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Trunk Filter Lone Tree

Trunk Filter Lone Tree
Trunk Filter Lone Tree

Trunk Filter Lone Tree

I love using natural materials to filter out the glare from a setting sun such that the background colors appear. Between lens reflections and flares, the glare makes for a harsh photographic environment. Resultant in umber colored images unlike this blue sky to yellow transition. When I utilize something like this tree trunk to block, completely hide the sun, a different world emerges from the light overload. Almost nothing can look at the sun unfiltered. Modern Large sensor cameras do pretty well (fairly high end mirrorless NOT DSLR cameras) at not melting a spot in the sensor pointing into the nuclear furnace.

Chasing Gradients of color hue or saturation is a worthy use of my limited hands on camera time I feel. The yellow / golden light surviving the trip through the lower atmosphere making it to my photon capture device is dutifully recorded digitally. What ever software algorithm the camera settings impart to record the scene as a series of Ones and Zeros (I0III000I00)Billions of numbers long. It is my job to bring the digital file out of the camera and bring it into the digital darkroom.

It is my choice to finish them as I remember them. Everybody that actually is a photorealist must process the photo in some way or another. Cameras are terrible at getting it right. First of all I intentionally expose ONLY the highlights correctly. That way you can actually see detail in them. They are not all blown out as if you try to get dark detail. Blown out is lost information and bad photography.

Then you use the tools in a program like Photoshop™ or Lightroom™ to bring the dark areas back to reality. This process expands the dynamic range of the image. I brought the green out of the tree from pitch black. It’s a little thing but it’s exactly what Ansel Adams did with his contrasts and differential exposures. He did his in the chemical dark room and this would have taken him months to do this in black and white. Let alone the color thing. Technology has advanced a LOT in this field over the last century.

Location: Bliss Dinosaur Ranch, Wyoming/ Montana borderlands.

Title: Trunk Filter Lone Tree

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Moon Lone Tree Silhouette

Moon Lone Tree Silhouette
Moon Lone Tree Silhouette

Moon Lone Tree Silhouette

A few days a month I get a chance to get SOME light from the sun at the same time the full moon is rising. This is a little late in the timeline where there is still enough light to catch the outline of the ridge. The Full Sturgeon Moon slowly emerging from hiding behind this lone tree. IT turns out the moon is shy until it has no choice and has to be exposed. I mean it turns all sorts of shades of pink, orange and red so it MUST be shy. He might have been ducking behind that tree to relieve himself before he starts the night shift. I mean the man in the moon is obviously a gentleman trying to be proper after all.

Photographic Musings:

Getting Details on Close objects and far objects in the same single photo…. A matter of high #f-stop setting which give you deep focus. It also steals light preventing it from getting in the camera. So a long shutter open time is a good thing. Not too long as it will over expose the moon, not too long as this hand held shot would be blurred. I find 1/30th freehand minimum for blur. A monopod will go 1/15th. Tripod you have to keep moving, not handy, a few seconds exposure on a moving moon. That’s not good. Basically, your walking over uneven ground, moving in opposition to the moons movements. It rises, I walk closer to the hill. It goes to the right, I move to the left. Set your ISO to get a visible image on your screen. Rule of photography 127 is “Get the photo” Damn the ISO…

Location: Bliss Dinosaur Ranch, Wyoming / Montana borderlands (Wyotana)

Title: Moon Lone Tree Silhouette

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Lone Tree Moonlight Filter

Lone Tree Moonlight Filter
Lone Tree Moonlight Filter

Lone Tree Moonlight Filter

During those 2 days a month that I get to have both the full Moon with the Sun coterminously in the sky, I “work” them photographically fairly hard. My operational tempo on nights like this is intense really. I have a rough map in my head where I want to go sometimes but making to where I need to be and when are two different things lol.

Here I was about 5 minutes late. I spent too much time at the last location. Knowing WHEN to leave a site and move on is paramount to productive backcountry photography. Conditions are fleeting, the sun was setting, the moon was climbing in the sky. I love this lone tree on this remote ridge. It has wonderful views (about 180 miles horizon to horizon from it’s ridge). Such dendritic shapes lend themselves to light filtering work. I suppose I’ll get a bill with model rates charged plus the overtime for the wait. Never keep your model waiting for you. 😜

When I get a Full moon rising at the horizon, I’m all about getting it behind and in focus with terrestrial objects. This is a sub-hobby with my larger professions of photography. Toward that end…. It’s always a good thing when this particular tree lines up with astronomic objects (sun moon). This particular old soldier up high on a ridge has faced the worst wind/weather this high country can throw at it. It is a true old soldier. The Lone Tree on a Ridge is about 1/4 miles out from the parallel ridge is was working in the dark for this capture. The moon is a “little” further behind the ridge.👀

Location: Bliss Dinosaur Ranch, Wyoming / Montana borderlands (Wyotana)

Title: Lone Tree Moonlight Filter

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Spider Web Sky Filter

Spider Web Sky Filter
Spider Web Sky Filter

Spider Web Sky Filter

The rare thick foggy morning in the midst of a precipitation drought was welcome in this high country. The dew point had been reached during the darker hours. The net effect was a net moisture gain which is sorely needed. The strength of the gossamer iridescent spider silk amazes me with it’s natural strength. That is a lot of water for it to hold up. I suppose it’s spread out equally throughout the construction. 

The sun was heavily veiled by the pawl of fog still lingering after the sunrise. I caught this early enough in the process to get the best of both worlds. Sun shape and definition through the filtering fog but yet enough moderation of the glare to allow me to image this wonder. The spider was no where to be seen as I’m sure the HUGE glass eye I stuck into his domain was sufficiently worthy of note. Thus his quick exit. I’d have loved to have had a dew covered cat faced spider attached to this lolol. 

Nature has it’s way of producing miracles that escape our perception due to our hurry up and get there mentality. I have had to teach myself to slow down and actually see/recognize what the generalist in me ignores. Each of us has this ability to focus in on the details around us. Few take the time. To see what others only look at in passing, paying no mind to it, is a core achievement of a good student of photography. 

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands. 

Title: Spider Web Sky Filter

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Lone Tree Ridge Sunset

Lone Tree Ridge Sunset
Lone Tree Ridge Sunset

Lone Tree Ridge Sunset

Getting into position on parallel ridges is certainly a challenge early in the morning. In the evening as this, it’s relatively easy to get there. It’s finding your way back that is the challenge. Role reversal almost across the board. As soon as the sun sets behind that ridge, the whole valley I have to travel into is into dusk and darker environments. Reversing the order of events between a sunset and a sunrise seems to be a universal constant with a few contrarian natural occurrences about.

Sunrise/Sunset. (classical reference intended). For one we rise, the other we set to bed . In a similar vein, it’s hard to get there in the morning and hard to get back at night. “En revanche mon ami”. Unlike humans, the horizon rises at night. However, if you look, in the morning the horizon drops downward in the morning. The Full Moon sets in the morning and rises at night. A lot of events seem to happen right at those two times. It must be a coincidence, or perhaps an ancient biological dependance on the cycle. Just a few more gears driving the wheel of life.

The coming of the light and the departure. It is the appreciation of the process that adds so much to the overall experience I enjoy with this work. I use the term “Terminator Crossing” to describe both sunrise and sunset in one word. If you have never heard of “Terminator” except in connection with “the future is not set” and Arnold, time to google Terminator. You see the Terminator on the moon all the time.

Have a great and safe evening…

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana).

Title: Lone Tree Ridge Sunset

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Mesocyclone Monster Moving Through

Mesocyclone Monster Moving Through
Mesocyclone Monster Moving Through

Mesocyclone Monster Moving Through

These storms are HUGE and are the source of most of the “bad weather ” we experience during green and brown season. Think of them as big spinning tops with the energy of an atom bomb inside. They take their own time over where ever they travel. Your going to get some big rain if your under one of these for very long.

They make ultimate IMAX™ wide theatre screen for the filtered sunlight reflecting off back to my camera). The Sun being a big projector over my shoulder with this being the backshow at sunset. 📸

Having passed right over us last summer (2019). This Mesocyclone storm cloud must have been 100 miles across.

The colors are a result our star projecting a smooth color gradient filtered through the atmosphere. Colors ranging from red (bottom) to yellow (top). A slit window color cast the top of the cloud with the bottom in the shadow of another storm. Reddish light reflections are from the longest traveled surviving light rays. Those red rays travel through the most atmosphere. Projected on the cloud. Then a quick 75 miles bounce back to my camera. (Orange is a mix of red+yellow) The higher you go, the more yellow the light that makes it through then finally to the white wisps in the blue at the top of the cloud.

This smooth gradient from bottom to top is the classic gamut of colors from virtually every sunset. As here you just normally can’t see all of it lolol. Red was hidden by the shadows. It was really quite dark where I was as the lighting was off to my side looking a little to the north at sunset.

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands

Title: Mesocyclone Monster Moving Through

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Three Angus and a Tree

Three Angus and a Tree
Three Angus and a Tree

Three Angus and a Tree

The lighting was so unusual I pulled up and pursued it as hard as I could. The heavily veiled sun was peaking through up the hill. But not where I was standing hundreds of yards away. The angles were unusual. I was sun shaded but bright spotlights shone through the veil. This high lighting the hillside. This sunrise was a nice variation of the many themes I have experienced. Lots of contrasts and highlights are a good thing lol.

There is a fossil site below that tree… I haven’t really dug much there, just scratching the surface. I know there is a caudal vertebra from some dinosaur sitting up there under the edge of a boulder about a foot from where I initially found it. It’s only a few inches across. There are also a few bone cross sections (outcrop with bones sticking out) under the cap rock. I don’t believe it is worth my time to dig there as it’s likely just a few random individual bones. They are likely NOT bones from the same individual. Bones soon to become fossils were washed into that spot by the Cretaceous Age rivers. (End of the Dinosaur Era). 53 percent of the fossil record is composed of pieces and parts of Triceratops… They were the cows of the day..

Everybody on two legs (theropods like T-rex) at them. The more things change, the more they remain the same. 2 legged creatures of today eat those modern day cows too.

Location: Bliss Dinosaur Ranch, Wyoming / Montana borderlands (Wyotana)

Title: Three Angus and a Tree

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Lone Tree Moon Silhouette

Lone Tree Moon Silhouette
Lone Tree Moon Silhouette

Lone Tree Moon Silhouette

(May 2020, third/last supermoon of the year) I was fortunate to have worked them all. This month I only had one opportunity to work it against the landscape. I have 4 quality images from this month’s full moon which is about par for the course. Without a doubt this image is the best one I have obtained from this combination.

This one is somewhat similar to others I’ve taken and I’ve shot this tree many times as it’s only a mile from my driveway. However the burgundy (muted pink light) alpenglow, details in the dark and the dynamic range of this one makes my heart pitty pat… 📸📸

I’ve taken a few photos of this tree in front of various astronomic occurrences. It is indeed a lone tree on that position about 1000 yards away from where I took this image.

Photographing images like this a combination of finding the right position in x/y space, timing and distance is z, and that position moves with the speed of the moon. This makes using Tripods very difficult as you have a moving target. Maybe a monopod. This however was handheld. Distance is your friend here from that Lone tree.

Practicing this kind of photography has found me on my butt more times than any other tripping over sage. The moon is constantly moving, I’m usually on some parallel ridge walking forwards (as the moon is rising and to the left a bit while looking through a 2 foot long lens (tube) and not at my feet with sage brush around on uneven ground.Bear with me as capturing this kind of image is a “sub-hobby” of mine within the general photography that I do. I find it a serious challenge to get terrestrial objects in the same focal plane as the moon or the sun in twilight or darker conditions. Just like this. This composition is a tough one to capture in this low light/long focal field combination. 📸

2×3 aspect to 3 feet. Rested 1200 mm lens on “Clever Girl’s” drivers window.

Location: near the Bliss Dinosaur Ranch, Wyoming/Montana borderlands

Title: Lone Tree Moon Silhouette

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Lone Tree Backcountry Lamp

Lone Tree Backcountry Lamp
Lone Tree Backcountry Lamp

Lone Tree Backcountry Lamp

Taken a few days ago. This is a VERY bright scene but the sun was indeed markedly yellow and the sky orange around the glare of the sun placed in the same focal plane as this tree. If you hold your thumb out at the end of your outstretched arm, it would cover this image area. Positioned where I thought the bulb should screw into this rare backcountry lamp post. When taking such images, shutting down the camera to light is a necessity. The lens is an 28 inch long 600 mm optic. I’m working hand held for this kind of capture. About 300 yards distant from the snag. The sun is out a bit further. 🤔

Being so bright a scene, it had some interesting light effects on the sensor and diffraction effects are rife. The particulates in the air as well as the clouds below it’s line of sight enabling only the longest red rays access to me. The bright yellow light from the sun overwhelmed and diffracted around the branches. though. Makes it look like it on this side of the tree lolol.

I never know how these are going to come out when taking photos way outside the sane photographic envelope looking into the sun as this capture. Settings you must consider looking it a scene is a fast shutter so going freehand is easy. You need ISO low low numbers and fstop as high as you need to enable both snag/sun to be in the same focal field.. The higher f – stop will give you a deep depth of field but will tend to cause those diffraction effects where the light wraps around and hides the branches.

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands.

Title: Lone Tree Backcountry Lamp

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Channeling Japan in Wyoming

Channeling Japan in Wyoming
Channeling Japan in Wyoming

Channeling Japan in Wyoming

Lone Trees and Large Suns are in an of themselves, each worth of pursuing with a long lens. (1200mm). 300 yards out,. With the dramatic veiled sun and clouds in front, I was able to pull a Japanese scene out of this light.

This Isolated Lone Tree actually has a fossil site at it’s base that I’ve not collected much. I just walk around the surface there and I have not dug. I even left a caudal (tail) vertebra under a boulder there so there is always a fossil to find there. If you were astute looking around you might see large chunky bone fragments coming out of the sandstone in a small outcrop under the ledge to the right of the tree. I keep this place native for the rare person(s) I would take to this place. One of my 4 rifle courses for the Wyoming Tactical Rifle Championship surrounds this hill top.

I have a theory that is certainly just anecdotal. I believe that the soil types derived from the underlying sediment from fossil sites is easier for this species of pine tree to grow in than surrounding soils. MANY of the small fossil sites in this Cretaceous Sandstone Country have either a big majestic Snag laying around or a tree growing just above the fossil site. It is a “working” theory in the jargon of science in that I’m always trying to observe subtle nuances

Location: Bliss DInosaur Ranch, Wyoming / Montana borderlands (Wyotana)

Title: Channeling Japan in Wyoming

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Blue Twilight Old Growth

Blue Twilight Old Growth
Blue Twilight Old Growth

Blue Twilight Old Growth

This mood setting Blue image posted only 24 hours after my last blue image……. Starting a trend perhaps…… I was just musing that a moody blue scene was rare in my portfolio. . I’ve even been accused of being blue blind by more than one individual. Having said that, I try really hard to be photorealistic in what I do. I do consider myself a landscape photographer. This doesn’t mean I’m not biased in my pursuit of crimson skies with silhouetted land. I am biased in my choices. . I way disproportionally post fully engaged complex skies. Obviously simple was better here.

This is almost exactly on the Montana / Wyoming border with it pretty much running through that largest tree. That is 45˚ North Latitude as close as the civilian GPS I use, can locate. Well endowed our ranch is geographically. That major meridian runs through us for about 2 miles linear of the Montana/Wyoming border in our ranches boundaries. I have over the decades gotten a pretty good idea where it is at any one time and by landscape features. That invisible line is literally 1/2 way between the Equator and the North Pole (the Montana/Wyoming border too).🤔 We are also about 120 miles from the geographic center of the North American continent. You couldn’t get much further from an Ocean than this spot….literally lol. No local “Red Lobster”. We have to drive 150 miles to the closest one. 😔

Location: Bliss Dinosaur Ranch, Woming / Montana borderlands (Wyotana

Title: Blue Twilight Old Growth

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Veiled Moon Lone Tree

Veiled Moon Lone Tree
Veiled Moon Lone Tree

Veiled Moon Lone Tree

Photographing images like this a combination of finding the right position in x/y space, timing and distance is z, and that position moves with the speed of the moon which makes using Tripods very difficult. Maybe a monopod….This was handheld.

Distance is your friend here from that Lone tree. I’m about 600 yards out from it for this shot. This is a full sized image not a crop. Doing this kind of photography has found me on my butt more times than any other. The moon is constantly moving, I’m usually on some parallel ridge walking forwards (as the moon is rising and to the left a bit while looking through a 2 foot long lens (tube) and not at my feet with sage brush around on uneven ground. I’m all about getting it behind and in focus with terrestrial objects. It’s always a good thing when this particular tree lines up with astronomic objects (sun moon). The moon is a little further behind.

Photographic Musings: The clouds were very thick and obscuring with the moon blinking in and out from behind the veil. I am as always, reactive to the light with only a bit of premonition to guide me to the next spot from here. Half the game of photography is knowing when you got the shot and it’s time to move on. Otherwise you spend too much time at the site and miss other opportunities. I move pretty rapidly from interesting situation/alignments of the sun or the moon by driving along parallel ridges. I work the “Shadow” line by driving it and “seeing” what develops as I move. The cool stuff to photograph as in “I know it when I see it”. There are times I see things that are virtually impossible to capture unfortunately. Working on those 😜👀📸📸

Location: near the Bliss Dinosaur Ranch, Wyoming/Montana borderlands

Title: Veiled Moon Lone Tree

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Lone Tree Full Moon

Lone Tree Full Moon
Lone Tree Full Moon

Lone Tree Full Moon

When I get a Full moon setting close to the horizon and JUST enough light, I’m all about getting it behind and in focus with terrestrial objects. It’s always a good thing when this particular tree lines up with astronomic objects (sun moon).

The Lone Tree on a Ridge is about 1/4 miles out from a parallel ridge in this capture. The moon is a little further behind.

Photographic Musings: There were heavily banded clouds with the moon mostly filtered out behind the veil through the twilight.. In an out of view over it’s last hour in the sky this morning which I observed. I am as always, reactive to the light with only a bit of premonition to guide me to the next spot from here. Half the game of photography is knowing when you got the shot and it’s time to move on. Otherwise you spend too much time at the site and miss other opportunities. I move pretty rapidly from interesting situation/alignments of the sun or the moon by driving along parallel ridges.

I work the “Shadow” line on the opposite ridge by driving along it and “seeing” what develops as I move. The cool stuff to photograph as in “I know it when I see it”. There are times I see things that are virtually impossible to capture. This veiled sun was ‘easy”. A partially veiled moon behind this tree is a common occurrence. This is low low light to catch that tree pre-sunrise in mid-civil twilight.

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands. (Wyotana)

Title: Lone Tree Full Moon

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High Ridgeline Snag at Twilight

High Ridgeline Snag at Twilight
High Ridgeline Snag at Twilight

High Ridgeline Snag at Twilight

Snaggy Silhouettes are fodder for my photon capture boxes. (cameras). I always like snag silhouettes but when a sky is fully involved showing off to me, it’s enough to get my attention. (I’m spoiled) This is not an easy tree to be at right at sunset as it takes a little travel to get there in the backcountry. All two track trails suitable to 4 wheel drive only most of the time. To find standing snags on ridges isn’t as common as you think. Lots of snags standing in sheltered from the wind areas. This is fully exposed and will be laying down pointing to the south (ish) sooner or later. The prevailing winds from the north west will eventually win the battle with this old soldier.

Such organic forms are rife with smooth curves, contrasts against colors of a veiled Wyoming Sunset. The sun JUST peeking around the trees / snags base. Raw organic. Rainbow gradients are always to a one beautiful. I’ve never seen one I didn’t like. 📸 Always expose the highlights correctly. Worry about the shadows later. 📸 We call fallen trees “Snags” because as you walk, they will Snag your leg and trip you. Pines die here mostly due to lightning strike or wind damage. Igniting from a lightning strike, they may burn for days if not extinguished (usually by the rancher).

I have maintained a 5 ton truck just to fight fires up here for 12 years now. If you get too many snags in your “woods”, your going to have a hot fire. In their defense, they provide homes for wildlife. I call them wildlife trees myself. Woodpecker holes abound in them.

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands (Wyotana).

Title: High Ridgeline Snag at Twilight

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Backcountry Wildlife Tree

Backcountry Wildlife Tree
Backcountry Wildlife Tree

Backcountry Wildlife Tree (Home Sweet Home)

IT’s obvious by the wear and tear on the wood under this hole that it has been landed on thousands of times. The relentless job of feeding young, the coming and going of small but strong claws grasping for purchase there. Someone took the time to hollow out this hole and I’m betting on Common Flickers being involved. That species is by far the most active Pecking bird that I see here in the borderlands.

Close/Far Perspectives are my stock and trade with cameras. I really enjoy working wide angle close focus lenses. Using natural lines drawing your eye to the vanishing point it a long used technique in both painting AND photography. I can think of no finer subject than a majestic tree that gave it’s life to become a home. I’m sure this abode will be here 20 years further on down the road as the tree itself is sound yet. Unprotected wood can survive perhaps 100 years in this dry climate. We have ranch / farm implements that old with wood parts remaining but that was hardwood. This tree is pine.

This tree has several other shelters contained within it’s natural architecture. Several other similar entrances grace it’s remaining substantial bulk as a 15 foot tall standing stump. It’s top laying off to the side bleaching in the summer sun, it’s branches slowly being rubbed off by cattle pushing against to scratch an itch. Wildlife trees are special places providing food and home to a host of backcountry creatures.

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands. (Wyotana)

Title: Backcountry Wildlife Tree

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Lone Tree Sky Show

Lone Tree Sky Show
Lone Tree Sky Show

Lone Tree Sky Show

Lone Tree on Veiled Sun. When I get a heavily veiled sun, I’m all about getting it behind and in focus with terrestrial objects. It’s always a good thing when this particular tree lines up with astronomic objects (sun moon). The Lone Tree on a Ridge is about 1/4 miles out from a parallel ridge in this capture. The sun is a little further behind.

Photographic Musings:

The clouds were very thick and obscuring with the sun mostly filtered out behind the veil. I am as always, reactive to the light with only a bit of premonition to guide me to the next spot from here. Half the game of photography is knowing when you got the shot and it’s time to move on. Otherwise you spend too much time at the site and miss other opportunities. I move pretty rapidly from interesting situation/alignments of the sun or the moon by driving along parallel ridges. I work the “Shadow” line by driving it and “seeing” what develops as I move. The cool stuff to photograph as in “I know it when I see it”.

There are times I see things that are virtually impossible to capture. This veiled sun was ‘easy”. A fully lit sun behind this tree is a common occurrence but without neutral density glass filters in front of the camera, even these Sony Super Cameras , this would be impossible. The tree limbs would be totally washed out. I never use glass filters or even do I use a pretty much standard UV haze filter. I find they get in the way of the image more than “fixing ” what they do. A UV filter does protect your lens glass from scratches though and is probably worth it for what you would do mostly. I point cameras at the sun a lot and glass infront of the lens has been an issue in the past for me. Just saying….

Location: Bliss Dinosaur Ranch, Wyoming/Motnana borderlands.

Lone Tree Sky Show

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Backcountry Lamp Post

Backcountry Lamp Post
Backcountry Lamp Post

Backcountry Lamp Post

About 6 months off season, the forest fires to the far west. This is a VERY bright scene but the sun was indeed markedly yellow and the sky crimson on this tiny portion of the sky placed in the same focal plane as this tree. If you hold your thumb out at the end of your outstretched arm, it would cover this image area. Positioned where I thought the bulb should screw into this rare backcountry lamp. When taking such images, movement of your head fractions of an inch makes a REALLY big difference. The lens is an 18 inch 600 mm optic. I’m working hand held for this kind of capture. About 300 yards distant from the snag. The sun is out a bit further. 🤔

Being so bright a scene, it had some interesting light effects on the sensor. The particulates in the air as well as the clouds below it’s line of sight enabling only the longest red rays access to me. The bright yellow light from the sun made it to me though. The pall of smoke trapped all the shorter wavelengths of light from getting to me. I never know how these are going to come out when taking photos way outside the sane photographic envelope looking into the sun as this capture. Settings you must consider looking it a scene is a fast shutter so going freehand is easy. You need ISO low numbers and fstop as high as you need to enable both snag/sun to be in the same focal field.. The higher f – stop will give you a deep depth of field.

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands.

Title: Backcountry Lamp Post

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Big Tall Crimson Sunrise

Big Tall Crimson Sunrise
Big Tall Crimson Sunrise

Big Tall Crimson Sunrise

Getting to a favorite overlook for catching a Twilight Moment in the Backcountry in the Wyoming/Montana Borderlands is an exercise in driving remote two track roads in the dark dark lol. I might take 10 or 20 minutes to get into position for a shot like this pre-sunrise usually in late Nautical Twilight where stars are visible early on.

Eastern Skies almost always have better twilight shows than western skies as there is usually more ice in the atmosphere by my observations. Others may disagree.🤣This is in mid Civil Twilight which starts 28 (ish) minutes before actual sunrise. Nautical Twilight just ended and Astronomic Twilight (when the stars just disappear) has been over for a 1/2 hour. IT takes about an hour for the sun to rise. The horizon is actually falling away from covering the sun for the night. Remember it’s not the sun that’s moving. I remind you that it is the earth that is rotating. The horizon is literally falling when you look to the east about 4-6 inches during the time it takes a rifle bullet to reach 1000 yards out.

This Backcountry show starts in pitch black as deep as the North Atlantic Ocean (according to NOAA). Little dribs of color pushing through the dark. . As time progresses, the “volume” of the color wheel is turned up. Such Sky Shows are a pleasure to watch from beginning to end and I have done many many hundreds in totality. I’m pretty sure time isn’t taken off your lifeline for time spent watching sunrises and sunsets.

This is a 1 second time exposure as it is. No wind, dead calm or the pine needles would be a blur.

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands.

Title: Big Tall Crimson Sunrise

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Lone Tree Banded Sunset

Lone Tree Banded Sunset
Lone Tree Banded Sunset

Lone Tree Banded Sunset

In a rare display of a pre-sunset yellow to blue gradient all the way to the roof of the sky. A nice golden lower sky alpenglow color-cast downlow smoothly mixes against the still rich blue of the upper sky. This gives a smooth mix of color through the pure blue at the zenith.

From the stand point of a photographer that has watched a few sunsets:

Just took this a few days before I type this. I consider this sunset as in the top 20 that I actually said “WOW” while I was taking it. Several times as I was clicking away with different compositions with the same backdrop sky show. That immediate wow factor to me pushed it to the front of the line somehow lol. This image publishes right at 10 days from when I took it. I am no longer live the same day. All these narratives are written about a week before the actual post.

I do however try to read every comment and respond to questions as best I can. It might take me a week to make it to any particular forum but I do eventually read everything that I find. I answer several hundred comments (like 300 ) comments a day this year. I check PM messages best I can lolol. Please forgive me if I missed you. I appreciate all comments event the critics. I’m my own worst critic so nothing anyone else can say hurts lololol.

I spend well over an hour taking, finishing a photo, write a 250 -300 word narrative publish it and answer responses to them. 5 per day currently. Facebook is a busy place for me.

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands (Wyotana).

Title: Lone Tree Banded Sunset

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Twilight Crimson Sky Show

Twilight Crimson Sky Show
Twilight Crimson Sky Show

Twilight Crimson Sky Show

The Lone Tree sees a sunset and a sunrise each day. Sometimes clouds trap all the light, the actors of the stage show have no spot to perform in. Sometimes dramatic plays happen overhead taking over an hour from start to finish. I have a tough job watching entire sunsets and sunrises as they mutate from second to second. I might take 800 photos of a particular sunrise as this. 3 or 4 images from the twilight will be finished. More images from after sunrise of this morning with different frames were equally as dramatic.

Skies as above are rare but the high ridges I work have their share. Dozens of decades under the trees “belt” , it’s perspective far exceeds our own limited memory of our travels. The complexity of our thought the tree can not conceive, but the perspective it has is beyond our comprehension.

Being a tree it has ultimately a figurative and literal connection to the land lol. I would like to think it is deeper than that. Much more connectivity between living things and the environment than we give them credit for occurs I feel. Even disconnected to nature by nurture human/me, can feel things happening an orderly manner here in the highlands. It’s probably my own psyche settling into the cycles, the yearly natural event of this place in space and time.

A tripod can come in handy in this lower light civil twilight sky. Long exposures are hard to do without them….

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands

Title: Twilight Crimson Sky Show

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Lone Tree Golden Background

Lone Tree Golden Background
Lone Tree Golden Background

Lone Tree Golden Background

I admire the strength and tenacity of a lone tree on a ridge. They are alone in their survival subject to the wild Wyotana weather. 80 mph winds here just about every year. Cold cold cold windchills. Drying winds with only 14 inches of precipitation a year.

The hardships for this tree have been ongoing for at least 100 years for this isolated survivor. Pine trees grow where their pine cone opened and released the fertile seed after a local grass fire triggered it. The heat causes the cones to release their seeds. I haven’t done a ring count but 100 years seems right for it’s size. Such can be deceiving though. Really big Pines here are hundreds of years old. By comparison, this is not a huge pine, about 30 feet high but very wide for it’s height. This shot was from across a canyon from a parallel ridge to the east. (behind me)

The Contrast of course is what this photo is all about. The lighting was diffuse so the sky wasn’t terribly interesting that day . Flat light can make for big contrasts between darker shades and mid-tones. The golden fields of grass ready to bale this last fall provide the backdrop for this old warrior of the ridges.

Many of the trees in this local area were burned in the late 1930’s by “fires that burned until the first snows fell. This tree is certainly remote on this hill with the closest other tree being several hundred feet distant. I believe this field has been cleared of sage early on. They did a lot of that clearing by hand. Horse and pulled single row plow back in 1906 when what was to become this ranch, was first settled.

Lone Tree Golden Background

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Savanna Tree High Backcountry

Savanna Tree High Backcountry
Savanna Tree High Backcountry

Savanna Tree High Backcountry

I took this a week ago as this posts with quite a Twilight Behind a Lone Tree on a Remote Ridge. This one of about a dozen favorite lone trees of mine being on a very high ridge that is approachable from both sides at least on foot from this side AND I can get far enough away to fit it all in to the frame. These are all requirements for me to get this kind of capture. Topography and astronomy has to coincide with Botany. That’s a lot of coincidence lol.

Twilight skies are notoriously color boosted by many artists. I would suggest to you that if anything, the real show was actually much more vivid in person. I stopped a bit light on saturation finalizing this as I’d like it to be photorealistic to what I experienced. It was beautiful. It’s easy to be enamoured with silhouettes of lone trees against an active twilight sky show. I keep them real though and will tell you if I seriously mess with color. It’s seldom I mess with the highlights of an image. My tendency is to bring hidden detail out of the shadow in the digital darkroom. . I did none of that with this image for the silhouette effect. It is pretty much as raw out of the camera.

This capture has the triangle formed by the clouds and the hill slope. Geometry formed in an image is always a bonus “hero”. Every photo needs a few heros. Hero’s defined here as something that draws the eye, brings forth a memory, or is just a nice series of colors or gradients. Something attractive.

Location: Ridge 1, Bliss Dinosaur Ranch, Wyoming/Montana borderlands.

Savanna Tree High Backcountry

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Lone Tree Sky Gradient

Lone Tree Sky Gradient
Lone Tree Sky Gradient

Lone Tree Sky Gradient

While I admire the tenacity of this lone tree. Living with out the benefit of the group shelter from the incessant Wyoming/Montana winds. Here on the high ridges all things are buffeted by hurricane winds yearly. The slopes leading up to them will enhance and focus the wind at times worsening the situation. Having an unparalleled view is a benefit, of this old sentinels exposed existence.

If this tree is certainly 100 years old (probably 200+), it has seen a mininum of 36500 sunrises and 36500 sunsets. I’ve only photographed well over 1000 from start to finish during my photographic travels. I’ve seen virtually (almost) every shade on the pantone color swatch book in the natural sky. And many of those missing color representatives created by others using excessive “filters” to enhance their highlights posted on the internet.. Some of the colors I’ve seen created by others are certainly un-natural. ART. The use of that color slider control on the phone are definitely missing in nature lolololol. I try REALLY HARD to be a photorealist. Blue Snow is a classic example. I’ve seen blue snow twice in my life. Both circumstances were in EARLY Civil Twilight. I see it daily posted in the forums. Generally I live in a blue snow free zone.

The color gradients I see in this image are the Alpenglow equivalent of a rainbow. It’s sort of the wrong order of colors as a classic rainbow but there are refractions here going on. I have to get up to the ridges at least 1/2 an hour early. Getting into position this time of year is always in question and often in doubt. I’m on foot for this particular location for this shot. .

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands

Title: Lone Tree Sky Gradient

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Red Light Crack of Dawn

Red Light Crack of Dawn
Red Light Crack of Dawn

Red Light Crack of Dawn

I’ve been on this spot many times. It is not easy to gain access to Midwinter. I have discovered that gaining elevation is a necessity required to acquire views such as this. 400 feet higher up here than where I live on the lower lip of this ridge. This rare back-lighting effect (colorcast) is accurately produced here exactly as I experienced it. The Red “Belt of Venus” in the sky background is from the same color light reflected in the atmospheric ice. The White Snow acting like a projector screen. I see a few of these a year historically. The snow and the hoar frost created “Pine Noodles” out of the needles. Witnessing and understanding what is happening below the surface are two different things however 🤔📷.

The snowstorm began at nightfall but ceased at mid-night. Bedded down were all the animals. The crisp wet morning accented the twilight. It might take half an hour of pre-sun travel to gain access this high remote ridge. There are no maintained roads up here off the county road. Busting drifts you can’t see is always a challenge…. Stuck describes a situation my 15 year partner Jeep Grand Cherokee I just traded in has never been. They ride like a board sadly under these backcountry two track roads. New ride 🙂

The Lone Tree and a few of it’s children surrounding the old soldier. These trees live in some very harsh conditions. They are almost all twisted grain under that bark from the high winds at the ridge.

This 40 mile landscape overlooks the Trail Creek Drainage. Off in the distance to the Little Powder River Drainage. The Mountain Ridge on the horizon is a reference point here. The camera is at the same elevation as the saddles between the peaks in the distance. This is a BIG valley / river drainage. The Big Horn Mountains had filled that big valley between the far hills with where I stand here.. The “Little Powder River, a 20 foot wide river most of the time removed all that sediment here to there….. Humm.. The “Alluvial Fans” (google this) from the Big Horn Mountains washed up to our doorsteps from 130 miles distant. Those have been bisected and removed by that little river. It’s drainage fingers cover a large area too. This is just a dry environment. This geomorphological process has taken a while.

Our ranch literally sits on the geologic inflection point between the Black Hills Uplift to our east and the Powder River Basin west (this view) The range distant to the horizon earned it name, the “Red Hills”. (I wonder why?)😜 Morning Red LIght is always illuminating those peaks for me.

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands.

Title: Red Light Crack of Dawn

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Oh Christmas Tree

Oh Christmas Tree
Oh Christmas Tree

Oh Christmas Tree (with all due respect to Mario Lanza I changed the title to my image to Oh instead of O….)

Even the Wildlings way out in the backcountry have decorated trees to enjoy this Christmas day. A trillion of these moments in space and time happen all the time. It is a matter of realizing the possibilities and having the technology (in your hand) to capture the image.

Each and every one of these trees was casting a hugely contrasting shadow. I just had to pick the place where I could see the whole shadow. Again topography controls / limits my photography. That gravity thing is also a problem.

This well blown snow accumulates around the Yucca Plants. While where I’m standing is only about 6 inches, there are places in the hollows where it’s knee deep. Getting here was half the fun of this photograph 📸🎄 I’m locked out of most of the backcountry now. I have to plow a road if I want to get up on the big ridge. A couple of miles of plowing but I like to wait for a big storm to come through and blow around. Let it drift abit before I take the time and diesel fuel to clear a path.

Hope Christmas morning was blessed with family and gift giving to all of you. It’s right around noon as this posts and it’s gonna be time for a nap sometime soon lol.

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands (Wyotana)

Title: Oh Christmas Tree

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Back Country Umbrella

Back Country Umbrella
Back Country Umbrella

Back Country Umbrella

I often find Deer beds under trees suring snow storm. If the snow is falling straight down, the trees act as a pretty good umbrella to keep the white stuff off. It’s common sense (which deer have a lot of). Any shelter in a storm is better than no shelter.

Lone trees on a ridge are romantic figures up here. Battling the worst that the environment has to offer. 80 mph winds, -30 degrees for weeks (historically since I’ve been here) and terrible dry spells. These lone sentinels are king of all they survey. They don’t grow very fast. This tree is at least 100 years old. I suspect the big ones are several hundred years old. This fellow happens to be sitting on a fossil microsite. Just on the other side of the ridge, bare Hell Creek/lance Sandstone outcrops with large chunky dinosaur bone fragments weathering out. I even found a pretty nice toe bone from a hadrosaur there. I left it under a rock I found it next to so it’s out of the weather. can show it to a few random folks that happen to make it up here for the discussion.

The ridge in the foreground is several hundred yards out in this long distance telephoto shot. The ridge behind the foreground tree is 40 miles distant from the camera. Telephoto’s crush perspective something fierce. It’s hard to believe you can see individual trees at 40 miles out but there they are. 📷

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands (Wyotana)

Title: Back Country Umbrella

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Lone Tree on Veiled Sun

Lone Tree on Veiled Sun
Lone Tree on Veiled Sun

Lone Tree on Veiled Sun. When I get a heavily veiled sun, I’m all about getting it behind and in focus with terrestrial objects. It’s always a good thing when this particular tree lines up with astronomic objects (sun moon). The Lone Tree on a Ridge is about 1/4 miles out in this capture. The sun is a little further behind.

Photographic Musings:

The clouds were very thick and obscuring with the sun blinking in and out from behind the veil. I am as always, reactive to the light with only a bit of premonition to guide me to the next spot from here. Half the game of photography is knowing when you got the shot and it’s time to move on. Otherwise you spend too much time at the site and miss other opportunities. I move pretty rapidly from interesting situation/alignments of the sun or the moon by driving along parallel ridges. I work the “Shadow” line by driving it and “seeing” what develops as I move. The cool stuff to photograph as in “I know it when I see it”.

There are times I see things that are virtually impossible to capture. A fully lit sun behind this tree is a common occurrence but without neutral density glass filters in front of the camera, even these Sony Super Cameras , this would be impossible. The tree limbs would be totally washed out. I never use glass filters or even do I use a pretty much standard UV haze filter. I find they get in the way of the image more than “fixing ” what they do. A UV filter does protect your lens glass from scratches though and is probably worth it for what you would do mostly. I point cameras at the sun a lot and glass infront of the lens has been an issue in the past for me. Just saying….

Disclaimer:

Don’t point a DSLR camera into the sun. It can blind you if you look into the eyepiece and it will probably burn a spot in your digital image chip in the camera. I use a full frame mirrorless Sony Alpha 7R 2’s ,3’s and 4’s which I routinely point at the sun. Resultant… no apparent damage to the cameras over several years of this.

If your buying gear soon….

Mirrorless Cameras: I’m not blind now because I look through the a Mirrorless cameras eyepiece which has a video screen behind the glass so no direct path of light to blind you. Newer mirrorless cameras do this video thing. Older Designed DSLR’s don’t show you your image until AFTER YOU CLICK. Mirrorless Cameras show you your settings changes live on screen and you get what you see when you click not after. If your shopping for cameras, I would tell you to buy mirrorless. Particularly if you work outside with cameras. Studio it’s not critical either way.

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands.

Title: Lone Tree on Veiled Sun

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Moon Rising: Lone Tree

Moon Rising: Lone Tree
Moon Behind the Lone Tree on the Ridge

Photographing Moor Rising: Lone Tree is a combination of finding the right position in x/y space, timing and distance is z, and that position moves with the speed of the moon which makes using Tripods very difficult. Maybe a monopod….This was handheld. Distance is your friend here from that Lone tree. I’m about 600 yards out from it for this shot. This is a full sized image not a crop. Doing this kind of photography has found me on my butt more times than any other. The moon is constantly moving, I’m usually on some parallel ridge walking forwards (as the moon is rising and to the left a bit while looking through a 2 foot long lens (tube) and not at my feet with sage brush around on uneven ground.

Capturing this kind of image is a “sub-hobby” of mine within the general photography that I do. I find it a seriously fun challenge to get terrestrial objects in the same focal plane as the moon or the sun in twilight or darker conditions. It’s a good skill to hone for when the right situation presents itself.. Like this 📸

You have to get working that camera on Manual if you want to do this kind of work lol. Cell phone cameras need not apply and won’t do this without an external lens of some rigged hook up….lolol Lots of fstop, then all you have to do is adjust the other two parameters left, ISO (camera sensitiviey) and Shutter speed. I’ve covered that many times elsewhere so I won’t do it again here 📸 Suffice to say, distance is your friend here and lots of lens to do this.

. 2×3 aspect to 3 feet tall from a 1200 mm telephoto lens. Full frame not a crop.

Have a great day all, be safe in all you do… 😀


Location: Bliss DInosaur Ranch, Wyoming Montana borderlands

Moon Rising: Lone Tree

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An Ent Trying to Catch the Moon

An Ent Trying to Catch the Moon
An Ent Trying to Catch the Moon

(Satire): I caught this hungry “Ent’s” hand trying to grab the moon. I actually had to step on his toe… err….. root to distract him. (But I got the photo first!)
The moon got away of course… Good thing I did because if he grabbed that moon for even just a few seconds…all those tidal charts would be off…what a nightmare.🤔📸 So it seems I saved the world yet again from catastrophic schedule disruption. This has got to be like the 10th time I’ve stopped these Ents from grabbing that old hunk of cheese😂

Back to my normal scheduled programming….

Portrait Aspect

Good Sunday Morning all

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands.

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Old Man Ent (Onodrim to the Elves) in the Backcountry

Old Man Ent (Onodrim to the Elves) in the Backcountry
Old Man Ent (Onodrim to the Elves) in the Backcountry

This old man “Ent” (Onodrim to the Elves) in the Backcountry. There are many strange things lurking in the hills up here. I saw this “Ent” immediately even through he froze still so as to fool me. Only from this angle is the face so convincing. … Click..

Happy Halloween (real photo)

Location: Bliss Dinosaur Ranch, Wyoming/Montana