pay for. I use Sony Alpha 7R series extensively though I have a couple of consumer level Canon M series cameras. I’m currently using the smaller chip cameras (not full frame like the Sony) for astro/big telescope as this image.

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana)

Title: Moon Quarter Close Up

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Falling Horizon Exposing Moon

Falling Horizon Exposing Moon
Falling Horizon Exposing Moon

Falling Horizon Exposing Moon

My view from “Ridge 1” looking at the sun rise on “Ridge 4” which is about 10 miles distant. Working on Parallel Ridges gives you landscape ladders automatically.

The world we are living on is spinning like a top in space. Rotating around the earth the moon is albeit relatively slowly to our eyes. The appearance of the moon “rising” is an illusion. The Horizon is actually falling away fast enough that it makes a difference on long range rifle shots.

If you shoot a hypothetical “average” bullet at a 1000 yard target straight to the east, you better aim low…. say about 6 inches . If you aim to the west, you should aim high since the target is rising under your bullet. . You see to the east the target is dropping. Thus I’m saying that the horizon travels about 6 inches during the time a bullet travels 1000 yards. (over 1/2 mile). 6 inches is arbitrary as your bullet will act differently than my hypothetical one.

So the next mind game is to shoot straight north or south. You have to shoot neutrally, neither high nor low. Really long range rifle shooters use this in their calculations. Nothing like having your target rise or fall depending on the direction and distance the bullet travels over time. I’ve been involved in professional shooting for decades, trust me on this. You have to compensate at distances much over about 700 yards a little bit more each yard the bullet has to fly further. Most sportsman don’t shoot that far.

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands.

Title: Falling Horizon Exposing Moon

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Maiden Mother and Crone

Maiden Mother and Crone
Maiden Mother and Crone

Maiden Mother and Crone

A little moon Magic from exactly the Montana/Wyoming border. OK, that is 45 degrees north Latitude. Exactly 1/2 way between the equator and the north pole. It’s exactly 2700 nautical miles to either from here. One of the prime meridians. Might be some symbolism here. ☯

All taken in the month of December 2019 for the Full Cold Moon surrounded by waxing and waning crescents. The full moon on December 12, 2019 is known as Cold Moon, Open Moon or Big Winter Moon.

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands (Wyotana).

Title: Maiden Mother and Crone

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Waning Crescent Moon January

Waning Crescent Moon January
Waning Crescent Moon January

Waning Crescent Moon January (Moon followers Unite)

Different phases and faces of that celestial neighbor constantly present themselves to me during the day and twilight but I find myself not going out much in the winter after dark. I let my mastiffs do my wandering around the homestead at night.

When I do get out I after nautical twilight at night or before Civil Twilight in the morning. Usually I am completely focused on twilight. Some rare astronomic events have me peaking outside at cloud cover in the middle of the night. I really don’t sleep much but I do photography all day which makes my circuit breaker to pop sometime during the evening lol. I’m either on camera or on computer finishing these days. I get my chores done on ranch too. Take care of a greenhouse and a flock of 80 birds, 6 cats and my personal Mastiffs. I’ve been feeding haybales to our corraled/captured herd of Corriente for a few weeks. 34 longhorn cattle go through a 1200 pound bail of hay in 2 days.

I digress…. The “Waning” part of Waning Moon gets smaller each night until the “New Moon” where the moon is entirely in shadow. I do have some captures of just that 2 illuminated percent crescent. This moon will evolve over the next few nights into that sliver. This is a 4 picture composite of the face of the moon in real color through a 3200mm refractor optic. Handheld actually on the roof of a vehicle rested.

Location: Over the Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana).

Title: Waning Crescent Moon January

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Moon Up Close and Personal

Moon Up Close and Personal
Moon Up Close and Personal

Moon Up Close and Personal

It’s not magic using a 12 inch Meade LX 200 at 3200mm, I need to take 6 images of the moon to mosaic together a full image. This top 1/3rd of a D moon (first quarter). I took this in infra-red so the color is artificial. Infra-red comes out pretty and pink raw out of the camera. This is more like it was at the time I took it not far from the horizon. The seeing was good that night. That was the mystical part….

The joy of “Mirrorless” removable lens cameras is that you get what you see in the eyepiece (or backLCD) BEFORE you click the shutter. Working in manual mode on a Mirrorless, you instantly know what your settings are doing, you watch it live on the screen. This is NOT a DSLR camera routine where you approximate the settings, take a photo, check the image on the LCD. Then you reset your setting better….. Rinse and Repeat until you get the shot.

I wouldn’t even consider buying the best possible DSLR versus a 1500 dollar mirrorless removable lens camera. Not even close. Mirrorless allows you instant feed back to your actions. If you are gear shopping, I strongly suggest you find out about mirrorless camera bodies that take removable lenses. As with anything else, you get what you pay for. I use Sony Alpha 7R series extensively though I have a couple of consumer level Canon M series cameras. I’m currently using the smaller chip cameras (not full frame like the Sony) for astro/big telescope as this image.

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana)

Title: Moon Up Close and Personal

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Full Moon Belt of Venus

Full Moon Belt of Venus
Full Moon Belt of Venus

Full Moon Belt of Venus

A magical “Belt of Venus” morning up on the Montana/Wyoming border waaaaaay out in the backcountry. The sunrise is still 10 minutes away behind my shoulder as the blue stripe on the horizon shows. That blue is the shadow of the opposite horizon blocking the long red light from the sun just over the lip. The pink projected onto the Ice suspended in the atmosphere are the reflections from the long wavelengths make it to my camera lens. This high rolling backcountry is very remote and relatively easy to get to in the summer. It is NOT so easy to get to this time of year. This was taken late fall 2019 before the snow pack started to form this high up.

Close / Far perspectives are a complex photographic challenge for all of you. An automatic setting on your camera is not going to do this image.

I’ve gone through the basics a few times and will entertain questions below for photographic solutions to your working on manual mode aversion. (Kind of like fear of swimming). You just have to jump in and turn that top dial to M. Then you figure out which control wheel controls each of the three settings you change in manual mode. ISO (Camera Sensitivity), f-stop (size of the aperture/pupil in the lens), finally Shutter Speed.

You only need to understand those three things to run on Manual mode. Their relationship to each other and how messing with one, requires you to mess with the others a tad to compensate the amount of light coming into the camera. Your riding a three way light teeter totter trying to balance those settings.

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana)

Full Moon Belt of Venus

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Full Moon Rising

Full Moon Rising
Full Moon Rising

Full Moon Rising

A little Backcountry Magic for you moon lovers out there.

The Atmospheric Lensing was in full blown effect for this. The moon distorted by the mirage lines. Remember that this moon is actually below the line of sight to the horizon at this moment. The moons image here has been bent around the planet over the horizon by the differences in air density/temperature. Without atmosphere in the way, you wouldn’t see it yet. It’s actually below the horizon which is dropping to expose it. (You realize the horizon is dropping NOT the moon is rising right??) The times of sunrise and sunset are always off a minute or so because of this phenomena for objects (the sun too) near the horizon.

Photographic Musings:

In a nutshell, you need a 400mm or longer lens, distance, timing, topography and a full moon. Distance from the foreground object is your friend. So is a HIGH f-stop number (f22 or higher). High f-stop gives you a deep field of focus that extends foreground object to infinity (moon). Being the double edged sword that f-stop is, by turning it up, you reduce the already low light level in the camera. A short 3 second time exposure if you have a tripod would be nice to compensate. Longer exposure means more light into the camera.. I did this handheld at about 1/30th second. Your ISO (camera sensitivity) is your wildcard. Change it to get an image as rule one is get the image…damn the graininess (which high ISO will give you). There are only three things you have to adjust to use your camera on manual mode after all.

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands

Title: Full Moon Rising

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Fly Jet Blue to the Moon

Fly Jet Blue to the Moon
Fly Jet Blue to the Moon

Fly Jet Blue to the Moon but can you imagine a primitive Amazonian Tribe looking up and see this…. An arrow penetrating the moon….. Traumatic to say the least…. They would probably change the course of their society based on this happening over their head 😂 I bet there are some strange stories to explain the technology they see overhead mixing in with the lore and stories about the sky handed down by their ancestors. Someone would be making it up and others would be believing it (shaking head side to side).

Leading up to Click…

Me on the other hand saw this happening about 30 seconds before it occurred. I had my trusty 800 mm lens handy on the seat next to me. Unfortunately I had to start that camera up from a cold OFF setting… focused, setting tweeked and waiting for the click. Had about 5 seconds to spare as it turned out. Most of that seemed like I was waiting for the camera to go through its 3 second cold start window lolol. Like watching water warm up in a tea pot…time slows down when your ready for something to happen lol. I wasn’t far off, I was doing landscapes before with this camera, Already set for an infinite focus which is what this is so I was “close”. Working on Manual takes a little more time occasionally.

Stuff like this doesn’t happen every day lolol. I only see jets a few times a day period as we are off the main routes here. Random lucky occurrence and actually looking up now and then. I was driving working light out in the backcountry and looking up is not something I do every minute. . I have a few other images like this but from other close encounters that will slow work their way into my workflow and get posted. 🙂

Location: overhead, Bliss DInosaur Ranch, Wyoming/Montana borderlands.

Fly Jet Blue to the Moon

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Moon on the Rocks

Moon on the Rocks
Moon on the Rocks

Moon on the Rocks is a capture off the top of a local butte. Capturing the Moon and terrestrial objects in the same focal plain is a hobby of mine as I’ve said before. I only get roughly 2 days a month of this opportunity so 24 days a year at best. Usually the weather doestn’ cooperate and seldom is the seeing so good as to have the details sharp so low in the atmosphere. That old atmospheric lens distorts the details so readily, nights like this are a gift to me. No haze, no distortion and a rock outcrop far enough away AND at the right angle….Click !!!

Moon shot Photographic Musings: Taking an image like this is an exercise in getting distance and topography to line up for you. Distance from the hills is a big deal….. Your working your camera on Manual now right?? 🙏 Highest f-stop on the lens is your first setting. (your priority). High fstop gives you a Chance at focusing both the terrestrial Hill top AND the moon in the same image. Deep focus is the only way to do this.. Your other two settings ISO and shutter speed are easy since you set your shutter speed next to the maximum you can hold the camera steady at say 1/30th of a second for a rested camera and your holding the body or use a tripod (be quick cause the moon moves). Tripod moon shots can be a second long (unless your tracking) with the moon if you have a very high fstop and a low ISO (camera sensitivity). The ISO is the last thing you adjust to bring your image into view and ideally into perfection. Mirrorless cameras are easier than DSLR’s to figure this out with so if your just starting with cameras and your buying, buy a mirrorless. You get to see your settings work live real time before you click unlike a modern DSLR camera that you look at the image you just took AFTER the click. No direct light path to the eye as your looking at a video screen inside the camera. You now know all I know about this 🤔

I hope your Monday is going well. I’ve been on computer since 5AM😎…. Mixed Skies but sunrise looks to be a clear sky (boring) sunrise so I’ll stay in and do digital darkroom work (12 degrees outside).

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands

Moon on the Rocks

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Full Moon Rising “Trapped” by the Trees

Full Moon Rising "Trapped" by the Trees
Full Moon Rising "Trapped" by the Trees

I have a sub-hobby within my larger Photographic activities of taking photos of the Moon carefully positioned around terrestrial objects, all in focus, here trapped by the Trees……. Tonight I will post 3 moon images in various forums lol.

The moon must be a slippery fellow since he obviously got out of this well planned trap by those trees. Surrounded and it got away. Escape and evasion exemplified!🤣

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands.