This image of Aurora Northern Lights 04/22/23 is a capture of the most amazing aurora display ever… Taken on the Montana/Wyoming border 60 miles north of Gillette Wyoming around 10:30 PM at night. Sony Alpha 7R4, Zeiss 35mm, f 2.0, ISO 1000, 20 second exposure on a truck window tripod.
Aurora Northern Lights 04/22/23
Jupiter with Galilean Moons
Occasionally, when the ‘seeing’ is good, I pull out my big gun optics pointing them toward the Jovian Moon system. There are many more moons around Jupiter than are on this image. These four however are the easy ones. The little 12 inch diameter optic I used for glass here is not up to the task unless I do much longer tracking time exposures. A 12 inch light gathering ability makes it faster than catching the same image with a smaller aperture. I have also found that higher resolutions cameras give you higher resolution images lol. This is an effective 4800mm focal length.
The year was 1609 and a fellow by the name of Galileo Galilei pointed a primitive Duch made gadget up at the massive Planet. Looking through the pieces of glass mounted like a skeletonized tube. Galileo was important in the early development of the telescope as he taught himself to grind glass to build his own instruments. He notices that 4 “stars” were circling Jupiter. Humm. That single observation set in motion the Brilliant mathematical mind that man possessed. He was obsessed with the new telescope working tirelessly to improve the state of the art. In 1609, he was observing an 20X view that the human eye could achieve. That is similar to a 24 power rifle scope. I can’t imaging observing this with less than a 1200 mm focal length and a 6 or so inch aperture. Let alone a rifle scope. Better than naked eye though in use before the improvements by Galilei lol.
Location: Bliss Dinosaur Ranch, Wyoming / Montana borderlands (Wytotana)
Title: Jupiter with Galilean Moons
Jupiter with Galilean Moons
Mesocyclone Lightning Bolt Impact
If you stay under a large Mesocyclone long enough, your going to see some interesting things. This bolt was just ahead of a large rain shaft as the storm moved right to left. The dog leg in the precipitation shaft show a pretty huge change of direction. Winds can do very unusual things around these monster clouds. The light environment was basically pitch black post sunset but the flash bulb was adequate to the chore. I have to use a 25 second time exposure to do this kind of work. Wind is never an asset in that work. 🙂
The reason I like this is you can see the point of impact. It hit what I call “ridge 2” about 3 miles to my south of my position. I’m sure it hit a tree seeing the sparks. Fortunately it did rain which would put out any grass fires. I have seen trees burn for days internally after a strike. I have put out several of them. You could pour 1000 gallons of water on a burning tree and not put it out. It usually is nessary to tear it up to really put out an internally burning Pine tree. Most of the time the lighting runs down the outer bark blowing away chunks of the tree in the process. I see a LOT of lightning scars on the old growth timber along the ridge lines. Most trees survive the strikes. Some certainly don’t….
Location: Bliss Dinosaur Ranch, Wyoming / Montana borderlands (Wyotana)
Title: Mesocyclone Lightning Bolt Impact
Lightning Off My Deck
It was pitch black out around 11PM this stormy night of worrying about range fires. I usually end up going “up the hill” after lightning storms with a quality “FLIR” (look it up if you don’t know) to look around for heat signatures in the distance. I find stomping a fire out when it’s 10 feet across is much easier than 3500 acres. Loosing a little sleep and running around the ranch at night is a small price to pay. If I hear thunder, I am up before it fades from the distance.
So I tend to stick around watching such events, nothing better to do…. Might as well set a quality camera on a tripod. Placed under my front porch roof where I can go inside and be close by. I have a tendency to try not to let quality gear get wet. Conditions have been known to change rapidly during these weather events.
The leaves are blurred on the close tree left frame. They were rustling in the breeze which in time lapse photography means blur. The 25 second time exposure is pointed down my driveway to the main gate entrance. That log gate is a 120 yards from the camera. The ridge right in front of the bolt is 550 yards out. The bolt certainly hit the next ridge over which is right at 1000 yards or 3/4 of a mile. I was running the camera at this point. FLASH….. 1, 2, 3, 4 ….. Booom… After regaining my eyesight, thought it might be a good idea for me to go inside and let a lightning trigger run the camera on automatic lolol.
The big white diamond on the lower left is a reflection off of 8 solar panels on a solar tracker. There are more panels you just can see the corner of in yellow sodium light next to it ground mounted. I’m thinking I got a little battery power from this lightning bolt
Location: The Homestead at the Bliss Dinosaur Ranch, Wyoming / Montana borderlands (Wyotana)
Title: Lightning Off My Deck
Lightning Off My Deck
Veiled Moon Time Exposure
This Waxing Gibbous Moon was bright behind those clouds relative to the dark around. Some stars are in there too. This is a 5 second time exposure around 11 PM one mid-August 2020 night. Typical for a well exposed time exposure. Well saturated the colors are. The foreground captured with ambient yard light. Taken looking south off my front/south facing covered porch on Tripod… Here at ranch headquarters, give the camera long seconds of shutter open. It’s hard to tell the flag was even moving because the breeze was steady at 15 mph so it was fluttering pretty stiffly. The leaves in front effectively hide the blur. “Clever Girl” at the bottom center of the photo got in my way a bit watching the scene unfold.
I was watering the yard with a sprinkler over by the flag pole lol. I had to overexpose that area to get the rest of the image though. Our Night time, sun activated photocell now shines a modern 200 watt LED at old glory. We have kept flag lit for decades on that 35 foot mast. I put the flag pole in and have fixed it several times over that interval. It was a piece of double wall oil well drill stem pipe. It’s a strong one but the wire…. The best wires to hold the flag wear out eventually. Repair interval is about 5 years. It’s windy up here. Segue…
Speaking of wind… Those clouds are moving right along. They were running not walking through the sky that night. I did a dozen of these time exposures experimenting with where to start with regards to the moons position. When the bright moon, 1/2 a second from being obscured by cloud was shot, magic happens. That mean a differential quick cover (short exposure) of just the brightest thing in the sky. The cloud closing the light down over the moon. Timing is everything as it worked out. The time exposure gave the fast moving cloud cover a chance to blur and get satiny silky smooth. You couldn’t have seen the lit up veil without a differential exposure.
Location: Bliss Dinosaur Ranch, Wyoming / Montana borderlands (Wyotana)
Title: Veiled Moon Time Exposure
Twin Bolts Massive Mesocyclone
This is the third image in this Huge Storms Time line that I’ve published. Several double bolt shots were taken of this storm. What really stands out on my 27 inch computer screen….. That loop of clouds on the far left side of the frame stands out big time to me. It is a perfect chain hook for this storm. I’d say the bottom of this huge slowly spinning stop is 15 miles across and the top was 40 or 50 miles across. Still small at this capture, 2 hours later it ran over the Devil’s Tower area. I have images of Hail Slathering the Tower from the hail coming off the back of this storm. The separate shafts off the right side of the storm consists of mostly hail surrounded by rain.
You want to avoid the back of these storms as getting under one will get you slathered in hail. Hail can be 5 inches or so. That would be a bad thing. In 2008 we had some soft ball hail cause 150 grand of damage on our place. This year 1/2 hour of chickens egg sized ice with a few bigger did over 1/4 million in damage. Next year we will be replacing 47000 thousand square feet of roofing. That is our ranch headquarters just this side of the north part of the storm by about 15 miles. It went past us and left us untouched but we got little rain. We need the rain but not the hail. Picky, picky, picky…..
Location: Bliss Dinosaur Ranch, Wyoming / Montana borderlands (Wyotana)
Title: Twin Bolts Massive Mesocyclone
Twin Bolts Massive Mesocyclone
Busy Little Lightning Storm
If the sky was going to do this, I prefer this distance. Though I understand ground currents from Lightning can hit you many miles away. This Storm is 20 miles south and I’m on rubber tires. You can see the somewhat obscured “wall” cloud surrounding the center of the much larger Mesocyclone storm that though centered south, is over us like a hat brim on a Stetson™.
I close the camera down to light and give the shutter 5 seconds in early twilight. It’s dusky dark which is how I finished the image. This is effectively a short time exposure. Caught two lightning events here. The left two went first followed quickly by the right bolt in the hail shaft.
Note:
This is the last post of mine before Facebook transitions to an entirely new format the first of September 1. I post all my FB work using software, not direct posts. When they beta tested the New FB months ago, tried it, my system of posting failed miserably. I have NO IDEA how this is going to work or not as of tomorrow morning (as this posts). We have a “ticket” into our software company a week old now. As I type this, it is the 25th of August. If I miss any number of normally scheduled posts during this change over, I apologize ahead of time. I will figure it out.
Location: Bliss Dinosaur Ranch, Wyoming / Montana borderlands.
Title: Busy Little Lightning Storm
Spiral Lightning and Hail Shaft
The Telephoto time exposure of a gigantic spiral Lightning bolt. It was following the easiest path of least resistance. It’s hard to know but I’m betting this was a ground to cloud lightning. That is of course just a guess. Obscured is the top of the bolt. The shaft of falling hail blocking even the strobe passing behind.. The back of this mesocyclone had a pretty good down draft along with it. Down Drafts from big Mesocyclones tend to shake my Raptor quite a bit lol. I’m usually turning it 90 degrees to the action. Usually facing my window into the wind and rain. That’s hazardous duty for cameras lol.
Based on empirical observations, Tampa Florida takes the record of lightning events/ strikes I understand. I spent years in that area. Having a memory of quite a few good storms over the Gulf of Mexico and Tampa Bay, there are moments up here…. Well let me tell you that 30 miles east of here is a little place called “Lightning Flats”. Right up on the North East Corner of Wyoming. Let’s just say it has it’s share of strikes over there. I know of animals getting killed by lightning up here. I’ve never known anybody killed by lightning to my knowledge. One is much safer in a vehicle as long as you stay away from metal and sticking long metal tubes out open windows….😜 👀
Location: Bliss Dinosaur Ranch, Wyoming / Montana borderlands (Wyotana)
Title: Spiral Lightning and Hail Shaft
Lightning Strike Up Close
I watch very carefully and a a visual learner from natural events. I don’t always get it right so apologies ahead of time lol.
As this erupted, I watched the “bolt” Strobe multiple times. I can visualize it in my mind now as if it just happened. Flash flash flash flash four times. This was a one second exposure which was not long enough to pick up the barely visible landscape. I was trying to get the bolts alone that were consistently blasting this particular ridge about a mile away. Roughly hitting the same area as that part of the storm floated over the high topography, I pointed a telephoto (400mm) at that spot pre-framing the image. The cameras on my drivers window clamped to the truck.
At first I thought this might be a shake of the bolt but the branches off the main aren’t all doubled as they would be if the whole image was shaking. It wasn’t a long exposure as I indicated a second. The lightning trigger that controls my shutter took the whole sequence of the bolt I believe. Each ionization path following the one next to it. I think it would be a blur if the camera moved. I’m fairly conviced this is multiple bolts not a shaky camera blur artifact. What do you think??
Location: Bliss Dinosaur Ranch, Wyoming / Montana borderlands (Wyotana)
Title: Lightning Strike Up Close
Double Bolts Double Fun
First of all let me say this was the storm that went over “Devils Tower” about 3 hours later. Traveling about 3 hours later I photographed the “Devils Tower” all white from the hail . This storm made national news I understand though I didn’t see the coverage. I got a bird’s eye view of the center of this huge Mesocyclone. The area of hard precipitation with this storm was at least 20 miles across. A good metaphor to this is a big spinning top with that wedge shaped area of precipitation a down draft from above. It is a huge storm just drifting where it wants to go. Areas under it are going to get “Slathered” by either hail or hard rain or both. Usually sideways from the downdrafts affiliated with such a large storm.
The lightning bolts were at least 40 miles out from my location. I was up much higher on the ridge than the surrounding ground for the perspective. View straight south from “Rattlesnake Hill” over the Bliss Dinosaur Ranch Headquarters. . I’m essentially standing on the Montana / Wyoming border looking straight south.
My time exposure here was only 1.5 second. I’m not sure which bolt went first. It was WINDY from the downdrafts affiliated with that storm. Being on a ridge top only enhances that. I try to stay out from under those lightning area by using telephotos to suck me into the image. I have been surrounded by it before in my younger foolish days. It is intelligent to respect lightning and hail very much from these storms. I will dive for cover as I deem necessary. Safety is a concern.
Location: Bliss Dinosaur Ranch, Wyoming / Montana borderlands (Wyotana)
Title: Double Bolts Double Fun
Lighting Over the Homestead
Taken around 11PM at night of the LONG day we had a dangerous grass fire on ranch. I had gotten up at 3AM to work Neowise Comet the night before. LONG day. A lightning storm around 2 pm started a fire over a ridge about a mile from my homestead. Instantly upon hearing thunder I jumped in the Raptor. Used it’s agility to quickly get the heck up the 400 foot hill I climb to see around. Binocs come out. Sure enough, smoke in one of our fields and a rapidly growing area of flame in 20 mph winds. Crushed grass from hail and somewhat grazed down fortunately. It took me 20 minutes to get a fire truck to the scene. We activate the local calling tree. The counties involved were both Powder River Mt and Cambell County Wy. The fire was on the border. This conflagration harmed no dinosaurs.👀😜
We are under extreme fire danger up in the country this year with one of the driest June/July’s on record. Last year was one of the wettest. If you don’t like the Wyotana weather, stick around it will change. Such as it been since the beginning of time on earth lolol. We are loaded with hundreds of square miles of hour fuel. A Hour fuel is very combustible. Dry grass for example. Fortunately grass fires are easier to fight than timber fires. We kept it out of the timber.
So we fought that fire, after seeing the Bureau of Land Management crew sitting the fire overnight and wishing them a peaceful night under the stars, I went back toward the homestead only to be waylaid by this little thunderstorm (Mesocyclone) for another hour. Time exposures of up to 30 second. It was a little windy that night as I indicated. The trees are all blurred from moving around in the lengthly 20-30 second period of electronic shutter. Wind moving my truck/tripod is problematic. Particularly if there were any point sources of light around. Blurs result.
Note the stars in the upper right corner of the frame.
Location: Bliss Dinosaur Ranch, Wyoming / Montana borderlands (Wyotana)
Title: Lighting Over the Homestead
Comet Seeds Falling from Above
Yes, Comet Neowise images continue to make it into my work flow. It takes me a week from click to publish minimum these days. I suspect there will be a few more posted as I get to them.
A favorite Antique piece of farm history on ranch is the Deering Seeder. I’ve taken many twilight and sunset/rise photos with this customer. It sit’s very well for photos. Nothing like a toddler. Patient it is. It has been sitting here since the last naked eye comet passed by in 1996. It’s probably 80 -100 years old. It’s seen a few Comets in it’s day. I’ve worked 4 photographically but this is the first one with digital cameras. The others were all film camera work. This is the only comet I could see the two tails with.
I worked this “out of nowhere” new comet for many hours over several nights and morning. That is a long time but these exposures take my gear about a minute each to take. With 30 second exposures and 30 seconds of processing time in the camera afterwards, a minute length each photo session is a long slog.
Photographic Musings:
I’m really fond of close / far perspectives. Here 40 yards and 68,000,000 miles are the close / far figures. The lighting for this kind of work is delivered by painting the scene with flashlights over the period of the exposure. With 30 seconds to sweep the beam around, you can fill in all the important foreground objects. Getting both close and far in focus means high F-stop numbers. The result of high F-stop is deep focus yes. But: It’s a double edge sword taking light making it into the camera away. But then you have a long exposure to compensate for that. Edge of the possible photographic envelope. That is unless you are star tracking…..but how do you keep the seeder from blurring ????? 😜 📸
Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands.
Title: Comet Seeds Falling from Above
Hide and Seek with a Comet
Can you find the Comet??? It’s a big comet plus it is in the photo….👀
Here I caught Comet Neowise trying to hide. I consider myself a landscape photographer…. Images in my mind of mountains and Waterfalls come to mind. Instead I get trees with their own mystical ways of trying to conceal others around them. The comet knowing this, took full advantage to hide from your faithful photographer. In all honesty this is supposed to be a naked eye comet but hiding apparently is a Cometary tendency…. 😜
Using time exposures at night is an interesting pursuit if not outside my preferred work environment. Backcountry at night is an entirely different type of travel. Of course I have excellent lights on the Raptor but they tend to overpower with long time exposures. Instead I used a small handheld flashlight over 20 seconds and hand painted the trees with light. Sweeping over trees I wanted highlighted several times with the beam over that interval. Places I wanted dark, I didn’t sweep the light across so much.
The two dead trees (one standing and the fallen soldier below) were killed when this steep hill side slumped/slid about 20 feet shearing off their deep roots killing the trees. The jumbled surface around them still less than a century old, testifies to the earths inexorable movement toward the ultimate sink, the sea. The newspaper headline reads: Neowise Comet Hiding over Century old Landslide lolol.
Location: Bliss Dinosaur Ranch, Wyoming / Montana borderlands (Wyotana)
Title: Hide and Seek with a Comet
Midnight Lightning Mesocyclone WallCloud
This was taken the day we had our grass fire. I had been following up with the Bureau of Land Management Hot Spot Team. I was talking to the crew until about 11:15 when it became apparent that the Comet Neowise was going to be behind clouds. Time to go to sleep, a few miles back to the homestead all the while noticing HUGE multiple lightning flashes 20 miles to our south. The silhouette of the hill on the skyline is called “Bowman Hill”. Bowman is 15 miles south of me.
Now it takes my Sony mirrorless cameras (which work only OK) for the Comet Neowise) do a pretty good job on 30 second time exposures even in windy conditions taking photos of flashing lighting. I was definitely ridge topped here having to climb out of the bowl our homestead is in to see this. Those same sony cameras take ANOTHER 30 seconds to process that 30 second time exposure before I can take another exposure. Problematic so I work 2 cameras at the same time alternating 30 second clicks and I basically get full time coverage of all the bolts possible. But I can still only take 2 photos a minute at best. (that make sense??).
So anyway…. That is the center of a Mesocyclone all lit up by that flash. The wall cloud demarking the tip of the massive spinning top of this 60 miles across storm. The intensity of the storm at a late hour was remarkable with flash after flash discharging every few seconds over all. But many of the flashes were deep in the storm backlighting several surfaces. Stars…..
Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Edited)
Title: Midnight Lightning Mesocyclone WallCloud
Neowise Against the Star Field
As with most of my work finished on a big computer monitor, full screen is preferred. Click the image to enlarge.
I’m always trying to experiment with different lighting when I do night time exposures. Here I used my yellow flashing light on the top of my Raptor (I often block backcountry roads for 10’s of minutes at a time so I like a warming strobe). So the flashing strobe is like a flash bulb but in yellow. Of course we are in a drought and the grass is brown anyway. The color cast added to the scene I thought for the Close/far perspective. I have another version of this with LED white light. Just as this, the suffuse foreground lighting diminished up the hill. Stay tuned for that image.
The star field is just about properly exposed, sharp and well populated. Interestingly, the longer you leave open the shutter, the more stars that keep appearing. Our sky here on the Montana/Wyoming border 70 miles from the nearest bright city is as dark as the North Atlantic Ocean according to NASA. One of the darkest skies in the United States. If you have a sensitive camera and a steady surface you can just about fill the frame with stars. There is close to 1000 visible in this photo alone.
When you are leaving the shutter open for 10-15 seconds at a time, ANY movement of the truck the camera is mounted on will ruin the image. It was periodically gusty during this shoot. Therefore MOST of the images I took during this timeline were ruined by the movement. No fixing 1000 stars with blur tails. Ground tripods with really long lenses are better than vehicles due to the smaller wind profile.
Location: Bliss Dinosaur Ranch, Wyoming / Montana borderlands (Wyotana)
Title: Neowise Against the Star Field
Windmill Watching Comet Neowise
This full color image taken just outside the north fence of our homestead here in the Montana/Wyoming borderlands. Best tail of a comet I’ve ever taken and I’ve done a few over the decades back to Halley’s Comet in the 1980’s. The surprise Comet Neowise C/2020 F3 is it’s official designation. IT is a naked eye comet in this dark sky environment. Enjoy it as it’s not coming back for another 7000 years. So this will have to do. Let me know what it looks like next pass around the sun. It’s a big one with a 3 mile diameter nucleus. The orange tail totally took me by surprise. I could barely see the windmill in the viewfinder as this presented as pretty much a black screen with a few blotches on it lol. Focusing by instinct really.
I suggest about 3 AM though this was taken around 3:45 AM. I was “working” the comet after doing photography yesterday afternoon AND last sunset. It’s been a pretty short night. I might take a nap today…… Doing night photography is a whole different animal I point out. Not having light makes for a host of issues you have to deal with inside the camera and outside.
Photographic Musings:
With a long lens (this zoom was set to 300mm. Now the hard part with no light, is that turning your shutter speed to 10 seconds makes it VERY hard to focus precisely. Some “messing around” and testing the waters is necessary. Also there has to be some extra camera sensitivity (ISO) to boost the already silly low amount of light coming into the camera. A really good challenge.
Close / Far perspectives are complex during the daylight. This is a 10 out of 10 difficulty image requiring a tripod, proper shutter settings, not too high an ISO and enough F-stop to be able to focus BOTH close and far objects. Razors edge stuff… My lighting source are the low beams on my Ford F-150 Raptor. The LED light bar was TOO bright for the foreground without fogging out the background. So just a little ground light with a 10 second exposure. Any longer shutter with this long focal length, your going to get motion blur on the stars and Comet. To say this was a challenge would be an understatement. I didn’t think I had enough depth of field (focal depth) to pull it off. Got lucky I guess. Good luck trying this.
I have a few more nights to potentially work this comet. It’s all about the cloud cover. Normally I am at least 7 – 10 days out from taking a photo to publishing. This was taken this morning. Front of the line lolol.
Location: Bliss Dinosaur Ranch, Wyoming / Montana borderlands (Wyotana)
Title: Windmill Watching Comet Neowise
Lighting Under a Mesocyclone
Up here on this high ridge (called rattlesnake ridge), you can see a 180 mile horizon to horizon. Going up on top of a ridge in a metal object (vehicle) seems somehow logical if you want to take a photo of lightning. I also think that sticking metal lenses out windows might be a good idea 🤔 ⛈. Of course a high ridge is a wonderful place to watch a lighting storm as long as you don’t mind being on the target list.
Sitting in a car covered by metal and not touching metal is a good thing in a lighting storm. I run my cameras on a lightning trigger and don’t have to touch them unless I move them. The one thing I actually flinch for, is the really really really loud crash when a bolt hits nearby. I’ve been VERY close to bolts before. It’s not my favorite part of that particular photographic game. I like automatic cameras in this case lolol. 📸
Photographic Musings:
There are two ways of doing this. If it is very dark, set your camera on a stabile tripod in a dry area. Take 25 second time exposures at ISO 200 and f11 to start with… You will have to tweek some to see what comes out. Or use an external “lightning trigger” to snap the camera as the bolt touches off. Set your camera near or at ISO 200 F11 and 1/4 second. Your setting s may vary but now too far out. The trick here to get a full frame (not a crop) image was to watch the storm and figure out where the bolts were consistently hitting. Then you just point the camera into that area and wait. Turn on some tunes…..
Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana)
Title: Lighting Under a Mesocyclone
Windy Windmill Lightning Bolt
Yup, it was a little windy for this capture. The problem with time exposures (low light generally with a punctuated flash during the click) is that wind shakes everything. I was sitting in my vehicle with an open window with metallic objects sticking out. All while next to a tall metal object on a hill top. Perfect place to take lightning photos I’m thinking… What could possibly go wrong? 😀😜👀📸
SO: Windmill Wednesday… Windmill Junkies Unite: 🤘 “Sneaky Pete” the windmill risking all to jump into my Lightning image. Hazardous work environment for the young guy.
Photographic Musings:
Blurring a windmill is easy even in a soft breeze. You just have to leave the shutter open long enough to allow the blades to move during the exposure. This is complimentary to lightning as the longer the shutter is open, the more likely it is that you’ll catch a bolt. I also use lightning triggers but they only initiate the click. It’s me that sets the camera up. Lightning I tend to close the camera down to light and do 5 second exposures with ISO and Fstop set dependant on ambient light. This storm was fairly dark so I used ISO 200, 5 seconds and f22. Your setting will vary. Wind will keep your shutter MUCH shorter than 5 seconds. More like .25 seconds. This is where those lightning trigger gadgets come in very handy. Set to ISO 100, 1/25th, F18 and start there with a trigger. Hope this helps… Lightning is tough trying to anticipate it. You might get 1 in 10 flashes If your very quick…
Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana)
Title: Windy Windmill Lightning Bolt
Incoming Lightning Rain Shaft
A bit out of season… I need summer
Chasing LIghtning is not for the faint at heart. Being in a vehicle “reduces” your exposure. It’s also possible for the vehicle to be struck. This can destroy the vehicles wiring or it’s computer. You also don’t want to be touching metal when that goes down lolol. I’ve been very close to bolts before. This one was REACHING out my direction lolol. It’s miles long.
I was driving up in Montana where my son and I watched a bolt hit the dirt 30 feet off the road on the drivers side. It hit in front of us so we had a clear view of it. I can still see the outline. The truck was all closed up so the sound was muffled. I’ve heard some pretty loud bolts but with a window open… a close bolt is going to leave some “ringing” in my ears lolol.
I usually work scenes like this with 2 cameras sitting on the cars passenger window on clamp tripods. Using Lightning Triggers allow you to set your camera to click with the bolt. My Sony Mirrorless respond within a few milli-seconds to the initial start of the flash. I usually use about 1/4second or longer time exposure which you adjust to the brightest part of the image. (expose the highlights properly). If you set the ISO too high, you will have the bolts too bright which tends to grow them larger than they are. This is about as perfect an exposure as you can get for as dark as it was for this scene. 📸
Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana)
Title: Incoming Lightning Rain Shaft
Lone Tree Backcountry Lamp
Taken a few days ago. This is a VERY bright scene but the sun was indeed markedly yellow and the sky orange around the glare of the sun placed in the same focal plane as this tree. If you hold your thumb out at the end of your outstretched arm, it would cover this image area. Positioned where I thought the bulb should screw into this rare backcountry lamp post. When taking such images, shutting down the camera to light is a necessity. The lens is an 28 inch long 600 mm optic. I’m working hand held for this kind of capture. About 300 yards distant from the snag. The sun is out a bit further. 🤔
Being so bright a scene, it had some interesting light effects on the sensor and diffraction effects are rife. The particulates in the air as well as the clouds below it’s line of sight enabling only the longest red rays access to me. The bright yellow light from the sun overwhelmed and diffracted around the branches. though. Makes it look like it on this side of the tree lolol.
I never know how these are going to come out when taking photos way outside the sane photographic envelope looking into the sun as this capture. Settings you must consider looking it a scene is a fast shutter so going freehand is easy. You need ISO low low numbers and fstop as high as you need to enable both snag/sun to be in the same focal field.. The higher f – stop will give you a deep depth of field but will tend to cause those diffraction effects where the light wraps around and hides the branches.
Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands.
Title: Lone Tree Backcountry Lamp
Horizon Rising Moon Set
From Front to Back:
The first ridge of Rock, theTullock Formation, (Tertiary Alluvial Fans ) deposited 130 miles from the Big Horn Mountain which were the Source of the sediment. High gradient Streams ran off those distant slopes bringing the debris all the way out here. The first ridge is part of the “Prairie Dog Hills that span the Montana / Wyoming border 8 miles to my west. . It’s rough country out there too lol.
The Second Ridge is the spine of the “Red Hills” 40 miles distant. The Little Powder River Squeezes into the valley behind some 400 feet lower than the second ridge top. Sediments derived from the Big Horn Uplift were the source material. There are considerable area of “Clinker” Rock in those hills. Clinker is natures ceramic. Underground coal fires bake the clay surrounding the coal layers into a red Ceramic thus the moniker of “Red Hills”.
Finally, the March morning back show looking at the last sliver of the setting Full April Egg Moon (Passover moon). The moon heavily distorted from the atmospheric lensing that low in the air. The color is a result of only the red wavelengths making to my camera through that air. 1200mm long lens on a big heavy tripod. 2 second Time Exposure.
This moon is is also known by other name variations such as the Paschal Moon, Egg Moon, Fish Moon, Hare Moon, and the Sprouting Grass Moon. IT will occur Tuesday, April 7th at 8:35PM, Mountain Time. This image is from Last Aprils Paschal Moon. This Moon sometimes occurs in March and sometimes in April. The word Paschal means “Passover” in Greek (a transliteration of the Hebrew word pesach).
Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana).
TItle: Horizon Rising Moon Set
Double Trouble Lightning Bolts
Now I know this is out of season but I am redoing my portfolio to current standards and I’m reposting some from this last summer. I think it’s an interesting break from the mid-winter weather we’ve been having.
It was raining at the time about 30 minutes after sunset. It was overcast. Quite dark thus the long time exposure. I was in my Jeep Grand Cherokee on a large flat ridge top right in the middle of lightning flashes all around me. One of the better places to be during a lightning storm in the “open” is in a car. That is as long as your not touching metal. It also helps if you don’t have long camera lenses sticking outside your open window….. oh wait lolol..
There are two ways of doing this. If it is very dark, set your camera on a stabile tripod in a dry area. Take 25 second time exposures at ISO 200 and f11 to start with… No definite formula here…. You will have to tweek some to see what comes out. Or use an external “lightning trigger” to snap the camera as the bolt touches off. Set your camera near or at ISO 200 F11 and 1/4 second. Your settings will vary based on lighting.
The trick here to get a full frame (not a crop) image was to watch the storm and figure out where the bolts were consistently hitting. Then you just point the camera into that area and wait lolol. Lightning Triggers are not necessary with a time exposure.
Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana)
Title: Double Trouble Lightning Bolts
MesoCyclone with Moon at Night
This MesoCyclone was Veiling the full Moon. Enough to catch the stars visible to my naked eye. Using a 20 second time exposure, some lightning flashed during the interval. Details in the clouds that are seldom to a camera pointing at the full moon. Most you see are fakes or composites. Time exposures over a second tend to overexpose the full moon badly. Even a moon that was unveiled. Limitation of the technology.
Straddling South Dakota, Wyoming and Montana, this rotating storm was around 100 miles across. Containing the energy of an atom bomb expended over it’s life.
The view I had of this storm was perfect enabling me to photographed it. I was up in the higher backcountry for almost 2 hours with 6 different camera lens combinations from before sunset to well into Astronomic twilight under the full moon. Being backcountry means any light on the terrain is ambient from the flash and the moon/stars. No other man made light sources in view from the highest mountain top around kind of backcountry.
Various colors are way saturated which is what time exposures do. I actually really dampened down the purples that were native in the camera’s software in this image. 20mm lens, cropped in a bit. I wouldn’t go over 20 seconds with a 20mm as longer would have blurred the starts. That time varies with the focal length of the lens so look it up on google lol.
This ranks as one of my personal favorite images of the year. There are a few others….🤔 Taken Mid Summer 2019. 2×3 aspect.
Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands.
Title: MesoCyclone with Moon at Night
Moon Light Only Landscape
Moon, This is the Moon. NOT the Sun. Captured from a Truck Window mounted camera up high in the backcountry of MT/WY. I have been able to get around with my “new rig” a little better. This capture on a remote ridge. This was done with a 30 second time exposure to pick up all the ambient light that was about. I could BARELY see this blush on the trees and had to set up my camera to catch this. A little tricky actually but the thought process is straight forward. The moon was heavily veiled for this and that limited me to landscapes instead of moon photos lol. This is the result.
Known as the Snow Moon, named after the snow on the ground. Some North American tribes named it the Hunger Moon due to the scarcity food. Also the hard hunting conditions during mid-winter. Others named it the Storm Moon for the tendency towards brutal February ‘s storms
Photographic Musings.
This was a very very dark capture. A 30 second time exposure requires a very stabile platform like a heavy tripod or a sand bag and a remote trigger. I used a timer. Your first priority is shutter speed, the more the shutter is open, the more light the camera is going to collect. 30 seconds is a long exposure for me.
The Aperture was F-11. To get Deep focal fields, F-11 is low for me. I wanted the Moon lit “Snow Diamonds” to show up in focus. The Snow Diamonds would blur setting a lower F-stop. Any higher F-stop and the image would have been too dark. Focal Length was 48mm.I hate using ISO higher than about 150 but here I used 300. (camera sensitivity.)
Title: Moon Light Only Landscape
Moon Rise in Pitch Black (This is the Moon NOT the sun AND full Screen is a Must).
Moony Alpenglow I’m thinking. This is a 20 second long time widefield exposure with the camera aperture at low f-numbers (wide open). ISO is less than 1000 for this. High ISO is an evil thing in night time exposures.
I don’t do much work late at night as I do photography all day so there has to be a nap time somewhere. On the occasional night when I’m up over a mile away from my door up on Ridge 1 late at night, I usually bring a tracker along. Set up on Polaris. Takes a few minutes usually. Your camera mounts right to the tracker. 300 -400 bucks on amazon.
Rule of 600 in Star Photography:
The rule states that the maximum length of an exposure with stars that doesn’t result in star streaks is achieved by dividing the effective focal length of the lens into the number 600. A 50mm lens on a full sized sensor camera, therefore would allow 600 / 50 = 12 seconds of exposure before streaks are noticeable. That is unless you are using a device that moves the camera the same rate as the stars move. These “trackers” are a fairly inexpensive gadget but you do have to understand how to find Polaris (North star). Then you can take sharp stars over long intervals instead of getting lines from them moving.
Of course 20 seconds with a wide open iris totally overexposes the moon. That was the point. I wanted to see the moony Alpenglow it was projecting even faintly visible to my naked eyes lolol.
Location Bliss DInosaur Ranch, Wyoming/Montana borderlands (Wyotana).
Title: Moon Rise in Pitch Black
Lightning Highlights the Windmill
Setting up and sitting for night time exposures catching huge million amp plasma channels creates a lot of adrenaline (fun). There is enough amperage to melt sand in those bolts. You only do this from inside a “Faraday Cage” . Lock yourself in a metal drum, isolate yourself from the metal to become safe even if the drum is directly struck.
It has been my observation that anything you do any activity a LOT. Your going to get injured doing it, Having a metal vehicle surrounding you is a good thing while taking photos like this. Think about it. Your on a ridge line, high up in a metal truck watching bolts flash 360 around you. I’ve been very close to strikes before. I can’t say that I’ve ever been hit doing this. I watched a bolt hit a few hundred feet away driving up in Montana one day. Traveling I was driving along a rural road. Hard to miss the bolt strike the bare grassy field just off the road to my left.
• The odds of becoming a lightning victim in the U.S. in any one year is 1 in 700,000. The odds of being struck in your lifetime is 1 in 3,000. Just because your in a truck, doesn’t mean your safe. It does moderate the extra risk statistically. Please keep your hands away from metal contact. Lock your trays in the upright and locked position…… Even so… The lightning can also serious damage your vehicle’s electrical system (which would really suck).
When you order a new vehicle to do precisely this… You really don’t need a sunroof over your head. lolololol 😜👀⛈ They cost more and lighning can travel right through glass.
Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands.
Title: Lightning Highlights the Windmill
Windmill Crescent Moon Filter
Way outside a normal photographic challenge. I come up with these ideas, show up to the time and place. Then I have to figure out how to capture such a low light event. 🤔📷
This was a 1/15th second time exposure as it was very dark out for this. The wind was BARELY moving the windmill’s sail. The camera is about 400 yards from the windmill’s blurred fan (in the camera). The moon was 200+ thousand miles out and only about 3 percent illuminated. The morning sky was full of a dark brown ice glow starting into alpenglow.
A big 600 mm fast lenses will do wonderful captures if you can keep them still enough. Any wind on a big camera lens in this amount of light is a tough photographic environment. A shot timer in the camera is a good thing (or a remote shutter switch). It takes a second or two for a really big lens to settle down motion induced by the click. The Montana/Wyoming borderlands I frequent are mostly high ridges. The wind is actually higher up here than down at more reasonable altitudes. Truly this is a tough photographic environment to catch such a low light moment in space and time.
To catch a blurred windmill sail as well as a dim crescent in the same photo….. Taking photos in very low light at distance is an interesting game. If you get a chance to try this with your gear, start at a 1/15th second time exposure. Go longer if you need if your tripod mounting the camera.
Artistically I was compositing two nested arcs in the same image. I believe this was about 1 hour before sunrise. Taken during either late astronomic twilight or earliest nautical twilight. There was just a slight glow in the sky, just enough to eek this image out.
Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands
Title: Windmill Crescent Moon Filter
Moonset in the Backcountry
Layers of ridges sprawl below the Crescent Moon perceptively nearing the rising horizon. This 2 second time exposure of a 3 percent crescent setting over the Red Hill.s That last ridge is 40 miles distant from my lens. Resolving the different darkness of distant ridges in early civil twilight was a secondary goal in this image. Of course, getting that shadow and full outline of that sliver of a crescent was my main goal. I love alpenglow.
Actually capturing a detectable outline of the whole moon seems to be “restricted” to moon captures fairly close to the horizon. I’m not sure of the physics involved in this observation anecdotal as it is. However, what I do know for certain: seeing the whole outline is a tough capture. I can actually see things like this in the camera’s live video at the time.
The joy of “Mirrorless” removable lens cameras is that you get what you see in the eyepiece (or backLCD) BEFORE you click the shutter. Working in manual mode on a Mirrorless, you instantly know what your settings are doing, you watch it live on the screen. This is NOT a DSLR camera routine where you approximate the settings, take a photo, check the image on the LCD. Then you reset your setting better….. Rinse and Repeat until you get the shot.
I wouldn’t even consider buying the best possible DSLR versus a 1500 dollar mirrorless removable lens camera. Not even close. Mirrorless allows you instant feed back to your actions. If you are Christmas shopping, I strongly suggest you find out about mirrorless camera bodies that take removable lenses. As with anything else, you get what you pay for. I use Sony Alpha 7R series extensively though I have a couple of consumer level Canon M series cameras. I use the smaller chip cameras (not full frame like the Sony) for astro/big telescope work).
Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands.
Title: Moonset in the Backcountry
Full Screen is a good choice for this. . Twilight over the BigHorns was so obviously gorgeous. I had to resort to a time exposure to catch it. The timing on this sunset is very late in Civil Twilight. I was returning home from a Photographic Road trip. My driveway offered this view as I returned to base.
Civil Twilight after sunset ends about 28 minutes after the sun goes down 8 degrees under the horizon. It’s usually the best time to get those crimson and yellow skies. The yellow is Alpenglow. Atmospheric Ice causes this phenomena caused by refracted light passing through. Only the red wavelengths which have survived through hundreds of miles of atmosphere light the cloud deck.
The Big Horns of course are 130 miles from my camera at this location. The long lenses I use crush the perspective. The black ridge at the bottom is 40 miles out. The clouds behind the range are around 200 miles out I would suspect. The distance is hard to put into proper frame. Those 13000 feet high mountains appear smaller than the thumb on my outstretched arm from here.
Photographic Musings focusing on :
Shutter speed:
When I don’t get detail in the landscape, you can assume that the lighting was pretty dim. I use very sensitive gear and this late, handheld camera work is silly to attempt. This is a 2 second time exposure. A rested camera at 1/15 th of a second is pretty tough to keep from blurring. 2 seconds you HAVE to have either a timer to initiate the shutter and a tripod/sandbag or your going to blur. I say if it’s 55mm and smaller that 1/50th is fine and stable unless your taking photos of moving things. The longer the lens, the more ANY movement will tend to blur. WIth a 800mm lens, if I’m working handheld at less than 1/200th of a second is rare and a rested camera.
My rules of Thumb for Handheld cameras shutter speed. (manual mode) all times are in fractions of a secondl You MIGHT get away with less and slower speeds blurring things intentionally is a valid photo technic. I’ve done that slow setting for a blur numerous times intentionally with bees and other fliers. Freeze the body but blur the wings composition sort of image…
Sitting still subject: 1/50th or faster..
Walking human 1/200th.
Running anything 1/800th
Flying things/moving vehicles: 1/2000th
Bumble Bee Wings 1/4000th.
These are just a rule of thumb and you can sure get away a bit on either side of those numbers. Of course the faster your exposure and the less light will enter the camera over the shorter period of time. You will have to adjust for fast shutters by either turning up ISO or turning down the F-stop numbers (bigger aperture). There are only three things to adjust in manual mode after all. You just learned one of them. 😀
Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands
Title: Twilight over the BigHorns
Capturing Windmill Sunset 2:1 Aspect is not an easy settings combination to figure out on your camera. It is counter-intuitive to say the least and a cell phone isn’t going to catch this image. The layers of ridges , the sails blur, the rising horizon (setting sun)🤔
Montana skies on the right. Wyoming Skies on the left. Living on the Montana/Wyoming border has it’s little spiffs lolol.
There are 3 things you have to set to run a camera on manual:
1: Your first priority here is to catch a blurred windmill. The only way to do that is to set your shutter speed to a very long 1/15th of a second to facilitate the blur. That makes a longer time for the windmill sail to blur the whole disk. Your kind of stuck with this first setting priority.
2: So then you have a VERY bright sun on the left of the frame. …. …. Your f-stop will reduce light so automatically you turn it all the way to the highest number the lens will go (this was f64). I was about 300 yards out from the windmill. 800mm telephoto.
3: You will still have to turn the last thing you have to set to run the camera on Manual. ISO or Camera sensitivity . I would think not many cameras can do this because they don’t have enough built in dynamic range . I use ISO 80 for this and the camera will go down to 50. Yours will probably go down to ISO 100.
This was done WITHOUT a glass neutral density filter in front of the camera but that might help some of you that cant turn your ISO any lower.
Disclaimer:
Now you know everything I know about trying to take one of these except, don’t do this with a DSLR camera as the direct light path to your eye will blind you. I look at a video screen to do this using mirrorless cameras. Also, make sure your using a camera that can take this (is rated for it). a direct sun through a long lens can and will melt some sensors in cameras out there. Don’t melt your camera please.
Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands
Title: Windmill Sunset 2:1 Aspect
