It appears (to me anyway), like a skull looking up/left. What do I know as I have an overactive imagination. Great image for Halloween or just the 2nd day of January when this first posts lolol.
Heres an image from April of 2018 that I just finished. There wasn’t much to do to it. This shot is an interesting distortion by the 400 miles of atmosphere the setting moon light has to travel through to get to my camera. Changes in air density and humidity make for surfaces that refract/bend light just a little bit. This is metaphorically an imperfection in a glass lens.
Your actually looking at the moon when it is geometrically below the horizon as that same aforementioned atmospheric lens is at work. The atmospheric lens bends the light so that the sun and the moon actually set a little bit after the scheduled time for setting. They also rise just before they are scheduled to do so because their image is bent around the planet.
Waxing Gibbous Moon leans to the right as it sets. The little crater dot on the 3 o-clock position is a moon setting position. That crater, (Mare Crisium is it’s name) will be positioned at 12 o-clock for a rising moon image/scene. Keep your eye on that little Mare next time you see a photo of the moon situated on the horizon.
The ridge in the foreground is about 1000 yards out in this 3200mm telescopic shot. It was quite pitch black when this was happening.
It’s not a composite which is why it’s not quite what I wanted focus wise. It took a LOT of smoothing though to compensate for the low light gain as this was handheld (high camera sensitivity gives big chunky grains) .Atmospheric distortion was scalloping the edge of the moon too. I even had to give somewhere with the focus and that was on the moon. I was overly close to the Bird to do this ideally so I’ll use the image to teach. It’s still a pretty cool capture lol.
What you have to do if you just don’t have enough distance from the close object….. HINT: focus BETWEEN the terrestrial object and the moon having each JUST A LITTLE blurry. Hopefully your highest possible f-stop number for your lens is used. F-stop will give you a deep field of focus. The bottom line is distance from the terrestrial object is your friend. The field of focus may be big enough to bring both into focus. Not perfectly here. Wish I would have had enough time for a tripod. The bird wasn’t well compensated for his time and he left pretty quickly lolol.
Something to consider: Dinosaurs peered at the same moon that this modern version of an Avian Dinosaur is watching right now. I love ironic scientific connections. I point out that with time the moon is moving away from the earth so the moon was a little bigger and closer during the age of the dinosaurs. It was closer the further back in time you go.
Way outside a normal photographic challenge. I come up with these ideas, show up to the time and place. Then I have to figure out how to capture such a low light event. 🤔📷
This was a 1/15th second time exposure as it was very dark out for this. The wind was BARELY moving the windmill’s sail. The camera is about 400 yards from the windmill’s blurred fan (in the camera). The moon was 200+ thousand miles out and only about 3 percent illuminated. The morning sky was full of a dark brown ice glow starting into alpenglow.
A big 600 mm fast lenses will do wonderful captures if you can keep them still enough. Any wind on a big camera lens in this amount of light is a tough photographic environment. A shot timer in the camera is a good thing (or a remote shutter switch). It takes a second or two for a really big lens to settle down motion induced by the click. The Montana/Wyoming borderlands I frequent are mostly high ridges. The wind is actually higher up here than down at more reasonable altitudes. Truly this is a tough photographic environment to catch such a low light moment in space and time.
To catch a blurred windmill sail as well as a dim crescent in the same photo….. Taking photos in very low light at distance is an interesting game. If you get a chance to try this with your gear, start at a 1/15th second time exposure. Go longer if you need if your tripod mounting the camera.
Artistically I was compositing two nested arcs in the same image. I believe this was about 1 hour before sunrise. Taken during either late astronomic twilight or earliest nautical twilight. There was just a slight glow in the sky, just enough to eek this image out.
This is a Game Trail Camera Capture with only the IR flash and the crescent moon to provide light. This cameras is actually at ground level looking upward at 46 degrees and caught this pensive look up. I thought was pretty cool catching a Buck watching the Crescent Moon. I put a piece of thick plastic under it to keep dirt from being kicked up by rain as it’s literally at ground level.
I’m always complaining how Game Trail Camera images are to a one problems to fix. I didn’t have to do too much to this capture at all really. It’s pretty good for right out of a Trail Cam.
This is a square 18×18 inch aspect image only in B+W. The infrared in converted to Black and White easily. If I do IR with my pro-cameras, they come out pink so the software in the Game Trail Camera does a conversion. IR is ALWAYS grainy so what you see is what you get but the candid nature of these cameras keep me working them hard. I currently have 28 that I’m caring for. (just added 2 more).
I had pulled a pile of game trail cameras off summer trails and am moving them to winter hangouts. Certain traffic patterns develop that I try to recognize to know where to put these automatic image devices. Deer tend to hang out in hollows with access to water. If you can set up a “funnel” by leaving a gate open, or figure out where they hang out, you chances get better. Natural funnels are something to really look for. Water holes are obvious places to put game trail cameras. Everybody has a drink a few times a day.